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Publications of Rey Chow    :chronological  by type  bibtex listing:

  1. Chow, R. ""Epistemologically Disenfranchised?” response to Bill Brown, “The Dark Wood of Postmodernity"." PMLA  (May, 2005): 874-876.
  2. Chow, R. ""Have You Eaten?" – Inspired by an Exhibit,” forum on E. Said." Amerasia Journal 31.1 (2005): 19-22.
  3. Chow, R. ""I insist on the christian dimension": On forgiveness ... and the outside of the human." Language, Ideology, and the Human: New Interventions. December, 2012, 215-236.
  4. Chow, R. "'I Insist on the Christian Dimension': On Forgiveness…and the Outside of the Human." DifferencesLanguage, Ideology, and the Human: New Interventions 20.2-3 (December, 2009): 224-249. [doi]
  5. Steintrager, JA; Chow, R. "Nineteen Mediation/Medium." GERMAN AESTHETICS: FUNDAMENTAL CONCEPTS FROM BAUMGARTEN TO ADORNO. 2016, 163-173.
  6. Chow, R. "A Discipline of Tolerance." A Companion to Comparative Literature Ed. D. Thomas and A. Behdad. JOHN WILEY & SONS LTD, November, 2011, 15-27. [doi]
  7. Chow, R. "A Discipline of Tolerance." COMPANION TO COMPARATIVE LITERATURE. 2011, 15-27.
  8. Chow, R. A Face Drawn in Sand Humanistic Inquiry and Foucault in the Present.  Columbia University Press, April, 2021.  [abs]
  9. Chow, R. "A Filmic Staging of Postwar Geotemporal Politics: Kurosawa Akira’s ’No Regrets for Our Youth’, Sixty Years Later." boundary 2 34.1 (Spring, 2007): 67-77.
  10. Chow, R. "A Pain in the Neck, a Scene of ‘Incest,’ and Other Enigmas of an Allegorical Cinema: Ts’ai Ming-liang’s ’The River’." The New Centennial Review 4.1 (Spring, 2004): 123-142.
  11. Chow, R. "A Phantom Discipline." PMLA 116.5 (October, 2001): 1386-1395.
  12. Chow, R. "A Souvenir of Love." Modern Chinese Literature 7.2 (Fall, 1993): 59-78.
  13. Chow, R. "After the passage of the beast: 'False documentary' aspirations, acousmatic complications." Rancière and Film Ed. Bowman, P. Edinburgh UP, July, 2013, 34-52.
  14. Chow, R. "After the Passage of the Beast: ’False Documentary’ Aspirations, Acousmatic Complications." Ranciere and Film Ed. Bowman, P. Edinburgh UP, 2013, 34-52.
  15. Chow, R, After the Passage of the Beast: ’False Documentary’ Aspirations, Acousmatic Complications.   (2013): 194-211.
  16. Chow, R. "After the Passage of the Beast: ’False Documentary’ Aspirations, Acousmatic Complications." Ton. Texte zur Akustik im Documentarfilm Ed. Kamensky, V; Rohrhuber, J. Verlag Vorwerk 8, 2013, 194-211.  [abs]
  17. Chow, R. "Afterword." Cosmopatriots: on Distant Belongings and Close Encounters Ed. Jurriëns, E; Kloet, JD. Amsterdam and New York: Rodopi, 2008, 291-294.
  18. Chow, R. "Afterword: Liquidity of Being." The Chinese Cinema Book Ed. Lim, SH; Ward, J. British Film Institute/Palgrave MacMillan, 2011, 194-99.
  19. Chow, R. "Against the Lures of Diaspora: Minority Discourse, Chinese Women, and Intellectual Hegemony." Gender and Sexuality in 20th-Century Chinese Literature and Society Ed. Lu, T. Albany NY: SUNY Press, 1993, 23-45.
  20. Chow, R. "American Studies in Japan; Japan in American Studies: Challenges of the Heterolingual Address." Nanzan Review of American Studies (Japan) 30 (2008): 47-61.
  21. Chow, R. "An Addiction from Which We Never Get Free." New Literary History Essays on the Humanities36.1 (Winter, 2005): 47-55.
  22. Chow, R. "Autòmatas postmodernos." Feminismo y Teoría del Discurso. Colección TeoremaMadrid: Ediciones Cátedra, 1990, 67-85.
  23. Chow, R. "Between Colonizers: Hong Kong’s Postcolonial Self-Writing in the 1990s." Diaspora 2.2 (Fall, 1995): 151-170.
  24. ., , Between Languages. Comparative Literature Studies 42:4 (2005).
  25. Searchinger, TD; Hamburg, SP; Melillo, J; Chameides, W; Havlik, P; Kammen, DM; Likens, GE; Obersteiner, M; Oppenheimer, M; Robertson, GP; Schlesinger, WH; Lubowski, R; Tilman, GD. "Bioenergy: Counting on Incentives Response." SCIENCE 327.5970 (2010): 1200-1201. [doi]
  26. Chow, R. "Bulunbulei de youhuo — mantan Chen Kaige dianying Feng yue zhong de aimeixing." Identity, Difference and Subjectivity. Comparative Literature Institute, Fujen University / Lixu Publishing, 1997, 217-236.
  27. Chow, R. "Can One Say No to China?." New Literary History 28 (Winter, 1997): 147-151.
  28. Chow, R. "Cavando un Viejo Pozo: El Trabajo de la Fantasia Social." Feminismo y Teoría Fílmica Ed. Colaizzi, G. Ediciones Episteme S.L.Madrid: Colección EUTOPÍAS/MAIOR, 1995, 135-161. trans. M. Talens
  29. Chow, R. "China as Documentary: Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke)." European Journal of Cultural Studies 0 (0) (Looking after Europe)17.1 (2013): 1-15. [doi]  [abs]
  30. Chow, R, Close Reading and the Global University (Notes on Localism). American Comparative Literature Association Website ("Futures" Section)  (2015): 24-30. [doi]
  31. Chow, R. "Consumption and Eccentric Writing: Notes on Two Hong Kong Writers." Communal/Plural 7.1 (1999): 45-58.
  32. Steintrager, JA; Chow, R. "Dispatches to the Dead: Delegation, Consumption, and Mischievous Pleasure (Thinking with Robert Pfaller in the So-called Present)." boundary 2 49.2 (May, 2022): 295-313. [doi]  [abs]
  33. Chow, R. Entanglements, or Transmedial Thinking about Capture.  Duke University Press, 2012.
  34. Chow, R. "Entry on “Race/Imperialism"." Psychoanalysis and Feminism: A Critical Dictionary Ed. Wright, E. Basil Blackwell, 1992, 361-364.
  35. Chow, R. "Ethics after Idealism." Diacritics 23.1 (Spring, 1998): 3-22.
  36. Chow, R. Ethics after Idealism: Theory – Culture – Ethnicity – Reading.  Indiana University Press, 1998 (xxiii + 236 pages pp.).
  37. Chow, R. Ethics after Idealism: Theory–Culture–Ethnicity–Reading (Chinese translation).  Henan University Press, 2013.
  38. Chow, R. "Excerpts from WRITING DIASPORA, 116-19." Feminist Literary Theory: A Reader, 3d Edition Ed. Eagleton, M. Wiley-Blackwell, 2011, 407-10.
  39. Chow, R. "Fateful Attachments: On Collecting, Fidelity, and Lao She." Critical Inquiry 28.1 (Fall, 2001): 286-304.
  40. Chow, R; Hadjioannou, M. "Fathers in flux." Cultural Critique 114 (December, 2022): 23-39.
  41. Chow, R. "Fetish Power Unbound: A Small History of 'Woman' in Chinese Cinema." The Oxford Handbook of Chinese Cinemas Ed. Rojas, C; Chow, E. Oxford UP, 2013, 490-506.
  42. Chow, R. "Fetish power unbound: A small history of ‘woman’ in Chinese cinema 1." Media and Utopia: History, Imagination and Technology. January, 2017, 34-55. [doi]  [abs]
  43. Chow, R. "Fetish Power Unbound: A Small History of ’Woman’ in Chinese Cinema."   (2013): 490-506.
  44. Chow, R. "Film and Cultural Identity." The Oxford Guide to Film Studies Ed. Hill, J; Gibson, PC. Oxford University Press, 1998, 169-175.
  45. Chow, R. "Foreword: An Ethics of Consumption." Leung Ping Kwan, Travelling with a Bitter Melon (Selected Poems 1973-1998) Ed. Cheung, MPY. Asia 2000 Publishing, 2002, 9-17.
  46. Chow, R. "Foucault, Race, and Racism." After Foucault: Culture, Theory, and Criticism in the Twenty-First Century. January, 2018, 107-121. [doi]  [abs]
  47. Chow, R. "Framing the Original: toward a New Visibility of the Orient." PMLA 126.3 (May, 2011): 555-63. [doi]  [abs]
  48. Chow, R. "Gender and Representation." Feminist Consequences: Theory for a New Century Ed. Kavka, M; Bronfen, E. Columbia University Press, 2000, 38-57.
  49. Bales, CW; Locher, JL; Saltzman, E. "Handbook of clinical nutrition and aging, third edition." . Springer New York, January, 2015, 1-442. [doi]  [abs]
  50. Chow, R. "How (the) Inscrutable Chinese Led to Globalized Theory." PMLA 116.1 (February, 2001): 69-74.
  51. Chow, R. "How Westerners See the Orient” (in Chinese), review of Malek Alloula’s The Colonial Harem, trans. Wlad Godzich and Myrna Godzich, and of Rana Kabbani’s Europe’s Myths of Orient." Jiuzhou Xuekan (Chinese Culture Quarterly) 2.2 (1988): 79-84.  [abs]
  52. Chow, R. Il sogno di Butterfly: costellazioni postcoloniali.  edited by Calefato, P Meltemi Editore, 2004 (257 pages pp.). Trans. Maria Rosaria Dagostino. Essay collection. (translated by Dagostino, MR)
  53. Chow, R; Steintrager, JA. "In Pursuit of the Object of Sound: An Introduction." Differences 22.2-3 (2011): 1-9. Special Issue, "The Sense of Sound" [Gateway.cgi], [doi]
  54. Chow, R. "In the Name of Comparative Literature." Comparative Literature in the Age of Multiculturalism Ed. Bernheimer, C. Johns Hopkins University Press, 1994, 107-116.
  55. Chow, R. "It’s you, and not me’: Domination and ‘Othering’ in Theorizing the ‘Third World’." Coming to Terms: Feminism/Theory/Politics Ed. Weed, E. Routledge, 1989, 152-161.
  56. Chow, R. "Jiqiao, meixue shikong, nüxing zuojia — cong Zhang Ailing de ‘Fengsuo’ tan qi." Yuedu Zhang Ailing guoji yantaohui lunwenji Ed. Ze, Y. Taipei: Ryefield Publishing, 1999, 161-176.
  57. Chow, R. "Larry Feign, Ethnographer of a ‘Lifestyle’ — Political Cartoons from Hong Kong." boundary2 24.2 (1997): 21-45.
  58. Chow, R. "Listening after "Acousmaticity" Notes on a Transdisciplinary Problematic." SOUND OBJECTS. 2019, 113-129.
  59. Chow, R. "Listening Otherwise, Music Miniaturized: A Different Type of Question about Revolution." Discourse  (Fall, 1991): 129-148.
  60. Chow, R. "Love Me, Master; Love Me, Son’: A Cultural Other Pornographically Constructed in Time." Boundaries in China Ed. Hay, J. London: Reaktion Books Limited Publishers, 1994, 243-256.
  61. Chow, R. "Male Narcissism and National Culture: Subjectivity in Chen Kaige’s ’King of the Children’." camera obscura 25/26 (1991): 9-40.
  62. Chow, R. "Mandarin Ducks and Butterflies: Female Melancholy as Fiction and Commodity." Western Conference of the Association for Asian Studies Selected Papers in Asian Studies. New Series1986.
  63. Chow, R. "Media, materia, migraciones." EUTOPÍAS, 2a época, Documentos de trabajo. Centro de Semiótica y Teoría del espectáculo, Universitat de València & Asociación Vasca de Semiótica,, 1994, 24 pages. trans. Manuel Talens  (translated by Talens, M)  [abs]
  64. Steintrager, JA; Chow, R. "Mediation/Medium."   (January, 2016): 164-173.
  65. Chow, R; Steintrager, JA. "Mediation/Medium." Keywords in German Aesthetics Ed. Mininger, JD; Peck, JM. Harvard University Press, 2013.
  66.  Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field.  edited by Chow, R Duke University Press, 2000.
  67. Chow, R. "Modernism's Unfinished Business?." Arcade: Literature, the Humanities, and the World Spring (2015).
  68. Chow, R. "Nostalgia of the New Wave: Structure in Wong Kar-wai’s Happy Together." camera obscura 42 (1999): 31-48.
  69. Chow, R. Not Like a Native Speaker: On Languaging as a Postcolonial Experience.  Columbia University Press, 2014 (38-65 pp.).
  70. Chow, R. "Not One Less: The Fable of a Migration." Chinese Films in Focus: 25 Takes Ed. Berry, C. British Film Institute, 2003, 144-151.
  71. Chow, R; Rohrhuber, J. "On Captivation: A Remainder from the ’Indistinction of Art and Nonart’." Reading Ranciere Ed. Bowman, P; Stamp, R. Continuum, 2011, 44-72.
  72. Chow, REY. "On Chineseness as a Theoretical Problem." Boundary 2 Special Issue on Modern Chinese Literary and Cultural Studies in the Age of Theory25.3 (Fall, 1998): 1-24.
  73. Chow, R. "On Chineseness as a Theoretical Problem.." Sinophone Studies: A Critical Reader Ed. Shih, S; Tsai, C; Bernards, B. Columbia UP, 2013, 43-56.
  74. Chow, R. "On Chineseness as a Theoretical Problem.."   (2013): 43-56.
  75. Chow, R. "On the Graphic in Postmodern Theoretical Writing." Twentieth Century Literature special issue on Postmodernism, Then57.3-4 (Fall, 2011): 372-379. [Gateway.cgi]
  76. Chow, R. "Playing on the Air: Recollections of a Hong Kong Childhood." Journal of Modern Literature in Chinese 1.1 (July, 1997): 109-127.
  77. Chow, R. "Postcolonial Visibilities." Zeitschrift fur Medienwissenschaft 2 (2013): 132-45.  [abs]
  78. Chow, R. "Postcolonial Visibilities: Questions Inspired by Deleuze’s Method." Deleuze and the Postcolonial Ed. Bignall, S; Patton, P. Edinburgh:University of Edinburgh Press, 2010, 62-77.
  79. Chow, R. "Poststructuralism: Theory as Critical Self-Consciousness." The Cambridge Companion to Feminist Literary Theory Ed. Rooney, E. Cambridge University Press, 2006, 195-210.
  80. Chow, R. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema.  Columbia University Press, 1995 (xiv + 252 pages pp.).
  81. Chow, R; Rangan, P. "Race, Racism, and Postcoloniality." The Oxford Handbook of Postcolonial Studies Ed. Huggan, G. Oxford UP, 2013, 396-411.
  82. Chow, R; Rangan, P. "Race, Racism, and Postcoloniality."   (2013): 396-411.
  83. Chow, R. "Reading Derrida on Being Monolingual." New Literary History 39 (January, 2013): 217-231.
  84. Chow, R. "Remains’ Regime Change?." World Picture 8 (2013). online journal
  85. Chow, R. "Rereading Mandarin Ducks and Butterflies: A Response to the ‘Postmodern’ Condition." Cultural Critique 5 (Winter, 1986): 69-94.
  86. Chow, R. "Response to Carol Quillen, “Feminist Theory, Justice, and the Lure of the Human"." Signs 27.1 (Fall, 2010): 135-136.
  87. Chow, R. "Response to Question about Field of Study." PMLA 115.7 (December, 2000): 2037-2037.
  88. Chow, R. "Response: Fleeing Objects." Postcolonial Studies (Special Issue: Rey Chow, Postcoloniality and Interdisciplinarity) 13.3 (2010): 303-304.
  89. Chow, R. "Review article on Alan Wolfe, Suicidal Narrative in Modern Japan." Comparative Literature 45.3 (Summer, 1993): 297-300.
  90. Chow, R. "Roland Barthes: ’Empire of Signs’." Constructions  (1986): 17-24.
  91. Chow, R. "Sacrifice, Mimesis, and the Theorizing of Victimhood." Representations 94 (Spring, 2006): 131-149. Reprinted in _Impasses of the Post-Global: Theory in the Era of Climate Change_, ed. H. Sussman, Open UP, 2012, 142-68
  92. Chow, R. "Sacrifice, Mimesis, and the Theorizing of Victimhood.." Problemi 9 (2012): 161-190.  [abs]
  93. Chow, R. "Seminal Dispersal, Fecal Retention, and Related Narrative Matters: Eileen Chang’s Tale of Roses in the Problematic of Modern Writing." differences 11.2 (1999): 153-176.
  94. Chow, R, Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility.   (2012).  [abs]
  95. Chow, R. Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility.  Columbia University Press, 2007 (xii + 263 pages pp.). Chapter 4 reprinted (with responses).
  96. Chow, R. "Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-wai." New Literary History 33.4 (Fall, 2002): 639-654.
  97. Chow, R. "Sextual Strategies,” review article on Mieke Bal’s Lethal Love: Feminist Readings of Biblical Love Stories." Semiotica 75.3/4 (1989): 335-344.
  98. Chow, R. "Sexuality." A Concise Companion to Feminist Theory Ed. Eagleton, M. Blackwell, 2003, 93-110.
  99. Chow, R. "Silent is the Ancient Plain: Music, Film-making, and the Conception of Reform in China’s New Cinema." Discourse  (Spring, 1990): 82-109.
  100.  Sound Objects.  edited by Chow, R; Steintrager, J Duke University Press, 2019 (312 pages pp.).  [abs]
  101. Steintrager, JA; Chow, R. "Sound Objects An Introduction." SOUND OBJECTS. 2019, 1-+.
  102. Chow, R. "Stories and Politics,” Review article on Michael Hanne, The Power of the Story: Fiction and Political Change." NOVEL: A Forum on Fiction 29.2 29.2 (Winter, 1996): 262-265.
  103. Chow, R. "The Age of the World Target: On the 50th Anniversary of the Dropping of the Atomic Bomb." Mass Culture and Everyday Life: A Tabloid Reader Ed. Gibian, P. Routledge, 1997, 91-107.
  104. Chow, R, The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work.   (2013).
  105. Chow, R. The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work.  Duke University Press, 2006 (x + 128 pages pp.).
  106. Chow, R. "The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work, chapter 3." Literatura europea comparada Ed. Dominguez, C. Arcos Libros, S.L., 2013, 147-75.  [abs]
  107. Chow, R, The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work, chapter 3.   (2013): 147-75.
  108. Chow, R. "The Dream of a Butterfly."   (2012): 92-117.
  109. Chow, R. "The Dream of a Butterfly." Asian American Literature, Vol IV Ed. Li, DL. Routledge, 2012, 92-117.
  110. Chow, R. "The Dream of a Butterfly." Human, All Too Human (Papers from the English Institute) Ed. Fuss, D. Routledge, 1996, 61-92. Reprinted in _Asian American Literature, v.1: Literary History: Theory and Criticism_, ed. D.L. Li, Routledge, 2012
  111. Chow, R. "The Elusive Material, What the Dog Doesn’t Understand." New Materialisms: Ontology, Agency, and Politics Ed. Frost, S; Coole, D. Duke University Press, 2010, 221-33.
  112. Chow, R. "The Fascist Longings in Our Midst." ARIEL 26.1 (1995): 23-50.
  113. Chow, R. "The Grain of Jade Woman, Repression, and Fei Mu's Spring in a Small Town." BEYOND IMPERIAL AESTHETICS. 2019, 116-124.
  114. Chow, R. "The grain of jade: Woman, repression and Fei Mu’s Spring in a Small Town." Chinese Cinemas: International Perspectives. May, 2016, 134-140. [doi]  [abs]
  115. Hadjioannou, M; Chow, R. "The Hitchcockian Nudge; or, An Aesthetics of Deception." Representations 140.1 (2017): 159-174. [doi]  [abs]
  116. Chow, R. "The Interruption of Referentiality: Poststructuralism and the Conundrum of Critical Multiculturalism." SAQ: The South Atlantic Quarterly 101.1 (2002): 171-186.
  117. Chow, R. "The Jargon of Liberal Democracy." PMLA 137.5 (October, 2022): 935-941. [doi]
  118. Chow, R. "The message it is not: The work of the medium known as documentary." Cambridge Journal of Postcolonial Literary Inquiry 7.2 (April, 2020): 199-202. [doi]  [abs]
  119. Chow, R. "The Old/New Question of Comparison in Literary Studies." ELH (English Literary History) 71 (2004): 289-311.
  120. Chow, R. "The Politics and Pedagogy of Asian Literatures in American Universities." differences 2.3 (Fall, 1990): 29-51.
  121. Chow, R. "The Postcolonial Difference: Lessons in Cultural Legitimation." Postcolonial Studies 1.2 (1998): 161-169.
  122. Chow, R. The Protestant Ethnic and the Spirit of Capitalism.  Columbia University Press, 2002 (x + 237 pages pp.).
  123. Chow, R. "The provocation of Dim Sum, or, making diaspora visible on film."   (January, 2013): 100-110.
  124. Chow, R. "The Provocation of _Dim Sum_; or, Making Diaspora Visible on Film." Diasporic Chineseness after the Rise of China: Communities and Cultural Production Ed. Kuehn, J; Louie, K; Pomfret, DM. University of British Columbia P, 2013, 100-110.
  125. Chow, R. "The Provocation of ’Dim Sum’; or, Making Diaspora Visible on Film." Journal of Modern Literature in Chinese 9.2 (July, 2009): 208-17.
  126. Chow, R. "The Resistance of Theory; or, the Worth of Agony." Just Being Difficult? Academic Writing in the Public Arena Ed. Culler, J; Lamb, K. Stanford University Press, 2003, 95-105.
  127. Chow, R. The Rey Chow Reader.  edited by Bowman, P Columbia University Press, 2010 (xxiii + 289 pages pp.).
  128. Chow, R. "The Secrets of Ethnic Abjection." Traces 2 (2001): 53-77.
  129. Chow, R. "The Seductions of Homecoming: Place, Authenticity, and Chen Kaige’s ’Temptress Moon’." Narrative 6.1 (January, 1998): 3-17.
  130. ., , The Sense of Sound. differences 22:2-3 (2011).
  131. Chow, R; Hajdini, S. "The Subject of Chinglish." Problemi 55.11-12 (January, 2017): 117-127.  [abs]
  132. Chow, R. "The Subject of Chinglish." Testo a Fronte: teoria e practica della traduzione letteraria 48 (1 semestre) "Towards a Global Literature/Verso una letteratura globalizzata" (2013): 155-62.
  133. Chow, R. "The writing voice in cinema: A preliminary discussion." Locating the Voice in Film: Critical Approaches and Global Practices. January, 2017, 17-30. [doi]  [abs]
  134. Chow, R. "Theory, Area Studies, Cultural Studies: Issues of Pedagogy in Multiculturalism." A Question of Discipline: Pedagogy, Power, and the Teaching of Cultural Studies Ed. Canaan, J; Epstein, D. Westview Press, 1997, 11-26.
  135. Chow, R. "Things, Common/Places, Passages of the Port City: On Hong Kong and Hong Kong Author Leung Ping-kwan." differences 5.3 (Fall, 1993): 179-204.
  136. Chow, R. "Things, Commonplaces, Passages of a Port City: On Hong Kong and Hong Kong Author Leung Ping-kwan.."   (2014): 207-226.
  137. Chow, R. "Things, Commonplaces, Passages of a Port City: On Hong Kong and Hong Kong Author Leung Ping-kwan. Reprint.." Sinophone Studies: A Critical Reader Ed. Shih, S; Tsai, C; Bernards, B. Columbia UP, 2013, 207-226.
  138. Chow, R. "Thinking with Food, Writing off Center: Notes on Two Hong Kong Authors." Global Chinese Literature Ed. Tsu, J; Wang, D. Leiden: Brill, 2010, 133-55. This is a substantially revised and expanded version of 'Consumption and Eccentric Writing: Notes on Two Hong Kong Writers'
  139. Chow, R. "Toward an Ethics of Postvisuality: Some Thoughts on the Recent Work of Zhang Yimou." Poetics Today 25.4 (Winter, 2004): 673-688.
  140. Chow, R. "Translator, Traitor; Translator, Mourner (or, Dreaming of Intercultural Equivalence)." New Literary History 39.3 (Summer, 2008): 565-580.
  141. Chow, R. "Trust, Pedagogy, Chinese Intellectuals in the 1990s – Fragments of a Post-Catastrophic Discourse." Dialectical Anthropology 16 (1991): 191-207.
  142. Chow, R. "Turnstile, Rupture, Salamander: Critique's Changing Energetics." YEARBOOK OF COMPARATIVE LITERATURE 65 (2023): 13-32. [doi]
  143. Chow, R, Unacceptable Suffering: Rey Chow on Michael Haneke. Asian American Writers’ Workshop January 24 (2013).
  144. Chow, R. "Violence in the Other Country: China as Crisis, Spectacle, and Woman." Third World Women and the Politics of Feminism Ed. al, CME. Indiana University Press, 1991, 81-100.
  145. Chow, R. "Violence in the Other Country: Preliminary Remarks on the ‘China Crisis,’ June 1989." Radical America  (September, 1989): 23-32.
  146. Chow, R. "Virtuous Transactions: A Reading of Three Stories by Ling Shuhua." Modern Chinese Literature 4.1 & 2 (Fall, 1988): 71-86.
  147. Chow, R. "Walter Benjamin’s Love Affair with Death." New German Critique  (Fall, 1989): 63-86.
  148. Chow, R. "We Endure, therefore We Are: Survival, Governance, and Zhang Yimou’s ’To Live’." South Atlantic Quarterly 95.4 (Fall, 1996): 1039-1064.
  149. Chow, R; Sarfan, A. "We “other victorians”? Novelistic remains, therapeutic devices, contemporary televisual dramas." Daedalus 150.1 (January, 2020): 118-133. [doi]  [abs]
  150. Chow, R. "What Does It Mean to Enjoy Life? Yang Fudong’s 'An Estranged Paradise'."   (2013): 129-30; 148-49 (German translation)-129-.
  151. Chow, R. "What Does It Mean to Enjoy Life? Yang Fudong’s _An Estranged Paradise_." Yang Fudong Ed. Pirotte, P; Ruf, B. UC Berkeley Art Museum and Pacific Film Archive; Kunsthalle Zurich, 2013, 129-130.
  152. Maitra, A; Chow, R. "What’s “in”? Disaggregating asia through new media actants." Routledge Handbook of New Media in Asia. January, 2015, 17-27. [doi]  [abs]
  153. Maitra, A; Chow, R. "What’s“in”? Disaggregating Asia through new media actants." Routledge Handbook of New Media in Asia. Routledge, January, 2016, 17-27. [doi]
  154. Chow, R. "When Reflexivity Becomes Porn: Mutations of a Modernist Theoretical Practice." Theory after Theory Ed. Elliott, J; Attridge, D. Routledge, 2011, 135-48.
  155. Chow, R. "When Whiteness Feminizes … : Some Consequences of a Supplementary Logic." differences 11.3 (1999): 137-168.
  156. Chow, R. "Where Have All the Natives Gone?." Displacements: Cultural Identities in Question Ed. Bammer, A. Indiana University Press, 1994, 125-151.
  157. Chow, R. Woman and Chinese Modernity: The Politics of Reading Between West and East.  University of Minnesota Press, 1991 (xvii+198 pages pp.).
  158. Chow, R. "Woman,’ Fetish, Particularism: Articulating Chinese Cinema with a Cross-Cultural Problematic." Journal of Chinese Cinemas 1.3 (2007): 209-221.
  159. Chow, R. "Women in the Holocene: Ethnicity, Fantasy, and the Film ’The Joy Luck Club’." Feminisms and Pedagogies of Everyday Life Ed. Luke, C. Albany NY: SUNY Press, 1996, 204-221.
  160. Chow, R. Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies.  Indiana University Press, 1993 (x + 238 pages pp.).
  161. ., , Writing in the Realm of the Senses. differences 11:2 (1999).
  162. Chow, R. Xie zai jia guo yi wai.  edited by Dung, L Oxford University Press, 1995 (150 pages pp.). Trans. Louis Dung. Essay Collection.
  163. Chow, R. "Yao minzhu haishi yao yapian?." Xin bao (Hong Kong Economic Journal)  (July, 1997).
  164. Chow, R. "Ye Si yu shuqing." Harvard History of Modern Chinese Literature Ed. al, DD-WWE. Harvard UP, 2013.
  165. Chow, R. "Ye Si yu shuqing."   (2013).
  166. Chow, R. "“I insist on the Christian dimension”: On forgiveness … and the outside of the human." Language, Ideology, and the Human: New Interventions. January, 2012, 234-255.
  167. Chow, R. "“I Insist on the Christian Dimension”: On Forgiveness… and the Outside of the Human." Language, Ideology, and the Human: New Interventions. January, 2016, 215-236. [doi]  [abs]
  168. Chow, R. "“King Kong in Hong Kong: Watching the ‘Handover,’ from the USA." Social Text 55 (Summer, 1998): 93-108.
  169. Chow, R. "“The Politics of Admittance: Female Sexual Agency, Miscegenation, and the Formation of Community in Frantz Fanon." UTS Review (Sydney, Australia) 1.1 (1995): 5-29.
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