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Publications of Bryan Gilliam    :recent first  alphabetical  combined  bibtex listing:

Books

  1. Gilliam, B. Richard Strauss’s ’Daphne’: Opera and Symphonic Continuity.  Harvard Ph.D. Dissertation, 1984 .
  2. Gilliam, B. Richard Strauss’s Elektra.  Oxford University Press, 1991 . (Paperback edition, 1996)
  3. Gilliam, B. Richard Strauss: New Perspectives on the Composer and His Work.  edited by Gilliam, B Duke University Press, 1992 . (Paperback edition, 1997)
  4. al, BGE. Richard Strauss and His World.  edited by Gilliam, B Princeton University Press, 1992 .
  5. al, BGE. Music and Performance during the Weimar Republic.  edited by Gilliam, B Cambridge University Press, 1994 . (Paperback edition, 2005)
  6. Gilliam, B. The Life of Richard Strauss, Cambridge Musical Lives.  Cambridge University Press, 1999 . (Chinese edition, 2001; Spanish edition, 2003; German edition, 2014)
  7. al, BGE. Music, Image, Gesture.  edited by Gilliam, B Duke University Press, 2005 (1-176 pages pp.).
  8. Gilliam, B. Rounding Wagner's mountain: Richard Strauss and modern German opera.  Cambridge University Press, Spring, 2014 (1-340 pp.). [doi]  [abs]

Articles

  1. Gilliam, B. ""Richard Strauss’s Intermezzo: Innovation and Tradition"." Richard Strauss: New Perspectives  (1992): 259-83.
  2. Gilliam, B. ""Daphne’s Transformation"." Richard Strauss and His World  (1992): 33-66.
  3. Gilliam, B. ""Stage and Screen: Kurt Weill and Operatic Reform in the 1920s"." Music and Performance during the Weimar Republic  (1994).
  4. Gilliam, B. ""The Tone Poems of Richard Strauss"." The 19th-Century Symphony  (1997): 345-68.
  5. Gilliam, B. ""A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America"." Driven from Paradise: The Musical Migration from Nazi Germany to the United States  (1999): 334-57.
  6. Gilliam, B. "Prefatory essay in honor of Günter Brosche." Fetstschrift Günter Brosche  (1999).
  7. Gilliam, B. ""Elektras Tanz and Auflösung"." Festschrift Reinhold Schlotterer  (1999).
  8. B. Gilliam. ""Elektras Tanz and Auflösung"." Festschrift Reinhold Schlotterer  (1999).
  9. Gilliam, B. "" ’Friede im Innern’: Aussenwelt und Innenwelt von Richard Strauss um 1935"." Richard Strauss und die Moderne  (2001): 93-111. Published conference paper
  10. Gilliam, B. ""Biography for Stephen Jaffe"." New Grove  (2001).
  11. Gilliam, B. ""Biography (19,000 words) on Richard Strauss"." Revised New Grove Dictionary of Music and Musicians 24 (2001).
  12. Gilliam, B. ""Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils"." Gottfried von Einem Kongress  (2003): 303-13.
  13. Gilliam, B. ""From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater." Americanism/Amerikanismus/Weill: Die Suche nach kultureller Indentität in der ersten Hälfte des 20. Jahrhunderts  (2003): 147-59.
  14. Gilliam, B. "Introductory Essay." The Richard Strauss Companion  (2003).
  15. Gilliam, B. "" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos - das Konzept der Verwandlung und die Ablehnung der griechischen Tragödie"." Richard Strauss: Der griechischer Germane Edition Text+Kritik (2005): 69-80.
  16. Gilliam, B. ""Between Resignation and Hope: The Late Strauss"." Late Thoughts  (2006): pp. 167-80.
  17. Gilliam, B. ""In the Shadow of Bach: Lyonel Feininger as Musician"." Lyonel Feininger: On the Edge of the World  (2010).
  18. Gilliam, B. "The Strauss-Hofmannsthal operas." The Cambridge Companion to Richard Strauss  (January, 2010): 119-135. [doi]  [abs]
  19. Gilliam, B. ""Strauss and the Sexual Body: The Aesthetics Humor, Philosophy, and Ego-Assertion"." Richard Strauss Companion  (December, 2010): 269-79.
  20. Gilliam, B. ""The Hofmannsthal Operas"." Richard Strauss Companion  (December, 2010): 119-35.
  21. Gilliam, B. "In the Shadow of Bach: Lyonel Feininger as a Musician." Lyonel Feininger: At the Edge of the World  (July, 2011).
  22. Gilliam, B. "Dans l’ombre de Bach : Lyonel Feininger musicien."   (December, 2011).
  23. Gilliam, B. "Strauss’s Der Rosenkavalier, Ariadne auf Naxos, und Die Frau ohne Schatten." Richard Strauss Handbuch  (2014): 75 Completed pagesand in press-75 Comple.
  24. B. Gilliam. "Essay on Der Rosenkavalier, Ariadne auf Naxos, and Die Frau ohne Schatten." Richard Strauss Handbuch  (2014): pp. 183-213.
  25. B. Gilliam. "The Great War and Its Aftermath: Strauss's and Hofmannsthal's Third-Way Modernism." Modernism and Opera  (2016): In production.

Papers

  1. Gilliam, B. Ein Skizzenbuch von Richard Strauss an der Harvard University. December, 1978 . (University of Munich)
  2. Gilliam, B. Stefan Zweig’s Contribution to Strauss Opera after Die schweigsame Frau. April, 1981 . (International Stefan Zweig Symposium, SUNY, Fredonia)
  3. Gilliam, B. Richard Strauss’s Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity. November, 1982 . (American Musicological Society, Ann Arbor)
  4. GILLIAM, B. STRAUSS PRELIMINARY OPERA SKETCHES + 'ELEKTRA' AND DER 'ROSENKAVALIER' - THEMATIC FRAGMENTS AND SYMPHONIC CONTINUITY. 1986 (176-188 pp.). [Gateway.cgi]
  5. Gilliam, B. "Richard Strauss's Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity". Spring, 1986 (176-188 pp.).
  6. Gilliam, B. Gustav Mahler Richard Strauss: Correspondence, 1888-1911 . Gustav Mahler , Richard Strauss , Herta Blaukopf ..  University of California Press, July, 1986 (418-422 pp.). [Gateway.cgi], [doi]
  7. Gilliam, B. Hugo von Hofmannsthal, Richard Strauss, and the Evolution of Elektra. 1988 . (British 19th-Century Music Conference, Oxford; AMS)
  8. Gilliam, B. T. S. Eliot, The Waste Land, and the Legacy of Wagner. March, 1988 . (T. S. Eliot Centenary Lecture Series, Duke University, Department of English)
  9. Gilliam, B. Die Elektra Premiere: Hintergründe und Rezeption. June, 1989 . (International Conference: "Höhepunkte der Dresdner Operngeschichte im 20. Jahrhundert." Dresden, former GDR)
  10. Gilliam, B. Intermezzo und die Zeitoper in den Zwanziger Jahren. October, 1989 . (Leipzig Gewandhaus Conference on Richard Strauss, Leipzig, former GDR)
  11. Gilliam, B. Richard Strauss’s Intermezzo: Innovation and Tradition. April, 1990 . (International Conference on Richard Strauss , Duke University)
  12. Gilliam, B. The Influence of Film on German Opera of the 1920s. November, 1991 . (American Musicological Society, Chicago)
  13. GILLIAM, B. THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY. 1992 (59-69 pp.). [Gateway.cgi]
  14. Gilliam, B. "The Two Versions of Bruckner’s Symphony no. 8" ("Rehearings"). Summer, 1992 (59-69 pp.).
  15. Gilliam, B. The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation.  Oxford University Press (OUP), 1994 (584-604 pp.). [Gateway.cgi], [doi]
  16. GILLIAM, B. 'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE. 1994 (17-17 pp.). [Gateway.cgi]
  17. B. Gilliam. The Annexation of Anton Bruckner: Nazi Revisionism and Misappropriation. 1994 . (International Bruckner Symposium, Connecticut College; AMS)
  18. Gilliam, B. "The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation". Fall, 1994 (558-583 pp.).
  19. Gilliam, B. The authorship of the text of Strauss's 'friedenstag'.  Oxford University Press (OUP), February, 1995 (142-143 pp.). [doi]
  20. Gilliam, B. A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America. 1996 . (Conference on "The Musical Migration: Germany-Austria, ca. 1930-1950" Harvard University, May 1994; Yale, 1995; Dartmouth, 1996)
  21. Gilliam, B. Bruckner's Annexation Revisited: A Response to Manfred Wagner.  Oxford University Press (OUP), January, 1996 (124-131 pp.). [Gateway.cgi], [doi]
  22. Gilliam, B. Bruckner’s 8th Symphony. April, 1996 . (British International Bruckner Conference, University of Manchester. Panel participant. John Deathridge, chair)
  23. Gilliam, B. Five colloquia on the theme: ’Music, Image, Gesture’. May, 1996 . (European Mozart Academy Krakow)
  24. Gilliam, B. Sibelius and Modernism. December, 1997 . (Northern Lights Sibelius Festival and Symposium, Lincoln Center, New York City)
  25. Gilliam, B. Tragedy and Epic in Siegfried’s Funeral Music. March, 1998 . (Duke University Symposium in Honor of Peter Williams)
  26. Gilliam, B. Kurt Weill, Weimar Theater, and Operatic Reform. April, 1998 . (University of North Carolina Symposium on Brecht, Weimar Germany, and Cabaret Culture)
  27. Gilliam, B. Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils. June, 1998 . (Gottfried von Einem-Congress, Vienna)
  28. Gilliam, B. Strauss' "Friedenstag" und die Politik: Antwort an Gerhard Splitt.  JSTOR, 1999 (347-347 pp.). [Gateway.cgi], [doi]
  29. Gilliam, B. Modern times - Richard Strauss' later operas reflect the disunity of contemporary life. 1999 (26-31 pp.). [Gateway.cgi]
  30. Gilliam, B. Variations on an Enigma: Richard Strauss Fifty Years after his Death. January, 1999 . (Inaugural Erich Leinsdorf Memorial Lecture, New York Philharmonic, Avery Fisher Hall)
  31. B. Gilliam. Elektras Tanz und Auflösung. April 1999 . (Österreichische Gesellschaft für Musik Symposium on Strauss, Vienna)
  32. Gilliam, B. Elektras Tanz und Auflösung. April, 1999 .
  33. Gilliam, B. ’Friede im Innern’: Die innere und äußere Persönlichkeit des Richard Strauss um die Mitte der dreißiger Jahre. July, 1999 . (University of Munich Symposium: "Richard Strauss und die Moderne")
  34. Gilliam, B. ’Friede im Innern’: Strauss’s Inner and Outer Worlds in the 1930s. October, 1999 . (York University International Symposium on Music and Nazism)
  35. Gilliam, B. From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater. February, 2000 . (Berlin, Humboldt Universität)
  36. Gilliam, B. Sound, Image, Music: Hollywood Film Music. May, 2000 . (Lecture to the Board of Trustees, Duke University graduation weekend)
  37. Gilliam, B. "The String Quartet and Its Changing Audiences in the 19th Century". October, 2000 . ("Rediscovering the String Quartet," Johns Hopkins University)
  38. Gilliam, B. Politics and the Spirit: Richard Strauss and the 1930s. October, 2000 . (Eastman Distinguished Lecture Series)
  39. Gilliam, B. Utopia und Katastrophe: Richard Strauss während des dritten Reiches. November, 2000 . (Katastrophen und Utopien: Exil und innere Emigration, 1933-45, Berlin, Freie Universität)
  40. Mingo, B; Gilliam, B. The endangered list (Nominees for the most unjustly neglected opera). 2001 (50-+ pp.). [Gateway.cgi]
  41. Gilliam, B. Shadowland (The complex and symbolic world of Strauss's most challenging work, Die 'Frau ohne Schatten'). 2002 (14-17 pp.). [Gateway.cgi]
  42. Gilliam, B. "Strauss’s ’Crazy Jewish Girl’: Salome and fin-de-siècle Modernism". January, 2002 . (University of Toronto Symposium on Salome)
  43. Gilliam, B. "Between Resignation and Hope: The Late Strauss". May, 2002 . (Ojai Music Festival Symposium of the Concept of the "Late Style")
  44. Gilliam, B. "Ariadne, Daphne, und das Problem der Verwandlung". October, 2002 . (University of Würzburg)
  45. Gilliam, B. "Ariadne, Daphne, and the Problem of Transformation". 2003 (67-81 pp.).
  46. Gilliam, B. Visual voice (Strauss's 'Salome'). 2004 (23-+ pp.). [Gateway.cgi]
  47. Gilliam, B. "Body and Spirit in the Slow Movement of Beethoven’s Op. 130". March, 2004 . (Lincoln Center Chamber Players, New York)
  48. Gilliam, B. "Richard Strauss and the National Socialist Regime". November, 2004 . (American Philosophical Society, Philadelphia)
  49. Gilliam, B. " 'Friede im Innern': Strauss's Inner and Outer Worlds in the mid-1930s". 2005 (563-595 pp.).
  50. Gilliam, B. Introduction.  edited by B. Gilliam Duke University Press, January, 2005 (1-5 pp.). (Essays on ballet, film music, melodrama, modern dance, and opera) [Gateway.cgi], [doi]
  51. Gilliam, B. "Don Quixote and the Cinematic Strauss". June, 2005 . (Ravinia Music Festival, Chicago)
  52. B. Gilliam. "Music during the Holocaust: Viktor Ullmann’s Der Kaiser von Atlantis". July 2005 . (Temple Shalom, panel presentation with James Conlon and Wels Kaufman, Chicago)
  53. Gilliam, B. " ’Ich bin ein anderer als ich war’: Ariadne auf Naxos and the Rejection of Greek Tragedy. 2006 . (Stanford University Alexander Lecture (2006))
  54. Gilliam, B. A House Divided. 2010 (16-21 pp.). [Gateway.cgi]
  55. Gilliam, B. "A House Divided: The Tragic History of Dresden's Semper Opera House". 2010 .
  56. B. Gilliam. Erinnerung und Trauma in Ariadne auf Naxos. 2012 . (100 Jahre Ariadne auf Naxos in Stuttgart October 2012)
  57. Gilliam, B. The Problem of Trauma and Memory in Elektra, Ariadne auf Naxos, and Die Aegytische Helena. 2013 . (Stanford Conference on Freud after Wagner January 2013)
  58. Gilliam, B. Rhetoric and the Human Condition in Mozart’s Last Three Symphonies. August, 2013 . (Lincoln Center Mostly Mozart Festival)
  59. B. Gilliam. Richard Strauss und das Problem der Ehe. 2014 . (Leipzig Gewandhaus Conference on Richard Strauss)
  60. B. Gilliam. Zur Strauss Rezeption in Amerika nach 1945. 2014 .  [abs]
  61. Gilliam, B. Zoë Alexis Lang. The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity. Cambridge: Cambridge University Press, 2014. Pp. 248..  Cambridge University Press (CUP), April, 2015 (434-436 pp.). [Gateway.cgi], [doi]

Reviews

  1. B. Gilliam, various.  Reviews (1992 to 2005). (Written for JAMS, 19th-Century Music, Musical Times, and Kurt Weill Newsletter)

Program Notes

  1. B. Gilliam. "La música surt de mi!" La dansa i la dissolució d'Elektra. Fall 2007 .
  2. B. Gilliam. Elektra. Fall 2007 .

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