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| Publications of Rey Chow :chronological alphabetical by type listing:
%%
@article{fds375496,
Author = {Chow, R},
Title = {Turnstile, Rupture, Salamander: Critique's Changing
Energetics},
Journal = {YEARBOOK OF COMPARATIVE LITERATURE},
Volume = {65},
Pages = {13-32},
Year = {2023},
url = {http://dx.doi.org/10.3138/ycl-65-002},
Doi = {10.3138/ycl-65-002},
Key = {fds375496}
}
@article{fds365691,
Author = {Chow, R and Hadjioannou, M},
Title = {Fathers in flux},
Journal = {Cultural Critique},
Volume = {114},
Pages = {23-39},
Year = {2022},
Month = {December},
Key = {fds365691}
}
@article{fds369138,
Author = {Chow, R},
Title = {The Jargon of Liberal Democracy},
Journal = {PMLA},
Volume = {137},
Number = {5},
Pages = {935-941},
Year = {2022},
Month = {October},
url = {http://dx.doi.org/10.1632/S0030812922000839},
Doi = {10.1632/S0030812922000839},
Key = {fds369138}
}
@article{fds365692,
Author = {Steintrager, JA and Chow, R},
Title = {Dispatches to the Dead: Delegation, Consumption, and
Mischievous Pleasure (Thinking with Robert Pfaller in the
So-called Present)},
Journal = {boundary 2},
Volume = {49},
Number = {2},
Pages = {295-313},
Publisher = {Duke University Press},
Year = {2022},
Month = {May},
url = {http://dx.doi.org/10.1215/01903659-9644597},
Abstract = {<jats:title>Abstract</jats:title><jats:p>For the past twenty
years or so, the Austrian cultural theorist Robert Pfaller
has been positing and analyzing the concepts of
“interpassivity” (as opposed to interactivity) and the
delegation of enjoyment both in sacred rituals and in
relation to various media of reproduction (such as video
recorders and photocopiers). Steintrager and Chow argue that
Pfaller's insights into delegation as a key and understudied
feature of media ecologies are particularly relevant today,
as delegation of various activities has intensified.
However, the latest media and technologies, which gather so
much information about us that we end up in a state of
informational debt, pose a challenge to his thesis that
delegation is an unconscious strategy for seeking relief
from the onslaught of images, commodities, and
information.</jats:p>},
Doi = {10.1215/01903659-9644597},
Key = {fds365692}
}
@book{fds356075,
Author = {Chow, R},
Title = {A Face Drawn in Sand Humanistic Inquiry and Foucault in the
Present},
Publisher = {Columbia University Press},
Year = {2021},
Month = {April},
ISBN = {9780231547796},
Abstract = {Rey Chow takes up this challenge by articulating the plight
of the humanities in the age of global finance and
neoliberal mores through a resharpened focus on Foucault’s
concept “outside.” This general discussion is followed
by a ...},
Key = {fds356075}
}
@article{fds349847,
Author = {Chow, R},
Title = {The message it is not: The work of the medium known as
documentary},
Journal = {Cambridge Journal of Postcolonial Literary
Inquiry},
Volume = {7},
Number = {2},
Pages = {199-202},
Year = {2020},
Month = {April},
url = {http://dx.doi.org/10.1017/pli.2019.38},
Abstract = {This article is a brief discussion of Pooja Rangan's book
Immediations, highlighting her argument for the need to
analyze carefully the audiovisual materialities and
ideological assumptions of documentary as a
medium.},
Doi = {10.1017/pli.2019.38},
Key = {fds349847}
}
@article{fds355600,
Author = {Chow, R and Sarfan, A},
Title = {We “other victorians”? Novelistic remains, therapeutic
devices, contemporary televisual dramas},
Journal = {Daedalus},
Volume = {150},
Number = {1},
Pages = {118-133},
Year = {2020},
Month = {January},
url = {http://dx.doi.org/10.1162/DAED_a_01837},
Abstract = {In reference to the work of Michel Foucault and to residual
Victorian novelistic features, this essay explores the
biopolitical dimension of contemporary televisual dramas,
focusing on the popular crime genre as seen in The Sopranos
(1999– 2007), Breaking Bad (2008–2013), and The Fall
(2013–2016). Emphasizing the confessional context of
criminality and policing, we demonstrate how such shows rely
on the conventions of modern psychological discourse in
depicting criminals, thus foregrounding what Eva Illouz in
Saving the Modern Soul (2008) has called the “therapeutic
emotional style.” By updating aspects of D. A. Miller’s
conception of the policing plot in The Novel and the Police
(1988), we argue that confession in contemporary televisual
dramas exemplifies a cultural transition from power as force
to power as communication. The ascendance of communicative
power pathologizes aspects of masculinity and introduces a
new dramatic/narra-tive device: the therapeutic
couplet.},
Doi = {10.1162/DAED_a_01837},
Key = {fds355600}
}
@book{fds356076,
Title = {Sound Objects},
Pages = {312 pages},
Publisher = {Duke University Press},
Editor = {Chow, R and Steintrager, J},
Year = {2019},
ISBN = {9781478002536},
Abstract = {What exactly does the emerging discipline of sound studies
study? Sound Objects pursues these questions while exploring
how history, culture, and mediation entwine with sound’s
elusive objectivity.},
Key = {fds356076}
}
@article{fds367965,
Author = {Chow, R},
Title = {Listening after "Acousmaticity" Notes on a
Transdisciplinary Problematic},
Pages = {113-129},
Booktitle = {SOUND OBJECTS},
Year = {2019},
ISBN = {978-1-4780-0145-4},
Key = {fds367965}
}
@article{fds367966,
Author = {Steintrager, JA and Chow, R},
Title = {Sound Objects An Introduction},
Pages = {1-+},
Booktitle = {SOUND OBJECTS},
Year = {2019},
ISBN = {978-1-4780-0145-4},
Key = {fds367966}
}
@article{fds369770,
Author = {Chow, R},
Title = {The Grain of Jade Woman, Repression, and Fei Mu's Spring
in a Small Town},
Pages = {116-124},
Booktitle = {BEYOND IMPERIAL AESTHETICS},
Year = {2019},
Key = {fds369770}
}
@article{fds367489,
Author = {Chow, R},
Title = {Foucault, Race, and Racism},
Pages = {107-121},
Booktitle = {After Foucault: Culture, Theory, and Criticism in the
Twenty-First Century},
Year = {2018},
Month = {January},
ISBN = {9781107140493},
url = {http://dx.doi.org/10.1017/9781316492864.009},
Abstract = {When it comes to Foucault and questions of race, the
critical challenge to date seems to be the ready reproach of
Eurocentrism-the charge that Foucault’s perspectives,
derived as they are from close studies of European cultures
and histories, stand negligent of other parts of the modern
world. In particular, the disciplinary institutions in
Europe that he analyzes with such brilliance were,
chronologically speaking, evolving during the very period
when European nations aggressively pursued their imperial
enterprises overseas, but Foucault has not offered any
analysis of such enterprises. Even as he helped popularize
the important concept of heterotopia, then, Foucault has
been found guilty of not being heterotopic enough. This
chapter is an attempt to argue the relevance of Foucault’s
work to the study of race in a different manner from this
justifiable, though in my view not necessarily productive,
approach. Foucauldian Discourse and Its Post-Colonial
Inflection In his critique of European imperialism, Edward
Said, greatly influenced by Foucault’s early work on
discourse, performs the trend-setting task of mapping the
systemic and structural correlations between textual
formations and economical-political formations. Said’s
Orientalism argues that these correlations constitute a kind
of material history-one based as much on representational
traditions as it is on empirical invasions and annexations,
a history that has contributed to the construction of the
Orient as a distinct entity from the Western world and
inferior to it. From the standpoint of race, Foucault’s
imprints on Said’s seminal work are less a matter of the
objects of study chosen (the texts that make reference to
oriental identities and cultures) than a new, reflexive way
of conceptualizing the colonial situation and its
aftermath.},
Doi = {10.1017/9781316492864.009},
Key = {fds367489}
}
@article{fds347175,
Author = {Chow, R and Hajdini, S},
Title = {The Subject of Chinglish},
Journal = {Problemi},
Volume = {55},
Number = {11-12},
Pages = {117-127},
Year = {2017},
Month = {January},
Abstract = {Tourists in the People's Republic of China often encounter
“Chinglish” signs giving directions, instructions, or
warnings. Why are these signs so funny? The article explores
this question by drawing on the perspectives of the PRC
government, sinologists, sociolinguists, and literary
critics. Citing Alenka Zupančič's work on comedy, she
argues that Chinglish exemplifies the condition in which a
subject-supposed-to-know stumbles and falls into
flesh.},
Key = {fds347175}
}
@article{fds347176,
Author = {Chow, R},
Title = {The writing voice in cinema: A preliminary
discussion},
Pages = {17-30},
Booktitle = {Locating the Voice in Film: Critical Approaches and Global
Practices},
Year = {2017},
Month = {January},
ISBN = {9780190261122},
url = {http://dx.doi.org/10.1093/acprof:oso/9780190261122.003.0002},
Abstract = {As an artifact in cultural representation, the voice has a
much longer history than cinema. Older representational
forms based in writing—poetry, literary fiction, essays,
and nonfiction in general—all bear remnants of the voice
in different registers. In cinema studies, however,
theorists and critics have tended to suspend this longer
history in order to foreground the more technically specific
aspects of voice manifestation as they show up in a
particular film system (such as Hollywood). This means that
discussions of the cinematic voice tend to present us with
an object of study that is radically truncated from the
get-go, leaving the complex historicity of the voice as a
fictional artifact largely untouched. With reference to
Derrida, Bakhtin, Mladen Dolar, and Michel Chion, and
through a reading of the film The Lunchbox, this essay aims
to bring some of this historicity back into the
picture.},
Doi = {10.1093/acprof:oso/9780190261122.003.0002},
Key = {fds347176}
}
@article{fds367491,
Author = {Chow, R},
Title = {Fetish power unbound: A small history of ‘woman’ in
Chinese cinema 1},
Pages = {34-55},
Booktitle = {Media and Utopia: History, Imagination and
Technology},
Year = {2017},
Month = {January},
ISBN = {9781138962644},
url = {http://dx.doi.org/10.4324/9781315091303-3},
Abstract = {This chapter demonstrates how the question of woman in
Chinese cinema partakes of larger modern theoretical
discourse about femininity and mediatized visuality. In his
famous analysis of commodity fetishism at the beginning of
Capital, Karl Marx provides the influential conceptual
framework for thinking about capital’s inhumane
appropriation of human labour. Although their contribution
is essential to the production of commodities, Marx writes,
workers are typically alienated from their own labour by
being denied the profits derived from the sales of such
commodities, which go instead to enrich capitalists. The
figure of the prostitute complicates Marx’s analysis by
foregrounding the dimension of sexuality. Outside mainland
China the highly visible sign of woman in the Chinese film
industry was part and parcel of the processes of
modernization and urbanization. In film theory, one of the
ground-breaking events is the critique, made collectively in
the 1970s and 1980s by feminists of the Anglo-American
world, of the conventional modes of objectifying woman in
cinema.},
Doi = {10.4324/9781315091303-3},
Key = {fds367491}
}
@article{fds330198,
Author = {Hadjioannou, M and Chow, R},
Title = {The Hitchcockian Nudge; or, An Aesthetics of
Deception},
Journal = {Representations},
Volume = {140},
Number = {1},
Pages = {159-174},
Publisher = {University of California Press},
Year = {2017},
url = {http://dx.doi.org/10.1525/rep.2017.140.1.159},
Abstract = {This article considers Alfred Hitchcock’s work in relation
to the connotations of “fallacy” within conventional
settings of modern Western society. Focusing on two films,
STRANGERS ON A TRAIN (1951) and REAR WINDOW (1954), we point
to the phenomenon of the incidental push that leads toward
an inextricable entanglement of characters, events, and
psychic forces in what appear to be logical courses of
action. We name this push “the Hitchcockian
nudge.”},
Doi = {10.1525/rep.2017.140.1.159},
Key = {fds330198}
}
@article{fds357381,
Author = {Chow, R},
Title = {The grain of jade: Woman, repression and Fei Mu’s Spring
in a Small Town},
Pages = {134-140},
Booktitle = {Chinese Cinemas: International Perspectives},
Year = {2016},
Month = {May},
ISBN = {9781138912465},
url = {http://dx.doi.org/10.4324/9781315691893-11},
Abstract = {A married woman, Zhou Yuwen, serves as the narrator in Fei
Mu’s film classic Xiao cheng zhi chun / Spring in a Small
Town. A novel experiment in Chinese filmmaking of the 1940s,
this feature of the film remains a highly provocative point
of interest. Since Fei Mu’s film was rediscovered and its
value affirmed beginning in the 1980s, a considerable
variety of readings have been advanced. The well-known
author Ping-kwan Leung, in a study of lyricism and cinema,
suggests that it is Yuwen’s voice that establishes the
film’s unique sense of lyricism, a lyricism that, Leung
argues, is characteristic of modernist literary aesthetics.
In his discussion of the voice’s lyrical reflexivity,
Leung underscores self-restraint as the superlative
expressive-cum-ethical form. This chapter introduces the
somewhat different emphasis of a dream and proposes that
what makes the voice distinctive is really it’s irrational
that is, dreamlike oscillation among subjective and
objective spaces and temporalities.},
Doi = {10.4324/9781315691893-11},
Key = {fds357381}
}
@article{fds324377,
Author = {Maitra, A and Chow, R},
Title = {What’s“in”? Disaggregating Asia through new media
actants},
Pages = {17-27},
Booktitle = {Routledge Handbook of New Media in Asia},
Publisher = {Routledge},
Year = {2016},
Month = {January},
ISBN = {9781138026001},
url = {http://dx.doi.org/10.4324/9781315774626},
Doi = {10.4324/9781315774626},
Key = {fds324377}
}
@article{fds369771,
Author = {Chow, R},
Title = {“I Insist on the Christian Dimension”: On Forgiveness…
and the Outside of the Human},
Pages = {215-236},
Booktitle = {Language, Ideology, and the Human: New Interventions},
Year = {2016},
Month = {January},
ISBN = {9781409428343},
url = {http://dx.doi.org/10.4324/9781315591469-19},
Abstract = {The questions I would like to explore in this chapter
pertain to the type of action specific to human relations we
call forgiveness. Hannah Arendt’s erudite reflections in
The Human Condition provide a powerful justification for the
necessity of forgiveness as a moral virtue: “Without being
forgiven, released from the consequences of what we have
done, our capacity to act would, as it were, be confined to
one single deed from which we could never recover; we would
remain the victims of its consequences forever, not unlike
the sorcerer’s apprentice who lacks the magic formula to
break the spell” (237).},
Doi = {10.4324/9781315591469-19},
Key = {fds369771}
}
@article{fds376607,
Author = {Steintrager, JA and Chow, R},
Title = {Mediation/Medium},
Pages = {164-173},
Publisher = {Harvard University Press},
Year = {2016},
Month = {January},
Key = {fds376607}
}
@article{fds367490,
Author = {Steintrager, JA and Chow, R},
Title = {Nineteen Mediation/Medium},
Pages = {163-173},
Booktitle = {GERMAN AESTHETICS: FUNDAMENTAL CONCEPTS FROM BAUMGARTEN TO
ADORNO},
Year = {2016},
ISBN = {978-1-5013-2147-4},
Key = {fds367490}
}
@article{fds241937,
Author = {Bales, CW and Locher, JL and Saltzman, E},
Title = {Handbook of clinical nutrition and aging, third
edition},
Pages = {1-442},
Publisher = {Springer New York},
Year = {2015},
Month = {January},
ISBN = {9781493919284},
url = {http://dx.doi.org/10.1007/978-1-4939-1929-1},
Abstract = {This is the new and fully revised third edition of the
well-received text that is the benchmark book in the field
of nutrition and aging. The editors (specialists in
geriatric nutrition, medical sociology, and clinical
nutrition, respectively) and contributors (a panel of
recognized academic nutritionists, geriatricians,
clinicians, and other scientists) have added a number of new
chapters and have thoroughly updated the widely acclaimed
second edition. This third edition provides fresh
perspectives and the latest scientific and clinical
developments on the interaction of nutrition with
age-associated disease and provides practical,
evidence-based options to enhance this at-risk population's
potential for optimal health and disease prevention.
Chapters on a wide range of topics, such as the role of
nutrition in physical and cognitive function, and coverage
of an array of clinical conditions (obesity, diabetes, heart
failure, cancer, kidney disease, osteoporosis), compliment
chapters on food insecurity, anti-aging and nutritional
supplements, making this third edition uniquely different
from previous editions. Handbook of Clinical Nutrition and
Aging, Third Edition, is a practical and comprehensive
resource and an invaluable guide to nutritionists,
physicians, nurses, social workers and others who provide
health care for the ever-increasing aging
population.},
Doi = {10.1007/978-1-4939-1929-1},
Key = {fds241937}
}
@article{fds358860,
Author = {Maitra, A and Chow, R},
Title = {What’s “in”? Disaggregating asia through new media
actants},
Pages = {17-27},
Booktitle = {Routledge Handbook of New Media in Asia},
Year = {2015},
Month = {January},
ISBN = {9781138026001},
url = {http://dx.doi.org/10.4324/9781315774626-9},
Abstract = {The future of the IT industry, many would argue, lies in
Asia. In the 2014 figures released by the International
Telecommunication Union (a UN agency for communication and
information technology), Asia stands out as an untapped new
media market for manufacturers of mobile and wireless
communication devices. The ITU predicts that,
Mobile-cellular subscriptions [globally] will reach almost 7
billion by end 2014, and 3.6 billion of these will be in the
Asia-Pacific region. (.. . ) By end 2014, fixed-broadband
penetration will have reached almost 10 per cent globally.
Forty-four per cent of all fixed-broadband subscriptions are
in Asia and the Pacific, and 25 per cent are in Europe. In
contrast, Africa accounts for less than 0.5 per cent of the
world’s fixed-broadband subscriptions….},
Doi = {10.4324/9781315774626-9},
Key = {fds358860}
}
@article{fds241924,
Author = {Chow, R},
Title = {Modernism's Unfinished Business?},
Journal = {Arcade: Literature, the Humanities, and the
World},
Volume = {Spring},
Year = {2015},
Key = {fds241924}
}
@misc{fds326318,
Author = {Chow, R},
Title = {Close Reading and the Global University (Notes on
Localism)},
Journal = {American Comparative Literature Association Website
("Futures" Section)},
Pages = {24-30},
Publisher = {Routledge},
Year = {2015},
ISBN = {9781138293335},
url = {http://dx.doi.org/10.4324/9781315227405},
Doi = {10.4324/9781315227405},
Key = {fds326318}
}
@book{fds241927,
Author = {Chow, R},
Title = {Not Like a Native Speaker: On Languaging as a Postcolonial
Experience},
Pages = {38-65},
Publisher = {Columbia University Press},
Year = {2014},
Key = {fds241927}
}
@article{fds326319,
Author = {Chow, R},
Title = {Things, Commonplaces, Passages of a Port City: On Hong Kong
and Hong Kong Author Leung Ping-kwan.},
Pages = {207-226},
Publisher = {Columbia UP},
Editor = {Shih, S and Tsai, C and Bernards, B},
Year = {2014},
Key = {fds326319}
}
@article{fds241974,
Author = {Chow, R},
Title = {After the passage of the beast: 'False documentary'
aspirations, acousmatic complications},
Pages = {34-52},
Booktitle = {Rancière and Film},
Publisher = {Edinburgh UP},
Editor = {Bowman, P},
Year = {2013},
Month = {July},
ISBN = {9780748647361},
Key = {fds241974}
}
@article{fds303380,
Author = {Chow, R},
Title = {Reading Derrida on Being Monolingual},
Journal = {New Literary History},
Volume = {39},
Pages = {217-231},
Year = {2013},
Month = {January},
Key = {fds303380}
}
@article{fds336384,
Author = {Chow, R},
Title = {The provocation of Dim Sum, or, making diaspora visible on
film},
Pages = {100-110},
Year = {2013},
Month = {January},
Key = {fds336384}
}
@article{fds241967,
Author = {Chow, R and Steintrager, JA},
Title = {Mediation/Medium},
Booktitle = {Keywords in German Aesthetics},
Publisher = {Harvard University Press},
Editor = {Mininger, JD and Peck, JM},
Year = {2013},
Key = {fds241967}
}
@article{fds241968,
Author = {Chow, R},
Title = {Ye Si yu shuqing},
Booktitle = {Harvard History of Modern Chinese Literature},
Publisher = {Harvard UP},
Editor = {al, DD-WWE},
Year = {2013},
Key = {fds241968}
}
@article{fds241969,
Author = {Chow, R and Rangan, P},
Title = {Race, Racism, and Postcoloniality},
Pages = {396-411},
Booktitle = {The Oxford Handbook of Postcolonial Studies},
Publisher = {Oxford UP},
Editor = {Huggan, G},
Year = {2013},
Key = {fds241969}
}
@article{fds241970,
Author = {Chow, R},
Title = {What Does It Mean to Enjoy Life? Yang Fudong’s _An
Estranged Paradise_},
Pages = {129-130},
Booktitle = {Yang Fudong},
Publisher = {UC Berkeley Art Museum and Pacific Film Archive; Kunsthalle
Zurich},
Editor = {Pirotte, P and Ruf, B},
Year = {2013},
Key = {fds241970}
}
@article{fds241971,
Author = {Chow, R},
Title = {Fetish Power Unbound: A Small History of 'Woman' in Chinese
Cinema},
Pages = {490-506},
Booktitle = {The Oxford Handbook of Chinese Cinemas},
Publisher = {Oxford UP},
Editor = {Rojas, C and Chow, E},
Year = {2013},
Key = {fds241971}
}
@article{fds241976,
Author = {Chow, R},
Title = {The Subject of Chinglish},
Journal = {Testo a Fronte: teoria e practica della traduzione
letteraria 48 (1 semestre)},
Series = {"Towards a Global Literature/Verso una letteratura
globalizzata"},
Pages = {155-62},
Editor = {Parks, T and Zuccato, E},
Year = {2013},
Key = {fds241976}
}
@article{fds241977,
Author = {Chow, R},
Title = {Remains’ Regime Change?},
Journal = {World Picture},
Volume = {8},
Year = {2013},
Key = {fds241977}
}
@article{fds241990,
Author = {Chow, R},
Title = {China as Documentary: Basic Questions (Inspired by
Michelangelo Antonioni and Jia Zhangke)},
Journal = {European Journal of Cultural Studies 0 (0)},
Volume = {17},
Series = {(Looking after Europe)},
Number = {1},
Pages = {1-15},
Publisher = {SAGE Publications},
Editor = {Kloet, JD and Chow, Y-F},
Year = {2013},
url = {http://dx.doi.org/10.1177/1367549413501482},
Abstract = {Juxtaposing Antonioni's Chung Kuo/Cina with discussions on
photographic realism by Sontag, Bourdieu and Barthes, this
article delineates the aesthetic, epistemic and
cross-cultural problems that emerge when China is captured
and viewed in the documentary mode. If the most acute of
such problems is the gap between 'foreign observer' and
'native informant', whose claims to the reality in question
tend to be incommensurable, would things be different if and
when the filmmaker is Chinese? The work of Jia Zhangke
offers an interesting provocation: as well as subjectivity
and time, he makes mediality part of a consciously stylised
gesture of documentary-making, turning the notion of 'China
as documentary' into a new kind of conceptual project. ©
The Author(s) 2013.},
Doi = {10.1177/1367549413501482},
Key = {fds241990}
}
@article{fds336393,
Author = {Chow, R},
Title = {On Chineseness as a Theoretical Problem.},
Pages = {43-56},
Booktitle = {Sinophone Studies: A Critical Reader},
Publisher = {Columbia UP},
Editor = {Shih, S and Tsai, C and Bernards, B},
Year = {2013},
Key = {fds336393}
}
@article{fds336385,
Author = {Chow, R},
Title = {On Chineseness as a Theoretical Problem.},
Pages = {43-56},
Publisher = {Columbia UP},
Editor = {Shih, S and Tsai, C and Bernards, B},
Year = {2013},
Key = {fds336385}
}
@article{fds336395,
Author = {Chow, R},
Title = {After the Passage of the Beast: ’False Documentary’
Aspirations, Acousmatic Complications},
Pages = {34-52},
Booktitle = {Ranciere and Film},
Publisher = {Edinburgh UP},
Editor = {Bowman, P},
Year = {2013},
Key = {fds336395}
}
@article{fds336396,
Author = {Chow, R},
Title = {The Age of the World Target: Self-Referentiality in War,
Theory, and Comparative Work, chapter 3},
Pages = {147-75},
Booktitle = {Literatura europea comparada},
Publisher = {Arcos Libros, S.L.},
Editor = {Dominguez, C},
Year = {2013},
Abstract = {Translation},
Key = {fds336396}
}
@misc{fds336386,
Author = {Chow, R},
Title = {Unacceptable Suffering: Rey Chow on Michael
Haneke},
Journal = {Asian American Writers’ Workshop},
Volume = {January 24},
Year = {2013},
Key = {fds336386}
}
@misc{fds336387,
Author = {Chow, R},
Title = {The Age of the World Target: Self-Referentiality in War,
Theory, and Comparative Work},
Publisher = {Tokyo: Hosei University Press},
Year = {2013},
Key = {fds336387}
}
@book{fds336388,
Author = {Chow, R},
Title = {Ethics after Idealism: Theory–Culture–Ethnicity–Reading
(Chinese translation)},
Publisher = {Henan University Press},
Year = {2013},
Key = {fds336388}
}
@article{fds336389,
Author = {Chow, R},
Title = {Postcolonial Visibilities},
Journal = {Zeitschrift fur Medienwissenschaft},
Volume = {2},
Pages = {132-45},
Year = {2013},
Abstract = {Reprint and translation in German},
Key = {fds336389}
}
@misc{fds336390,
Author = {Chow, R},
Title = {The Age of the World Target: Self-Referentiality in War,
Theory, and Comparative Work, chapter 3},
Pages = {147-75},
Publisher = {Arcos Libros, S.L.},
Editor = {Dominguez, C},
Year = {2013},
Key = {fds336390}
}
@misc{fds336391,
Author = {Chow, R},
Title = {After the Passage of the Beast: ’False Documentary’
Aspirations, Acousmatic Complications},
Pages = {194-211},
Publisher = {Verlag Vorwerk 8},
Editor = {Kamensky, V and Rohrhuber, J},
Year = {2013},
Key = {fds336391}
}
@article{fds336392,
Author = {Chow, R},
Title = {Things, Commonplaces, Passages of a Port City: On Hong Kong
and Hong Kong Author Leung Ping-kwan. Reprint.},
Pages = {207-226},
Booktitle = {Sinophone Studies: A Critical Reader},
Publisher = {Columbia UP},
Editor = {Shih, S and Tsai, C and Bernards, B},
Year = {2013},
Key = {fds336392}
}
@article{fds336394,
Author = {Chow, R},
Title = {The Provocation of _Dim Sum_; or, Making Diaspora Visible on
Film},
Pages = {100-110},
Booktitle = {Diasporic Chineseness after the Rise of China: Communities
and Cultural Production},
Publisher = {University of British Columbia P},
Editor = {Kuehn, J and Louie, K and Pomfret, DM},
Year = {2013},
Key = {fds336394}
}
@article{fds336397,
Author = {Chow, R},
Title = {After the Passage of the Beast: ’False Documentary’
Aspirations, Acousmatic Complications},
Pages = {194-211},
Booktitle = {Ton. Texte zur Akustik im Documentarfilm},
Publisher = {Verlag Vorwerk 8},
Editor = {Kamensky, V and Rohrhuber, J},
Year = {2013},
Abstract = {Reprint and translation in German},
Key = {fds336397}
}
@article{fds376494,
Author = {Chow, R and Rangan, P},
Title = {Race, Racism, and Postcoloniality},
Pages = {396-411},
Publisher = {Oxford UP},
Year = {2013},
Key = {fds376494}
}
@article{fds376495,
Author = {Chow, R},
Title = {What Does It Mean to Enjoy Life? Yang Fudong’s 'An
Estranged Paradise'},
Pages = {129-30; 148-49 (German translation)-129-},
Publisher = {UC Berkeley Art Museum and Pacific Film Archive; Kunsthalle
Zurich},
Year = {2013},
Key = {fds376495}
}
@article{fds376496,
Author = {Chow, R},
Title = {Fetish Power Unbound: A Small History of ’Woman’ in
Chinese Cinema},
Pages = {490-506},
Publisher = {Oxford UP},
Year = {2013},
Key = {fds376496}
}
@article{fds376579,
Author = {Chow, R},
Title = {Ye Si yu shuqing},
Publisher = {Harvard UP},
Year = {2013},
Key = {fds376579}
}
@article{fds336398,
Author = {Chow, R},
Title = {"I insist on the christian dimension": On forgiveness ...
and the outside of the human},
Pages = {215-236},
Booktitle = {Language, Ideology, and the Human: New Interventions},
Year = {2012},
Month = {December},
ISBN = {9781409428343},
Key = {fds336398}
}
@article{fds340519,
Author = {Chow, R},
Title = {“I insist on the Christian dimension”: On forgiveness
… and the outside of the human},
Pages = {234-255},
Booktitle = {Language, Ideology, and the Human: New Interventions},
Year = {2012},
Month = {January},
ISBN = {9781409428343},
Key = {fds340519}
}
@book{fds241986,
Author = {Chow, R},
Title = {Entanglements, or Transmedial Thinking about
Capture},
Publisher = {Duke University Press},
Year = {2012},
Key = {fds241986}
}
@article{fds336399,
Author = {Chow, R},
Title = {The Dream of a Butterfly},
Pages = {92-117},
Publisher = {Routledge},
Editor = {Li, DL},
Year = {2012},
Key = {fds336399}
}
@misc{fds336400,
Author = {Chow, R},
Title = {Sentimental Fabulations, Contemporary Chinese Films:
Attachment in the Age of Global Visibility},
Publisher = {Taipei: Ryefield Publishing Co.},
Year = {2012},
Abstract = {Translation},
Key = {fds336400}
}
@article{fds336401,
Author = {Chow, R},
Title = {Sacrifice, Mimesis, and the Theorizing of
Victimhood.},
Journal = {Problemi},
Volume = {9},
Pages = {161-190},
Year = {2012},
Abstract = {Slovene translation, trans. Maja Lovrenov.},
Key = {fds336401}
}
@article{fds336402,
Author = {Chow, R},
Title = {The Dream of a Butterfly},
Pages = {92-117},
Booktitle = {Asian American Literature, Vol IV},
Publisher = {Routledge},
Editor = {Li, DL},
Year = {2012},
Key = {fds336402}
}
@article{fds241987,
Author = {Chow, R},
Title = {A Discipline of Tolerance},
Pages = {15-27},
Booktitle = {A Companion to Comparative Literature},
Publisher = {JOHN WILEY & SONS LTD},
Editor = {D. Thomas and A. Behdad},
Year = {2011},
Month = {November},
ISBN = {9781405198790},
url = {http://dx.doi.org/10.1002/9781444342789.ch1},
Doi = {10.1002/9781444342789.ch1},
Key = {fds241987}
}
@article{fds241992,
Author = {Chow, R},
Title = {Framing the Original: toward a New Visibility of the
Orient},
Journal = {PMLA},
Volume = {126},
Number = {3},
Pages = {555-63},
Publisher = {Cambridge University Press (CUP)},
Year = {2011},
Month = {May},
url = {http://dx.doi.org/10.1632/pmla.2011.126.3.555},
Abstract = {<jats:p>A friend, long deceased, once told me how he had
decided to specialize in Japanese literature. In the early
1970s, he heard a talk by a well-known Japanologist, who
contrasted China study and Japan study by citing the opening
lines of two primers for foreign students. The Chinese
primer began with the line “I am hungry”; the Japanese
one began with the line “The cherry blossoms are falling
from the sky.” My friend chose to go the way of the cherry
blossoms.</jats:p>},
Doi = {10.1632/pmla.2011.126.3.555},
Key = {fds241992}
}
@article{fds241938,
Author = {Chow, R},
Title = {Afterword: Liquidity of Being},
Pages = {194-99},
Booktitle = {The Chinese Cinema Book},
Publisher = {British Film Institute/Palgrave MacMillan},
Editor = {Lim, SH and Ward, J},
Year = {2011},
Key = {fds241938}
}
@article{fds241964,
Author = {Chow, R},
Title = {Excerpts from WRITING DIASPORA, 116-19},
Pages = {407-10},
Booktitle = {Feminist Literary Theory: A Reader, 3d Edition},
Publisher = {Wiley-Blackwell},
Editor = {Eagleton, M},
Year = {2011},
Key = {fds241964}
}
@article{fds241965,
Author = {Chow, R and Rohrhuber, J},
Title = {On Captivation: A Remainder from the ’Indistinction of Art
and Nonart’},
Pages = {44-72},
Booktitle = {Reading Ranciere},
Publisher = {Continuum},
Editor = {Bowman, P and Stamp, R},
Year = {2011},
Key = {fds241965}
}
@article{fds241966,
Author = {Chow, R},
Title = {When Reflexivity Becomes Porn: Mutations of a Modernist
Theoretical Practice},
Pages = {135-48},
Booktitle = {Theory after Theory},
Publisher = {Routledge},
Editor = {Elliott, J and Attridge, D},
Year = {2011},
Key = {fds241966}
}
@article{fds241988,
Author = {Chow, R and Steintrager, JA},
Title = {In Pursuit of the Object of Sound: An Introduction},
Journal = {Differences},
Volume = {22},
Number = {2-3},
Pages = {1-9},
Publisher = {Duke University Press},
Year = {2011},
ISSN = {1040-7391},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000298512700001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/10407391-428816},
Key = {fds241988}
}
@article{fds241989,
Author = {Chow, R},
Title = {On the Graphic in Postmodern Theoretical
Writing},
Journal = {Twentieth Century Literature},
Volume = {57},
Series = {special issue on Postmodernism, Then},
Number = {3-4},
Pages = {372-379},
Publisher = {Twentieth Century Literature},
Year = {2011},
Month = {Fall},
ISSN = {0041-462X},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000307145700007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds241989}
}
@misc{fds306110,
Author = {, },
Title = {The Sense of Sound},
Journal = {differences},
Volume = {22},
Number = {2-3},
Editor = {Chow, R and Steintrager, J},
Year = {2011},
Key = {fds306110}
}
@article{fds367492,
Author = {Chow, R},
Title = {A Discipline of Tolerance},
Pages = {15-27},
Booktitle = {COMPANION TO COMPARATIVE LITERATURE},
Year = {2011},
ISBN = {978-1-4051-9879-0},
Key = {fds367492}
}
@article{fds241961,
Author = {Chow, R},
Title = {Thinking with Food, Writing off Center: Notes on Two Hong
Kong Authors},
Pages = {133-55},
Booktitle = {Global Chinese Literature},
Publisher = {Leiden: Brill},
Editor = {Tsu, J and Wang, D},
Year = {2010},
Key = {fds241961}
}
@article{fds241962,
Author = {Chow, R},
Title = {The Elusive Material, What the Dog Doesn’t
Understand},
Pages = {221-33},
Booktitle = {New Materialisms: Ontology, Agency, and Politics},
Publisher = {Duke University Press},
Editor = {Frost, S and Coole, D},
Year = {2010},
Key = {fds241962}
}
@article{fds241963,
Author = {Chow, R},
Title = {Postcolonial Visibilities: Questions Inspired by Deleuze’s
Method},
Pages = {62-77},
Booktitle = {Deleuze and the Postcolonial},
Publisher = {Edinburgh:University of Edinburgh Press},
Editor = {Bignall, S and Patton, P},
Year = {2010},
Key = {fds241963}
}
@book{fds241985,
Author = {Chow, R},
Title = {The Rey Chow Reader},
Pages = {xxiii + 289 pages},
Publisher = {Columbia University Press},
Editor = {Bowman, P},
Year = {2010},
Key = {fds241985}
}
@article{fds241993,
Author = {Chow, R},
Title = {Response: Fleeing Objects},
Journal = {Postcolonial Studies (Special Issue: Rey Chow,
Postcoloniality and Interdisciplinarity)},
Volume = {13},
Number = {3},
Pages = {303-304},
Year = {2010},
Key = {fds241993}
}
@article{fds241995,
Author = {Chow, R},
Title = {Response to Carol Quillen, “Feminist Theory, Justice, and
the Lure of the Human"},
Journal = {Signs},
Volume = {27},
Number = {1},
Pages = {135-136},
Year = {2010},
Month = {Fall},
Key = {fds241995}
}
@article{fds242001,
Author = {Searchinger, TD and Hamburg, SP and Melillo, J and Chameides, W and Havlik, P and Kammen, DM and Likens, GE and Obersteiner, M and Oppenheimer, M and Robertson, GP and Schlesinger, WH and Lubowski, R and Tilman, GD},
Title = {Bioenergy: Counting on Incentives Response},
Journal = {SCIENCE},
Volume = {327},
Number = {5970},
Pages = {1200-1201},
Year = {2010},
url = {http://dx.doi.org/10.1126/science.327.5970.1200-a},
Doi = {10.1126/science.327.5970.1200-a},
Key = {fds242001}
}
@article{fds303379,
Author = {Chow, R},
Title = {'I Insist on the Christian Dimension': On Forgiveness…and
the Outside of the Human},
Journal = {Differences},
Volume = {20},
Number = {2-3},
Pages = {224-249},
Booktitle = {Language, Ideology, and the Human: New Interventions},
Publisher = {Duke University Press},
Year = {2009},
Month = {December},
ISBN = {9781409428350},
ISSN = {1527-1986},
url = {http://dx.doi.org/10.1215/10407391-2009-010},
Doi = {10.1215/10407391-2009-010},
Key = {fds303379}
}
@article{fds241996,
Author = {Chow, R},
Title = {The Provocation of ’Dim Sum’; or, Making Diaspora
Visible on Film},
Journal = {Journal of Modern Literature in Chinese},
Volume = {9},
Number = {2},
Pages = {208-17},
Year = {2009},
Month = {July},
Key = {fds241996}
}
@article{fds241936,
Author = {Chow, R},
Title = {Afterword},
Pages = {291-294},
Booktitle = {Cosmopatriots: on Distant Belongings and Close
Encounters},
Publisher = {Amsterdam and New York: Rodopi},
Editor = {Jurriëns, E and Kloet, JD},
Year = {2008},
Key = {fds241936}
}
@article{fds242002,
Author = {Chow, R},
Title = {Translator, Traitor; Translator, Mourner (or, Dreaming of
Intercultural Equivalence)},
Journal = {New Literary History},
Volume = {39},
Number = {3},
Pages = {565-580},
Year = {2008},
Month = {Summer},
Key = {fds242002}
}
@article{fds242003,
Author = {Chow, R},
Title = {American Studies in Japan; Japan in American Studies:
Challenges of the Heterolingual Address},
Journal = {Nanzan Review of American Studies (Japan)},
Volume = {30},
Pages = {47-61},
Year = {2008},
Key = {fds242003}
}
@article{fds242004,
Author = {Chow, R},
Title = {Woman,’ Fetish, Particularism: Articulating Chinese Cinema
with a Cross-Cultural Problematic},
Journal = {Journal of Chinese Cinemas},
Volume = {1},
Number = {3},
Pages = {209-221},
Year = {2007},
Key = {fds242004}
}
@article{fds242019,
Author = {Chow, R},
Title = {A Filmic Staging of Postwar Geotemporal Politics: Kurosawa
Akira’s ’No Regrets for Our Youth’, Sixty Years
Later},
Journal = {boundary 2},
Volume = {34},
Number = {1},
Pages = {67-77},
Year = {2007},
Month = {Spring},
Key = {fds242019}
}
@book{fds242037,
Author = {Chow, R},
Title = {Sentimental Fabulations, Contemporary Chinese Films:
Attachment in the Age of Global Visibility},
Volume = {12},
Pages = {xii + 263 pages},
Publisher = {Columbia University Press},
Year = {2007},
Key = {fds242037}
}
@article{fds241959,
Author = {Chow, R},
Title = {Poststructuralism: Theory as Critical Self-Consciousness},
Pages = {195-210},
Booktitle = {The Cambridge Companion to Feminist Literary
Theory},
Publisher = {Cambridge University Press},
Editor = {Rooney, E},
Year = {2006},
Key = {fds241959}
}
@book{fds241984,
Author = {Chow, R},
Title = {The Age of the World Target: Self-Referentiality in War,
Theory, and Comparative Work},
Pages = {x + 128 pages},
Publisher = {Duke University Press},
Year = {2006},
Key = {fds241984}
}
@article{fds241991,
Author = {Chow, R},
Title = {Sacrifice, Mimesis, and the Theorizing of
Victimhood},
Journal = {Representations},
Volume = {94},
Pages = {131-149},
Year = {2006},
Month = {Spring},
Key = {fds241991}
}
@article{fds241997,
Author = {Chow, R},
Title = {"Epistemologically Disenfranchised?” response to Bill
Brown, “The Dark Wood of Postmodernity"},
Journal = {PMLA},
Pages = {874-876},
Year = {2005},
Month = {May},
Key = {fds241997}
}
@article{fds241975,
Author = {Chow, R},
Title = {An Addiction from Which We Never Get Free},
Journal = {New Literary History},
Volume = {36},
Series = {Essays on the Humanities},
Number = {1},
Pages = {47-55},
Year = {2005},
Month = {Winter},
Key = {fds241975}
}
@article{fds241998,
Author = {Chow, R},
Title = {"Have You Eaten?" – Inspired by an Exhibit,” forum on E.
Said},
Journal = {Amerasia Journal},
Volume = {31},
Number = {1},
Pages = {19-22},
Year = {2005},
Key = {fds241998}
}
@misc{fds306111,
Author = {, },
Title = {Between Languages},
Journal = {Comparative Literature Studies},
Volume = {42},
Number = {4},
Publisher = {Johns Hopkins University Press},
Editor = {Chow, R and Bensmaïa, R},
Year = {2005},
Key = {fds306111}
}
@book{fds241983,
Author = {Chow, R},
Title = {Il sogno di Butterfly: costellazioni postcoloniali},
Pages = {257 pages},
Publisher = {Meltemi Editore},
Editor = {Calefato, P},
Year = {2004},
Key = {fds241983}
}
@article{fds242005,
Author = {Chow, R},
Title = {Toward an Ethics of Postvisuality: Some Thoughts on the
Recent Work of Zhang Yimou},
Journal = {Poetics Today},
Volume = {25},
Number = {4},
Pages = {673-688},
Year = {2004},
Month = {Winter},
Key = {fds242005}
}
@article{fds242006,
Author = {Chow, R},
Title = {A Pain in the Neck, a Scene of ‘Incest,’ and Other
Enigmas of an Allegorical Cinema: Ts’ai Ming-liang’s
’The River’},
Journal = {The New Centennial Review},
Volume = {4},
Number = {1},
Pages = {123-142},
Year = {2004},
Month = {Spring},
Key = {fds242006}
}
@article{fds242020,
Author = {Chow, R},
Title = {The Old/New Question of Comparison in Literary
Studies},
Journal = {ELH (English Literary History)},
Volume = {71},
Pages = {289-311},
Year = {2004},
Key = {fds242020}
}
@article{fds241956,
Author = {Chow, R},
Title = {Not One Less: The Fable of a Migration},
Pages = {144-151},
Booktitle = {Chinese Films in Focus: 25 Takes},
Publisher = {British Film Institute},
Editor = {Berry, C},
Year = {2003},
Key = {fds241956}
}
@article{fds241957,
Author = {Chow, R},
Title = {The Resistance of Theory; or, the Worth of
Agony},
Pages = {95-105},
Booktitle = {Just Being Difficult? Academic Writing in the Public
Arena},
Publisher = {Stanford University Press},
Editor = {Culler, J and Lamb, K},
Year = {2003},
Key = {fds241957}
}
@article{fds241958,
Author = {Chow, R},
Title = {Sexuality},
Pages = {93-110},
Booktitle = {A Concise Companion to Feminist Theory},
Publisher = {Blackwell},
Editor = {Eagleton, M},
Year = {2003},
Key = {fds241958}
}
@book{fds241932,
Author = {Chow, R},
Title = {The Protestant Ethnic and the Spirit of Capitalism},
Pages = {x + 237 pages},
Publisher = {Columbia University Press},
Year = {2002},
ISBN = {9780231504485},
Key = {fds241932}
}
@article{fds241935,
Author = {Chow, R},
Title = {Foreword: An Ethics of Consumption},
Pages = {9-17},
Booktitle = {Leung Ping Kwan, Travelling with a Bitter Melon (Selected
Poems 1973-1998)},
Publisher = {Asia 2000 Publishing},
Editor = {Cheung, MPY},
Year = {2002},
Key = {fds241935}
}
@article{fds241972,
Author = {Chow, R},
Title = {The Interruption of Referentiality: Poststructuralism and
the Conundrum of Critical Multiculturalism},
Journal = {SAQ: The South Atlantic Quarterly},
Volume = {101},
Number = {1},
Pages = {171-186},
Publisher = {Duke University Press},
Year = {2002},
ISSN = {1527-8026},
Key = {fds241972}
}
@article{fds242007,
Author = {Chow, R},
Title = {Sentimental Returns: On the Uses of the Everyday in the
Recent Films of Zhang Yimou and Wong Kar-wai},
Journal = {New Literary History},
Volume = {33},
Number = {4},
Pages = {639-654},
Year = {2002},
Month = {Fall},
Key = {fds242007}
}
@article{fds242010,
Author = {Chow, R},
Title = {A Phantom Discipline},
Journal = {PMLA},
Volume = {116},
Number = {5},
Pages = {1386-1395},
Year = {2001},
Month = {October},
Key = {fds242010}
}
@article{fds242011,
Author = {Chow, R},
Title = {How (the) Inscrutable Chinese Led to Globalized
Theory},
Journal = {PMLA},
Volume = {116},
Number = {1},
Pages = {69-74},
Year = {2001},
Month = {February},
Key = {fds242011}
}
@article{fds242008,
Author = {Chow, R},
Title = {The Secrets of Ethnic Abjection},
Journal = {Traces},
Volume = {2},
Pages = {53-77},
Year = {2001},
Key = {fds242008}
}
@article{fds242009,
Author = {Chow, R},
Title = {Fateful Attachments: On Collecting, Fidelity, and Lao
She},
Journal = {Critical Inquiry},
Volume = {28},
Number = {1},
Pages = {286-304},
Year = {2001},
Month = {Fall},
Key = {fds242009}
}
@article{fds241994,
Author = {Chow, R},
Title = {Response to Question about Field of Study},
Journal = {PMLA},
Volume = {115},
Number = {7},
Pages = {2037-2037},
Year = {2000},
Month = {December},
Key = {fds241994}
}
@article{fds241955,
Author = {Chow, R},
Title = {Gender and Representation},
Pages = {38-57},
Booktitle = {Feminist Consequences: Theory for a New Century},
Publisher = {Columbia University Press},
Editor = {Kavka, M and Bronfen, E},
Year = {2000},
Key = {fds241955}
}
@book{fds241978,
Title = {Modern Chinese Literary and Cultural Studies in the Age of
Theory: Reimagining a Field},
Publisher = {Duke University Press},
Editor = {Chow, R},
Year = {2000},
Key = {fds241978}
}
@article{fds241954,
Author = {Chow, R},
Title = {Jiqiao, meixue shikong, nüxing zuojia — cong Zhang Ailing
de ‘Fengsuo’ tan qi},
Pages = {161-176},
Booktitle = {Yuedu Zhang Ailing guoji yantaohui lunwenji},
Publisher = {Taipei: Ryefield Publishing},
Editor = {Ze, Y},
Year = {1999},
Key = {fds241954}
}
@article{fds242012,
Author = {Chow, R},
Title = {When Whiteness Feminizes … : Some Consequences of a
Supplementary Logic},
Journal = {differences},
Volume = {11},
Number = {3},
Pages = {137-168},
Year = {1999},
Key = {fds242012}
}
@article{fds242013,
Author = {Chow, R},
Title = {Seminal Dispersal, Fecal Retention, and Related Narrative
Matters: Eileen Chang’s Tale of Roses in the Problematic
of Modern Writing},
Journal = {differences},
Volume = {11},
Number = {2},
Pages = {153-176},
Year = {1999},
Key = {fds242013}
}
@article{fds242014,
Author = {Chow, R},
Title = {Nostalgia of the New Wave: Structure in Wong Kar-wai’s
Happy Together},
Journal = {camera obscura},
Volume = {42},
Pages = {31-48},
Year = {1999},
Key = {fds242014}
}
@article{fds242015,
Author = {Chow, R},
Title = {Consumption and Eccentric Writing: Notes on Two Hong Kong
Writers},
Journal = {Communal/Plural},
Volume = {7},
Number = {1},
Pages = {45-58},
Year = {1999},
Key = {fds242015}
}
@misc{fds306112,
Author = {, },
Title = {Writing in the Realm of the Senses},
Journal = {differences},
Volume = {11},
Number = {2},
Publisher = {Duke University Press},
Editor = {Chow, R},
Year = {1999},
Key = {fds306112}
}
@article{fds242018,
Author = {Chow, R},
Title = {The Seductions of Homecoming: Place, Authenticity, and Chen
Kaige’s ’Temptress Moon’},
Journal = {Narrative},
Volume = {6},
Number = {1},
Pages = {3-17},
Year = {1998},
Month = {January},
Key = {fds242018}
}
@article{fds241926,
Author = {Chow, REY},
Title = {On Chineseness as a Theoretical Problem},
Journal = {Boundary 2},
Volume = {25},
Series = {Special Issue on Modern Chinese Literary and Cultural
Studies in the Age of Theory},
Number = {3},
Pages = {1-24},
Publisher = {Duke University Press},
Year = {1998},
Month = {Fall},
ISSN = {1527-2141},
Key = {fds241926}
}
@article{fds241953,
Author = {Chow, R},
Title = {Film and Cultural Identity},
Pages = {169-175},
Booktitle = {The Oxford Guide to Film Studies},
Publisher = {Oxford University Press},
Editor = {Hill, J and Gibson, PC},
Year = {1998},
Key = {fds241953}
}
@book{fds241982,
Author = {Chow, R},
Title = {Ethics after Idealism: Theory – Culture – Ethnicity –
Reading},
Pages = {xxiii + 236 pages},
Publisher = {Indiana University Press},
Year = {1998},
Key = {fds241982}
}
@article{fds242016,
Author = {Chow, R},
Title = {The Postcolonial Difference: Lessons in Cultural
Legitimation},
Journal = {Postcolonial Studies},
Volume = {1},
Number = {2},
Pages = {161-169},
Year = {1998},
Key = {fds242016}
}
@article{fds242017,
Author = {Chow, R},
Title = {“King Kong in Hong Kong: Watching the ‘Handover,’ from
the USA},
Journal = {Social Text},
Volume = {55},
Pages = {93-108},
Year = {1998},
Month = {Summer},
Key = {fds242017}
}
@article{fds242025,
Author = {Chow, R},
Title = {Ethics after Idealism},
Journal = {Diacritics},
Volume = {23},
Number = {1},
Pages = {3-22},
Year = {1998},
Month = {Spring},
Key = {fds242025}
}
@article{fds242000,
Author = {Chow, R},
Title = {Yao minzhu haishi yao yapian?},
Journal = {Xin bao (Hong Kong Economic Journal)},
Year = {1997},
Month = {July},
Key = {fds242000}
}
@article{fds242021,
Author = {Chow, R},
Title = {Playing on the Air: Recollections of a Hong Kong
Childhood},
Journal = {Journal of Modern Literature in Chinese},
Volume = {1},
Number = {1},
Pages = {109-127},
Publisher = {Hong Kong: Lingnan College},
Year = {1997},
Month = {July},
Key = {fds242021}
}
@article{fds241951,
Author = {Chow, R},
Title = {Theory, Area Studies, Cultural Studies: Issues of Pedagogy
in Multiculturalism},
Pages = {11-26},
Booktitle = {A Question of Discipline: Pedagogy, Power, and the Teaching
of Cultural Studies},
Publisher = {Westview Press},
Editor = {Canaan, J and Epstein, D},
Year = {1997},
Key = {fds241951}
}
@article{fds241952,
Author = {Chow, R},
Title = {The Age of the World Target: On the 50th Anniversary of the
Dropping of the Atomic Bomb},
Pages = {91-107},
Booktitle = {Mass Culture and Everyday Life: A Tabloid
Reader},
Publisher = {Routledge},
Editor = {Gibian, P},
Year = {1997},
Key = {fds241952}
}
@article{fds241973,
Author = {Chow, R},
Title = {Bulunbulei de youhuo — mantan Chen Kaige dianying Feng yue
zhong de aimeixing},
Pages = {217-236},
Booktitle = {Identity, Difference and Subjectivity},
Publisher = {Comparative Literature Institute, Fujen University / Lixu
Publishing},
Year = {1997},
Key = {fds241973}
}
@article{fds241999,
Author = {Chow, R},
Title = {Can One Say No to China?},
Journal = {New Literary History},
Volume = {28},
Pages = {147-151},
Year = {1997},
Month = {Winter},
Key = {fds241999}
}
@article{fds242022,
Author = {Chow, R},
Title = {Larry Feign, Ethnographer of a ‘Lifestyle’ — Political
Cartoons from Hong Kong},
Journal = {boundary2},
Volume = {24},
Number = {2},
Pages = {21-45},
Year = {1997},
Key = {fds242022}
}
@article{fds241931,
Author = {Chow, R},
Title = {Stories and Politics,” Review article on Michael Hanne,
The Power of the Story: Fiction and Political
Change},
Journal = {NOVEL: A Forum on Fiction 29.2},
Volume = {29},
Number = {2},
Pages = {262-265},
Year = {1996},
Month = {Winter},
Key = {fds241931}
}
@article{fds241949,
Author = {Chow, R},
Title = {Women in the Holocene: Ethnicity, Fantasy, and the Film
’The Joy Luck Club’},
Pages = {204-221},
Booktitle = {Feminisms and Pedagogies of Everyday Life},
Publisher = {Albany NY: SUNY Press},
Editor = {Luke, C},
Year = {1996},
Key = {fds241949}
}
@article{fds241950,
Author = {Chow, R},
Title = {The Dream of a Butterfly},
Pages = {61-92},
Booktitle = {Human, All Too Human (Papers from the English
Institute)},
Publisher = {Routledge},
Editor = {Fuss, D},
Year = {1996},
Key = {fds241950}
}
@article{fds242029,
Author = {Chow, R},
Title = {We Endure, therefore We Are: Survival, Governance, and Zhang
Yimou’s ’To Live’},
Journal = {South Atlantic Quarterly},
Volume = {95},
Number = {4},
Pages = {1039-1064},
Year = {1996},
Month = {Fall},
Key = {fds242029}
}
@article{fds241925,
Author = {Chow, R},
Title = {The Fascist Longings in Our Midst},
Journal = {ARIEL},
Volume = {26},
Number = {1},
Pages = {23-50},
Publisher = {Johns Hopkins University Press},
Year = {1995},
ISSN = {0004-1327},
Key = {fds241925}
}
@book{fds241933,
Author = {Chow, R},
Title = {Primitive Passions: Visuality, Sexuality, Ethnography, and
Contemporary Chinese Cinema},
Pages = {xiv + 252 pages},
Publisher = {Columbia University Press},
Year = {1995},
ISBN = {9780231076838},
Key = {fds241933}
}
@article{fds241948,
Author = {Chow, R},
Title = {Cavando un Viejo Pozo: El Trabajo de la Fantasia
Social},
Series = {Ediciones Episteme S.L.},
Pages = {135-161},
Booktitle = {Feminismo y Teoría Fílmica},
Publisher = {Madrid: Colección EUTOPÍAS/MAIOR},
Editor = {Colaizzi, G},
Year = {1995},
Key = {fds241948}
}
@book{fds241981,
Author = {Chow, R},
Title = {Xie zai jia guo yi wai},
Pages = {150 pages},
Publisher = {Oxford University Press},
Editor = {Dung, L},
Year = {1995},
Key = {fds241981}
}
@article{fds242026,
Author = {Chow, R},
Title = {Between Colonizers: Hong Kong’s Postcolonial Self-Writing
in the 1990s},
Journal = {Diaspora},
Volume = {2},
Number = {2},
Pages = {151-170},
Year = {1995},
Month = {Fall},
Key = {fds242026}
}
@article{fds242030,
Author = {Chow, R},
Title = {“The Politics of Admittance: Female Sexual Agency,
Miscegenation, and the Formation of Community in Frantz
Fanon},
Journal = {UTS Review (Sydney, Australia)},
Volume = {1},
Number = {1},
Pages = {5-29},
Year = {1995},
Key = {fds242030}
}
@article{fds241934,
Author = {Chow, R},
Title = {Media, materia, migraciones},
Volume = {39},
Pages = {24 pages},
Booktitle = {EUTOPÍAS, 2a época, Documentos de trabajo},
Publisher = {Centro de Semiótica y Teoría del espectáculo, Universitat
de València & Asociación Vasca de Semiótica,},
Year = {1994},
Abstract = {Manuel Talens},
Key = {fds241934}
}
@article{fds241945,
Author = {Chow, R},
Title = {In the Name of Comparative Literature},
Pages = {107-116},
Booktitle = {Comparative Literature in the Age of Multiculturalism},
Publisher = {Johns Hopkins University Press},
Editor = {Bernheimer, C},
Year = {1994},
Key = {fds241945}
}
@article{fds241946,
Author = {Chow, R},
Title = {Love Me, Master; Love Me, Son’: A Cultural Other
Pornographically Constructed in Time},
Pages = {243-256},
Booktitle = {Boundaries in China},
Publisher = {London: Reaktion Books Limited Publishers},
Editor = {Hay, J},
Year = {1994},
Key = {fds241946}
}
@article{fds241947,
Author = {Chow, R},
Title = {Where Have All the Natives Gone?},
Pages = {125-151},
Booktitle = {Displacements: Cultural Identities in Question},
Publisher = {Indiana University Press},
Editor = {Bammer, A},
Year = {1994},
Key = {fds241947}
}
@article{fds241930,
Author = {Chow, R},
Title = {Review article on Alan Wolfe, Suicidal Narrative in Modern
Japan},
Journal = {Comparative Literature},
Volume = {45},
Number = {3},
Pages = {297-300},
Year = {1993},
Month = {Summer},
Key = {fds241930}
}
@article{fds241944,
Author = {Chow, R},
Title = {Against the Lures of Diaspora: Minority Discourse, Chinese
Women, and Intellectual Hegemony},
Pages = {23-45},
Booktitle = {Gender and Sexuality in 20th-Century Chinese Literature and
Society},
Publisher = {Albany NY: SUNY Press},
Editor = {Lu, T},
Year = {1993},
Key = {fds241944}
}
@book{fds241980,
Author = {Chow, R},
Title = {Writing Diaspora: Tactics of Intervention in Contemporary
Cultural Studies},
Pages = {x + 238 pages},
Publisher = {Indiana University Press},
Year = {1993},
Key = {fds241980}
}
@article{fds242023,
Author = {Chow, R},
Title = {Things, Common/Places, Passages of the Port City: On Hong
Kong and Hong Kong Author Leung Ping-kwan},
Journal = {differences},
Volume = {5},
Number = {3},
Pages = {179-204},
Year = {1993},
Month = {Fall},
Key = {fds242023}
}
@article{fds242024,
Author = {Chow, R},
Title = {A Souvenir of Love},
Journal = {Modern Chinese Literature},
Volume = {7},
Number = {2},
Pages = {59-78},
Year = {1993},
Month = {Fall},
Key = {fds242024}
}
@article{fds241943,
Author = {Chow, R},
Title = {Entry on “Race/Imperialism"},
Pages = {361-364},
Booktitle = {Psychoanalysis and Feminism: A Critical Dictionary},
Publisher = {Basil Blackwell},
Editor = {Wright, E},
Year = {1992},
Key = {fds241943}
}
@article{fds241942,
Author = {Chow, R},
Title = {Violence in the Other Country: China as Crisis, Spectacle,
and Woman},
Pages = {81-100},
Booktitle = {Third World Women and the Politics of Feminism},
Publisher = {Indiana University Press},
Editor = {al, CME},
Year = {1991},
Key = {fds241942}
}
@book{fds241979,
Author = {Chow, R},
Title = {Woman and Chinese Modernity: The Politics of Reading Between
West and East},
Pages = {xvii+198 pages},
Publisher = {University of Minnesota Press},
Year = {1991},
Key = {fds241979}
}
@article{fds242027,
Author = {Chow, R},
Title = {Male Narcissism and National Culture: Subjectivity in Chen
Kaige’s ’King of the Children’},
Journal = {camera obscura},
Volume = {25/26},
Pages = {9-40},
Year = {1991},
Key = {fds242027}
}
@article{fds242028,
Author = {Chow, R},
Title = {Trust, Pedagogy, Chinese Intellectuals in the 1990s –
Fragments of a Post-Catastrophic Discourse},
Journal = {Dialectical Anthropology},
Volume = {16},
Pages = {191-207},
Year = {1991},
Key = {fds242028}
}
@article{fds242031,
Author = {Chow, R},
Title = {Listening Otherwise, Music Miniaturized: A Different Type of
Question about Revolution},
Journal = {Discourse},
Pages = {129-148},
Year = {1991},
Month = {Fall},
Key = {fds242031}
}
@article{fds241941,
Author = {Chow, R},
Title = {Autòmatas postmodernos},
Series = {Colección Teorema},
Pages = {67-85},
Booktitle = {Feminismo y Teoría del Discurso},
Publisher = {Madrid: Ediciones Cátedra},
Year = {1990},
Key = {fds241941}
}
@article{fds242032,
Author = {Chow, R},
Title = {The Politics and Pedagogy of Asian Literatures in American
Universities},
Journal = {differences},
Volume = {2},
Number = {3},
Pages = {29-51},
Year = {1990},
Month = {Fall},
Key = {fds242032}
}
@article{fds242033,
Author = {Chow, R},
Title = {Silent is the Ancient Plain: Music, Film-making, and the
Conception of Reform in China’s New Cinema},
Journal = {Discourse},
Pages = {82-109},
Year = {1990},
Month = {Spring},
Key = {fds242033}
}
@article{fds242035,
Author = {Chow, R},
Title = {Violence in the Other Country: Preliminary Remarks on the
‘China Crisis,’ June 1989},
Journal = {Radical America},
Pages = {23-32},
Year = {1989},
Month = {September},
Key = {fds242035}
}
@article{fds241929,
Author = {Chow, R},
Title = {Sextual Strategies,” review article on Mieke Bal’s
Lethal Love: Feminist Readings of Biblical Love
Stories},
Journal = {Semiotica},
Volume = {75},
Number = {3/4},
Pages = {335-344},
Year = {1989},
Key = {fds241929}
}
@article{fds241940,
Author = {Chow, R},
Title = {It’s you, and not me’: Domination and ‘Othering’ in
Theorizing the ‘Third World’},
Pages = {152-161},
Booktitle = {Coming to Terms: Feminism/Theory/Politics},
Publisher = {Routledge},
Editor = {Weed, E},
Year = {1989},
Key = {fds241940}
}
@article{fds242034,
Author = {Chow, R},
Title = {Walter Benjamin’s Love Affair with Death},
Journal = {New German Critique},
Pages = {63-86},
Year = {1989},
Month = {Fall},
Key = {fds242034}
}
@article{fds241928,
Author = {Chow, R},
Title = {How Westerners See the Orient” (in Chinese), review of
Malek Alloula’s The Colonial Harem, trans. Wlad Godzich
and Myrna Godzich, and of Rana Kabbani’s Europe’s Myths
of Orient},
Journal = {Jiuzhou Xuekan (Chinese Culture Quarterly)},
Volume = {2},
Number = {2},
Pages = {79-84},
Year = {1988},
Abstract = {Translation},
Key = {fds241928}
}
@article{fds242036,
Author = {Chow, R},
Title = {Virtuous Transactions: A Reading of Three Stories by Ling
Shuhua},
Journal = {Modern Chinese Literature},
Volume = {4},
Number = {1 & 2},
Pages = {71-86},
Year = {1988},
Month = {Fall},
Key = {fds242036}
}
@article{fds241939,
Author = {Chow, R},
Title = {Mandarin Ducks and Butterflies: Female Melancholy as Fiction
and Commodity},
Volume = {21},
Series = {New Series},
Number = {1-11},
Booktitle = {Western Conference of the Association for Asian Studies
Selected Papers in Asian Studies},
Year = {1986},
Key = {fds241939}
}
@article{fds242038,
Author = {Chow, R},
Title = {Roland Barthes: ’Empire of Signs’},
Journal = {Constructions},
Pages = {17-24},
Year = {1986},
Key = {fds242038}
}
@article{fds242039,
Author = {Chow, R},
Title = {Rereading Mandarin Ducks and Butterflies: A Response to the
‘Postmodern’ Condition},
Journal = {Cultural Critique},
Volume = {5},
Pages = {69-94},
Year = {1986},
Month = {Winter},
Key = {fds242039}
}
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