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Bryan Gilliam

Curriculum Vitae

Box 90665, Durham, NC 27708-0665
(email)
Education:
  • Ph.D. Harvard University, 1984
  • M.A. Harvard University, 1978
  • B.A. University of Cincinnati, 1975
Areas of Research
  • German Opera, Vienna, Wagner, Strauss, Film Music, and 19th & 20th Century
Professional Experience / Employment History

Duke University
Bass Professor Professor in Humanities, 2004 - present
Professor, 1999 - present
Associate Professor, 1993 - 1999
Assistant Professor, 1986 - 1993
Colby College
Assistant Professor, Music, 1983 - 1986
Harvard University
Teaching Fellow, 1977 - 1981
Professional Work

  Books

  1. Gilliam, B. Rounding Wagner's mountain: Richard Strauss and modern German opera.  Cambridge University Press, Spring, 2014 (1-340 pp.). [doi]
  2. Gilliam, B. The Life of Richard Strauss, Cambridge Musical Lives.  Cambridge University Press, 1999 . (Chinese edition, 2001; Spanish edition, 2003; German edition, 2014)
  3. al, BGE. Music and Performance during the Weimar Republic.  edited by Gilliam, B Cambridge University Press, 1994 . (Paperback edition, 2005)
  4. Gilliam, B. Richard Strauss: New Perspectives on the Composer and His Work.  edited by Gilliam, B Duke University Press, 1992 . (Paperback edition, 1997)
  5. al, BGE. Richard Strauss and His World.  edited by Gilliam, B Princeton University Press, 1992 .
  6. Gilliam, B. Richard Strauss’s Elektra.  Oxford University Press, 1991 . (Paperback edition, 1996)
  7. Gilliam, B. Richard Strauss’s ’Daphne’: Opera and Symphonic Continuity.  Harvard Ph.D. Dissertation, 1984 .

  Articles
  1. B. Gilliam. "The Great War and Its Aftermath: Strauss's and Hofmannsthal's Third-Way Modernism." Modernism and Opera  (2016): In production.
  2. B. Gilliam. "Essay on Der Rosenkavalier, Ariadne auf Naxos, and Die Frau ohne Schatten." Richard Strauss Handbuch  (2014): pp. 183-213.
  3. Gilliam, B. "Strauss’s Der Rosenkavalier, Ariadne auf Naxos, und Die Frau ohne Schatten." Richard Strauss Handbuch  (2014): 75 Completed pagesand in press-75 Comple.
  4. Gilliam, B. "Dans l’ombre de Bach : Lyonel Feininger musicien."   (December, 2011).
  5. Gilliam, B. "In the Shadow of Bach: Lyonel Feininger as a Musician." Lyonel Feininger: At the Edge of the World  (July, 2011).
  6. Gilliam, B. ""Strauss and the Sexual Body: The Aesthetics Humor, Philosophy, and Ego-Assertion"." Richard Strauss Companion  (December, 2010): 269-79.
  7. Gilliam, B. ""The Hofmannsthal Operas"." Richard Strauss Companion  (December, 2010): 119-35.
  8. Gilliam, B. "The Strauss-Hofmannsthal operas." The Cambridge Companion to Richard Strauss  (January, 2010): 119-135. [doi]
  9. Gilliam, B. ""In the Shadow of Bach: Lyonel Feininger as Musician"." Lyonel Feininger: On the Edge of the World  (2010).
  10. Gilliam, B. ""Between Resignation and Hope: The Late Strauss"." Late Thoughts  (2006): pp. 167-80.
  11. Gilliam, B. "" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos - das Konzept der Verwandlung und die Ablehnung der griechischen Tragödie"." Richard Strauss: Der griechischer Germane Edition Text+Kritik (2005): 69-80.
  12. Gilliam, B. ""Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils"." Gottfried von Einem Kongress  (2003): 303-13.
  13. Gilliam, B. ""From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater." Americanism/Amerikanismus/Weill: Die Suche nach kultureller Indentität in der ersten Hälfte des 20. Jahrhunderts  (2003): 147-59.
  14. Gilliam, B. "Introductory Essay." The Richard Strauss Companion  (2003).
  15. Gilliam, B. "" ’Friede im Innern’: Aussenwelt und Innenwelt von Richard Strauss um 1935"." Richard Strauss und die Moderne  (2001): 93-111. Published conference paper
  16. Gilliam, B. ""Biography for Stephen Jaffe"." New Grove  (2001).
  17. Gilliam, B. ""Biography (19,000 words) on Richard Strauss"." Revised New Grove Dictionary of Music and Musicians 24 (2001).
  18. B. Gilliam. ""Elektras Tanz and Auflösung"." Festschrift Reinhold Schlotterer  (1999).
  19. Gilliam, B. ""A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America"." Driven from Paradise: The Musical Migration from Nazi Germany to the United States  (1999): 334-57.
  20. Gilliam, B. "Prefatory essay in honor of Günter Brosche." Fetstschrift Günter Brosche  (1999).
  21. Gilliam, B. ""Elektras Tanz and Auflösung"." Festschrift Reinhold Schlotterer  (1999).
  22. Gilliam, B. ""The Tone Poems of Richard Strauss"." The 19th-Century Symphony  (1997): 345-68.
  23. Gilliam, B. ""Stage and Screen: Kurt Weill and Operatic Reform in the 1920s"." Music and Performance during the Weimar Republic  (1994).
  24. Gilliam, B. ""Richard Strauss’s Intermezzo: Innovation and Tradition"." Richard Strauss: New Perspectives  (1992): 259-83.
  25. Gilliam, B. ""Daphne’s Transformation"." Richard Strauss and His World  (1992): 33-66.

  Papers
  1. Gilliam, B. Zoë Alexis Lang. The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity. Cambridge: Cambridge University Press, 2014. Pp. 248..  Cambridge University Press (CUP), April, 2015 (434-436 pp.). [Gateway.cgi], [doi]
  2. B. Gilliam. Richard Strauss und das Problem der Ehe. 2014 . (Leipzig Gewandhaus Conference on Richard Strauss)
  3. B. Gilliam. Zur Strauss Rezeption in Amerika nach 1945. 2014 .
  4. Gilliam, B. Rhetoric and the Human Condition in Mozart’s Last Three Symphonies. August, 2013 . (Lincoln Center Mostly Mozart Festival)
  5. Gilliam, B. The Problem of Trauma and Memory in Elektra, Ariadne auf Naxos, and Die Aegytische Helena. 2013 . (Stanford Conference on Freud after Wagner January 2013)
  6. B. Gilliam. Erinnerung und Trauma in Ariadne auf Naxos. 2012 . (100 Jahre Ariadne auf Naxos in Stuttgart October 2012)
  7. Gilliam, B. A House Divided. 2010 (16-21 pp.). [Gateway.cgi]
  8. Gilliam, B. "A House Divided: The Tragic History of Dresden's Semper Opera House". 2010 .
  9. Gilliam, B. " ’Ich bin ein anderer als ich war’: Ariadne auf Naxos and the Rejection of Greek Tragedy. 2006 . (Stanford University Alexander Lecture (2006))
  10. B. Gilliam. "Music during the Holocaust: Viktor Ullmann’s Der Kaiser von Atlantis". July 2005 . (Temple Shalom, panel presentation with James Conlon and Wels Kaufman, Chicago)
  11. Gilliam, B. "Don Quixote and the Cinematic Strauss". June, 2005 . (Ravinia Music Festival, Chicago)
  12. Gilliam, B. Introduction.  edited by B. Gilliam Duke University Press, January, 2005 (1-5 pp.). (Essays on ballet, film music, melodrama, modern dance, and opera) [Gateway.cgi], [doi]
  13. Gilliam, B. " 'Friede im Innern': Strauss's Inner and Outer Worlds in the mid-1930s". 2005 (563-595 pp.).
  14. Gilliam, B. "Richard Strauss and the National Socialist Regime". November, 2004 . (American Philosophical Society, Philadelphia)
  15. Gilliam, B. "Body and Spirit in the Slow Movement of Beethoven’s Op. 130". March, 2004 . (Lincoln Center Chamber Players, New York)
  16. Gilliam, B. Visual voice (Strauss's 'Salome'). 2004 (23-+ pp.). [Gateway.cgi]
  17. Gilliam, B. "Ariadne, Daphne, and the Problem of Transformation". 2003 (67-81 pp.).
  18. Gilliam, B. "Ariadne, Daphne, und das Problem der Verwandlung". October, 2002 . (University of Würzburg)
  19. Gilliam, B. "Between Resignation and Hope: The Late Strauss". May, 2002 . (Ojai Music Festival Symposium of the Concept of the "Late Style")
  20. Gilliam, B. "Strauss’s ’Crazy Jewish Girl’: Salome and fin-de-siècle Modernism". January, 2002 . (University of Toronto Symposium on Salome)
  21. Gilliam, B. Shadowland (The complex and symbolic world of Strauss's most challenging work, Die 'Frau ohne Schatten'). 2002 (14-17 pp.). [Gateway.cgi]
  22. Mingo, B; Gilliam, B. The endangered list (Nominees for the most unjustly neglected opera). 2001 (50-+ pp.). [Gateway.cgi]
  23. Gilliam, B. Utopia und Katastrophe: Richard Strauss während des dritten Reiches. November, 2000 . (Katastrophen und Utopien: Exil und innere Emigration, 1933-45, Berlin, Freie Universität)
  24. Gilliam, B. "The String Quartet and Its Changing Audiences in the 19th Century". October, 2000 . ("Rediscovering the String Quartet," Johns Hopkins University)
  25. Gilliam, B. Politics and the Spirit: Richard Strauss and the 1930s. October, 2000 . (Eastman Distinguished Lecture Series)
  26. Gilliam, B. Sound, Image, Music: Hollywood Film Music. May, 2000 . (Lecture to the Board of Trustees, Duke University graduation weekend)
  27. Gilliam, B. From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater. February, 2000 . (Berlin, Humboldt Universität)
  28. Gilliam, B. ’Friede im Innern’: Strauss’s Inner and Outer Worlds in the 1930s. October, 1999 . (York University International Symposium on Music and Nazism)
  29. Gilliam, B. ’Friede im Innern’: Die innere und äußere Persönlichkeit des Richard Strauss um die Mitte der dreißiger Jahre. July, 1999 . (University of Munich Symposium: "Richard Strauss und die Moderne")
  30. B. Gilliam. Elektras Tanz und Auflösung. April 1999 . (Österreichische Gesellschaft für Musik Symposium on Strauss, Vienna)
  31. Gilliam, B. Elektras Tanz und Auflösung. April, 1999 .
  32. Gilliam, B. Variations on an Enigma: Richard Strauss Fifty Years after his Death. January, 1999 . (Inaugural Erich Leinsdorf Memorial Lecture, New York Philharmonic, Avery Fisher Hall)
  33. Gilliam, B. Strauss' "Friedenstag" und die Politik: Antwort an Gerhard Splitt.  JSTOR, 1999 (347-347 pp.). [Gateway.cgi], [doi]
  34. Gilliam, B. Modern times - Richard Strauss' later operas reflect the disunity of contemporary life. 1999 (26-31 pp.). [Gateway.cgi]
  35. Gilliam, B. Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils. June, 1998 . (Gottfried von Einem-Congress, Vienna)
  36. Gilliam, B. Kurt Weill, Weimar Theater, and Operatic Reform. April, 1998 . (University of North Carolina Symposium on Brecht, Weimar Germany, and Cabaret Culture)
  37. Gilliam, B. Tragedy and Epic in Siegfried’s Funeral Music. March, 1998 . (Duke University Symposium in Honor of Peter Williams)
  38. Gilliam, B. Sibelius and Modernism. December, 1997 . (Northern Lights Sibelius Festival and Symposium, Lincoln Center, New York City)
  39. Gilliam, B. Five colloquia on the theme: ’Music, Image, Gesture’. May, 1996 . (European Mozart Academy Krakow)
  40. Gilliam, B. Bruckner’s 8th Symphony. April, 1996 . (British International Bruckner Conference, University of Manchester. Panel participant. John Deathridge, chair)
  41. Gilliam, B. Bruckner's Annexation Revisited: A Response to Manfred Wagner.  Oxford University Press (OUP), January, 1996 (124-131 pp.). [Gateway.cgi], [doi]
  42. Gilliam, B. A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America. 1996 . (Conference on "The Musical Migration: Germany-Austria, ca. 1930-1950" Harvard University, May 1994; Yale, 1995; Dartmouth, 1996)
  43. Gilliam, B. The authorship of the text of Strauss's 'friedenstag'.  Oxford University Press (OUP), February, 1995 (142-143 pp.). [doi]
  44. Gilliam, B. "The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation". Fall, 1994 (558-583 pp.).
  45. B. Gilliam. The Annexation of Anton Bruckner: Nazi Revisionism and Misappropriation. 1994 . (International Bruckner Symposium, Connecticut College; AMS)
  46. Gilliam, B. The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation.  Oxford University Press (OUP), 1994 (584-604 pp.). [Gateway.cgi], [doi]
  47. GILLIAM, B. 'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE. 1994 (17-17 pp.). [Gateway.cgi]
  48. Gilliam, B. "The Two Versions of Bruckner’s Symphony no. 8" ("Rehearings"). Summer, 1992 (59-69 pp.).
  49. GILLIAM, B. THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY. 1992 (59-69 pp.). [Gateway.cgi]
  50. Gilliam, B. The Influence of Film on German Opera of the 1920s. November, 1991 . (American Musicological Society, Chicago)
  51. Gilliam, B. Richard Strauss’s Intermezzo: Innovation and Tradition. April, 1990 . (International Conference on Richard Strauss , Duke University)
  52. Gilliam, B. Intermezzo und die Zeitoper in den Zwanziger Jahren. October, 1989 . (Leipzig Gewandhaus Conference on Richard Strauss, Leipzig, former GDR)
  53. Gilliam, B. Die Elektra Premiere: Hintergründe und Rezeption. June, 1989 . (International Conference: "Höhepunkte der Dresdner Operngeschichte im 20. Jahrhundert." Dresden, former GDR)
  54. Gilliam, B. T. S. Eliot, The Waste Land, and the Legacy of Wagner. March, 1988 . (T. S. Eliot Centenary Lecture Series, Duke University, Department of English)
  55. Gilliam, B. Hugo von Hofmannsthal, Richard Strauss, and the Evolution of Elektra. 1988 . (British 19th-Century Music Conference, Oxford; AMS)
  56. Gilliam, B. Gustav Mahler Richard Strauss: Correspondence, 1888-1911 . Gustav Mahler , Richard Strauss , Herta Blaukopf ..  University of California Press, July, 1986 (418-422 pp.). [Gateway.cgi], [doi]
  57. Gilliam, B. "Richard Strauss's Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity". Spring, 1986 (176-188 pp.).
  58. GILLIAM, B. STRAUSS PRELIMINARY OPERA SKETCHES + 'ELEKTRA' AND DER 'ROSENKAVALIER' - THEMATIC FRAGMENTS AND SYMPHONIC CONTINUITY. 1986 (176-188 pp.). [Gateway.cgi]
  59. Gilliam, B. Richard Strauss’s Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity. November, 1982 . (American Musicological Society, Ann Arbor)
  60. Gilliam, B. Stefan Zweig’s Contribution to Strauss Opera after Die schweigsame Frau. April, 1981 . (International Stefan Zweig Symposium, SUNY, Fredonia)
  61. Gilliam, B. Ein Skizzenbuch von Richard Strauss an der Harvard University. December, 1978 . (University of Munich)

  Reviews
  1. B. Gilliam, various.  Reviews (1992 to 2005). (Written for JAMS, 19th-Century Music, Musical Times, and Kurt Weill Newsletter)

  Program Notes
  1. B. Gilliam. "La música surt de mi!" La dansa i la dissolució d'Elektra. Fall 2007 .
  2. B. Gilliam. Elektra. Fall 2007 .

  Others

    Reviews by Others

      Performance Reviews


    • My Strauss biography has received positive reviews in various journals including JAMS, Music and Letters, The New Yorker, Journal of Musicological Research, and Opera Quarterly. it was cited with praise by Richard Taruskin in the NYT and has been translated into two other languages.

    Awards, Honors, and Distinctions

    • Dean's letter for teaching excellence, Unknown, January, 2013.
    • Invited to give Keynote Address at Oxford University, June, 2007.
    • Alexander Lecture Award, Stanford University , January 2006.
    • Stanford University Alexander Lecture, January, 2006.
    • ACLS Fellows (ACLS/SSRC/NEH International and Area Studies Fellowships and ACLS/New York Public Library Fellowships), American Council of Learned Societies, 0 2006.
    • American Council of Learned Societies Research Fellowship, 2006-2007.
    • Bass Society of Fellows Award, September 2005.
    • Frances Hill Fox Professorship in Humanities, September 2005.
    • Kurt Weill Foundation Research Grant, 1992.
    • Goethe Institut (Atlanta) Foundation Grant, March, 1990.
    • Mary Duke Biddle Foundation Grant, September, 1990.
    • Josiah Charles Trent Foundation Grant, February, 1990.
    • National Endowment for the Humanities Conference Grant, September 1989.
    • International Research Exchange (IREX) Travel Grant, 1989.
    • Duke University Research Council Travel Grant, 1988.
    • Duke University Research Council Grant, July 1987.
    • Andrew W. Mellon Assistant Professor of Music, 1987-1988.
    • Colby College Humanites Research Award, December 1983.
    • Wesley Wyman Research Award, 1982.
    • Deutsche Akademische Austauschdienst Research Grant, January 1981.
    • Wesley Wyman Research Award, May 1980.
    • Harvard GSAS Scholarship, 1976 - 1981.
    Invited Lectures, Talks, and Conferences

      Invited Lectures:

    • "Erinnerung und Trauma in Ariadne auf Naxos," Leipzig, Germany, 1 June 2014.
    • "Strauss Contra Wagner: Die Frau ohne Schatten and the Problem of Marriage," New York Wagner Society, November 24, 2013.
    • "A Viennes Symphonist or a Symphonist Living in Vienna: The Two Versions of Bruckner's 8th Symphony," Salzburg, April 04, 2012. Bryan Gilliam
    • "Memory and Trauma in the Mythologies of Strauss and Hofmannsthal, January 06, 2012. Bryan Gilliam ; Invited lecture for an interdisciplinary conference of Freud in post-Wagnerian opera. I gave various versions of this lecture in Stuttgart (in German) in October 2012 and at the national meeting of the American Musicological Society.
    • "Strauss and the Sexual Body: The Aesthetics of Humor, Philosphy, and Ego Assertion," American Musicological Society (Indianapolis), November , 2010.
    • "Goethe, Wagner, and the Idea of German Culture," German Embassy (Washington, DC), October 2010.
    • "Lustmord in Weimar-Era Opera," Bard Music Festival, August 2010.
    • "Schumann, Byron, and Manfred," Lincoln Center (Mostly Mozart Schumann Celebration), August 2010.
    • "Strauss and the Sexual Body: The Erotics of Humor, Philosophy, and Ego-Assertion," U.C. Davis, March 2007.
    • "Same," U. of Southern California, March 2007.
    • "Dirty Dancing: Strauss, 'Redemption,' and the Affirmation of the Body," Oxford University, June 2007. This was a keynote address for "Strauss and the Scholars: An International Forum" at Magdalen College
    • ""Music during the Holocaust: Viktor Ullmann’s Der Kaiser von Atlantis"," Chicago, 1 July 2005.
    • "Participated on an AMS panel (2003) on "The Search for Academic Employment"," AMS, Houston, 15 November 2003.
    • "Strauss's "Crazy Jewish Girl:" Salome and fin-de-siècle Modernism," University of Toronto, 2002.
    • "Between Resignation and Hope: The Late Strauss," Ojai Music Festival Symposium on "The Idea of Late Style", 2002.
    • "'Ariadne auf Naxos,' 'Daphne,' und das Problem der Verwandlung," Universität Würzburg, Institut für Musikwissenschat, 2002.
    • "Sound, Image, Music: Hollywood Film Music," Lecture to the Duke University Board of Trsutees, 2000.
    • "Politics and the Spirit: R. Strauss and the National Socislist Problem," Eastman School of Music, 2000.
    • "The String Quartet and its Changing Audience," Johns Hopkins University ("Rediscovering the String Quartet), 2000.
    • "Variations on an Enigma: R. Strauss 50 Years after his Death," Inaugural Erich Leinsdorf Memorial Lecture (NY Phil.), 1999.
    • "Elektras Tanz und Auflösung," Autrian Society for Music, Vienna, 1999.
    • ""Fiede im Innern:" Die innere und äussere Persönlichkeit des R. Strauss um die Mitte der dreissiger Jahre," University of Munich ("Richard Strauss und die Moderne"), 1999.
    • "Strauss's Inner and Outer Worlds in the 1930s," York University, Toronto ("Music and Naziism"), 1999.
    • "From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater," Humboldt Unversity, Berlin ("Kurt Weill und Amerikanismus"), 1999.
    • "Lectures for the Salzburg Festival," Salzburg, Austria, 2001-2002.
    Professional Service

      Service as Departmental Officer
    • Music Department, Chair, Spring 2008
    • Music Department, Chair, 2003 - 2004
    • Music Department, Chair, 2000 - 2001
    • Music Department, DGS, 1997 - 1998
    • Music Department, DGS, 1993 - 1995

      Departmental Committees/Service

    • Lecture committee, 2010-2011
    • Chair, musicology lecture series., 2010/12/08-2010/12/08
    • on leave, spring 2009
    • Policy Committee, 2007-2008
    • Chair of Tom Brothers Promotion Review, 2007-2008
    • Chair of Scott Lindroth Promotion Review, 2007/12/07-2007/12/07
    • Susan Dunn Review, Chair, 2005 - 2006
    • Fred Raimi Review, Chair, 2004 - 2005
    • Review Committee, Meintjes, Paley, 2003/09/01-2003/12/01
    • Review Committees, Davidson, Dunn, Paley, 1999/07/01-2003/07/01
    • Theory Search, Chair, 2004 - 2005

      University Committees/Service

    • Smart Distinguished Professor in Jewish Studies Search Committee, 2012
    • Search committee for two tenured professorships in the German Department. Chaired APT promotion committees for both., 20152016
    • Bass Fellowship search committee, 2011/12/19-2011/12/19
    • Search committee for Smart Distinguished Professorship in Jewish Studies, 2011/12/19-2011/12/19
    • Review committe for Bill Donahue (German Dept.) promotion to Full Professor, 2011/12/19-2011/12/19
    • Bass Fellow Search Committee, 2010/12/08-2010/12/08
    • Smart Distinguished Profess or in Jewish Studies Committee, 2010/12/08-2010/12/08
    • on leave, spring 2009
    • Appointments Promotion and Tenure Committee, 2003 - 2006
    • A&S Executive Committee, 2001 - 2003
    • Bass Fellowhips Selection Committee, 2012/12/14-2012/12/14
    • Review/promotion committee for William Donahue, 2010/12/08-2010/12/08

      Service to the Profession

    • Reviewer for American Council of Learned Societies (Mellon Felloships). 2013, Reviewer for American Council of Learned Societies (Mellon Felloships), 2013
    • Associate Editor : The Musical Quarterly. 2013, Associate Editor : The Musical Quarterly, 2013 - present
    • AMS 50 Awards Committee. 2012, AMS 50 Awards Committee, 2012 - present
    • Reviewed book manuscript for Indiana University Press, 2014
    • Reviewed book manuscript for U. Rochester Press. December 14, 2012, Reviewed book manuscript for U. Rochester Press, Fall 2012
    • Reviewed various articles for JAMS, MQ, and other journals. December 14, 2012, Reviewed various articles for JAMS, MQ, and other journals, Various times during 2012
    • Editorial Board : International Richard Strauss Edition. 2011, Editorial Board : International Richard Strauss Edition, 2011-
    • Doctoral Viva for Oxford University (Magdelan College). December 08, 2010, Doctoral Viva for Oxford University (Magdelan College), February 2010
    • Program Committee for 16th Biennial British Conference on 19th Century Music. December 08, 2010, Program Committee for 16th Biennial British Conference on 19th Century Music, 2010/12/08-2010/12/08
    • Program Committee British Conference on 19th C. Music 2010. December 11, 2009, Program Committee British Conference on 19th C. Music 2010, Fall 2009
    • Kurt Weill Edition Advisory Board, 1993-
    • Directed a dissertation defense, 2005/12/01-2005/12/01
    • AMS Board Nominating Committee, Chair, Fall 2005
    • Academic consultant for American Friends of the Salzburg Easter Festival. 2012, Academic consultant for American Friends of the Salzburg Easter Festival, 2012 - present
    • Editorial Board Richard Strauss Edition (Munich). 2012, Editorial Board Richard Strauss Edition (Munich), 2012 - present
    • Associate Editor of Muscial Quarterly, 1999-

    Doctoral Theses Directed

    • Lily Hirsch, Imagining "Jewish Music" in Nazi Germany: The Berlin Jüdischer Kulturbund and Musical Politics, 1933-41, (2006)
    • Christina Gier, Intertextuality in Music and Gender Ideology in Alban Berg's Modernist Aesthetic, (2003)
    • Graham Hunt, Ever New Formal Structure; Wagner's Lohengrin, (2001)
    • Joy Calico, The Politics of Opera in the GDR, (1999)
    • Neil Lerner, The Classical Documentary Score in American Films of Persuasion: Contexts and Case Studies, (1997)
    • Camille Crittenden, Viennese Musical Life and the Operettas of Johann Strauss, (1997)
    • Charles Youmans, (1992)

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