Publications of Craufurd D. Goodwin    :recent first  alphabetical  combined listing:

%% Books   
@book{fds223555,
   Author = {C. Goodwin},
   Title = {Art and the Market: Roger Fry on Commerce in
             Art},
   Publisher = {University of Michigan Press},
   Year = {1998},
   ISBN = {0-472-10902-2},
   Key = {fds223555}
}


%% Journal Articles   
@article{fds294325,
   Author = {Goodwin, CD},
   Title = {Classical economics reconsidered},
   Journal = {The Review of Black Political Economy},
   Volume = {6},
   Number = {2},
   Pages = {245-246},
   Year = {1976},
   ISSN = {0034-6446},
   url = {http://dx.doi.org/10.1007/BF02689529},
   Doi = {10.1007/BF02689529},
   Key = {fds294325}
}

@article{fds294326,
   Author = {Goodwin, CD},
   Title = {The promise of expertise: Walter Lippmann and the policy
             sciences},
   Journal = {Policy Sciences},
   Volume = {28},
   Number = {4},
   Pages = {317-345},
   Year = {1995},
   ISSN = {0032-2687},
   url = {http://dx.doi.org/10.1007/BF01000248},
   Abstract = {Walter Lippman addressed over his lifetime many of the
             questions raised still in the policy sciences about the
             proper role for the social scientist in the policy process,
             the potential contributions of various disciplines to an
             understanding of the issues, the kinds of circumstances most
             likely to nurture excellent policy analysis and the means
             whereby both a narrow elite and a wider public can be well
             informed about critical subjects and policy options. This
             article examines Lippmann's intellectual formation to deal
             with these questions and his reflections on institutions
             designed to foster policy analysis as well as the proper
             training of a policy expert. The article concludes with an
             examination of Lippmann's career as a practitioner in the
             policy world, and especially as a bridge between different
             communities. © 1995 Kluwer Academic Publishers.},
   Doi = {10.1007/BF01000248},
   Key = {fds294326}
}

@article{fds294328,
   Author = {Goodwin, CD},
   Title = {The patrons of economics in a time of transformation},
   Journal = {History of Political Economy},
   Volume = {30},
   Number = {SUPPL. 1},
   Pages = {79-81},
   Year = {1998},
   Key = {fds294328}
}

@article{fds294329,
   Author = {Bostaph, SH and Goodwin, C and Hagemann, H and Rima, IH and Samuels, WJ and Spiegel, C and Moss, LS},
   Title = {Dr. Henry William Spiegel (1911-1995): Émigré economist,
             historian of economics, creative scholar, and
             companion},
   Journal = {American Journal of Economics and Sociology},
   Volume = {57},
   Number = {3},
   Pages = {345-361},
   Year = {1998},
   Key = {fds294329}
}

@article{fds294330,
   Author = {Corden, M and Duesenberry, JS and Goodwin, CD and Hynes, JA and Lipsey,
             RG and Rosenbluth, G and Samuelson, PA and Simpson,
             EJ},
   Title = {Harry G. Johnson (1923-1977): Scholar, mentor, editor, and
             relentless world traveler},
   Journal = {American Journal of Economics and Sociology},
   Volume = {60},
   Number = {3},
   Pages = {x-649},
   Year = {2001},
   Key = {fds294330}
}

@article{fds294331,
   Author = {Marchi, ND and Goodwin, C and Weintraub, ER},
   Title = {History of economics for the nonhistorian: A collection of
             papers},
   Journal = {History of Political Economy},
   Volume = {36},
   Number = {4},
   Pages = {587-588},
   Year = {2004},
   Key = {fds294331}
}

@article{fds294332,
   Author = {Goodwin, CD},
   Title = {Kenneth Clark: His case for public support of the
             arts},
   Journal = {History of Political Economy},
   Volume = {37},
   Number = {3},
   Pages = {557-592},
   Year = {2005},
   Key = {fds294332}
}

@article{fds294333,
   Author = {Goodwin, CD},
   Title = {Public support of the arts in the history of economics:
             Introduction},
   Journal = {History of Political Economy},
   Volume = {37},
   Number = {3},
   Pages = {399-411},
   Year = {2005},
   ISSN = {0018-2702},
   url = {http://dx.doi.org/10.1215/00182702-37-3-399},
   Doi = {10.1215/00182702-37-3-399},
   Key = {fds294333}
}

@article{fds294334,
   Author = {Goodwin, C},
   Title = {Chapter 2 Art and Culture in the History of Economic
             Thought},
   Journal = {Handbook of the Economics of Art and Culture},
   Volume = {1},
   Pages = {25-68},
   Year = {2006},
   ISSN = {1574-0676},
   url = {http://dx.doi.org/10.1016/S1574-0676(06)01002-7},
   Abstract = {Attention to art and culture goes far back in the history of
             economic thought. In the seventeenth century those
             activities were viewed suspiciously as likely to be either
             wasteful extravagances of the aristocracy, or dangerous
             distractions for the working classes. Eighteenth century
             economic thinkers offered more positive and thoughtful
             speculations. Mandeville and Galiani observed that the
             prices of art works were determined almost entirely on the
             demand side of the market, often by fashion and the search
             for distinction. The Enlightenment economic thinkers were
             intrigued by various aspects of art markets. Hume and Turgot
             perceived positive social benefits emerging from the arts,
             and they attempted to understand of what these consisted.
             Smith picked up some of the hints that were dropped and
             looked at art markets in a depth that had not been
             undertaken before. Like some other Enlightenment thinkers,
             Smith pictured the arts as being mainly about the imitation
             of perfection. Jeremy Bentham, with his emphasis on utility
             as a tool by which both to understand and judge market
             performance, insisted that the arts should not be
             distinguished from other forms of entertainment: pushpin, he
             asserted, equals poetry. Other political economists followed
             Bentham's lead and steered away from exploration of the
             economics of the arts. To some extent the void thus created
             was filled by humanistic writers, novelists, and essayists,
             notably Arnold, Ruskin, Dickens, and Morris, who were highly
             critical of the industrialization of the period and the
             emerging discipline of political economy that they perceived
             to go with it. In the "marginal revolution" of the 1870s the
             Benthamite injunction against special treatment for the arts
             was largely observed. At the same time, several of the new
             economists, notably William Stanley Jevons, became "closet
             esthetes", enjoying their guilty pleasures but not often
             subjecting the arts to economic analysis. Disappointingly
             little concerning the arts and culture can be found in the
             distinctive American economics of the late nineteenth and
             early twentieth century. There was almost a reversion to the
             seventeenth century view of the arts as the corrupt
             playthings of the idle rich. However, something like a
             return to the rich speculation of the eighteenth century
             Enlightenment occurred in the Bloomsbury Group that included
             the economist John Maynard Keynes. They rejected
             "Benthamism" and distinguished between the artistic
             experience and human consumption, and between the
             "imaginative life" of the mind and the biological activity
             of humans and other creatures. They discerned complex
             effects of the arts throughout society and placed arts
             policy high on the policy agenda. © 2006 Elsevier B.V. All
             rights reserved.},
   Doi = {10.1016/S1574-0676(06)01002-7},
   Key = {fds294334}
}

@article{fds294335,
   Author = {Goodwin, CD},
   Title = {Maynard and Virginia: A personal and professional
             friendship},
   Journal = {History of Political Economy},
   Volume = {39},
   Number = {SUPPL.},
   Pages = {269-291},
   Year = {2007},
   ISSN = {0018-2702},
   url = {http://dx.doi.org/10.1215/00182702-2006-048},
   Doi = {10.1215/00182702-2006-048},
   Key = {fds294335}
}

@article{fds294336,
   Author = {Goodwin, CD},
   Title = {Ecologist meets economics: Aldo leopold,
             1887-1948},
   Journal = {Journal of the History of Economic Thought},
   Volume = {30},
   Number = {4},
   Pages = {429-452},
   Year = {2008},
   ISSN = {1053-8372},
   url = {http://dx.doi.org/10.1017/S1053837207000429},
   Doi = {10.1017/S1053837207000429},
   Key = {fds294336}
}

@article{fds294338,
   Author = {Goodwin, C},
   Title = {Larry moss: An editorial appreciation},
   Journal = {American Journal of Economics and Sociology},
   Volume = {69},
   Number = {1},
   Pages = {49-50},
   Year = {2010},
   ISSN = {0002-9246},
   url = {http://dx.doi.org/10.1111/j.1536-7150.2009.00690.x},
   Doi = {10.1111/j.1536-7150.2009.00690.x},
   Key = {fds294338}
}

@article{fds294337,
   Author = {Forget, EL and Goodwin, CD},
   Title = {Intellectual communities in the history of
             economics},
   Journal = {History of Political Economy},
   Volume = {43},
   Number = {1},
   Pages = {1-23},
   Year = {2011},
   ISSN = {0018-2702},
   url = {http://dx.doi.org/10.1215/00182702-2010-042},
   Doi = {10.1215/00182702-2010-042},
   Key = {fds294337}
}

@article{fds294339,
   Author = {Goodwin, CD},
   Title = {The Bloomsbury Group as creative community},
   Journal = {History of Political Economy},
   Volume = {43},
   Number = {1},
   Pages = {59-82},
   Year = {2011},
   ISSN = {0018-2702},
   url = {http://dx.doi.org/10.1215/00182702-2010-044},
   Doi = {10.1215/00182702-2010-044},
   Key = {fds294339}
}

@article{fds223557,
   Author = {C. Goodwin},
   Title = {The First Gloablization Debate: Crusoe vs.
             Gulliver},
   Journal = {Revistan dell'Associazione Rossi Doria},
   Number = {3},
   Year = {2011},
   Month = {Fall},
   Key = {fds223557}
}

@article{fds223558,
   Author = {C. Goodwin},
   Title = {Walter Lippmann Public Economist},
   Journal = {History of Politcal Economy},
   Volume = {45},
   Pages = {92-113},
   Year = {2013},
   Key = {fds223558}
}

@article{fds223559,
   Author = {C. Goodwin},
   Title = {Maynard Keynes of Bloomsbury},
   Journal = {Mustarinda},
   Year = {2013},
   Key = {fds223559}
}


%% Chapters in Books   
@misc{fds294327,
   Author = {Goodwin, CDW},
   Title = {The economics of art through art critics'
             eyes},
   Journal = {History of Political Economy},
   Volume = {31},
   Number = {SUPPL. 1},
   Pages = {182-184},
   Booktitle = {Economic Engagements wih Art},
   Publisher = {Duke University Press},
   Editor = {Craufurd Goodwin and Neil De Marchi},
   Year = {1999},
   Key = {fds294327}
}

@misc{fds223560,
   Author = {C. Goodwin},
   Title = {On Editing the History of Political Economy},
   Booktitle = {Secfrets of Economics Editors, ed. Michael Szenberg and Lall
             Ramrattan},
   Publisher = {MIT Press},
   Year = {2014},
   Key = {fds223560}
}

@misc{fds223561,
   Author = {C. Goodwin},
   Title = {Economic Thought, History of},
   Booktitle = {International Encyclopedia of the Behavioral and Social
             Sciences},
   Publisher = {Elsevier},
   Year = {2014},
   Key = {fds223561}
}