Romance Studies
Publications Esther L. Gabara
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  1. Gabara, E. Pop América, 1965-1975. October, 2018: 200 pages.  [abs]
  2. Lasch, BP; Aravamudan, EBS; Jennifer Gonzalez, AM; Mignolo, W; Sigal, P. Black Mirror/Espejo Negro.  Nasher Museum of Art and the Franklin Humanities Institute, distributed by Duke University Press, 2010.
  3. Gabara, E. Errant Modernism: The Ethos of Photography in Mexico and Brazil.  A John Hope Franklin Center Book Duke University Press, November, 2008. [ref=sr_1_1]

Book in Progress

  1. Gabara, EL. “El laberinto de la hermandad: Me-Xicano Photography and Protest.”.  University of Washington Press/ Autry National Center/ Chicano Studies Research Center, February, 2020.
  2. Gabara, EL. “Missing Body Art: Absent Identity in the Work of Tatiana Parcero.”. January, 2017.
  3. Gabara, EL. “Crossing the Border: Whether Real or Imagined.”.  Smithsonian Institute/ Zócalo Public Square, May, 2015. [#esther-gabara]
  4. Gabara, EL. Non-Literary Fiction: Invention and Interventions in Contemporary Latin American Art. 2012.
  5. Gabara, EL. Arte y colonialidad: Arte latinoamericano en España. 2012.
  6. Gabara, EL. Orit Raff: Inside Drawing.  Pamphlet, Julie Saul Gallery, New York, and Galerie Paula Boettcher, Berlin, February, 2000: n.p.-n.p..

Articles in a Collection

  1. Gabara, EL. "Photography, Avant-Garde and Modernity." A Companion to Modern and Contemporary Latin American & Latino Art Ed. Anreus, A; Greeley, R; Sullivan, M. Blackwell Companions to Art History Series2015.
  2. Gabara, EL. "Landscape: Errant Modernism and Aesthetics in Brazil." Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms Ed. Brien, EO; Nicodemus, E; Chiu, M; Benjamin Genocchio, MKC; Tejada, R. WILEY-BLACKWELL, 2012, 353-361. Reprint of excerpt from Errant Modernism
  3. Gabara, EL. "Orientalism Unmoored." Orit Raff: Shangri-La. Tel Aviv, Israel: A’ Point Books/ Noga Callery of Contemporary Art, January, 2011, n.p.-n.p..
  4. Gabara, EL. "Perspectives on Scale: From the Atomic to the Universal." Art and Globalization Ed. Elkins, J; Kim, AS; Valiavicharska, Z. Penn State Press, 2010, 200-204. [html]
  5. Gabara, EL. "Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil." The Ethics of Latin American Literary Criticism: Reading Otherwise Ed. Zivin, EG. Palgrave Macmillan, 2007, 63-104. [ref=sr_1_1]
  6. Gabara, EL. "Recycled Photographs: Moving Still Images of Mexico City, 1950/2000." Double Exposure: Photography and Literature in Latin America Ed. Schwartz, M; Tierney-Tello, MB. Albuquerque: University of New Mexico Press, 2006, 139-172. [ref=sr_1_1]
  7. Gabara, EL. "’Nunca olhei tão olhado em minha vida e está sublime’: O (auto)retrato e a fotografia na obra de Mário de Andrade." A Historiografia Literária e as Técnicas de Escrita. Do Manuscrito ao Hipertexto Ed. Süssekind, F; Dias, T. Vieira e Lent/ Edições Casa de Rui Barbosa, 2004, 169-190.

Translation in a Journal

  1. Colectivo Situaciones, Buenos Aires, Argentina, trans. “Disquiet in the impasse: Coming from the Latin American Situation,”.  (Winter, 2010). forthcoming

Reviews of Published Books

  1. Gabara, E; Adey, I, "The Bermuda Triangle of Madrid’s Museums: The Prado, the Museum of the Americas and the National Museum of Anthropology". Art in Translation 12:2 (January, 2020): 128-149. [doi]  [abs]
  2. Gabara, EL, "“Crossing the Border: Whether Real or Imagined.”". What It Means to Be American  (April, 2016). [#esther-gabara]
  3. Gabara, E, "Fictions of emancipation: Collaborations with and against the law". English Language Notes 51:1 (Summer, 2013): 173-181. [repository], [doi]  [abs]
  4. Gabara, EL, "El triángulo museológico de las Bermudas: El Prado, el Museo de América y el Museo Nacional de Antropología". Revista Sur/Versión. Investigación Y Creación De América Latina Y El Caribe 2:2 (2013).
  5. Gabara, E, "El triángulo museológico de las Bermudas: El Prado, el Museo de América y el Museo Nacional de Antropología". El D Efecto Barroco: Políticas De La Imagen Hispana  (June, 2012). [available here]
  6. Noble, A, "Review of Errant Modernism". A Contracorriente 8 (2012): 442-447. [pdf]
  7. Oldfield, P, "Review of Errant Modernism". Bulletin of Latin American Research 31:3 (2012): 409-410.
  8. Edwards, E, "Relocating Photographies, Histories and Modernisms". Art History 34:1 (January, 2011): 211-213. [pdf]
  9. Segre, E, "Review of Errant Modernism, etc.". History of Photography 35:1 (2011): 85-88.
  10. Delgado, Z; Patricia, M, "Review of Errant Modernism". E.I.A.L. 22:1 (2011): 179-181.
  11. Preciado, CD, "Review of Errant Modernism". Arizona Journal of Hispanic Cultural Studies 15 (2011): 216-217.
  12. Gallo, R, "Review of Errant Modernism". Modernism/Modernity 18:1 (2011): 201-203.
  13. Rawson, K, "Review of Errant Modernism". Aztlán. a Journal of Chicano Studies 36:1 (2011): 223-228.
  14. Prado, S; Ignacio, M, "Estrategias para mirar la nación. El giro visual de los estudios culturales mexicanos en lengua inglesa". Mexican Studies/ Estudios Mexicanos 27:2 (2011): 449–469-449–469.
  15. Herlinghaus, H, "Review of Errant Modernism". Mln 26:2 (2011): 418-420.
  16. Folgarait, L, "Seeing Mexico Photographed: The Work of Horne, Casasola, Modotti, and Álvarez Bravo". Caa.Reviews (Online), College Arts Association  (Winter, 2011). [repository]
  17. Noble, Andrea, "Review of Errant Modernism". A Contracorriente 8:1 (Fall, 2010): 442-447. [pdf]
  18. Flaherty, G, "Review of Errant Modernism and National Camera". Caa on Line Reviews  (August, 2010). [1500]
  19. Krippner, J, "Errant Moderism: The Ethos of Photography in Mexico and Brazil". The Americas 66:3 (January, 2010): 416-418. [html]
  20. Foster, DW, "Errant Modernism: The Ethos of Photography in Mexico and Brazil". Luso Brazilian Review 47:1 (2010): 227-229. [html]
  21. Galvez, A, "Review of Errant Modernism". E Misférica 7:1 (2010). [galvez]
  22. Castro, ME; Paul,, "Review of Errant Modernism". The Bulletin of Hispanic Studies 87:7 (2010): 894-895.
  23. Gallo, R, "Mexican Photography: From the Daguerrotype to Digital Images". Hispanic Review 39:1 (Winter, 2010): 135-141.
  24. Gabara, E, "Gestures, Practices, and Projects: [Latin] American Re-visions of Visual Culture and Performance Studies". E Misférica 7:1 (2010). [e-misferica-71]
  25. Gabara, EL, "Fighting It Out: Being Naco in the Global Lucha Libre". Journal of Decorative and Propaganda Arts. Mexico Issue26 (2010): 277-300. [html]
  26. Carranza, LE, "Errant Modernism: The Ethos of Photography in Mexico and Brazil". Choice 47:1 (September, 2009).
  27. O Toole, G, "The Errors of the Avant-Garde". The Latin American Review of Books  (July, 2009). [available here]
  28. Fraser, B, "Review of Errant Modernism". Chasqui 38:2 (2009): 185-187. []
  29. Gabara, E, "Cannon and camera - Photography and colonialism in the Américas". English Language Notes 44:2 (Winter, 2006): 45-64. [pdfviewer], [doi]
  30. Gabara, E, "Facing Brazil: The problem of portraiture and a modernist sublime". New Centennial Review 4:2 (January, 2004): 33-76. (Special issue entitled “Phosphorescent Memory: Visual Culture in the Americas”) [html], [doi]
  31. Gabara, EL, "Review of Fragments of a Golden Age: The Politics of Culture in Mexico since 1940. Eds. Gilbert Joseph, Anne Rubenstein, and Eric Zolov". Nepantla: Views From South 4:1 (2003): 201-207.
  32. Gabara, EL, "Review of Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Eds. Erik Camayd-Freixas and José Eduardo González". Latin American Literary Review 61 (Summer, 2003): 113-115.
  33. Gabara, EL, "Engendering Nation: Las bellas artes públicas and the Mexican Photo-essay, 1920-1940". Yearbook of Comparative and General Literature 49 (Fall, 2001): 139-154.
  34. Gabara, E, "La ciudad loca : An epistemological plan". Journal of Latin American Cultural Studies 9:2 (January, 2000): 119-135. [doi]
  35. Gabara, E; Conlon, J, "Moving the Avant-Garde". Stanford Humanities Review 7:1 (June, 1999): vii-xii.
  36. Santiago, S, "Two Strangers in Mexico". Stanford Humanities Review 7:1 (June, 1999): vii-xii. (Trans. with Joy Conlon)
  37. Conlon, J, "Two Strangers in Mexico, by Silviano Santiago". Stanford Humanities Review 7:1 (1999): 79-87.