Publications of Craufurd D. Goodwin
%% Books
@book{fds223555,
Author = {C. Goodwin},
Title = {Art and the Market: Roger Fry on Commerce in
Art},
Publisher = {University of Michigan Press},
Year = {1998},
ISBN = {0-472-10902-2},
Key = {fds223555}
}
%% Journal Articles
@article{fds223558,
Author = {C. Goodwin},
Title = {Walter Lippmann Public Economist},
Journal = {History of Politcal Economy},
Volume = {45},
Pages = {92-113},
Year = {2013},
Key = {fds223558}
}
@article{fds223559,
Author = {C. Goodwin},
Title = {Maynard Keynes of Bloomsbury},
Journal = {Mustarinda},
Year = {2013},
Key = {fds223559}
}
@article{fds223557,
Author = {C. Goodwin},
Title = {The First Gloablization Debate: Crusoe vs.
Gulliver},
Journal = {Revistan dell'Associazione Rossi Doria},
Number = {3},
Year = {2011},
Month = {Fall},
Key = {fds223557}
}
@article{fds294337,
Author = {Forget, EL and Goodwin, CD},
Title = {Intellectual communities in the history of
economics},
Journal = {History of Political Economy},
Volume = {43},
Number = {1},
Pages = {1-23},
Year = {2011},
ISSN = {0018-2702},
Doi = {10.1215/00182702-2010-042},
Key = {fds294337}
}
@article{fds294339,
Author = {Goodwin, CD},
Title = {The Bloomsbury Group as creative community},
Journal = {History of Political Economy},
Volume = {43},
Number = {1},
Pages = {59-82},
Year = {2011},
ISSN = {0018-2702},
Doi = {10.1215/00182702-2010-044},
Key = {fds294339}
}
@article{fds294338,
Author = {Goodwin, C},
Title = {Larry moss: An editorial appreciation},
Journal = {American Journal of Economics and Sociology},
Volume = {69},
Number = {1},
Pages = {49-50},
Year = {2010},
ISSN = {0002-9246},
Doi = {10.1111/j.1536-7150.2009.00690.x},
Key = {fds294338}
}
@article{fds294336,
Author = {Goodwin, CD},
Title = {Ecologist meets economics: Aldo leopold,
1887-1948},
Journal = {Journal of the History of Economic Thought},
Volume = {30},
Number = {4},
Pages = {429-452},
Year = {2008},
ISSN = {1053-8372},
Doi = {10.1017/S1053837207000429},
Key = {fds294336}
}
@article{fds294335,
Author = {Goodwin, CD},
Title = {Maynard and Virginia: A personal and professional
friendship},
Journal = {History of Political Economy},
Volume = {39},
Number = {SUPPL.},
Pages = {269-291},
Year = {2007},
ISSN = {0018-2702},
Doi = {10.1215/00182702-2006-048},
Key = {fds294335}
}
@article{fds294334,
Author = {Goodwin, C},
Title = {Chapter 2 Art and Culture in the History of Economic
Thought},
Journal = {Handbook of the Economics of Art and Culture},
Volume = {1},
Pages = {25-68},
Year = {2006},
ISSN = {1574-0676},
Abstract = {Attention to art and culture goes far back in the history of
economic thought. In the seventeenth century those
activities were viewed suspiciously as likely to be either
wasteful extravagances of the aristocracy, or dangerous
distractions for the working classes. Eighteenth century
economic thinkers offered more positive and thoughtful
speculations. Mandeville and Galiani observed that the
prices of art works were determined almost entirely on the
demand side of the market, often by fashion and the search
for distinction. The Enlightenment economic thinkers were
intrigued by various aspects of art markets. Hume and Turgot
perceived positive social benefits emerging from the arts,
and they attempted to understand of what these consisted.
Smith picked up some of the hints that were dropped and
looked at art markets in a depth that had not been
undertaken before. Like some other Enlightenment thinkers,
Smith pictured the arts as being mainly about the imitation
of perfection. Jeremy Bentham, with his emphasis on utility
as a tool by which both to understand and judge market
performance, insisted that the arts should not be
distinguished from other forms of entertainment: pushpin, he
asserted, equals poetry. Other political economists followed
Bentham's lead and steered away from exploration of the
economics of the arts. To some extent the void thus created
was filled by humanistic writers, novelists, and essayists,
notably Arnold, Ruskin, Dickens, and Morris, who were highly
critical of the industrialization of the period and the
emerging discipline of political economy that they perceived
to go with it. In the "marginal revolution" of the 1870s the
Benthamite injunction against special treatment for the arts
was largely observed. At the same time, several of the new
economists, notably William Stanley Jevons, became "closet
esthetes", enjoying their guilty pleasures but not often
subjecting the arts to economic analysis. Disappointingly
little concerning the arts and culture can be found in the
distinctive American economics of the late nineteenth and
early twentieth century. There was almost a reversion to the
seventeenth century view of the arts as the corrupt
playthings of the idle rich. However, something like a
return to the rich speculation of the eighteenth century
Enlightenment occurred in the Bloomsbury Group that included
the economist John Maynard Keynes. They rejected
"Benthamism" and distinguished between the artistic
experience and human consumption, and between the
"imaginative life" of the mind and the biological activity
of humans and other creatures. They discerned complex
effects of the arts throughout society and placed arts
policy high on the policy agenda. © 2006 Elsevier B.V. All
rights reserved.},
Doi = {10.1016/S1574-0676(06)01002-7},
Key = {fds294334}
}
@article{fds294332,
Author = {Goodwin, CD},
Title = {Kenneth Clark: His case for public support of the
arts},
Journal = {History of Political Economy},
Volume = {37},
Number = {3},
Pages = {557-592},
Year = {2005},
Key = {fds294332}
}
@article{fds294333,
Author = {Goodwin, CD},
Title = {Public support of the arts in the history of economics:
Introduction},
Journal = {History of Political Economy},
Volume = {37},
Number = {3},
Pages = {399-411},
Year = {2005},
ISSN = {0018-2702},
Doi = {10.1215/00182702-37-3-399},
Key = {fds294333}
}
@article{fds294331,
Author = {Marchi, ND and Goodwin, C and Weintraub, ER},
Title = {History of economics for the nonhistorian: A collection of
papers},
Journal = {History of Political Economy},
Volume = {36},
Number = {4},
Pages = {587-588},
Year = {2004},
Key = {fds294331}
}
@article{fds294330,
Author = {Corden, M and Duesenberry, JS and Goodwin, CD and Hynes, JA and Lipsey,
RG and Rosenbluth, G and Samuelson, PA and Simpson,
EJ},
Title = {Harry G. Johnson (1923-1977): Scholar, mentor, editor, and
relentless world traveler},
Journal = {American Journal of Economics and Sociology},
Volume = {60},
Number = {3},
Pages = {x-649},
Year = {2001},
Key = {fds294330}
}
@article{fds294328,
Author = {Goodwin, CD},
Title = {The patrons of economics in a time of transformation},
Journal = {History of Political Economy},
Volume = {30},
Number = {SUPPL. 1},
Pages = {79-81},
Year = {1998},
Key = {fds294328}
}
@article{fds294329,
Author = {Bostaph, SH and Goodwin, C and Hagemann, H and Rima, IH and Samuels, WJ and Spiegel, C and Moss, LS},
Title = {Dr. Henry William Spiegel (1911-1995): Émigré economist,
historian of economics, creative scholar, and
companion},
Journal = {American Journal of Economics and Sociology},
Volume = {57},
Number = {3},
Pages = {345-361},
Year = {1998},
Key = {fds294329}
}
@article{fds294326,
Author = {Goodwin, CD},
Title = {The promise of expertise: Walter Lippmann and the policy
sciences},
Journal = {Policy Sciences},
Volume = {28},
Number = {4},
Pages = {317-345},
Year = {1995},
ISSN = {0032-2687},
Abstract = {Walter Lippman addressed over his lifetime many of the
questions raised still in the policy sciences about the
proper role for the social scientist in the policy process,
the potential contributions of various disciplines to an
understanding of the issues, the kinds of circumstances most
likely to nurture excellent policy analysis and the means
whereby both a narrow elite and a wider public can be well
informed about critical subjects and policy options. This
article examines Lippmann's intellectual formation to deal
with these questions and his reflections on institutions
designed to foster policy analysis as well as the proper
training of a policy expert. The article concludes with an
examination of Lippmann's career as a practitioner in the
policy world, and especially as a bridge between different
communities. © 1995 Kluwer Academic Publishers.},
Doi = {10.1007/BF01000248},
Key = {fds294326}
}
@article{fds294325,
Author = {Goodwin, CD},
Title = {Classical economics reconsidered},
Journal = {The Review of Black Political Economy},
Volume = {6},
Number = {2},
Pages = {245-246},
Year = {1976},
ISSN = {0034-6446},
Doi = {10.1007/BF02689529},
Key = {fds294325}
}
%% Chapters in Books
@misc{fds223560,
Author = {C. Goodwin},
Title = {On Editing the History of Political Economy},
Booktitle = {Secfrets of Economics Editors, ed. Michael Szenberg and Lall
Ramrattan},
Publisher = {MIT Press},
Year = {2014},
Key = {fds223560}
}
@misc{fds223561,
Author = {C. Goodwin},
Title = {Economic Thought, History of},
Booktitle = {International Encyclopedia of the Behavioral and Social
Sciences},
Publisher = {Elsevier},
Year = {2014},
Key = {fds223561}
}
@misc{fds294327,
Author = {Goodwin, CDW},
Title = {The economics of art through art critics'
eyes},
Journal = {History of Political Economy},
Volume = {31},
Number = {SUPPL. 1},
Pages = {182-184},
Booktitle = {Economic Engagements wih Art},
Publisher = {Duke University Press},
Editor = {Craufurd Goodwin and Neil De Marchi},
Year = {1999},
Key = {fds294327}
}