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Books
- Stiles, K, Concerning Consequences Studies in Art, Destruction, and Trauma
(March, 2016),
pp. 490 pages, University of Chicago Press, ISBN 9780226774534 [abs]
- K. Stiles, Concerning Consequences: Studies in Art, Destruction, and Trauma, 1978-2014
(2014), University of Chicago Press (Forthcoming.)
- Stiles, K; Selz, P, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings
(2012), University of California Press (2nd, revised, expanded edition edited by Kristine Stiles.)
- Stiles, K, Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle
(2010), Duke University Press (With an Introduction and extensive annotations by Kristine Stiles.)
- “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic,
in Marina Abramovic
(2008), Phaidon, London
- States of Mind: Dan & Lia Perjovschi
(2007), Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina (With contributions by Andrei Codrescu, Marius Babius and Ruxana Marcoci.)
- Perjovschi, D; Codrescu, A; Babias, M, States of Mind Dan & Lia Perjovschi
(2007),
pp. 242 pages, Duke University Press [abs]
- Stiles, K, Chris Burden
(2006), New York: Zwirner & Wirth Gallery
- Stiles, K, AmaLia Perjovschi
(1996), Soros Foundation
- Stiles, K, Dan Perjovschi’s Postcards From America
(1995), Pont La Vue Press
- Raphael Montanez Ortiz: Years of the Warrior, Years of the Psyche, 1968-1988
(1988), El Museo Del Barrio, New York
- Stiles, K, Questions
(1982), KronOscope Press, San Francisco (This artist's book contains essays on Kristine Stiles' art by Lynn Hershman, Kathy O’Dell, and Richard Irwin..)
Articles Published
- Alberro, A; Bhabha, H; Castillo, A; Chukhrov, K; Demos, TJ; Eleison, K; Emmelhainz, I; English, D; Flores, P; González, JA; Groys, B; Holert, T; Huyssen, A; Jones, A; Joselit, D; Kee, J; Mirzoeff, N; Osborne, P; Roberts, J; Shaked, N; Smith, T; Stiles, K; Tiampo, M; Wagner, AM, WHAT IS RADICAL?,
ARTMargins, vol. 10 no. 3
(February, 2022),
pp. 8-96 [doi]
- Stiles, K, Collecting the future: A personal history of an archive,
in What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond
(September, 2021),
pp. 21-34, ISBN 9783837658231
- Stiles, K, 'Lux Balcanica est umbra Orientis’: Marilyn Arsem’s Balkan Performances
(November, 2020),
pp. 104-133, Intellect Books
- Stiles, K, Anti-art,
in Reading Contemporary Performance: Theatricality Across Genres
(January, 2015),
pp. 185-186, ISBN 9780415624978 [doi] [abs]
- Stiles, K, Fluxus,
in Reading Contemporary Performance: Theatricality Across Genres
(January, 2015),
pp. 205-206, ISBN 9780415624978 [doi] [abs]
- Stiles, K, Destruction art,
in Reading Contemporary Performance: Theatricality Across Genres
(January, 2015),
pp. 197-198, ISBN 9780415624978 [doi] [abs]
- Stiles, K; O’Dell, K, Bodies in action,
in Reading Contemporary Performance: Theatricality Across Genres
(January, 2015),
pp. 265-267, ISBN 9780415624978 [doi] [abs]
- Kicking Holes in the Darkness: Rhys Ernst and Zackary Drucker,
in Whitney Biennial 2014
(2014),
pp. 56-61, Whitney Museum of American Art, ISBN 978-0300196870 (Authors of the catalog include the curators of the 2014 Whitney Biennial, Stuart Comer, Anthony Elms, Michelle Grabner..) [pdf]
- ‘…but a hammer with which to shape it.’: Media Art and Society 1959-2013,
in Pioneering Values: WRO 15th Biennial
(2014)
- Stiles, K, The Ideal Gifts of Istvan Kantor,
in PERMANENT REVOLUTION: The Art of Istvan Kantor, edited by Feesey, L
(2013),
pp. 73-87, The Istvan Kantor Collective, ISBN 978-0-9936249-0-2 (Edited by Linda Feesey, and co-edited by Mireille Bourgeois.)
- Stiles, K, Wangechi Mutu’s Family Tree,
in Wangechi Mutu: A Fantastic Journey, edited by Schoonmaker, T no. 51-79
(2013), Nasher Museum of Art at Duke University, Durham, ISBN 978-0938989363 [abs]
- Stiles, K, Performance Art,
in Oxford Bibliographies in Art History, edited by Kaufmann, TD
(2013), Oxford University Press, Oxford and New York [abs] [author's comments]
- with Stiles, K, 'I’m Ready.' Thinking About Artists’ Writings in a Global Context,
in Not a day without a line: Understanding artists’ writings, edited by Prester, HD
(2013),
pp. 177-203, Academia Press, Ghent, Belgium, ISBN 978-9038222202 [abs] [author's comments]
- Stiles, K, "I'm Ready." Thinking about Artists' Writings in a Global Context Today,
in NOT A DAY WITHOUT A LINE: UNDERSTANDING ARTISTS' WRITINGS
(2013),
pp. 175-201
- Stiles, K, “The Ideal Gifts of Istvan Kantor.”
(2013), The Istvan Kantor Collective
- Stiles, K, “Performance Art”
(2013), Oxford University Press [abs]
- Stiles, K, Peter d’Agostino’s World-Wide-Walks / between earth & sky,
in Peter d’Agostino: World-Wide-Walks [Paseos a Nivel Planetario] / between earth & sky [entre la tierra y el cielo] / 1973 – 2012
(2012),
pp. 22-34, Bizkaia de la UPV/EHU (Bilbao, Spain:.)
- Stiles, K, Conversation with William Pope.L,
in The Voice of Images
(2012),
pp. 181-193, Palazzo Grassi, Venice, Italy
- Stiles, K, Comments on my first interview with Gustav Metzger,
in Gustav Metzger, Years without Art
(2012),
pp. 39-39
- Stiles, K, Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity,
in The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, edited by Princenthal, N; Posner, H
(2011),
pp. 50-67, Neuberger Museum of Art
- Stiles, K, 7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time),
in Maurice Benayoun / OPEN ART 1980-2010
(2011),
pp. 83-87, CDA d’Enghien and Les Nouvelles éditions Scala),
- Stiles, K, Peggy Phelan and Kristine Stiles In Conversation,
Millennium Film Journal no. 54
(2011),
pp. 30-34
- Stiles, K, Negative Affirmative: San Francisco Bay Area Art, 1974-1981,
in Under the Big Black Sun: California Art 1974-1981, edited by Schimmel, P
(2011),
pp. 27-43, Los Angeles Museum of Contemporary Art
- Stiles, K, Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences,
in Billie Maciunas, The Eve of Fluxus
(2010),
pp. ix-xvi., Arbiter Press, Winter Park, Florida, ISBN 978-0615352169
- Stiles, K, Art will be…2009-2034,
Duke Alumni Magazine
(May, 2009), Duke University
- Stiles, K, The Trinity Session,
in Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness
(2009),
pp. 35-38, Toronto: Museum of Contemporary Canadian Art
- Stiles, K, Irregular Ways of Being in Time,
in The Third Mind: American Artists Contemplate Asia 1860-1989, edited by Munroe, A
(2009),
pp. 333-345, New York: Solomon R. Guggenheim
- Stiles, K, Come and Go,
in California Video
(2008), The J. Paul Getty Trust, Getty Research
- Stiles, K, Cloud with its Shadow: Marina Abramovic,
in Marina Abramovic
(2008),
pp. 33-94, Phaidon, ISSN 978-0714848020
- Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity,
Archive, vol. 1
(2008), Muzeum Sztuki, Lodz, Poland
- States of Mind: Dan & Lia Perjovschi,
in States of Mind: Dan & Lia Perjovschi
(2007), Nasher Museum at Duke University and Duke University Press
- Stiles, K, States of Mind: Dan & Lia Perjovschi,
in States of Mind: Dan & Lia Perjovschi
(2007), Nasher Museum at Duke University and Duke University Press
- Stiles, K, Teaching a Dead Hand to Draw, Kim Jones, War and Art,
in Kim Jones: A Retrospective
(2007)
- Stiles, K, Burden of Light,
in Chris Burden
(2007), Newcastle England: Merrell and Locus Plus
- Stiles, K, Shaved Heads and Marked Bodies: Representations from Cultures of Trauma,
in On Violence: An Anthology, edited by Lawrence, B; Karim, A
(2007),
pp. 522-538, Duke University Press [html] [abs]
- Stiles, K, Metzger's Fierce, Poignant, and Prescient Manifestos,
in Rett Kopi: Documents the Future
(2006),
pp. 157-166, Rett Kopi
- Stiles, K; Grobstein, P, The Art Historian and the Neurobiologist: A Conversation about Proprioception, the 'I-function,' Body Art, and Story Telling,
Serendip
(October, 2005), Bryn Mawr College [available here]
- Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art
(2005)
- Stiles, K, Fluxus Performance and Humor,
in The Artist’s Joke
(2005), MIT Press
- Stiles, K, The Story of the Destruction in Art Symposium and the "DIAS Affect",
in Gustav Metzger: Geschichte Geschichte
(2005), Vienna: Generali Foundation [pdf]
- Stiles, K, Barbara Smith’s Haunting,
in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith
(2005), Pomona College Museum of Art
- Stiles, K, Barbara Smith’s Haunting,
in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith
(2005), Pomona, California: Pomona College Museum of Art
- Stiles, K, Remembrance, Resistance, Reconstruction, The Social Value of Lia and Dan Perjovschi’s Art,
IDEA, vol. 19
(2005), Cluj, Romania
- Paul Couillard and Ed Johnson," for Artspace, Ontario, Canada
(2004), Ontario: Artspace
- Stiles, K, I/Eye/Oculus: Performance, Installation and Video,
in Art of the Twentieth Century, edited by Harrison, C; Wood, PW
(2004),
pp. 183-229, New Haven & London: Yale University Press and The Open University
- Stiles, K, Agnes Hegedus, Bernd Lintermann, Jeffrey Shaw: reconfiguring the CAVE,
in Future Cinema: The Cinematic Imaginary after Film, edited by Shaw, J; Weibel, P
(2004),
pp. 492-497, Karlsruhe, Germany and Cambridge, Mass: ZKM Center for Art and Media and MIT Press
- Stiles, K, Jean-Jacques Lebel’s Phoenix and Ashes,
in Jean-Jacques Lebel
(2003),
pp. 3-15, London: The Mayor Gallery
- Stiles, K, At Last, A Great Woman Artist: Writing About Carolee Schneemann’s Epistolary Practice,
in Singular Women, edited by Frederickson, K; Webb, SE
(2003), Berkeley: University California Press
- Stiles, K, Anomaly, Sky, Sex, and Psi in Fluxus,
in Critical Mass: Happenings, Fluxus, Performance & Intermedia at Rutgers University 1958-1971
(2003),
pp. 60-88, Rutgers University and Amherst College
- Stiles, K, Performance,
in Critical Terms for Art History, 2nd Edition, edited by Nelson, R; Shiff, R
(2003),
pp. 75-97, Chicago: University of Chicago
- Stiles, K, Franz West’s Dialogic PaBtucke,
in Franz West
(2003),
pp. 104-121, London: The Whitechapel Gallery
- Stiles, K, Peinture, Photographie, Performance: Le Cas de Georges Mathieu,
in Georges Mathieu
(2003),
pp. 75-81, Paris: Galerie National du Jeu de Paume
- Stiles, K, Thunderbird Immolation: William Pope L. & Burning Racism,
in William Pope.L: Eracism, edited by Bessire, M
(2002),
pp. 36-42, Cambridge and Portland: MIT Press and the Institute of Contemporary Art at Maine College of Art
- Stiles, K, David Tudor-Alive , Free, and Without Need of Culture (in a special issue, 'Composers Inside Electronics: Music after David Tudor'),
Leonardo Music Journal, vol. 14
(2002),
pp. 62-63 [html]
- The Painter as an Instrument of Real Time, introduction to Carolee Schneemann’s Imaging Her Erotics: Essays, Interviews, Projects
(2001),
pp. 2-16, Cambridge, Mass.: MIT Press
- Stiles, K, Concerning Public Art and ’Messianic Time’
(2001) [html]
- Stiles, K, Review of RoseLee Goldberg’s Laurie Anderson,
Make: The Magazine of Women’s Art, vol. 90
(2001),
pp. 90-90
- Stiles, K, The Painter as an Instrument of Real Time,
in Imaging Her Erotics: Essays, Interviews, Projects
(2001),
pp. 2-16, MIT Press
- Stiles, K, Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation, and Multidimensional Awareness,
in Reframing Consciousness: Art and Consciousness in the Post- Biological Era, edited by Ascott, R
(2000),
pp. 52-60, Exeter: Intellect [books]
- Stiles, K, Mapping Joshua Neustein’s Art,
in Joshua Neustein: Five Ash Cities, Domestic Tranquility Bne Brak
(2000),
pp. 122-130, Herzliya, Israel: Hezliya Museum (reprinted in JOSHUA NEUSTEIN: Five Ash cities (Chicago: Academy Chicago Publishers in Association with Olive Production, 2000).)
- Stiles, K, Corpora Vilia: Valie Export’s Body,
in Valie Export’s Visual Syntagmatics
(2000),
pp. 16-33, Goldie Paley Gallery, Moore College of Art and Design, Philadelpia
- Stiles, K, Being Undyed: The Meeting of Mind and Matter in Yoko Ono’s Events,
in Yes Yoko Ono, edited by Monroe, A
(2000),
pp. 145-149, New York: Japan Society
- Stiles, K, Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde,
in Contours of the Theatrical Avant-Garde: Performance and Textuality, edited by Harding, JM
(2000),
pp. 239-289, Madison: University of Madison/Wisconsin [pdf]
- Stiles, K, Afterword: Quicksilver and Revelations, Performance at the End of the 20th Century,
in Performance Artists Talking: 1979-7989: Sex, Food, Money/Fame, Ritual/Death, edited by Montano, L
(2000), Berkeley: University of California Press
- Stiles, K, Review of Pamela M. Lee’s Object to be Destroyed: The Work of Gordon Matta-
Clark,
CAA.Reviews, the online reviews publication of the College Art Association
(2000) [html]
- Stiles, K; Shanken, EA, Missing in Action: Agency and Meaning in Interactive Art,
in Context Providers: Context and Meaning in Digital Art, edited by Lovejoy, M; Paul, C; Vesna, V
(2000), University of Minnesota Press [pdf]
- Stiles, K, Comisuri: Art Actiunile ca Objecte,
Balkon: Revista de Arta Contemporana, vol. March no. 2
(2000),
pp. 3-4, Timisoara, Romania
- Stiles, K, Battle of the Yams: Contentless Forms and the Recovery of Meaning in Events and Happenings,
in Off Limits: Rutgers University and the Avant-Garde, 1957-1963
(1999),
pp. 118-129, Newark: Newark Museum and Rutgers University Press
- Stiles, K, 300 Words for Dan Perjovschi,
in After the Wall: Art and Culture in Post-Communist Europe
(1999),
pp. 153-153, Stockholm: Moderna Museet [html]
- Stiles, K, The Flux/Med’ Collages of Bob Watts,
in Bob Watts, Francesco Conz
(1999),
pp. 1-3, Museum of Koper, Slovenia
- Stiles, K, Beautiful, Jean-Jacques’: Jean-Jacques Lebel’s Affect and the Theories of Gilles Deleuze and Felix Guattari,
in Jean-Jacques Lebel
(1999),
pp. 7-30, Milano: Edizioni Gabriele Mazzotta
- Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity,
in Body and the East: From the 1960s to the Present
(1998),
pp. 19-30, Ljubljana: Museum of Modern Art
- Stiles, K, Uncorrupted Joy: International Art Actions,
in Out of Actions: Between Performance and the Object 1949-1979, Paul Schimmel Edition
(1998),
pp. 226-238, Los Angeles Museum of Contemporary Art [pdf]
- Stiles, K, Joshua Neustein,
BOMB, vol. 57
(Fall, 1997),
pp. 80-81, [New York]
- Stiles, K, To the Organizers, Participants, and Audience of REcycling the Mode(ls)’,
in Messages from the Countryside/Reflections in RE
(1997),
pp. 28-29, Chisinau, Moldova: Soros Center for Contemporary Art
- Stiles, K, Debate: Empty Slogan of Self-Representation,
Siksi [Helsinki], vol. Spring no. 12:1
(1997),
pp. 87-90
- Stiles, K, Rampman Against a Portable Field: The ’activites’ of Pinchas Cohen Gan,
in Figure Form Formula: The Art of Pinchas Cohen Gan
(1996),
pp. 19-41, Greensboro: Weatherspoon
- Stiles, K, Conversation with Paul McCarthy,
in Paul McCarthy
(1996),
pp. 6-29, London: Phaidon Press
- Stiles, K, Roman Signer: The Sound of One Bomb Clapping,,
in Roman Signer
(1996),
pp. 10-15, Philadelphia: Goldie Palley Gallery at the Moore College of Art and Design
- Stiles, K, Schlaget Auf: The Problem with Carolee Schneemann’s Paintings,
in Carolee Schneemann: Up to and Including Her Limits
(1996),
pp. 15-25, New York: The New Museum
- Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events,
in Alison Knowles
(1994),
pp. 26-35, Saarbrucken, Germany: Stadt Galerie Saarbrucken
- Stiles, K, Irreparable Damage: Meditation on James Lerager’s Tales from the Nuclear Age,
in For James Lerager: Tales from the Nuclear Age
(1994),
pp. 3-7, Raleigh: City Gallery Contemporary Art
- Stiles, K, Between Water and Stone; Fluxus Performance, A Metaphysics of Acts,
in In the Spirit of Fluxus, edited by Armstrong, E; Rothfuss, J
(1993),
pp. 62-99, Minneapolis: Walker Art Center (excerpted in Tracy Warr, ed., The Artists'Body (London: Phaidon Press, 2000): 211-14.) [pdf]
- Stiles, K, Survival Ethos and Destruction Art,
Discourse: Journal for Theoretical Studies in Media and Culture, vol. 14:2
(Spring, 1992),
pp. 74-102
- Stiles, K, Selected Comments on Destruction Art,
in Boek Voor De Instabiele: Book for the Unstable Media, edited by Adriaansens, A
(1992),
pp. 43-75, Rotterdam: V2-Organization [kristine-stiles-selected-comments]
- Stiles, K, Unbosoming Lennon: The Politics of Yoko Ono's Experience,
Art Criticism 7:2, vol. Spring
(1992),
pp. 21-54, reprinted by the University of Havannah, Cuba, 1994
- Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events,
in FluxAttitudes
(1991),
pp. 25-34, Buffalo & New York: Hallwalls and the New Museum
- Stiles, K, Thresholds of Control: Destruction Art and Teminal Culture,
in Out of Control
(1991),
pp. 29-50, Linz, Austria: Ars Electronica & Landesverlag (reprinted in Ars Electronica: Facing the Future (A Survey of Two Decades, ed. Timothy Druckrey, Cambridge: MIT Press, 2000.)
- Stiles, K, Readings: Performance and Its Objects,
Arts, vol. 65:3 no. 3
(November, 1990),
pp. 35-47, ISSN 0004-4059 [Gateway.cgi]
- Stiles, K, Notes on Rudolf Schwarzkogler's Images of Healing,
White Walls: A Magazine of Writings by Artists, vol. 25
(Spring, 1990),
pp. 13-26
- STILES, K, PERFORMANCE AND ITS OBJECTS,
ARTS MAGAZINE, vol. 65 no. 3
(1990),
pp. 35-&, ISSN 0004-4059 [Gateway.cgi]
- Stiles, K, Sticks and Stones: The Destruction in Art Symposium,
Arts, vol. 63.5
(January, 1989),
pp. 54-60
- Stiles, K, Not Just an 'Other' Exhibition,
High Performance, vol. 11
(Fall, 1988),
pp. 34-38
- Stiles, K, Raphael Montañez Ortiz's Physio-Psycho-Alchemical Art,
in Raphael Montañez Ortiz
(1988), El Museo Del Barrio
- Stiles, K, Introduction to the Destruction in Art Symposium: DIAS & Discussion with Ivor Davies,
Link [Wales], vol. 52
(September, 1987),
pp. 4-10, [Wales]
- Stiles, K, Rodforce: Thoughts on the Art of Sherman Fleming,
High Performance, vol. 10:2
(Summer, 1987),
pp. 34-39
- Stiles, K, Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance,
The Act, vol. 1
(Spring, 1987),
pp. 22-31
- Stiles, K, Imploring Silence: Words and Performance Essence, A Polemic,
High Performance, vol. 8.1
(April, 1985),
pp. 33-36
- Stiles, K, STELARC: On Evolution,
Frank, vol. 3
(August, 1984),
pp. 25 & 35
- Stiles, K, The Luciferian Marriage: Government/Corporate/Media ’Fact’ as Entertainment,
in The Un/necessary Image, edited by Agostino, PD; Muntadas, A
(1983),
pp. 28-31, Cambridge: MIT Press (reprinted.)
- Stiles, K, Come and Go,
in Coming and Going NEW YORK (Subway), PARIS (Metro), San Francisco (BART), Washinton (METRO): Peter D’Agostino
(1982),
pp. 76-81, San Francisco: Not for Sale Press
- Stiles, K, La Crise de l'avant-garde and an Interview with Jean-Jacques Lebel,
+ - 0 [Brussels], vol. 34
(1981),
pp. 32-36
- Stiles, K, Trans-Europ Express-Expressed,
in Alph-Trans-Chung: Peter D-Agostino
(1980),
pp. 55-58, Dayton: Wright State University Press
- Stiles, K, Brief essays on American painters,
in 2 Jahrzehnte amerikanische malerei 1920-1940
(1979),
pp. 66 & 76 & 116 & 122-66 & 76 & 116 & 122, Dusseldort, West Germany: Stadische Kunsthalle, Dusseldorf
- Stiles, K, No Money Back Anytime,
LAICA Journal: Southern California Art Magazine, vol. 23
(1979),
pp. 19-23 (June-July.)
- Stiles, K, Helen and Newton Harrison: Questions,
Arts Magazine, vol. 52:6
(February, 1978),
pp. 131-133
- Stiles, K, 1.1.78 - 2.2.78: Roberta Breitmore,
in Roberta Breitmore Is Not Lynn Hershman
(1978),
pp. 5-14, San Francisco: De Young Memorial Museum
Book Reviews
- Pamela M. Lee, Object to be Destroyed: The Work of Gordon Matta-Clark,
CAA.Reviews, the online reviews publication of the College Art Association
(2000) [html]
Exhibition Catalogs
- K. Stiles, Jean Toche: Impressions From The Rogue Bush Imperial Presidency
(2009), Durham: John Hope Franklin Center for Interdisciplinary & International Studies
- Jean-Jacques Lebel
(2003), London: Mayor Gallery
- Bob Watts, edited by Slovenia: Museum of Koper and Editions Francesco Conz
(2000)
- Hans Waanders
(1997), Raleigh: City Gallery of Contemporary Art
- Ion Bitzan
(1994), Bath, England: City of Bath College
- Recontre Avec Morgan O'Hara
(1980), Lausanne: Le Musee Cantonal des Beaux-Arts
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