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| Publications of Larissa S. Carneiro :chronological alphabetical combined listing:%% Articles in a Collection @article{fds359621, Author = {Carneiro, L}, Title = {Rewriting the Bible: The Visual Culture of Creation Science}, Booktitle = {The Bible and Global Tourism}, Publisher = {Bloomsbury}, Editor = {Bielo, J and Wijnia, L}, Year = {2021}, Month = {January}, Key = {fds359621} } @article{fds359578, Author = {Carneiro, L}, Title = {Emulating Science: The Rhetorical Figures of Creationism}, Journal = {Journal for Religion, Film and Media}, Number = {2017}, Pages = {53-64}, Year = {2017}, Key = {fds359578} } @article{fds325723, Author = {Anson, CM and Dannels, DP and Laboy, JI and Carneiro, L}, Title = {Students’ Perceptions of Oral Screencast Responses to Their Writing}, Journal = {Journal of Business and Technical Communication}, Volume = {30}, Number = {3}, Pages = {378-411}, Publisher = {SAGE Publications}, Year = {2016}, Month = {July}, url = {http://dx.doi.org/10.1177/1050651916636424}, Abstract = {<jats:p> This study explores the intersections between facework, feedback interventions, and digitally mediated modes of response to student writing. Specifically, the study explores one particular mode of feedback intervention—screencast response to written work—through students’ perceptions of its affordances and through dimensions of its role in the mediation of face and construction of identities. Students found screencast technologies to be helpful to their learning and their interpretation of positive affect from their teachers by facilitating personal connections, creating transparency about the teacher’s evaluative process and identity, revealing the teacher’s feelings, providing visual affirmation, and establishing a conversational tone. The screencast technologies seemed to create an evaluative space in which teachers and students could perform digitally mediated pedagogical identities that were relational, affective, and distinct, allowing students to perceive an individualized instructional process enabled by the response mode. These results suggest that exploring the concept of digitally mediated pedagogical identity, especially through alternative modes of response, can be a useful lens for theoretical and empirical exploration. </jats:p>}, Doi = {10.1177/1050651916636424}, Key = {fds325723} } @article{fds325724, Author = {Carneiro, LS and Abrahanson, J}, Title = {Debates on Mobile Communication}, Booktitle = {Dialogues on Mobile Communication}, Publisher = {Routledge}, Editor = {Adriana de Souza Lima}, Year = {2016}, ISBN = {978-1138691582}, Key = {fds325724} } @article{fds325725, Author = {Carneiro, L and Johnson, MA}, Title = {Ethnic pastandEthnic now: The representation of memory in ethnic museum websites}, Journal = {Public Relations Inquiry}, Volume = {4}, Number = {2}, Pages = {163-179}, Publisher = {SAGE Publications}, Year = {2015}, Month = {May}, url = {http://dx.doi.org/10.1177/2046147x15571962}, Abstract = {<jats:p>This article investigates how ethnic museum websites in the United States use visual and textual resources to communicate their ideas of memory, past, and ethnic identity. Public relations practitioners as cultural intermediaries create such websites to foster identification between the cultural institutions and their stakeholders. By using social semiotic theory and content analysis, the article demonstrates how museums act as a medium for representing collective memory and, therefore, construct identities that are not static, but in a constant process of adaptation according to different contexts. This study of 43 websites concludes that ethnic museum websites pursue either nostalgic or present-time message strategies to represent cultural memory: the ethnic past and the ethnic now. The ethnic past aims to display an idealized past that is fixed and forever gone. In contrast, the ethnic now uses culturally identifiable features to convey movement, fluidity, transformation, reinterpretation, and the re-invention of ethnic identity. The research contributes to public relations scholarship about identity messages used by cultural intermediaries.</jats:p>}, Doi = {10.1177/2046147x15571962}, Key = {fds325725} } @article{fds325726, Author = {Carneiro, LS}, Title = {The Implication of Technology in Mediatization and Mediation Approaches to Religious Studies}, Journal = {Culture and Religion}, Volume = {16}, Number = {1}, Year = {2015}, Key = {fds325726} } @article{fds325727, Author = {Johnson, MA and Carneiro, L}, Title = {Communicating visual identities on ethnic museum websites}, Journal = {Visual Communication}, Volume = {13}, Number = {3}, Pages = {357-372}, Publisher = {SAGE Publications}, Year = {2014}, Month = {August}, url = {http://dx.doi.org/10.1177/1470357214530066}, Abstract = {<jats:p> This article combines qualitative and quantitative content analysis to explore the websites of 43 ethnic museums in the United States. The use of multiple modes of communication to represent ethnic identity and cultural heritage is detailed. Also delineated is how websites present relationships with the ethnic diaspora, the homeland, the museums’ local communities, and the US community. </jats:p>}, Doi = {10.1177/1470357214530066}, Key = {fds325727} } @article{fds325728, Author = {Carneiro, LS}, Title = {Quantitative and Qualitative Visual Content Analysis in the Study of Websites}, Booktitle = {SAGE Research Methods Cases}, Publisher = {Sage}, Year = {2014}, Key = {fds325728} } %% Books in Progress @misc{fds325722, Author = {Carneiro, LS}, Title = {Review of the book The Marvelous Clouds: Towards a Philosophy of Elemental Media, by J. D. Peters}, Volume = {4}, Number = {4}, Pages = {525-526}, Year = {2016}, url = {http://dx.doi.org/10.1080/17432200.2016.1242570}, Doi = {10.1080/17432200.2016.1242570}, Key = {fds325722} } | |
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