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| Publications of Philip Rupprecht :chronological alphabetical combined listing:%% Books @book{fds320459, Author = {Wörner, F and Scheideler, U and Rupprecht, PE}, Title = {Tonality Since 1950}, Pages = {345 pages}, Publisher = {Franz Steiner Verlag}, Editor = {Woerner, F and Scheideler, U and Rupprecht, P}, Year = {2017}, ISBN = {351511582X}, Abstract = {Tonality Since 1950 documents the debate surrounding one of the most basic technical and artistic resources of music in the later 20th century.}, Key = {fds320459} } @book{fds302481, Author = {Rupprecht, P}, Title = {British Musical Modernism: The Manchester Group and their Contemporaries}, Pages = {1-492}, Publisher = {Cambridge University Press}, Year = {2015}, ISBN = {9780521844482}, url = {http://dx.doi.org/10.1017/CBO9781139033350}, Abstract = {British Musical Modernism explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.}, Doi = {10.1017/CBO9781139033350}, Key = {fds302481} } @book{fds292166, Author = {ed. Philip Rupprecht}, Title = {Rethinking Britten}, Publisher = {Oxford University Press}, Editor = {Rupprecht, P}, Year = {2013}, url = {http://global.oup.com/academic/product/rethinking-britten-9780199794805;jsessionid=298A075E8904493D3DCFEDC0830D1AA2?cc=us&lang=en&}, Key = {fds292166} } @book{fds292165, Author = {Various}, Title = {Tonality 1900-1950: Concept and Practice}, Publisher = {Stuttgart: Franz Steiner Verlag}, Editor = {Woerner, F and Scheideler, U and Rupprecht, P}, Year = {2012}, ISBN = {978-3515101608}, url = {http://www.steiner-verlag.de/titel/59171.html}, Key = {fds292165} } @book{fds292164, Author = {Rupprecht, P}, Title = {Britten’s Musical Language}, Publisher = {Cambridge University Press}, Year = {2001}, url = {http://www.amazon.com/Brittens-Musical-Language-Twentieth-Century/dp/0521031036/ref=sr_1_1/189-7790522-2579128?s=books&ie=UTF8&qid=1414769263&sr=1-1&keywords=rupprecht+britten}, Key = {fds292164} } %% Articles in Books @article{fds370134, Author = {Rupprecht, P}, Title = {Pieces of Tradition: An Analysis of Contemporary Tonal Music}, Journal = {Journal of Music Theory}, Volume = {66}, Number = {2}, Pages = {291-302}, Year = {2022}, Month = {January}, url = {http://dx.doi.org/10.1215/00222909-9930962}, Doi = {10.1215/00222909-9930962}, Key = {fds370134} } @article{fds358466, Author = {Rupprecht, P}, Title = {Voicing ideology: Modernism and the middlebrow in Britten's operas}, Journal = {Music and Letters}, Volume = {101}, Number = {2}, Pages = {343-366}, Year = {2020}, Month = {May}, url = {http://dx.doi.org/10.1093/ml/gcaa028}, Doi = {10.1093/ml/gcaa028}, Key = {fds358466} } @article{fds350328, Author = {Rupprecht, P}, Title = {Rhythmic Dignity: Motive, Signal, and Flux in the Music of James Dillon}, Journal = {MUSIKTHEORIE}, Volume = {34}, Number = {4}, Pages = {347-376}, Year = {2019}, Key = {fds350328} } @article{fds332212, Author = {Rupprecht, P}, Title = {Scenes from Britten's 'Spring Symphony'}, Booktitle = {Literary Britten}, Publisher = {Boydell}, Editor = {Kennedy, K}, Year = {2018}, Key = {fds332212} } @article{fds320456, Author = {Rupprecht, P}, Title = {Images in Sound: Movement, Harmony and Colour in the Early Music}, Booktitle = {The Music of Simon Holt}, Publisher = {Boydell}, Editor = {Charlton, D}, Year = {2017}, Month = {June}, Key = {fds320456} } @article{fds320458, Author = {Rupprecht, P}, Title = {Tonality Rediscovered: Oliver Knussen and the Musical ‘Object’ in the 1970s.}, Pages = {209--231}, Booktitle = {Tonality Since 1950}, Publisher = {Franz Steiner Verlag}, Editor = {Woerner, F and Scheideler, U and Rupprecht, P}, Year = {2017}, Month = {February}, Key = {fds320458} } @article{fds320457, Author = {Rupprecht, P}, Title = {Quickenings of the Heart: Notes on Rhythm and Tempo in Britten’s Music}, Pages = {317-345}, Booktitle = {Benjamin Britten Studies: Essays on an Inexplicit Art}, Publisher = {Boydell Press}, Editor = {Stroeher, V and Vickers, J}, Year = {2017}, ISBN = {978-1783271955}, Key = {fds320457} } @article{fds350329, Author = {Rupprecht, P}, Title = {Mechanical song: Birtwistle’s rhythmic imagination}, Pages = {26-62}, Booktitle = {Harrison Birtwistle Studies}, Publisher = {Cambridge Univ. Press}, Editor = {David Beard and Kenneth Gloag and Nicholas Jones}, Year = {2015}, Month = {January}, url = {http://dx.doi.org/10.1017/CBO9781316145326.004}, Abstract = {Soon the year slides past never the same twice. There is no foretelling its fulfilment from the start. These words, translated from their original medieval context and set by Harrison Birtwistle in Narration: A Description of the Passing of a Year (1963), touch on a central strand of the composer's art: his preoccupation with rhythm and the flow of musical time, not merely as a problem of technique or construction, but as a dramatic or thematic ‘topic’, offered to listeners as a focus of attention. Pulse, return, cycle, time – all such categories, in Birtwistle's music, become prime (some would say primal) concerns, as is obvious even from his evocative work titles. His early response to the Gawain text in Narration is hardly his first creative attempt to foreground music's passing beat. A great deal of compositional invention inheres in demonstrating for listeners an almost calendric-seasonal sense of growth and transformation as the music unfolds. If time's ‘sliding past’ is to be the issue, then Refrains and Choruses (1957) already advertises a concern with return as formal and rhetorical possibility: the work ends, hauntingly, with eleven reiterations of a single five-note chord, each one revoiced, so tracing a progressive change. The ticking polyrhythmic ‘Toccatas’ in the opera Punch and Judy, a decade later (1966–7), display Birtwistle's fascination with measuring or marking time's movement: they are ‘to sound like some mechanical process switched on and off’, the score indicates. This overtly mechanical line of thinking about music's rhythm extends from Chronometer (1971–2) to Harrison's Clocks (1998) and beyond. Birtwistle's rhythmic imagination invites attention at both technical and symbolic levels. Throughout his career, he has fashioned images of time's passing – in each work, the processes are recognizably his own, yet they have continuously evolved: never the same twice. His music thrives on a tension between the listener's conscious aural grasp of the passing moment and evolving awareness of slower, inexorably circling returns.}, Doi = {10.1017/CBO9781316145326.004}, Key = {fds350329} } @article{fds292152, Author = {Rupprecht, P}, Title = {Britten and the Avant-Garde in the 1950s}, Pages = {131-55}, Booktitle = {Rethinking Britten}, Publisher = {Oxford University Press}, Editor = {Rupprecht, P}, Year = {2013}, Key = {fds292152} } @article{fds292153, Author = {Rupprecht, P}, Title = {Agency Effects in the Instrumental Drama of Musgrave and Birtwistle}, Pages = {189-215}, Booktitle = {Music and Narrative Since 1900}, Publisher = {Indiana University Press,}, Editor = {Klein, ML and Reyland, N}, Year = {2013}, Key = {fds292153} } @article{fds292154, Author = {Rupprecht, P}, Title = {Introduction: Britten’s Music and Its Audiences}, Pages = {xv-xxxi}, Booktitle = {Rethinking Britten}, Publisher = {Oxford University Press}, Editor = {Rupprecht, P}, Year = {2013}, Key = {fds292154} } @article{fds292155, Author = {Rupprecht, P}, Title = {Mechanical Song: Birtwistle’s Rhythmic Imagination}, Booktitle = {Birtwistle Studies}, Publisher = {Cambridge Univ. Press}, Editor = {Beard, D and Gloag, K and Jones, N}, Year = {2013}, Key = {fds292155} } @article{fds376404, Title = {Introduction: Britten’s Music and Its Audiences}, Pages = {xv-xxxi}, Publisher = {Oxford University Press}, Year = {2013}, Key = {fds376404} } @article{fds376403, Title = {Britten and the Avant-Garde in the 1950s}, Pages = {131-55}, Publisher = {Oxford University Press}, Year = {2013}, Key = {fds376403} } @article{fds376557, Title = {Agency Effects in the Instrumental Drama of Musgrave and Birtwistle}, Pages = {189-215}, Publisher = {Indiana University Press,}, Year = {2013}, Key = {fds376557} } @article{fds292151, Author = {Rupprecht, P}, Title = {Among the Ruined Languages: Britten’s Triadic Modernism, 1930-1940}, Pages = {223-245}, Booktitle = {Tonality 1900-1950: Concept and Practice}, Publisher = {Stuttgart: Franz Steiner,}, Editor = {Woerner, F and Scheideler, U and Rupprecht, P}, Year = {2012}, Key = {fds292151} } @article{fds376405, Title = {Among the Ruined Languages: Britten’s Triadic Modernism, 1930-1940}, Pages = {223-245}, Publisher = {Stuttgart: Franz Steiner,}, Year = {2012}, Key = {fds376405} } @article{fds305709, Author = {Rupprecht, P}, Title = {"Something slightly indecent": British composers, the European avant-garde, and national stereotypes in the 1950s}, Journal = {Musical Quarterly}, Volume = {91}, Number = {3-4}, Pages = {275-326}, Publisher = {Oxford University Press (OUP)}, Year = {2009}, Month = {March}, ISSN = {0027-4631}, url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000267616000005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92}, Doi = {10.1093/musqtl/gdp003}, Key = {fds305709} } @article{fds292149, Author = {Rupprecht, P}, Title = {Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia}, Pages = {45-78}, Booktitle = {Maxwell Davies Studies}, Publisher = {Cambridge University Press,}, Editor = {Gloag, K and Jones, N}, Year = {2009}, Key = {fds292149} } @article{fds376406, Title = {Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia}, Pages = {45-78}, Publisher = {Cambridge University Press,}, Year = {2009}, Key = {fds376406} } @article{fds292170, Author = {Philip Rupprecht}, Title = {Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola}, Journal = {Tempo: a quarterly review of modern music}, Volume = {59}, Pages = {28-38}, Year = {2005}, Month = {April}, Key = {fds292170} } @article{fds292148, Author = {Rupprecht, P}, Title = {The Chamber Music}, Pages = {245-59}, Booktitle = {The Cambridge Companion to Benjamin Britten}, Publisher = {Cambridge University Press,}, Editor = {Cooke, M}, Year = {1999}, Key = {fds292148} } @article{fds376407, Title = {The Chamber Music}, Pages = {245-59}, Publisher = {Cambridge University Press,}, Year = {1999}, Key = {fds376407} } @article{fds292171, Author = {Philip Rupprecht}, Title = {Tonal stratification and Uncertainty in Britten’s music}, Journal = {Journal of Music Theory}, Volume = {40}, Number = {2}, Pages = {311-346}, Year = {1996}, Month = {Fall}, Key = {fds292171} } %% Reviews @article{fds316039, Author = {Rupprecht, P}, Title = {Review: Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction, by Heather Wiebe}, Journal = {Journal of the American Musicological Society}, Volume = {68}, Number = {3}, Pages = {698-703}, Publisher = {University of California Press}, Year = {2015}, Month = {December}, ISSN = {0003-0139}, url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000369174500008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92}, Doi = {10.1525/jams.2015.68.3.698}, Key = {fds316039} } @article{fds292147, Author = {Rupprecht, P}, Title = {Edward Elgar, Serenade for Strings, op. 20, Score, edited by Christopher Hogwood (Kassel: Bärenreiter-Verlag, 2010), BA 9041, viii, 18 pp., with critical commentary and facsimile.}, Journal = {Nineteenth-Century Music Review}, Volume = {10}, Number = {2}, Pages = {390-394}, Publisher = {Cambridge University Press (CUP)}, Year = {2013}, Month = {December}, ISSN = {1479-4098}, url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000339586100024&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92}, Doi = {10.1017/s1479409813000463}, Key = {fds292147} } @article{fds292167, Author = {Rupprecht, P}, Title = {British Music and Modernism, 1895-1960. Ed. by Matthew Riley.}, Journal = {Music and Letters}, Volume = {93}, Number = {1}, Pages = {103-106}, Publisher = {Oxford University Press (OUP)}, Year = {2012}, Month = {February}, ISSN = {0027-4224}, url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000301905700011&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92}, Doi = {10.1093/ml/gcr101}, Key = {fds292167} } @article{fds292161, Author = {Rupprecht, P}, Title = {Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960"}, Journal = {Music and Letters}, Volume = {93}, Pages = {103-06}, Year = {2012}, Key = {fds292161} } @article{fds292160, Author = {Rupprecht, P}, Title = {Review: Jonathan Cross, The Stravinsky Legacy}, Journal = {Journal of the American Musicological Society}, Volume = {56}, Number = {2}, Pages = {498-507}, Year = {2003}, Month = {Summer}, Key = {fds292160} } @article{fds292158, Author = {Rupprecht, P}, Title = {Review: Kyle Gann, The music of Conlon Nancarrow}, Journal = {Institute for Studies in American Music Newsletter}, Volume = {27}, Number = {1}, Pages = {5-7}, Year = {1997}, Key = {fds292158} } @article{fds292159, Author = {Rupprecht, P}, Title = {Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music}, Journal = {Journal of Music Theory}, Volume = {41}, Number = {1}, Pages = {157-75}, Year = {1997}, Month = {Spring}, Key = {fds292159} } @article{fds320543, Author = {Rupprecht, P}, Title = {Review: Andrew Mead, An Introduction to the Music of Milton Babbitt}, Journal = {Institute for Studies in American Music Newsletter}, Volume = {25}, Number = {2}, Pages = {12-14}, Year = {1996}, Key = {fds320543} } %% Program Notes @misc{fds350330, Title = {The Vorticists: Musical Allies}, Year = {2010}, Key = {fds350330} } @misc{fds350331, Title = {"Liturgy and Trope in Britten’s War Requiem" (Note for Duke Chapel performances, dir. Rodney Wynkoop, April 19-20, 2008)}, Year = {2008}, Key = {fds350331} } @misc{fds292156, Author = {Rupprecht, P}, Title = {Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991}, Journal = {Music Analysis}, Volume = {11}, Number = {1}, Pages = {129-33}, Year = {1992}, Key = {fds292156} } | |
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