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| Publications of Guo-Juin Hong :chronological alphabetical combined listing:%% Books @book{fds293923, Author = {Hong, G-J}, Title = {Taiwan Cinema: A Contested Nation on Screen}, Publisher = {Palgrave Macmillan}, Year = {2011}, Month = {March}, Key = {fds293923} } @book{fds293924, Author = {Hong, GJ}, Title = {Taiwan cinema: A contested nation on screen}, Series = {paperback edition with expanded afterword}, Pages = {1-229}, Publisher = {Palgrave Macmillan US}, Year = {2011}, Month = {January}, ISBN = {9780230111622}, url = {http://dx.doi.org/10.1057/9780230118324}, Abstract = {A groundbreaking study of Taiwan cinema, Hong provides helpful insight into how it is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book is essential for students and scholars of Taiwan, film and visual studies, and East Asian cultural history.}, Doi = {10.1057/9780230118324}, Key = {fds293924} } %% Papers Published @article{fds222425, Author = {G. Hong}, Title = {Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries}, Journal = {positions: asia critique}, Volume = {21}, Number = {3}, Pages = {683-701}, Year = {2013}, Month = {Summer}, Key = {fds222425} } @article{fds293922, Author = {Hong, GJ}, Title = {Voices and their discursive Dis/Content in Taiwan documentary}, Journal = {Frontiers of Literary Studies in China}, Volume = {7}, Number = {2}, Pages = {183-193}, Year = {2013}, Month = {January}, ISSN = {1673-7318}, url = {http://dx.doi.org/10.3868/s010-002-013-0010-8}, Abstract = {Instead of attempting to provide a survey of Taiwan documentary, this article focuses on a few critical moments in its long and uneven history and proposes a potentially productive site for understanding its formal manifestations of representational politics. By honing in on the uses of sounds and words, I show that the principle of a unitary voice-voice understood both as the utterances of sound and the politico-cultural meaning of such utterances-organizes the earlier periods of the colonial and authoritarian rules and shapes later iterations of and formal reactions to them. Be it voice-over narration or captions and inter-titles, this article provides a historiographical lens through which the politics of representation in Taiwan documentary may be rethought. Furthermore, this article takes documentary not merely as a genre of non-fiction filmmaking. Rather, it insists on documentary as a mode, and indeed modes, of representation that do not belong exclusively to the non-fiction. Notions of "documentability" are considered together with the corollary tendency to "fictionalize" in cinema, fiction and non-fiction. Taiwan, with its complex histories in general and the specific context within which the polyglossiac practices of New Taiwan Documentary have blossomed in recent decades in particular, is a productive site to investigate the questions of "sound" in cinematic form and "voice" in representational politics. © 2013 by Koninklijke Brill NV, Leiden.}, Doi = {10.3868/s010-002-013-0010-8}, Key = {fds293922} } @article{fds293920, Author = {Hong, G}, Title = {Voice and Its Dis/Content in New Taiwan Documentary}, Journal = {Frontiers of Literary Studies in China}, Year = {2012}, Key = {fds293920} } @article{fds293921, Author = {Hong, G}, Title = {Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries}, Journal = {positions: east asia cultures critique}, Year = {2012}, Key = {fds293921} } @article{fds293925, Author = {Hong, G}, Title = {Historiography of Absence: Taiwan Cinema before New Cinema 1982}, Journal = {Journal of Chinese Cinemas}, Volume = {4}, Number = {1}, Pages = {5-14}, Year = {2010}, Key = {fds293925} } @article{fds293917, Author = {Hong, G-J}, Title = {From the Masses to the Masses}, Journal = {VIsual Anthropology}, Volume = {22}, Number = {1}, Pages = {75-76}, Year = {2009}, Key = {fds293917} } @article{fds293919, Author = {Hong, G-J}, Title = {Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries}, Journal = {positions: east asia cultures critique}, Year = {2009}, Key = {fds293919} } @article{fds293926, Author = {Guo Juin Hong}, Title = {Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films}, Journal = {Journal of Chinese Cinemas}, Volume = {3}, Number = {3}, Pages = {215-230}, Year = {2009}, Key = {fds293926} } @article{fds138899, Author = {G. Hong}, Title = {Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai}, Journal = {positions: east asia cultures critique}, Volume = {15}, Number = {3}, Pages = {553-580}, Publisher = {Duke University Press}, Editor = {Tani Barlow}, Year = {2007}, ISSN = {1067-9847}, Key = {fds138899} } @article{fds293927, Author = {Hong, G}, Title = {Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai}, Journal = {Cinema Journal}, Year = {2006}, Key = {fds293927} } @article{fds293928, Author = {Hong, G}, Title = {Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary}, Journal = {postions: east asia cultural critique}, Year = {2006}, Key = {fds293928} } @article{fds293918, Author = {Hong, G}, Title = {Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai}, Journal = {positions: east asia cultural critique}, Year = {2005}, Key = {fds293918} } @article{fds293930, Author = {Hong, G}, Title = {Toying with History: Toys and Film Consumption/Criticism/ History}, Journal = {Chungwai Wenxue (Chung Wai Literary Monthly)}, Publisher = {Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan}, Year = {2002}, Month = {September}, Key = {fds293930} } @article{fds293929, Author = {Hong, G}, Title = {Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary}, Journal = {Film Appreciation Journal}, Number = {111}, Publisher = {National Film Archive, Taipei, Taiwian}, Year = {2002}, Month = {Spring}, Key = {fds293929} } %% Papers Accepted @article{fds154453, Author = {G. Hong}, Title = {Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai}, Journal = {Journal of Chinese Cinemas}, Year = {2008}, Key = {fds154453} } %% Edited Volumes @misc{fds371564, Author = {Hong, GJ}, Title = {Our neighbors (1963): Historiography of home and emerging realism in post-1949 Taiwan}, Pages = {22-35}, Booktitle = {Thirty-two New Takes on Taiwan Cinema}, Year = {2022}, Month = {December}, ISBN = {9780472075461}, Key = {fds371564} } @misc{fds305916, Author = {Hong, G}, Title = {Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films}, Booktitle = {Queer Sinophone Cultures}, Publisher = {Routledge}, Editor = {Chiang, H and Heinrich, AL}, Year = {2013}, Key = {fds305916} } @misc{fds305917, Author = {Hong, G}, Title = {Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films}, Booktitle = {Sinophone Queer Reader}, Year = {2012}, Key = {fds305917} } @misc{fds305919, Author = {Hong, G}, Title = {Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema}, Booktitle = {The Chinese Cinema Book}, Publisher = {British Film Institute}, Editor = {Lim, SH and Ward, J}, Year = {2011}, Key = {fds305919} } @misc{fds305920, Author = {Hong, G}, Title = {Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films}, Booktitle = {Sinophone Queer Cinema}, Year = {2011}, Key = {fds305920} } @misc{fds305921, Author = {Hong, G-J}, Title = {Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema}, Pages = {57-72}, Booktitle = {Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures}, Publisher = {Intellect, the University of Chicago Press}, Address = {Chicago}, Editor = {Khoo, O and Metzger, S}, Year = {2009}, Key = {fds305921} } @misc{fds293914, Author = {Hong, G}, Title = {Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy}, Booktitle = {Techologies of Temporality in Chinese Cinema}, Year = {2006}, Key = {fds293914} } %% Other @misc{fds305918, Author = {G. Hong and Hong, G}, Title = {The Chinese Film Theory}, Publisher = {University of Amsterdam Press}, Year = {2011}, Key = {fds305918} } @misc{fds293916, Author = {Simmons, C}, Title = {Salt Water}, Publisher = {Locus Publishing Company, Taipei, Taiwan}, Year = {2002}, Month = {August}, Key = {fds293916} } | |
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