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Publications of Kimberly K. Lamm    :chronological  alphabetical  combined listing:

%% Books   
@book{fds332158,
   Author = {Lamm, K},
   Title = {Addressing the other woman: Textual correspondences in
             feminist art and writing},
   Pages = {1-312},
   Publisher = {Manchester University Press},
   Year = {2018},
   Month = {January},
   ISBN = {9781526121264},
   Abstract = {This book analyses how three artists - Adrian Piper, Nancy
             Spero and Mary Kelly - worked with the visual dimensions of
             language in the 1960s and 1970s. These artists used text and
             images of writing to challenge female stereotypes,
             addressing viewers and asking them to participate in the
             project of imagining women beyond familiar words and images
             of subordination. The book explores this dimension of their
             work through the concept of 'the other woman', a utopian
             wish to reach women and correspond with them across
             similarities and differences. To make the artwork's
             aspirations more concrete, it places the artists in
             correspondence with three writers - Angela Davis, Valerie
             Solanas, and Laura Mulvey - who also addressed the limited
             range of images through which women are allowed to become
             visible.},
   Key = {fds332158}
}


%% Book Chapters   
@misc{fds332159,
   Author = {Lamm, KK},
   Title = {Gestures of Inclusion, Bodily Damage, and the Hauntings of
             Exploitation in Global Feminisms (2007)},
   Booktitle = {Feminist Art History Now: Radical Critiques of Theory and
             Practice},
   Publisher = {I.B. Tauris},
   Editor = {Perry, L and Horne, V},
   Year = {2017},
   Month = {June},
   ISBN = {9781784533250},
   Key = {fds332159}
}

@misc{fds298293,
   Author = {Lamm, KK},
   Title = {The Midwife’s Clothing: Jessie Fauset In and Out of
             Fashion},
   Series = {Reading Dress},
   Booktitle = {Crossings in Text and Textile},
   Publisher = {University of New Hampshire Press},
   Editor = {Joslin, K and Wardrop, D},
   Year = {2015},
   Month = {Summer},
   url = {http://www.upne.com/1611686425.html},
   Key = {fds298293}
}

@misc{fds298300,
   Author = {Lamm, KK},
   Title = {Girly Men Ballads: (Il)legible Identities in Charles
             Bernstein and Gertrude Stein},
   Pages = {57-84},
   Booktitle = {The Salt Companion to Charles Bernstein},
   Publisher = {Salt Publishing},
   Editor = {Allegrezza, W},
   Year = {2013},
   Month = {November},
   ISBN = {9781844714854},
   Key = {fds298300}
}

@misc{fds298299,
   Author = {Lamm, KK},
   Title = {Fair Realism: The Aesthetics of Restraint in Barbara
             Guest’s Collaborations},
   Series = {Modern and Contemporary Poetry and Poetics},
   Pages = {113-140},
   Booktitle = {Collaborations in New York School Poetry: The Color of
             Vowels},
   Publisher = {Palgrave Macmillan},
   Editor = {Silverberg, M},
   Year = {2013},
   ISBN = {9781137280565},
   Key = {fds298299}
}

@misc{fds298298,
   Author = {Lamm, KK},
   Title = {Ceci N’est Pas Keith/ Ceci N’est Pas Rosmarie: Writing
             Another Language for Feminist Poetics},
   Pages = {259-269},
   Booktitle = {Another Language: Contemporary American Poetic Experiment in
             a Changing World},
   Publisher = {LIT Verlag},
   Editor = {Freitag, K and Vester, K},
   Year = {2009},
   ISBN = {3825812102},
   Key = {fds298298}
}

@misc{fds348783,
   Author = {Lamm, K},
   Title = {Portraits of the past, imagined now: Reading the work of
             Carrie Mae Weems and Lorna Simpson},
   Pages = {103-140},
   Booktitle = {Unmaking Race, Remaking Soul: Transformative Aesthetics and
             the Practice of Freedom},
   Year = {2007},
   Month = {December},
   ISBN = {9780791471616},
   Key = {fds348783}
}

@misc{fds298296,
   Author = {Lamm, KK},
   Title = {All Together/Now: Writing the Space of Collectivities in the
             Poetry of Juliana Spahr},
   Pages = {133-156},
   Booktitle = {American Poets in the 21st Century: The New
             Poetics},
   Publisher = {Wesleyan University Press},
   Year = {2007},
   ISBN = {0819567280},
   Key = {fds298296}
}

@misc{fds298297,
   Author = {Lamm, KK},
   Title = {Portraits of the Past, Imagined Now: Reading the Work of
             Lorna Simpson and Carrie Mae Weems},
   Booktitle = {(Un)Making Race, Re-Making Soul: Transformative Aesthetics
             and the Practice of Freedom},
   Publisher = {SUNY Press},
   Editor = {Cotton, A and Acampora, C},
   Year = {2007},
   ISBN = {0791471616},
   Key = {fds298297}
}

@misc{fds298294,
   Author = {Lamm, KK},
   Title = {Modernism},
   Pages = {1288-1292},
   Booktitle = {Encyclopedia of Twentieth-Century Photography},
   Publisher = {Routledge},
   Editor = {Warren, L},
   Year = {2006},
   Key = {fds298294}
}

@misc{fds298295,
   Author = {Lamm, KK},
   Title = {Portraiture},
   Pages = {1062-1064},
   Booktitle = {Encyclopedia of Twentieth-Century Photography},
   Publisher = {Routledge},
   Editor = {Warren, L},
   Year = {2006},
   Key = {fds298295}
}

@misc{fds298275,
   Author = {Lamm, KK},
   Title = {Hambone},
   Pages = {699-700},
   Booktitle = {The Greenwood Encyclopedia of African American Literature:
             O-T},
   Editor = {Ostrom, HA and Macey, JD},
   Year = {2005},
   ISBN = {0313329761},
   Abstract = {Thus the encyclopedia gives special attention to the
             historical and cultural forces that have shaped African
             American writing. - Publisher.},
   Key = {fds298275}
}

@misc{fds335500,
   Author = {Lamm, KK},
   Title = {“Langston Hughes,” “Barbara Guest,” “James Weldon
             Johnson,” “David Shapiro,” and “Keith
             Waldrop.”},
   Booktitle = {The Facts on File Companion to 20th-century American
             Poetry},
   Year = {2005},
   Abstract = {Includes more than six hundred A-to-Z entries which provide
             concise information on particular poems, poets, and subjects
             which have contributed to this literary form.},
   Key = {fds335500}
}

@misc{fds298292,
   Author = {Lamm, KK},
   Title = {Getting Close to the Screen of Exile: Evoking and Resisting
             the National ‘Mother Tongue’ in Theresa Hak Kyung
             Cha’s Dictée},
   Pages = {43-65},
   Booktitle = {Transnational, National, and Personal Voices: New
             Perspectives on Asian American and Asian Diasporic Women
             Writers},
   Publisher = {LIT Verlag},
   Editor = {Marino, E and Simal, B},
   Year = {2004},
   ISBN = {3825882780},
   Key = {fds298292}
}

@misc{fds298285,
   Author = {Lamm, KK},
   Title = {A Man in the Crowd},
   Pages = {83 pages},
   Booktitle = {“A” man of the crowd - Matthew Buckingham},
   Year = {2003},
   ISBN = {390077692X},
   Key = {fds298285}
}

@misc{fds335501,
   Author = {Lamm, KK},
   Title = {Like Going Under Water},
   Booktitle = {Ruta and the Monument},
   Year = {2002},
   Key = {fds335501}
}

@misc{fds298274,
   Author = {Lamm, KK},
   Title = {"Fanny Howe," "Ann Lauterbach," and "Alice
             Notley."},
   Booktitle = {Encyclopedia of American Poetry: The Twentieth
             Century},
   Publisher = {Fitzroy Dearborn},
   Editor = {Haralson, EL},
   Year = {2001},
   ISBN = {1579582400},
   Key = {fds298274}
}

@misc{fds335502,
   Author = {Lamm, KK},
   Title = {Translating the Question of Feminism: Cambio du Lugar/
             Change of Place},
   Booktitle = {"Special Projects" Exhibit by Video Artists Andrea Geyer and
             Sharon Hayes},
   Year = {2001},
   Key = {fds335502}
}

@misc{fds335503,
   Author = {Lamm, KK},
   Title = {Williamsburg},
   Pages = {344-345},
   Booktitle = {Encyclopedia of American Studies},
   Publisher = {Grolier},
   Editor = {Butler, J and Gross, RA and Orvell, M},
   Year = {2001},
   Key = {fds335503}
}

@misc{fds335504,
   Author = {Lamm, KK},
   Title = {Write the Unwritten, Paint the Undepicted?},
   Booktitle = {Catalogue Essay for the Exhibition: "Talk About
             Complications: Re-Presenting Women, Questioning
             Gender."},
   Year = {2000},
   Key = {fds335504}
}


%% Papers Published   
@article{fds305636,
   Author = {Lamm, KK},
   Title = {Modernist Clothes Made New: The Visible Presence of Gertrude
             Stein and Zora Neale Hurston in Harryette Mullen's
             Trimmings},
   Journal = {Part Ii: Contemporary Women Poets Seminar},
   Year = {2014},
   Month = {August},
   url = {http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_4_2000/current/readings/index.html},
   Key = {fds305636}
}


%% Journal Articles   
@article{fds352856,
   Author = {Lamm, KK},
   Title = {"Pussy in a Can": Containing Feminization and Disposability
             in The Wire},
   Journal = {Cultural Critique},
   Volume = {2020},
   Number = {106},
   Pages = {90-129},
   Year = {2020},
   Month = {December},
   url = {http://dx.doi.org/10.1353/cul.2020.0003},
   Doi = {10.1353/cul.2020.0003},
   Key = {fds352856}
}

@article{fds341497,
   Author = {Lamm, K},
   Title = {‘I Want to Wear It’: Fashioning Black Feminism in
             Mahogany (1975)},
   Journal = {Australian Feminist Studies},
   Volume = {33},
   Number = {98},
   Pages = {428-446},
   Year = {2018},
   Month = {October},
   url = {http://dx.doi.org/10.1080/08164649.2019.1567257},
   Abstract = {In this article I focus on the portrayal of fashionable
             clothing in the 1975 film Mahogany and connect it to the
             history of African American women engaging with sartorial
             self-representation as a means to assert their visibility in
             American culture. My aim is to analyse Mahogany’s emphasis
             on brightly-coloured highly-ornamented clothing, which has a
             long history of signifying bad taste and became part of
             accusations of racial and sexual inferiority. I want to show
             how Mahogany’s representation of fashion undermines the
             historically entrenched bias against colourful, highly
             adorned clothing while also revealing how this bias has
             played a subtle but significant role in the racism and
             sexism black women have encountered, further (but not
             finally) impeding them from the forms of recognition the
             category of femininity offers. Mahogany represents those
             impediments and repeats the sexual and racial
             commodification underlying them, but also resists them
             (albeit quite subtly) through the film’s loving display of
             fashion and its attention to the work of designing and
             making clothes. Mahogany tells a story of bright sartorial
             resistance that can be understood as an articulation of
             black feminist desires for women of colour to be able to
             compose the images through which their bodies are
             perceived.},
   Doi = {10.1080/08164649.2019.1567257},
   Key = {fds341497}
}

@article{fds331899,
   Author = {Lamm, K},
   Title = {The Tender Buttons of Avant-Garde Self-Assertion: Teaching
             Gertrude Stein's Feminism},
   Publisher = {Modern Language Association},
   Editor = {Mix, D and Esdale, L},
   Year = {2018},
   Month = {January},
   Key = {fds331899}
}

@article{fds331284,
   Author = {Lamm, K},
   Title = {“The Will to Adorn”: Nick Cave’s Soundsuits and the
             Queer Reframing of Black Masculinity},
   Journal = {Critical Arts},
   Volume = {31},
   Number = {3},
   Pages = {35-52},
   Publisher = {Informa UK Limited},
   Year = {2017},
   Month = {May},
   url = {http://dx.doi.org/10.1080/02560046.2017.1383494},
   Abstract = {This article analyses Nick Cave’s “soundsuits”—striking
             for their elaborately ornamented forms and vibrant
             colours—as queer reframings of black masculinity. Drawing
             on scholarship in African American studies that examines the
             production of black masculinity in response to racial
             violence, the article explores how Cave’s soundsuits
             (produced from 1991 to 2011) can be understood in
             relationship to the beating of Rodney King that took place
             in Los Angeles in 1991. This exploration entails tracing how
             Cave’s artwork alludes to the history of the black dandy,
             considered by many scholars to be an emblematic figure of
             the black sartorial imagination. By queering and elaborating
             on the adornment associated with the black dandy, Cave
             defies the racist and sexist subtexts of long-standing
             arguments against display and ornamentation to create a
             defence against the systemic violence inflicted upon the
             black male body in the US.},
   Doi = {10.1080/02560046.2017.1383494},
   Key = {fds331284}
}

@article{fds320133,
   Author = {Lamm, K},
   Title = {Texting girls: Images, sounds, and words in neoliberal
             cultures of femininity},
   Journal = {Women & Performance: a Journal of Feminist
             Theory},
   Volume = {25},
   Number = {2},
   Pages = {111-127},
   Publisher = {Informa UK Limited},
   Year = {2015},
   Month = {January},
   url = {http://dx.doi.org/10.1080/0740770X.2015.1057016},
   Abstract = {This introductory essay provides an overview of the
             arguments and premises of this special issue, Texting Girls:
             Images, Sounds, and Words in Neoliberal Cultures of
             Femininity. Situated within the recent historical
             conjuncture in which "girls" (and all that is suggested by
             the term) have an unprecedented cultural visibility, the
             essay argues that the figure of the girl is coerced into
             performing forms of symbolic work within neoliberalism that
             displaces and contains the corrosive effects of capitalism
             unbound. Drawing from recent work in Girl Studies and
             Feminist Theory, the introduction demonstrates that this
             work relies upon a long-standing conflation of girls and
             commodification, which supports "girlphobic" constructions
             in both pro-capitalist stances and anti-capitalist
             critiques.},
   Doi = {10.1080/0740770X.2015.1057016},
   Key = {fds320133}
}

@article{fds320132,
   Author = {Lamm, K},
   Title = {Between the open and the hidden: Clothing, segregation, and
             the feminine counter-archive in the photographs of Gordon
             Parks},
   Journal = {Critical Arts},
   Volume = {29},
   Number = {sup1},
   Pages = {134-149},
   Publisher = {Informa UK Limited},
   Year = {2015},
   Month = {January},
   url = {http://dx.doi.org/10.1080/02560046.2015.1102266},
   Abstract = {In this article I analyse the photographs Gordon Parks
             produced for the Life photo-essay The restraints: open and
             hidden, which depicts Jim Crow segregation in Mobile,
             Alabama. Drawing on Jacques Derrida's (1996) attention to
             the archival unconscious and Hortense Spillers (1987)
             concept of ungendering, I argue that Parks photographs of
             women's and girls clothing manifest his background in
             fashion photography and highlight the counter- archival
             pressure black femininity places on Jim Crow segregation and
             the photo-essay itself.},
   Doi = {10.1080/02560046.2015.1102266},
   Key = {fds320132}
}

@article{fds222473,
   Author = {K.K. Lamm},
   Title = {Modern Spectacle and American Feminism’s Disappointing
             Daughters: Writing Fantasy Echoes in The Portrait of a
             Lady},
   Journal = {Feminist Theory},
   Year = {2014},
   Month = {Summer},
   Key = {fds222473}
}

@article{fds298323,
   Author = {Lamm, K},
   Title = {Modern spectacle and American feminism's disappointing
             daughters: Writing fantasy echoes in The Portrait of a
             Lady},
   Journal = {Feminist Theory},
   Volume = {15},
   Number = {2},
   Pages = {179-196},
   Publisher = {SAGE Publications},
   Year = {2014},
   Month = {January},
   ISSN = {1464-7001},
   url = {http://dx.doi.org/10.1177/1464700114528771},
   Abstract = {Joan Scott's 'fantasy echo' is deployed to analyse the trope
             of the mother/daughter relationship in contemporary laments
             about feminism's failures, exemplified by Susan Faludi's
             'American Electra: Feminism's Ritual Matricide' (2010). I
             demonstrate that Faludi's primary argument - that young
             feminists do not respect the generations that precede them
             and therefore halt feminist progress - unreflectively relies
             upon a feminist maternal fantasy and ignores the prominent
             role spectacle culture plays in the circumscription of
             contemporary feminism. Building upon Scott's attention to
             literature to interrupt fantasy echoes and their inert
             visions of how feminism should appear, the article
             interprets The Portrait of a Lady (1908) through the tools
             of Scott's historiography. I argue that Henry James's novel,
             focused on an American 'New Woman', is an early account of
             how young women are sold fantasies of feminist freedom
             through spectacle culture and troubles the assumption that
             older women only forge benevolent relationships with younger
             women out of generosity. © The Author(s) 2014 Reprints and
             permissions: sagepub.co.uk/journalsPermissions.nav.},
   Doi = {10.1177/1464700114528771},
   Key = {fds298323}
}

@article{fds305732,
   Author = {Lamm, K},
   Title = {Poetry's Afterlife: Verse in the Digital Age * Poetry's
             Afterlife: Verse in the Digital Age * Male Subjectivity and
             Poetic Form in "New American" Poetry * Urban Pastoral:
             Natural Currents in the New York School * Deep Skin:
             Elizabeth Bishop and Visual Art},
   Journal = {American Literature},
   Volume = {84},
   Number = {1},
   Pages = {212-215},
   Publisher = {Duke University Press},
   Year = {2012},
   Month = {January},
   ISSN = {0002-9831},
   url = {http://dx.doi.org/10.1215/00029831-1541076},
   Doi = {10.1215/00029831-1541076},
   Key = {fds305732}
}

@article{fds298283,
   Author = {Lamm, KK},
   Title = {Out of the Garbage, the Collage of Me: Alice Notley's
             Culture of One},
   Journal = {Golden Handcuffs},
   Volume = {1},
   Number = {15},
   Pages = {150-154},
   Editor = {Lou Rowan},
   Year = {2012},
   Month = {Summer},
   Key = {fds298283}
}

@article{fds298313,
   Author = {Lamm, KK},
   Title = {Ready-Made Baroness: The Gendered Language of Dadaist
             Dress},
   Journal = {Jacket 2},
   Year = {2011},
   Month = {July},
   url = {https://jacket2.org/article/readymade-baroness},
   Key = {fds298313}
}

@article{fds298324,
   Author = {Lamm, K},
   Title = {A future for Isabel Archer: Jamesian Feminism, Leo Bersani,
             and aesthetic subjectivity},
   Journal = {Henry James Review},
   Volume = {32},
   Number = {3},
   Pages = {249-258},
   Publisher = {Johns Hopkins University Press},
   Year = {2011},
   Month = {Fall},
   url = {http://dx.doi.org/10.1353/hjr.2011.0023},
   Keywords = {Henry James • Feminism • Psychoanalysis • Leo
             Bersani},
   Abstract = {This essay brings Leo Bersani's theorization of aesthetic
             subjectivity to bear on Henry James's The Portrait of a Lady
             (1908) and its portrayal of Isabel Archer's concept and
             embodiment of "independence." Drawing upon a psychoanalytic
             understanding of sexuality as that which shatters and undoes
             the rigid contours of the self, Bersani argues for and
             attends to aesthetic experiences that model the values and
             pleasures of relinquishing power. I deploy these
             formulations from Bersani's thought to read the
             transformation of Isabel's perceptions, which becomes most
             evident in her aesthetic encounters with Rome's historical
             landscape, and argue that Isabel's betrayal at the hands
             Madame Merle and Gilbert Osmond opens her to a form of
             feminist engagement unhinged from a rigorous and definitive
             American identity. © 2011 Project MUSE®.},
   Doi = {10.1353/hjr.2011.0023},
   Key = {fds298324}
}

@article{fds298322,
   Author = {Lamm, KK},
   Title = {At the Pivot of the Biopolitical: Seeing Sex and Racism in
             Lorna Simpson’s "You’re Fine."},
   Journal = {N.Paradoxa: International Feminist Art Journal},
   Volume = {28},
   Pages = {88-93},
   Publisher = {KT Press},
   Editor = {Deepwell, K},
   Year = {2011},
   Keywords = {Lorna Simpson • Conceptual Art • Michel Foucault
             • Biopolitics},
   Key = {fds298322}
}

@article{fds298325,
   Author = {Lamm, KK},
   Title = {Reflecting on the Lady in the Looking-Glass: Virginia
             Woolf’s Feminism and the Maternalization of
             Photography},
   Journal = {Virginia Woolf Miscellany},
   Number = {74},
   Pages = {11-13},
   Year = {2009},
   Key = {fds298325}
}

@article{fds298291,
   Author = {Lamm, KK},
   Title = {SEEING FEMINISM IN EXILE: THE IMAGINARY MAPS OF MONA
             HATOUM},
   Journal = {Michigan Feminist Studies},
   Number = {18},
   Pages = {1-34},
   Publisher = {Michigan Feminist Studies},
   Year = {2004},
   ISSN = {1055-856X},
   url = {http://proxy.lib.duke.edu/login?url=http://search.proquest.com.proxy.lib.duke.edu/docview/220868356?accountid=10598},
   Key = {fds298291}
}

@article{fds331285,
   Author = {Lamm, K},
   Title = {Visuality and black masculinity in Ralph Ellison's Invisible
             Man and Romare Bearden's photomontages},
   Journal = {Callaloo},
   Volume = {26},
   Number = {3},
   Pages = {813-835},
   Publisher = {Johns Hopkins University Press},
   Year = {2003},
   Month = {January},
   url = {http://dx.doi.org/10.1353/cal.2003.0094},
   Doi = {10.1353/cal.2003.0094},
   Key = {fds331285}
}

@article{fds348784,
   Author = {Lamm, K},
   Title = {Within hearing distance of philosophy: Susan Howe's textual
             portrait of Charles S. Peirce},
   Journal = {International Studies in Philosophy},
   Volume = {34},
   Number = {2},
   Year = {2002},
   Month = {December},
   Key = {fds348784}
}


%% Book Reviews   
@article{fds305637,
   Author = {Lamm, KK},
   Title = {The Question of Race in the American Avant-Garde},
   Journal = {Contemporary Literature},
   Volume = {50},
   Pages = {831-839},
   Year = {2014},
   Month = {February},
   ISSN = {0010-7484},
   Key = {fds305637}
}

@article{fds298284,
   Author = {Lamm, K},
   Title = {The poetics of black aesthetics},
   Journal = {Contemporary Literature},
   Volume = {55},
   Number = {1},
   Pages = {168-181},
   Publisher = {University of Wisconsin Press},
   Year = {2014},
   Month = {January},
   url = {http://muse.jhu.edu/journals/contemporary_literature/v055/55.1.lamm.html},
   Doi = {10.1353/cli.2014.0004},
   Key = {fds298284}
}

@article{fds298321,
   Author = {Lamm, KK},
   Title = {Review of Kevin Stein’s Poetry’s Afterlife: Verse in the
             Digitial Age; Andrew Mossin’s Male Subjectivity and Poetic
             Form in ‘New American’ Poetry; Timothy Gray’s Urban
             Pastoral: Natural Currents in the New York School; Peggy
             Samuels’ Deep Skin: Elizabeth Bishop and Visual
             Art},
   Journal = {American Literature},
   Volume = {84},
   Number = {1},
   Pages = {212-215},
   Year = {2012},
   Month = {March},
   ISSN = {0002-9831},
   url = {http://dx.doi.org/10.1215/00029831-1541076},
   Doi = {10.1215/00029831-1541076},
   Key = {fds298321}
}

@article{fds298278,
   Author = {Lamm, KK},
   Title = {Suspensions of Perception: Attention, Spectacle, and Modern
             Culture},
   Journal = {Cultural Critique},
   Volume = {50},
   Pages = {215-218},
   Year = {2012},
   Key = {fds298278}
}

@article{fds298320,
   Author = {Lamm, KK},
   Title = {Review of Daneen Wardrop’s Emily Dickinson and the Labor
             of Clothing and Katherine Joslin’s Edith Wharton and the
             Making of Fashion},
   Journal = {American Literature},
   Volume = {83},
   Number = {2},
   Pages = {206-207},
   Year = {2011},
   Month = {March},
   ISSN = {0002-9831},
   Key = {fds298320}
}

@article{fds298319,
   Author = {Lamm, KK},
   Title = {On Barbara Guest},
   Journal = {Talisman: a Journal of Contemporary Poetry and
             Poetics},
   Volume = {38, 39, 40},
   Pages = {162-172},
   Editor = {Foster, E},
   Year = {2010},
   Month = {October},
   Key = {fds298319}
}

@article{fds185900,
   Author = {K.K. Lamm},
   Title = {The Question of Race in the American Avant-Garde},
   Journal = {Contemporary Literature},
   Volume = {50},
   Number = {4},
   Pages = {831-839},
   Year = {2009},
   Month = {Winter},
   ISSN = {0010-7484},
   Key = {fds185900}
}

@article{fds298318,
   Author = {Lamm, KK},
   Title = {Review of Alice Notley’s In the Pines},
   Journal = {Talisman: a Journal of Contemporary Poetry and
             Poetics},
   Volume = {36-37},
   Pages = {23-27},
   Editor = {Foster, E},
   Year = {2008},
   Key = {fds298318}
}

@article{fds298280,
   Author = {Lamm, KK},
   Title = {“Ghosts of Kingdom Come.” Review Essay of Kate Meads’
             Quizzing the Dead and Ingrid Wendt’s Blow the Candle
             Out.},
   Journal = {Cold Mountain Review},
   Volume = {32},
   Number = {2},
   Publisher = {Appalachian State},
   Year = {2004},
   url = {http://www.coldmountain.appstate.edu/},
   Key = {fds298280}
}

@article{fds298279,
   Author = {Lamm, KK},
   Title = {Review of Tim Dean’s Beyond Sexuality},
   Journal = {Journal for the Psychoanalysis of Culture and
             Society.},
   Volume = {7},
   Number = {1},
   Pages = {150-154},
   Year = {2002},
   Key = {fds298279}
}

@article{fds298281,
   Author = {Lamm, KK},
   Title = {Then and Now: Reading the Texts of Race},
   Journal = {College Literature},
   Volume = {32},
   Number = {4},
   Year = {2002},
   ISSN = {0093-3139},
   url = {http://www.jstor.org/stable/25115316},
   Key = {fds298281}
}


%% Other   
@misc{fds298316,
   Author = {Lamm, KK},
   Title = {’Pussy in a Can’: Sexual Trafficking, Feminization, and
             Neoliberalism in The Wire},
   Year = {2013},
   Key = {fds298316}
}

@misc{fds298314,
   Author = {Lamm, KK},
   Title = {The Sense of Arrangement: Feminist Aesthetics in
             Contemporary Poetry},
   Year = {2011},
   Key = {fds298314}
}

@misc{fds298312,
   Author = {Lamm, KK},
   Title = {Review of "Picasso and the Allure of Language"},
   Journal = {The Brooklyn Rail},
   Year = {2010},
   Month = {December},
   Key = {fds298312}
}

@misc{fds298311,
   Author = {Lamm, KK},
   Title = {Review of "Mickalene Thomas: She’s Come
             Undone"},
   Journal = {The Brooklyn Rail},
   Year = {2009},
   Month = {May},
   Key = {fds298311}
}

@misc{fds298310,
   Author = {Lamm, KK},
   Title = {Review of "Burning Down the House: Building a Feminist Art
             Collection"},
   Journal = {The Brooklyn Rail},
   Year = {2009},
   Month = {April},
   Key = {fds298310}
}

@misc{fds298309,
   Author = {Lamm, KK},
   Title = {Review of "Reflecting on the Electric Mirror: New Feminist
             Video"},
   Journal = {The Brooklyn Rail},
   Year = {2009},
   Key = {fds298309}
}

@misc{fds298308,
   Author = {Lamm, KK},
   Title = {Review of "Whitfield Lovell: Kith and Kin"},
   Journal = {The Brooklyn Rail},
   Year = {2008},
   Month = {November},
   Key = {fds298308}
}

@misc{fds298306,
   Author = {Lamm, KK},
   Title = {Review of "Ghada Amer: Love Has No End"},
   Journal = {The Brooklyn Rail},
   Year = {2008},
   Month = {September},
   Key = {fds298306}
}

@misc{fds298277,
   Author = {Lamm, KK},
   Title = {"Cutting Realities: Gender Strategies in Eastern European
             Art." Austrian Cultural Forum Sept. 23.-Nov. 29,
             2008.},
   Journal = {Brooklyn Rail},
   Year = {2008},
   Key = {fds298277}
}

@misc{fds298287,
   Author = {Lamm, KK},
   Title = {The Clarity of Fanny Howe’s Doubt},
   Journal = {How2},
   Volume = {1},
   Number = {6},
   Year = {2008},
   url = {http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_6_2001/current/readings/encounters/lamm2.html},
   Key = {fds298287}
}

@misc{fds298290,
   Author = {Lamm, KK},
   Title = {Gender in a Minor Key: Rosmarie Waldrop’s A Key into the
             Language of America},
   Journal = {How2},
   Year = {2008},
   Key = {fds298290}
}

@misc{fds298307,
   Author = {Lamm, KK},
   Title = {Review of "Cutting Realities: Gender Strategies in Eastern
             European Art"},
   Journal = {The Brooklyn Rail},
   Year = {2008},
   Month = {Fall},
   Key = {fds298307}
}

@misc{fds298317,
   Author = {Lamm, KK},
   Title = {Like Going Underwater},
   Year = {2008},
   Key = {fds298317}
}

@misc{fds298305,
   Author = {Lamm, KK},
   Title = {Review of "Gego, Between Transparency and the
             Invisible"},
   Journal = {The Brooklyn Rail},
   Year = {2007},
   Month = {September},
   Key = {fds298305}
}

@misc{fds298301,
   Author = {Lamm, KK},
   Title = {Review of "Candida Hofer: Architecture of
             Absence"},
   Journal = {Artus},
   Number = {14},
   Pages = {44-44},
   Year = {2006},
   Key = {fds298301}
}

@misc{fds298302,
   Author = {Lamm, KK},
   Title = {Review of "The Art and Films of Lynn Hershman
             Leeson."},
   Journal = {Artus},
   Number = {13},
   Pages = {62-63},
   Year = {2006},
   Key = {fds298302}
}

@misc{fds298303,
   Author = {Lamm, KK},
   Title = {Review of "Ed Ruscha’s The Course of Empire"},
   Journal = {Artus},
   Number = {13},
   Pages = {62-63},
   Year = {2006},
   Key = {fds298303}
}

@misc{fds298304,
   Author = {Lamm, KK},
   Title = {Reinventing Empire, Celebrating Commerce: Two Lewis & Clark
             Bicentennial Exhibitions},
   Journal = {American Quarterly},
   Volume = {58},
   Number = {1},
   Pages = {181-203},
   Year = {2006},
   ISSN = {0003-0678},
   Key = {fds298304}
}

@misc{fds298288,
   Author = {Lamm, KK},
   Title = {Interview with Eileen Myles},
   Journal = {How2},
   Volume = {8},
   Number = {1},
   Year = {2002},
   url = {http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_8_2002/current/workbook/lamm-interview.htm},
   Key = {fds298288}
}

@misc{fds298289,
   Author = {Lamm, KK},
   Title = {“One Lighting the Other, Seductively”: James Schuyler,
             Eileen Myles, and the Sexuality of Literary
             Influence},
   Journal = {How2},
   Year = {2002},
   url = {http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_8_2002/current/workbook/lamm-essays.htm},
   Key = {fds298289}
}

@misc{fds298286,
   Author = {Lamm, KK},
   Title = {Inquiries: A Conversation About, Across, Within, and
             Inspired by Lyn Hejinian's The Language of
             Inquiry},
   Journal = {How2},
   Volume = {1},
   Number = {6},
   Year = {2001},
   url = {http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_6_2001/current/readings/encounters/lamm.html},
   Key = {fds298286}
}


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