| Elia Romera Figueroa,
 Elia Romera Figueroa is PhD Candidate in the Department of Romance Studies (Spanish Track) at Duke University.
Interests: Literary and Cultural Iberian Studies during the 20th and 21st centuries; Counter-culture; Gender, Sexuality, and Feminist Studies; Social Movements; Performence Studies; Memory and Postmemory Studies.
Current Research: Her research focuses on women singers during the 1960s, 1970s and 1980s in Spain, gendering the anti-Franco struggle, and researching the engagement of many protest singers with Spain's Second-Wave Feminists movement. Among the case studies are: Teresa Rebull, Elisa Serna, Julia León, Marina Rossell, Rosa León, Guillermina Motta, Lourdes Iriondo, Margariña Valderrama, and many others.
Fellowships: Duke in Madrid Fellow - Global Education(2022-2023) Bacca Fellow (2021-2022) PhD Lab in Digital Knowledge (2020-2021) Kenan Institute for Ethics (2019-2020) Social Movements Lab (Franklin Humanities Institute) (2017-2020)
Education: - PhD. Iberian Cultural Studies. Duke University (Expected April 2023) - M.A. Romance Studies (Spanish). Duke University (2020) - M.A. Spanish and Latin American Literature. University of Wyoming (2017) - B.A. Modern Languages (English and French), Universidad Autónoma de Madrid (2014) - Convenios Internacionales Award. University of Massachusetts Lowell (Spring 2014) - Centre for Latin American Studies Award - Universidade de São Paulo (Fall 2013)
- Contact Info:
- Keywords:
- Art and literature • Literature and folklore • Literature and society • Music
- Recent Publications
- Romera-Figueroa, E, La copla ‘María de la O’ entre generaciones: de El Molino (1933) a Menudas estrellas (1995),
Bulletin of Spanish Studies, vol. 99 no. 3
(January, 2022),
pp. 423-448 [doi] [abs]
- Romera-Figueroa, E, Feminismos en la Nueva Canción Ibérica,
in Una nueva historia de los feminismos ibéricos., edited by Johnson, R; Bermúdez, S
(2021),
pp. 453--467, Tirant lo Blanch, ISBN 8418656220
- Romera Figueroa, E, Voiced Postmemories: Rozalén’s “Justo” as a Case Study of Singing, Performing, and Embodying Mourning in Spain,
Status Quaestions, vol. 18
(2020),
pp. 203-220 [abs]
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