Articles in a Journal

  1. Driscoll, K. "The Metamorphic Voice of Barbara Strozzi: Performing Irresolution in Text and Song, La Contesa del canto e delle lagrime (1638)." altrelettere  (November, 2025).
  2. Driscoll, K. "Rivoletti, Christian, ed. L’Orlando furioso oltre i cinquecento anni: Nuove prospettive di lettura." Renaissance and Reformation 47:4 (May, 2025): 217-219.
  3. Driscoll, K. "Renewal and Accoglienza in Tasso’s Rome." California Italian Studies 13:1 (November, 2024).
  4. Driscoll, K. "Curse, Growl, Hiss, Wail: The Limits of Language in Ariosto’s Rodomonte." I Tatti Studies 27:1 (March, 2024): 61-87.
  5. Driscoll, K. "Heiress of Fiction: Marfisa and the Macabre Legacy of Chivalric Ferrara." Renaissance Quarterly 77:4 (January, 2024): 1134-1183.
  6. Driscoll, K. "Marfisa’s Requiem, Merlinesque and Atlantean: Undying Spectacle in Twentieth-Century Ferrara." Letteratura cavalleresca italiana 6 (2024): 57-77.
  7. Ardizzoni, M; Driscoll, K; Scala, C. "Building space for belonging: The Critical Race, Diasporas, and Migrations Caucus (CRDM)." Forum Italicum 57:2 (August, 2023): 476-487.
  8. Driscoll, K. "Italian Chivalric Epic Poetry and Female Readers." Routledge Encyclopedia of the Renaissance World  (October, 2022).
  9. Driscoll, K. "‘La donna di poche parole’ from Page to Stage: Envoicing Enchantment in Epic Poetry and Early Opera." The Italianist 41:1 (January, 2021): 1-22.

Book Reviews

  1. Driscoll, K, "Review of Maiko Favaro, Le virtù del nobile: precetti, modelli e problemi nella letteratura del secondo Cinquecento (La Città di Castello: Emil, 2021)". Germanisch-Romanische Monatsschrift 73:4 (December, 2023): 480-483.
  2. Driscoll, K, "Review of Jason Lawrence, Tasso’s Art and Afterlives: The “Gerusalemme liberata” in England (Manchester: Manchester University Press, 2017)". Studi tassiani 66 (2018): 195-206.
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