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Music Faculty: Publications since January 2022

List all publications in the database.    :chronological  alphabetical  combined listing:
%% Giles, Roseen   
@book{fds372385,
   Author = {Giles, R},
   Title = {Monteverdi and the Marvellous Poetry, Sound, and
             Representation},
   Publisher = {Cambridge University Press},
   Year = {2023},
   Month = {November},
   ISBN = {100935535X},
   Abstract = {It illuminates how experiments in language and perception at
             the turn of the seventeenth century were influenced and
             informed by the work of musicians of that
             era.},
   Key = {fds372385}
}

@article{fds364999,
   Author = {Giles, R},
   Title = {Sigismondo D'India et ses mondes: Un compositeur italien
             d'avant-garde, histoire et documents. Jorge Morales.
             Collection “Épitome musical.” Turnhout: Brepols, 2019.
             592 pp. €125.},
   Journal = {Renaissance Quarterly},
   Volume = {75},
   Number = {2},
   Pages = {705-707},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2022},
   url = {http://dx.doi.org/10.1017/rqx.2022.183},
   Doi = {10.1017/rqx.2022.183},
   Key = {fds364999}
}


%% Harris, Deonte   
@article{fds365283,
   Author = {Harris, DL},
   Title = {On Race, Value, and the Need to Reimagine Ethnomusicology
             for the Future},
   Journal = {Ethnomusicology},
   Volume = {66},
   Number = {2},
   Pages = {213-235},
   Publisher = {University of Illinois Press},
   Year = {2022},
   Month = {June},
   url = {http://dx.doi.org/10.5406/21567417.66.2.03},
   Abstract = {This article contributes to literature on value in
             ethnomusicology by shifting the discourse to issues of
             racism. Drawing from several years of fieldwork in London's
             carnival arts scene, I develop an approach called “value
             from below,” which illustrates how racial oppression often
             directly affects how members of BIPOC communities assign
             value, meaning, and significance to particular things,
             spaces, places, and actions. I then extend this approach to
             consider the impacts of systemic racism on BIPOC scholars in
             ethnomusicology, arguing that the growing call for the
             making of an antiracist and decolonized ethnomusicology is
             indicative of the continued struggle over value in the field
             and the larger world.},
   Doi = {10.5406/21567417.66.2.03},
   Key = {fds365283}
}


%% Rupprecht, Philip   
@article{fds370134,
   Author = {Rupprecht, P},
   Title = {Pieces of Tradition: An Analysis of Contemporary Tonal
             Music},
   Journal = {Journal of Music Theory},
   Volume = {66},
   Number = {2},
   Pages = {291-302},
   Year = {2022},
   Month = {January},
   url = {http://dx.doi.org/10.1215/00222909-9930962},
   Doi = {10.1215/00222909-9930962},
   Key = {fds370134}
}


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