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Theater Studies : All Publications (in the database)

List most recent publications in the database.    :chronological  alphabetical  combined  bibtex listing:

Beckwith, Sarah

  1. Beckwith, S, Absent Presences: The Theatre of Resurrection in York, in Medieval Literature: Criticism and Debates (January, 2023), pp. 441-454 [doi]  [abs].
  2. Beckwith, S, Enter the Child: A Scene from Stanley Cavell's the Claim of Reason, Philosophy and Literature, vol. 46 no. 2 (October, 2022), pp. 251-262 [doi]  [abs].
  3. Aers, D; Beckwith, S, Imagining the Virtues: Medieval and Early Modern Histories, Journal of Medieval and Early Modern Studies, vol. 52 no. 3 (September, 2022), pp. 407-413 [doi] .
  4. Aers, D; Beckwith, S, The fortunes of tragedy, Journal of Medieval and Early Modern Studies, vol. 49 no. 1 (January, 2019), pp. 1-5 [doi] .
  5. Aers, D; Beckwith, S, Conversions, Journal of Medieval and Early Modern Studies, vol. 48 no. 3 (September, 2018), pp. 433-434, Duke University Press [doi] .
  6. Beckwith, S, Reading for our lives, PMLA, vol. 132 no. 2 (March, 2017), pp. 331-336, Modern Language Association (MLA) [doi] .
  7. Beckwith, S, Hamlet’s ethics, in Shakespeare's Hamlet: Philosophical Perspectives (January, 2017), pp. 222-246 [doi]  [abs].
  8. Bauer, N; Beckwith, S; Crary, A; Laugier, S; Moi, T; Zerilli, L, Introduction, vol. 46 (March, 2015), pp. v-xiii [doi] .
  9. Beckwith, S, Are there any women in Shakespeare's plays?: Fiction, representation, and reality in feminist criticism, New Literary History, vol. 46 no. 2 (March, 2015), pp. 241-260, Johns Hopkins University Press [doi] .
  10. Bauer, N; Beckwith, S; Crary, A; Laugier, S; Moi, T; Zerilli, L, Introduction, New Literary History, vol. 46 no. 2 (March, 2015), pp. v-xiii, Project MUSE [Gateway.cgi], [doi] .
  11. Beckwith, S, Language goes on holiday: English allegorical drama and the virtue tradition, edited by Jennifer Herdt, Journal of Medieval and Early Modern Studies, vol. 42 no. 1 (December, 2012), pp. 107-130, Duke University Press [Gateway.cgi], [doi]  [abs] [author's comments].
  12. Beckwith, S, William Shakespeare and Stanley Cavell: Acknowledgement, Confession and Tragedy, in Stanley Cavell and Literary Studies (September, 2011), Continuum .
  13. Beckwith, S, William Shakespeare and Stanley Cavell: Acknowledgement, Confession and Tragedy, in Stanley Cavell and Literary Studies (September, 2011), Continuum .
  14. Beckwith, S, Shakespeare and the Grammar of Forgiveness, in Cornell University Press (April, 2011) .
  15. with Aers, D; Beckwith, S, The Eucharist, in Cultural Reformations, edited by Simpson, J; Cummings, B (2011), pp. 153-165, Oxford University Press .
  16. Beckwith, S, Acknowledgement and Confession in Cymbeline, in Shakesepeare and Religion: Early Modern and Postmeodern Perspectives (2011), pp. 97-126, University of Notre Dame Press .
  17. Beckwith, S; Simpson, J, Premodern Shakespeare, vol. 40 (December, 2010), pp. 1-5, Duke University Press [Gateway.cgi], [doi]  [abs].
  18. S. Beckwith and James Simpson (eds), Premodern Shakespeares, JMEMS (January, 2010) .
  19. Aers, D; Beckwith, S, The Eucharist, in Cultural Reformations, edited by Cummings, B (2010), pp. 153-165 .
  20. Beckwith, S, Shakespeare’s Resurrections, in Shakespeare and the Middle Ages, edited by Perry, C; Watkins, J (October, 2009), Oxford University Press .
  21. Beckwith, S, Middle English Drama, in The Cambridge Companion to Middle English Literature, edited by Scanlon, L (June, 2009), Cambridge University Press .
  22. Beckwith, S, Drama, in The Cambridge Companion to Medieval English Literature 1100-1500 (January, 2009), pp. 83-94, Cambridge University Press [doi]  [abs].
  23. Aers, D; Beckwith, S, Discerning the Body, in Collection on Medieval and ReformationCulture, edited by Cummings, B; Simpson, J (2008), Oxford UP .
  24. Beckwith, S, Medieval Penance, Reformation Repentance and Measure for Measure, in Reading the Medieval in Early Modern England, edited by McMullan, G; Matthews, D (Spring, 2007), pp. 193-204, Cambridge University Press  [author's comments].
  25. The Play of Voice: Acknowledgment, Knowledge and Self-Knowledge in Measure for Measure, in Spectacle and Public Performance in the Late Middle Ages and the Renaissance, edited by Robert Stilman (Spring, 2006), Brill .
  26. Beckwith, S, The Play of Voice: Knowledge, Acknowledgment and Judgement in Measure for Measure, in Spectacle and Public Performance in the Late Middle Ages and the Renaissance, edited by Stillma, R (March, 2006), Brill .
  27. Beckwith, S, Long review essay on Catholic Shakespeares, in Medieval and Renaissance Drama in England (Winter, 2006) .
  28. Beckwith, S, Preserving, Conserving, Deserving the Past: A Meditation on Ruin in Postwar Britain in five Fragments., in A Place to Believe In: Locating Medieval Landscapes, edited by Lees, C; Overing, G (Winter, 2006), pp. p. 191-210, Penn State University Press, 2006 .
  29. Aers, D; Beckwith, S, Reform and cultural revolution: Introduction, Journal of Medieval and Early Modern Studies, vol. 35 no. 1 (January, 2005), pp. 3-12, Duke University Press [Gateway.cgi], [doi] .
  30. Beckwith, S, Reform and Cultural Revolution: Writing English Literary History 1350-1547, edited by Aers, D; Beckwith, S, vol. 35 (2005) .
  31. Beckwith, S, Repairs in the Dark: Medieval Penance and Reformation Repentance in Measure for Measure, in Reading the Medieval in the Early Modern edited by David Mathews and Gordon MacMullan (2005), Cambridge University Press .
  32. Beckwith, S, Office,Role,Persona: Martin Marprelate’s Contribution to Theater History, in Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe edited by Walter Melion (2005)  [author's comments].
  33. Beckwith, S; Aers, D, Reform and Cultural Revolution, edited by S. Beckwith and David Aers, JMEMS (2005)  [abs].
  34. Beckwith, S, Preserving, Deserving, Conserving the Past: A Meditation in Fragments on Ruin as Relic in Post War England, in eds, Lees and Overing, edited by Lees, C; Overby, G (2004), State Press .
  35. Stephen Greenblatt's Hamlet and the Forms of Oblivion, Journal of Medieval and Early Modern Studies (Jan. 2003) (8000 words.)  [abs].
  36. Beckwith, S, Stephen Greenblatt's Hamlet and the forms of oblivion, Journal of Medieval and Early Modern Studies, vol. 33 no. 2 (January, 2003), pp. 261-280, Duke University Press [doi]  [abs].
  37. Beckwith, S, Skepticism and the Tasks of Theater: Stanley Cavell and the Commitments of Speech, SAQ (January, 2003) .
  38. Beckwith, S, The Mind’s Retreat From the Face (January, 2003) .
  39. Beckwith, S, Program notes for Adrian Noble’s Royal Shakespeare Company production of Macbeth for Barbican, Stratford, US tour. (January, 2003) .
  40. Beckwith, S, Review of Michal Kobialka’s This is My Body: Representational Practices in the Early Middle Ages, Theatre Journal (January, 2003) .
  41. Beckwith, S, Hermeneutics and Ideology: Reading Medieval and Early Modern Texts, edited by Aers, D; Beckwith, S, vol. 33.1 (2003) .
  42. S. Beckwith and A. Wharton, eds., --, JMEMS, vol. 32 no. 2 (Spring, 2002) .
  43. Aers, D; Beckwith, S, Introduction, Journal of Medieval and Early Modern Studies, vol. 31 no. 3 (September, 2001), pp. 443-444, Duke University Press [Gateway.cgi], [doi] .
  44. Beckwith, S, Signifying God: Social Relation and Symbolic Act in York’s Play of Corpus Christi (2001), University of Chicago Press .
  45. Beckwith, S, Sacrifice, edited by Aers, D; Beckwith, S, vol. 31.3 (2001) .
  46. Beckwith, S, Sacrifice: Medieval and Early Modern, edited by Aers, D; Beckwith, S, JMEMS, vol. 31 no. 3 (Fall, 2001) .
  47. Beckwith, S, The Body Broken: The Calvinist Doctrine of the Eucharist and the Symbolization of Power in Sixteenth-Century France. By Christopher Elwood. New York: Oxford University Press, 1999. xii + 251 pp. $49.95 cloth., Church History, vol. 69 no. 1 (March, 2000), pp. 183-185, Cambridge University Press (CUP) [Gateway.cgi], [doi] .
  48. S. Beckwith and A. Wharton, eds., --, JMEMS, vol. 30 no. 2 (Spring, 2000) .
  49. Beckwith, S, Absent Presences: Resurrection Theatre in York, in Festschrift for Derek Pearsall, edited by Aers, D; Woodbridge, B; Brewer, (2000) .
  50. S Beckwith, Catholicism and Catholicity: Eucharistic Communities in Historical and Contemporary Perspectives, edited by G. Jones and J. Buckley, Directions in Modern Theology, vol. 15 no. 2 (March, 1999), Blackwell  [abs].
  51. Beckwith, S, Catholicism and Catholicity: Eucharistic Communities in Historical and Contemporary Perspectives, Directions in Modern Theology, edited by Gregory Jones and James Buckley, edited by Jones, G; Buckley, J, Directions in Modern Theology, vol. 15 no. 2 (March, 1999), Blackwell  [abs].
  52. S. Beckwith and A. Wharton, eds., --, JMEMS, vol. 29 no. 2 (Spring, 1999) .
  53. Beckwith, S, Introduction, Modern Theology, vol. 15 no. 2 (January, 1999), pp. 113-114, WILEY [doi] .
  54. Beckwith, S, Review of Covert Operations: Secrecy in Middle English Literature, in Studies in the Age of Chaucer (1999), U of Pennsylvania P .
  55. Beckwith, S, Introduction - The cultural work of medieval theater: Ritual practice in England, 1350-1600, JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES, vol. 29 no. 1 (1999), pp. 1-5 [Gateway.cgi] .
  56. Beckwith, S, The Cultural Work of Medieval Theatre: Ritual Practice in England 1350-1600, edited by Beckwith, S, JMEMS, vol. 29 no. 1 (Winter, 1999) .
  57. Communities in Transition, JMEMS, vol. 28 no. 2 (1998) .
  58. Beckwith, S, Review of The Body Broken: the Calvinist Doctrine of the Eucharist and the Symbolization of Power in Sixteenth Century France, in Church History (1998), Clarendon .
  59. Beckwith, S; Wharton AJ, , Body, Matter, Spirit, edited by Wharton, A, JMEMS, special issue, vol. 28 no. 3 (Fall, 1998) .
  60. Beckwith, S, English communities in transition, 1350-1600 - Introduction, JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES, vol. 28 no. 2 (1998), pp. 257-262 [Gateway.cgi] .
  61. Beckwith, S, "Pytussely beholde": Duffy, Consolation and the Contemporary Past, in Assays, edited by Knapp, P (1997) .
  62. Beckwith, S, Sacrum Signum: Sacramentality and Dissent in York’s Theatre of Corpus Christi, in Dissent in the Middle Ages, edited by Copeland, R (January, 1996), Cambridge UP .
  63. Beckwith, S, Christ’s Body: Identity, Culture and Society in Late Medieval Writings (1996), Routledge .
  64. Beckwith, S, Review of Texts of the Passion: Latin Devotional Literature and Medieval Society, in Studies in Philology (1996), U of Pennsylvania P .
  65. Beckwith, S, The Present of Past Things: The York Corpus Christi Theatre as a Contemporary Theater of Memory, Journal of Medieval and Early Modern Studies (Summer, 1996) .
  66. Beckwith, S, Review of Love and Marriage in the Middle Ages by George Duby; Consent and Coercion to Sex and Marriage in Ancient and Medieval Societies, edited by Angeliki E. Laiou; Wife and Widow in Medieval England, edited by Sue Sheridan Walker, Medievalia et Humanistica (1996) .
  67. Beckwith, S, Ritual, Theatre and Social Space in York’s Play of Corpus Christi, in Bodies and Disciplines: Intersections of Literature and History in Fifteenth Century England, edited by Hanawalt, B; Wallace, D (January, 1995), U of Minnesota P .
  68. Beckwith, S, Review of Feminist Approaches to the Medieval Body, in Speculum, edited by Stanbury, S; Lomperis, L (1995) .
  69. Beckwith, S, Making the World in York and the York Corpus Christi Cycle, in Framing Medieval Bodies, edited by Kay, S; Rubin, M (January, 1994), pp. 254-276, Manchester UP .
  70. Beckwith, S, Passionate Regulation: Enclosure, Ascesis and the Feminist Imaginary, SAQ, vol. 93 no. 4 (Fall, 1994), pp. 803-824 .
  71. Beckwith, S, Review of The New Medievalism, in Envoi: A Review Journal of Medieval Literature, 3.2, edited by Borwnlee, M; Brownlee, K; Nichols, S (1993) .
  72. Beckwith, S, Ritual, Church and Theatre: Medieval Dramas of the Sacramental Body, in Culture and History: Essays on English Communities, Identities and Writing 1350-1600, edited by Aers, D; Hempstead, H (January, 1992), pp. 65-90, Harvester .
  73. Beckwith, S, Problems of authority in late medieval english mysticism: Language, agency, and authority in the book of margery kempe, Exemplaria, vol. 4 no. 1 (January, 1992), pp. 171-199, Informa UK Limited [doi]  [abs].
  74. Beckwith, S, The Power of Devils and the Hearts of Men: Notes Towards a Drama of Witchcraft, in Shakespeare and the Changing Curriculum, edited by Wheale, N; Aers, L (1991), pp. 143-161, Routledge .
  75. Beckwith, S, Kingsley and the Women, Review of Kingsley Amis’s ’The Old Devils,’ New Socialist no. 45 (January, 1987) .
  76. Beckwith, S, Women sing the Blues, Review of Wilfrid Mellers’ Angels of the Night, Women’s Review no. 14/15 (January, 1987) .
  77. Beckwith, S, Steven Berkoff’s Theatre of the Grotesque, Review of Sink the Belgrano, New Socialist no. 42 (October, 1986) .
  78. Beckwith, S, Schlock up your Daughters, Review of recent ’exploitation’ cinema, New Socialist no. 40 (July, 1986) .
  79. Beckwith, S, Women beware Barker, Review of Howard Barker’s Women Beware Women, New Socialist no. 39 (June, 1986) .
  80. Beckwith, S, Review of Geoff Dyer’s Ways of Telling: The Works of John Berger, City Limits no. 276 (January, 1986) .
  81. Beckwith, S, A Very Material Mysticism: The Medieval Mysticism of Margery Kempe, in Medieval Literature: History, Criticism and Ideology, edited by Aers, D (1986), pp. 34-57 .
  82. How to Do Words with Things: Medieval Theatre and the Sacrament of the Word (Forthcoming), book 2003 (a book of essays on medieval theatre.) .

Bell, Neal C.

  1. Bell, NC, shadow of himself, in The Civilians: An Anthology of Six Plays (February, 2009), Playscripts, Inc. .
  2. Bell, NC, Spatter Pattern, in Plays From Playwrights Horizons (Spring, 2009), Broadway Play Publishing .
  3. Neal Bell, Spatter Pattern (2006), Broadway Play Publishing, NY [htm] .
  4. Neal Bell, Monster (2004), Broadway Play Publishing, NY [htm] .
  5. Bell, N, Somewhere in the Pacific, in Asking and Telling: a Collection of Gay Drama for the 21st Century, edited by Clum, JM (2001), NY: Stage and Screen .
  6. Neal Bell, Therese Raquin (1998), Broadway Play Publishing .
  7. Neal Bell, Plays by Neal Bell (1998), Broadway Play Publishing .
  8. Bell, NC, Ragged Dick, in Plays by Neal Bell (1998), Broadway Play Publishing .
  9. Bell, N, Drive, in Ten-Minute Plays: Volume 3 from Actors Theatre of Louisville, vol. 3 (1995), Samuel French .
  10. Neal Bell, On the Bum (1994), Dramatists Play Service .
  11. Bell, N, Out the Window, in More Ten-Minute Plays from Actors Theatre of Louisville (1992), Samuel French .
  12. Bell, N, A Time-Piece, in Tough Acts to Follow: Onc-Act Plays on the Gay/Lesbian Experience, edited by Barnes, N; Deutsch, N (1992), Alamo Square Press .
  13. Neal Bell, Ready for the River (1991), Dramatists Play Service .
  14. Neal Bell, Sleeping Dogs (1990), Dramatists Play Service .
  15. Neal Bell, Cold Sweat (1988), Dramatists Play Service .
  16. Neal Bell, Raw Youth (1986), Dramatists Play Service .
  17. Neal Bell, Operation Midnight Climax (1982), Dramatists Play Service .
  18. Neal Bell, Two Small Bodies (1980), Dramatists Play Service .
  19. Bell, N, Gone to Be Snakes Now (1974), Popular Library .

Brody, Jennifer D.

  1. J.D. Brody, Punctuation: Art, Politics, and Play (2008), Duke University Press .
  2. J.D. Brody, Impossible Purities: Blackness, Femininity and Victorian Culture (1998), Duke University Press .

Burian, Peter H.

  1. editor, , A Companion to Aeschylus (2014) .
  2. Burian, PH, Sophocles’ Polyphonic Ajax, in Blackwell Companion to Sophocles, edited by Ormand, K (2012) .
  3. Burian, PH, The Play of Orfeo, The Literary Imagination (2011) (Translation with introduction and notes of Poliziano's "Favola di Orfeo".) .
  4. Co-edited, ; Shapiro, A, The Complete Aeschylus: Volume I: The Oresteia (2010), Oxford University Press .
  5. Co-edited, ; Shapiro, A, The Complete Euripides: Volume V: Alcestis, Cyclops, Helen, Medea (2010), Oxford University Press .
  6. Co-edited, ; Shapiro, A, The Complete Sophocles: Volume I: The Theban Plays (2010), Oxford University Press .
  7. Co-edited, ; Shapiro, A, The Complete Euripides: Volume II: Electra, Euripides in Aulis, Euripides in Tauris, Orestes (2010), Oxford University Press .
  8. Co-edited, ; Shapiro, A, The Complete Euripides: Volume I: Andromache, Hecuba, Rhesos, Trojan Women (2010), Oxford University Press .
  9. Burian, PH, Gender and the City: Antigone from Hegel to Butler and Back, in When Worlds Elide, edited by Euben, JP; Bassi, K (2010), pp. 255-299, Lexington Books [Rowman and Littlefield] .
  10. Burian, PH, Euripides, in The Oxford Encyclopedia of Ancient Greece and Rome., edited by Gagarin, M; Fantham, E, vol. 3 (2010), pp. 129-41, Oxford University Press .
  11. Burian, PH, Euripides’ Helen, in Euripides V (Greek Tragedy in New Translations) (2010), pp. 225-391, Oxford University Press (Verse translation with commentary.) .
  12. Burian, PH, Aeschylus, in The Classical Tradition, edited by Grafton, A; Most, GW; Settis, S (2010), pp. 10-11, Harcvard University Press .
  13. Burian, PH, Athenian Tragedy as Democratic Discourse, in Why Athens: A Reappraisal of Trgic Politics, edited by Carter, DM (2010), pp. 95-117, Oxford University Press .
  14. Co-edited, ; Shapiro, A, The Complete Aeschylus: Volume II, Persians and Other Plays (2009), Oxford University Press .
  15. Co-edited, ; Shapiro, A, The Complete Euripides: Volume III, Hippolytus and Other Plays (2009), Oxford University Press .
  16. Co-edited, ; Shapiro, A, The Complete Euripides: Volume IV, Bacchae and Other Plays (2009), Oxford University Press .
  17. Co-edited, ; Shapiro, A, The Complete Sophocles: Volume II, Electra and Other Plays (2009), Oxford University Press .
  18. Burian, PH, City, Farewell!: Genos, Polis and Gender in Aeschylus’s Seven Against Thebes and Euripides’ Phoenician Women, in Tragedy and Sexual Difference,, edited by McCoskey, D; Zakin, E (2009), pp. 16-45, SUNY Press .
  19. Burian, PH, Inconclusive Conclusion: The Ending(s) of the Oedipus Tyrannus, in Sophocles and the Tragic Tradition, edited by Hall, E; Goldhill, S (2009), pp. 99-118, Cambridge Univeristy Press (2009) .
  20. Hall, ROE, The Theatrical Cast of Athens, Journal of Hellenic Studies, vol. 129 (2009), pp. 147-48 .
  21. Burian, PH, Review of M. McDonald and J. M. Walton, eds., The Cambridge Companion to Greek and Roman Theatre, Classical Review, vol. 58 (2008), pp. 347-50 .
  22. Burian, PH, Introduction, Notes and Glossary, for Alan Shapiro's translation of Euripides' Trojan Women, Greek Tragedy in New Translations (2008), Oxford University Press, New York (Reissued in Euripides I, 2010.) .
  23. Burian, PH, Euripides, Helen (2007), Aris and Phillips Classical Texts, Oxbow Books, Oxford (Greek text with prose translation, introduction and commentary.) .
  24. Burian, PH, Parola di donna? La voce di Lisistrata e la fantasia comica, in Atti del convegno di studi "Comicità e riso nella commedia antica," Cagliari 2005, Supplementi di Lexis 42, edited by Mureddu, P; Nieddu, GF (2007), pp. 131-41, Amsterdam: Adolf M. Hakkert .
  25. Burian, PH, Review of J. Gregory, ed., A Companion to Greek Tragedy and I. C. Storey and A. Allan, A Guide to Ancient Greek Drama, Journal of Hellenic Studies, vol. 127 (2007), pp. 163-5 .
  26. Peter Burian, , Biologia, democrazia e donne nelle Eumenidi di Eschilo, Lexis, vol. 24 (2006), pp. 45-57 .
  27. Burian, PH, Review of D. Mendelsohn, Gender and the City in Euripides’ Political Plays, Classical Review, vol. 55 no. 1 (2004), pp. 26-7 .
  28. Shapiro, A, Aeschylus, Oresteia, Greek Tragedy in New Translations: (2003), Oxford University Press, New York (Translation with introduction and notes. Reissued as Aeschylus I, 2010.) .
  29. Burian, PH, Voce di donna: Le Troiane nella guerra del Peloponneso, in Evento, racconto, scrittura nell’antichità classica, Studi e test 23, edited by Casanova, A; Desideri, P (2002), Pubblicazioni del Dipartimento di scienze dell’ antichità, Università degli studi di Firenze (Florence, Italy) .
  30. Peter Burian, , "Sepulchers," a translation of Ugo Foscolo, "Carme dei Sepolcri" with brief introduction and notes, Literary Imagination, vol. 4 (2002), pp. 17-30 .
  31. Mills, ROS, Theseus, Tragedy and the Athenian Empire, American Journal of Philology, vol. 121 (January, 2000), pp. 149-53 .
  32. Burian, PH, Review of Ralf Krumeich, Nikolaus Pechstein, and Berndt Seidensticker, eds., Das griechische Satyrspiel, Bryn Mawr Classical Review, vol. 11 (January, 2000) .
  33. Burian, PH, Review of John Porter, Eric Csapo, C.W. Marshall, Robert C. Ketterer, eds., Crossing the Stages: The Production, Performance and Reception of Ancient Theater (Syllecta Classica 10), Bryn Mawr Classical Review, vol. 11 (January, 2000) .
  34. Burian, PH, Aeschylus: "Oresteia", "Persians", "Prometheus Bound", "Seven Against Thebes", and "Suppliants." Gilbert Murray as Literary Translator, in Encyclopedia of Literary Translation, edited by Classe, O (2000), London: Fitzroy Dearborn .
  35. Peter Burian, , Translation, the Profession, and the Poets, American Journal of Philology, vol. 121 (2000), pp. 299-307 .
  36. Peter Burian, , 'You can build a heavy-beamed poem out of this': Derek Walcott's Odyssey, Classical World, vol. 93 (1999), pp. 71-81 .
  37. Peter Burian, , Notes and Commentary" to William Arrowsmith's posthumously published lecture, “Euripides and the Dramaturgy of Crisis, Literary Imagination, vol. 1 (1999), pp. 227-235 .
  38. Burian, PH, Tragedy Adapted for Stages and Screens: the Renaissance to the Present, in The Cambridge Companion to Greek Tragedy, edited by Easterling, PE (1997), pp. 228-83, Cambridge: Cambridge University Press .
  39. Burian, PH, Myth into Muthos: the Shaping of Tragic Plot, in The Cambridge Companion to Greek Tragedy, edited by Easterling, PE (1997), pp. 178-208, Cambridge: Cambridge University Press .
  40. Peter Burian, , " 'All that Greek manure under the green bananas': Derek Walcott's Odyssey", South Atlantic Quarterly, vol. 96 (1997), pp. 359-377 .
  41. Burian, PH, Introduction, Notes and Glossary, in The Greek Tragedy in New Translations:, for Euripides, Ion, translated by W. S. Di Piero (1996), Oxford University Press, New York .
  42. Burian, PH, Review of Pietro Pucci, Oedipus and the Fabrication of the Father and Charles Segal, Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge, Classical Journal, vol. 91 (January, 1995), pp. 202-209 .
  43. Burian, PH, On Being a Political Animal in the Academic Zoo, in The Academic’s Handbook, 2nd Edition., edited by DeNeef, AL; Goodwin, C (1995), pp. 65-72, Durham, NC: Duke University Press .
  44. Burian, PH, Review of Giulia Sissa, Greek Virginity, Journal of the History of Sexuality, vol. 2 (January, 1992), pp. 641-644 .
  45. Burian, PH, Review of Mary Whitlock Blundell, Sophocles, Oedipus at Colonus, Bryn Mawr Classical Review, vol. 2 (January, 1991), pp. 261-262 .
  46. Burian, PH, Aristophanes, Birds (1991), Bryn Mawr Commentaries, Bryn Mawr, Penn (Greek text with commentary.) .
  47. Burian, PH, Aeschylus, The Suppliants (1991), Princeton University Press: Lockert Library of Poetry in Translation, Princeton (Translation with introduction and notes.) .
  48. Burian, PH, Review of Gilbert and Sarah Lawall, Euripides’ Hippolytus: A Companion with Translation, Classical Outlook, vol. 69 (January, 1989), pp. 70-70 .
  49. Else, GF, Plato and Aristotle on Poetry, edited with Introduction, University of North Carolina Press, Chapel Hill (1987) .
  50. Peter Burian, , Zeus soter tritos and Some Triads in Aeschylus' Oresteia, American Journal of Philology, vol. 107 (1986), pp. 332-342 .
  51. Burian, PH, Review of William M. Calder, III. (ed.), Ulrich von Wilamowitz-Moellendorff, Selected Correspondence 1869-1931, Classical World, vol. 79 (January, 1985), pp. 51-52 .
  52. Burian, PH, Directions in Euripidean Criticism: A Collection of Essays Edited with "Selected Bibliography of Euripidean Criticism since World War II" (1985), Duke University Press .
  53. Burian, PH, Logos and Pathos: The Politics of the Suppliant Women, in Directions in Euripidean Criticism (1985), pp. 129-221, Durham, NC: Duke University Press .
  54. Burian, PH, Review of C. W. Macleod, ed. Homer, Iliad, Book XXIV, edited by Smith, F, Classical Outlook, vol. 62 (January, 1984), pp. 69-70 .
  55. Burian, P; Swann, B, The Greek Tragedy in New Translations: (1981), Oxford University Press, New York .
  56. with Burian, P; Swann, B, Euripides, The Phoenician Women, in The Greek Tragedy in New Translations: (1981), Oxford University Press, New York (Translation with introduction and notes. Reissued in Euripides IV, 2009.) .
  57. with Burian, P; Burian, P; Richardson, NJ, The Epigram on Apollonius of Tyana, Greek Roman and Byzantine Studies, vol. 22 (1981), pp. 283-285 .
  58. Peter Burian, , Translations of poems by Giorgio Mannacio, Poetry Now, vol. 30 (1981), pp. 29 .
  59. Burian, P; Guttman, N, A Climate for Liberal Learning, Duke Alumni Register (May, 1980), pp. 6-9 .
  60. Burian, PH, Review of W. S. Merwin and George E. Dimock, Jr., Euripides, Iphigenia at Aulis, American Journal of Philology, vol. 101 (January, 1980), pp. 97-98 .
  61. Burian, PH, Translations of poems by Giorgio Mannacio, edited by Feldman, R; Swann, B, Italian Poetry Today (1979), pp. 118-119, New Rivers Press, St. Paul, Minn .
  62. Burian, PH, The Play before the Prologue: Initial Tableaux on the Greek Stage, in Ancient and Modern: Essays in Honor of Gerald F. Else (1977), pp. 79-94, Ann Arbor: Center for the Coordination of Ancient and Modern Studies .
  63. Peter Burian, , Euripides' Heraclidae: An Interpretation, Classical Philology, vol. 72 (1977), pp. 1-21 .
  64. Burian, PH, "Alcestis Resurrected," review of William Arrowsmith’s translation of Euripides’ Alcestis, American Poetry Review, vol. 5 (January, 1976), pp. 43-45 .
  65. Peter Burian, , Euripides the Contortionist, Arion, vol. 3 (January, 1976), pp. 97-113 (review-essay on three studies of Euripidean drama.) .
  66. Peter Burian, , Pelasgus and Politics in Aeschylus' Danaid Trilogy, Wiener Studien, vol. 8 (1974), pp. 5-14 .
  67. Burian, PH, Suppliant and Saviour: Oedipus at Colonus, Phoenix, vol. 28 (1974), pp. 408-429 .
  68. Peter Burian, , Euripides, Supplices 649ff., Classical Review, vol. 24 no. 2 (1974), pp. 175-176, Cambridge University Press (CUP) [doi] .
  69. Peter Burian, , Supplication and Hero Cult in Sophocles' Ajax, Greek, Roman and Byzantine Studies, vol. 13 (1972), pp. 151-156 .

Clum, John M.

  1. Clum, JM, Terrence McNally and Fifty Years of American Gay Drama (June, 2016), pp. 238 pages, Cambria Press .
  2. John M. Clum (Editor), GAY DRAMA NOW: AN ANTHOLOGY (2013), Cambria Press .
  3. J.M. Clum:, THE DRAMA OF MARRIAGE: GAY PLAYWRIGHTS/STRAIGHT UNIONS IN BRITISH AND AMERICAN DRAMA SINCE OSCAR WILDE (2012), Palgrave Macmillan .
  4. J.M. Clum, FINISHING THE HAT by Stephen Sondheim, Contemporary Theatre Review (2011) (In press.) .
  5. J.M. Clum, Oscar Andrew Hammerstein, THE HAMMERSTEINS, Studies in Musical Theatre (2011) (In press.) .
  6. J.M. Clum, Rakesh H. Solomon, ALBEE IN PERFORMANCE, JOURNAL OF DRAMATIC THEORY AND CRITICISM (2010)  [author's comments].
  7. J.M. Clum, Carl Lavery, THE POLITICS OF JEAN GENET'S LATE THEATRE: SPACES OF REVOLUTION, CONTMEPORARY THEATRE REVIEW (2010)  [abs].
  8. J.M. Clum, David Savran, HIGHBROW/LOWDOWN: THEATER, JAZZ, AND THE MAKING OF THE NEW MIDDLE CLASS, STUDIES IN MUSICAL THEATER (2010)  [author's comments].
  9. J.M. Clum, Essay Review of Geoffrey Block, ENCHANTED EVENINGS: THE BROADWAY MUSICAL FROM SHOW BOAT TO SONDHEIM AND LLOYD WEBBER; Dan Dietz, OFF-BROADWAY MUSICALS, 1910-2007: CASTS, CREDITS, SONGS CRITICAL RECEPTION AND PERFORMANCE DATA OF MORE THAN 1800 SHOES; Sheldon Patinkin, 2NO LEGS, NO JOKES, NO CHANCE": A HISTORY OF THE AMERICAN MUSICAL THEATER; Steve Suskin, SHOW TUNES: THE SONGS, SHOWS AND CAREERS OF BROADWAY'S MAJOR COMPOSERS, Theatre Journal (2010)  [author's comments].
  10. Ronald L. Davis, Mary Martin: Broadway Legend, Great Plains Quarterly, vol. 29 no. 2 (Spring, 2009), pp. 164-5 (in press.) .
  11. J.M. Clum, Gay Drama, in Encyclopedia of Contemporary GLBTQ Literature of the United States, edited by Emmanuel S. Nelson, vol. 1 (2009), pp. 186-88, Greenwood .
  12. J.M. Clum, Contemporary Gay Drama, in LGBTQ AMERICA TODAY, edited by JOHN C. HAWLEY (2009), pp. 894-899, Greenwood .
  13. J.M. Clum, Batting for the Other Team: Athletics and Homophobia, in Performing Difference: Representations of the Other in Theater and Film, edited by Jonathan C. Friedman (2009), pp. 172-185, University Press of America .
  14. J.M. Clum, The Sacrificial Stud and the Fugitive Female in Suddenly Last Summer, Orpheus Descending and Sweet Bird of Youth, in Bloom's Studies in Literature - Tennessee Williams, edited by Harold Bloom (2008), Chelsea House (Reprint of essay in Cambridge Companion to Tennessee Williams.) .
  15. J.M. Clum, Acting in Musical Theater: History and Theory, in KEYWORDS IN MUSICAL THEATER, edited by Stacy Wolf and Raymond Knapp (2008), Oxford University Press (in press.) .
  16. J.M. Clum, "Period of Adjustment": Marriage in Tennessee Williams and Christopher Durang, in The Influence of Tennessee Williams: Essays on Fifteen American Playwrights, edited by Philip C. Kolin (2008), pp. 162-174, McFarland .
  17. Scott McMillin, The Musical as Drama, Modern Drama, vol. L no. 2 (Summer, 2007), pp. 297-8 .
  18. James Fisher, ed., Tony Kushner: New Essays on the Art and Politics of His Plays, edited by Stratos E. Constantinidis, Text and Presentation 2006 no. 3 (2006), pp. 223-5, McFarland .
  19. Book Review, A Problem Like Maria by Stacy Wolf, Modern Drama (Spring, 2005) .
  20. J.M. Clum, Slow Dancing with Johnny Mathis: Hearing and Queering the 50s (2005)  [author's comments].
  21. J.M. Clum, Monks: A Play (2005) .
  22. J.M. Clum, Almost Lost: A Play (2005) .
  23. J.M. Clum, Politics: A Play (2005) .
  24. J.M. Clum, Withered Age and Stale Custom: Marriage, Diminution and Sex in TINY ALICE, A DELICATE BALANCE and FINDING THE SUN, in Cambridge Companion to Edward Albee, edited by Stephen J. Bottoms (2004), Cambridge .
  25. Major entry on sex and gender in Tennessee William's work, in Tennessee Williams Encyclopedia, edited by Philip C. Kolin (2004), pp. 72-78, Greenwood Press .
  26. J.M. Clum, Musical Theater, in Queer Encyclopedia of Music, Dance and Musical Theater, edited by Claude J. Summers (2004), Cleiss Press .
  27. Nicholas Pagan, Rethinking Literary Biography: A Postmodern Approach to Tennessee Williams, Southern Humanities Review (2004) .
  28. Entries on Edward Albee, Noel Coward, William Inge, Charles Ludlam, Terrence McNally, and Tennessee Williams, in The Encylopedia of Homosexuality, Second Edition (2003), Garland .
  29. Essay entry on Musical Theater, in glbtq, An Online Encyclopedia for Gay, Lesbian, Bisexual, Transgendered and Queer Culture (2003) .
  30. The Classic Western and Shepard's Family Sagas, in The Cambridge Companion to Sam Shepard, edited by Matthew Roudane (2002), pp. 171-188, Cambridge University Press .
  31. British Gay/Queer and Lesbian Studies. Criticisim and Theory, in Edinburgh Encyclopedia of Modern Criticism and Theory (2002), pp. 792-798, Edinburgh University Press .
  32. He's All Man: Learning Masculinity, Gayness, and Love from American Plays and Movies (2002), Palgrave - St.Martin's Press .
  33. Editor and contributor, Asking and Telling: A Collection of Gay Drama for the 21st Century (2001), New York: Stage and Screen (Forthcoming reissue from Applause Theatre Books.) .
  34. Something for the Boys: Musical Theatre and Gay Culture (2001), New York and London: Palgrave (Revised paperback edition.) .
  35. Dancing in the Mirror, in Asking and Telling (2001) .
  36. Still Acting Gay (2000), New York: St. Martin's Press (Revision and expansion of Acting Gay: Male Homosexuality in Modern Drama. One hundred new pages.) .
  37. 42nd Street, a Disco, and a Raincoat Factory: Contexts for a Postmodern American Theatre, in Space and the Postmodern Stage, edited by Irene Eynat Confino and Eva Sormova (2000), pp. 117-126, Prague: Theatre Institute .
  38. Something for the Boys: Musical Theater and Gay Culture (1999), New York: St. Martins Press .
  39. The Sacrifical Stud and the Fugitive Female in Suddenly Last Summer, Orpheus Descending, and Sweet Bird of Youth, in The Cambridge Companion to Tennessee Williams, edited by Matthew C. Roudane (1998), pp. 128-146, Cambridge University Press .
  40. Skipper's Ghost (1998), DIALOGUS Play Service and Publishing .
  41. Kramer vs. Kramer: Ben and Alexander: Larry Kramer's Voices and His Audience, in We Must All Love One Another or Die: The Life and Legacy of Larry Kramer, edited by Lawrence D. Mass (December, 1997), pp. 200-214, London: Cassell and New York: St. Martins .
  42. Susan Harris Smith, American Drama: The Bastard Art, American Literature (1997), pp. 867-68 .
  43. Where We Are Now: Love! Valour! Compassion! and Contemporary Gay Drama, in Terrence McNally: A Casebook, edited by Tony Silverman Zinman (1997), pp. 141-160, Garland .
  44. Bernard F. Dick, The Star-Spangled Screen: The American World War II Film, South Atlantic Quarterly (Fall 1986) .
  45. From Summer and Smoke to Eccentricities of a Nightingale: The Evolution of the Queer Alma, Modern Drama, vol. XXIX no. 1 (Spring 1996), pp. 31-50 .
  46. Ruby Cohn, Anglo-American Interplay in Modern Drama, in Modern Drama, vol. XXXIX (1996), pp. 223-225 .
  47. Staging Gay Lives: An Anthology of Contemporary Gay Male Drama (1996), Westview - Harper Collins .
  48. Samuel L. Leiter, From Stanislavski to Barrault: Representative Directors of the European Stage, Modern Drama, vol. XXXVIII (1995), pp. 279-80 .
  49. Amelia Howe-Kritzer, The Plays of Caryl Churchill, Modern Drama, vol. XXXVIII (Spring 1995), pp. 131-32 .
  50. Entries on Modern Drama (5,000 words), Contemporary Drama (4,000 words), Tennessee Williams (2,500 words), Edward Albee (2,000 words), and Robert Patrick (500 words), in The Lesbian and Gay Literary Heritage, edited by Claude J. Summers (1995), New York: Henry Holt .
  51. Escaping Kansas (1995), DIALOGUS Play Service and Publishing .
  52. Mr. Scudder Finds His Muse (1995), DIALOGUS Play Service and Publishing .
  53. Partings (1995), DIALOGUS Play Service and Publishing .
  54. Don B. Wilmeth and Tice Miller, Eds., Cambridge Guide to American Theatre, American Literature (June 1994), pp. 412-413 .
  55. Opera Without Queens: Queens Without Opera, Performing Arts Journal no. 47 (May 1994), pp. 107-116 .
  56. Randy's House, Staging Gay Lives (1995), DIALOGUS Play Service and Publishing .
  57. While the Monks Marched (1995), DIALOGUS Play Service and Publishing .
  58. Nicholas de Jongh, Not in Front of the Audience: Homosexuality on Stage, LGSN (Summer 1993) .
  59. 'Myself of Course': J.R. Ackerly and Self-Dramatization, Theatre (Summer 1993), pp. 76-87 .
  60. 'And Once I Had It All': AIDS Narratives and Memories on an American Dream, in Writing AIDS, edited by Timothy Murphy and Suzanne Poirier (1993), pp. 200-224, Columbia .
  61. Acting Gay: Male Homosexuality in Modern Drama (1992), Columbia University Press (Revised and expanded in 1994 with 60 pages of new material..) .
  62. 'Being Took Queer': Homosexuality in Simon Gray's Plays, in Simon Gray: A Casebook, Katherine Burkman (1992), pp. 61-84, New York: Garland Press .
  63. Hidden Laughter and Middle-Aged Complacency, in Simon Gray:A Casebook, edited by Katherine Burkman (1992), pp. 167-182, New York: Garland Press .
  64. Steven Petrow, Dancing Against the Darkness, Duke no. 47 (February-March 1991) .
  65. 'The Time Before the War':AIDS, Memory and Desire, American Literature no. 62 (1990), pp. 648-667 .
  66. Eliot, 'Epipsychidion', and the Post-Modern Wasteland: Allusion in Simon Gray's Butley and Peter Gill's Mean Tears, in Text and Performance: Papers in Comparative Drama, edited by Karelisa Hartigan (1989), pp. 21-34, Lanham, MD: University Presses of America .
  67. 'Something Cloudy, Something Clear': Homophobic Discourse in Tennessee Williams, South Atlantic Quarterly (Winter, 1989), pp. 161-180 (Rpt. in Displacing Homophobia: Gay Male Perspectives in Literature and Culture. Durham, NC: Duke University Press (1989): 149-168. Also reprinted in CRITICAL INSIGHTS: TENNESSEE WILLIAMS, ed. Brenda Murphy. Pasadena, CA: Salem Press, 2011. pp. 226-245..) .
  68. 'A Culture That Isn't Just Sexual': Dramatizing Gay History, Theater Journal no. 41 (May 1989), pp. 169-189 .
  69. 'The Work of a Culture': Cloud 9 and Sex/Gender Theory, Caryl Churchill: A Casebook (1989), pp. 91-116, New York: Garland Press .
  70. Entries in BFI Companion to the Western (1988), London: Andre Deutsch .
  71. Mary Lou Kohfeldt, Lady Gregory: The Woman Behind the Irish Renaisssance, Duke Magazine, vol. LXXI no. 56 (July/August 1986) .
  72. Robert K. Martin, The Homosexual Tradition in American Poetry, American Literature, vol. LII (May 1980) .
  73. Religion and Five Contemporary Plays: The Quest for God in a Godless World, South Atlantic Quarterly no. 77 (Autumn 1978), pp. 418-432 .
  74. Gary Schimidgall, Literature as Opera, South Atlantic Quarterly, vol. LXXVII (Summer 1978), pp. 380-82 .
  75. Paddy Chayefsky (1976), G.K. Hall .
  76. Ridgeley Torrence (1972), Twayne .
  77. Ridgely Torrence's Negro Plays: a Noble Beginning, South Atlantic Quarterly no. 68 (Winter 1969), pp. 96-108 .
  78. Martin Gottfried, A Theater Divided: The Postwar American Stage, American Literature, vol. XL (May 1968), pp. 269-270 .
  79. Malcolm Goldstein, The Political Stage: American Drama and Theater of the Great Depression, American Literature, vol. XLVII (March 1965), pp. 132-33 .
  80. Entry on Paddy Chayefsky, in American National Biography (1950), New York: Oxford University Press .

Conceison, Claire

  1. C Conceison, Eating red: Performing maoist nostalgia in Beijing's revolution-themed restaurants, in Food and Theatre on the World Stage, scopus (June, 2015), pp. 100-115 [doi] .
  2. C Conceison, China's Experimental Mainstream: The Badass Theatre of Meng Jinghui, TDR/The Drama Review, vol. 58 no. 1 (Forthcoming Spring 2014), pp. 64-88 [doi] .
  3. Interview of Claire Conceison by Jeffrey Wasserstrom, "A Transnational Translingual Writer: Claire Conceison on Gao Xingjian", L.A. Review of Books (November 2013) [claire-conceison-on-gao-xingjian] .
  4. Translated by C. Conceison, "Behind the Lie" by Yu Rongjun, Theater Journal, vol. 63 no. 3 (2011), pp. 323-364  [author's comments].
  5. C Conceison, Behind the play: The world and works of Nick Rongjun Yu, Theatre Journal, vol. 63 no. 3 (October, 2011), pp. 311-321  [abs] [author's comments].
  6. Translated by C. Conceison, "Ballade Nocturne" by Gao Xingjian, American University of Paris Cahiers Series (2010), Sylph Editions .
  7. C Conceison, 水流云在:英若诚自传 (Chinese version of ’Voices Carry’), manual (2009), Beijing: CITIC Press  [author's comments].
  8. C Conceison, Voices Carry: Behind Bars and Backstage during China’s Revolution and Reform, manual (2009), Rowman & Littlefield [available here]  [author's comments].
  9. C Conceison, The French Gao Xingjian, Bilingualism, and Ballade Nocturne, Hong Kong Drama Review, vol. October 2009 no. No. 8 (2009), pp. 303-322 .
  10. C Conceison, Huang Zuolin Festival (performance review), Theatre Journal, vol. October 2007 (2007), pp. 491-493 .
  11. C Conceison, Ordinary People, Beijing Style, American Theatre, vol. 12 (December, 2005) .
  12. C Conceison, A Cruel World: Boundary-Crossing and Exile in The Great Going Abroad, in Contested Modernities in Chinese Literature, manual (June, 2005), Palgrave Macmillan .
  13. C Conceison, In Memoriam: Ying Ruocheng 1929-2003, American Theatre (January, 2005), pp. 26-27 .
  14. C Conceison, Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah, Theatre Journal (2005) .
  15. C Conceison, Shashibiya: Staging Shakespeare in China by Ruru Li, Journal of Asian Studies (2005), pp. 709-711 .
  16. C Conceison, Significant Other: Staging the American in China, manual (2004), University of Hawai’i Press .
  17. C Conceison, National Abjection: The Asian American Body Onstage by Karen Shimakawa, Asian Theatre Journal (2004) .
  18. C Conceison, What's New-and Renewed-Onstage in China, TDR/The Drama Review, vol. 47 no. 1 (March, 2003), pp. 74-80 [doi] .
  19. C Conceison, Misreading the Chinese Character: Images of the Chinese in Euroamerican Drama to 1925 by Dave Williams, China Review International (2003) .
  20. C Conceison, Fleshing out the Dramaturgy of Gao Xingjian, Modern Chinese Literature and Culture (November, 2002) [conceison/] .
  21. C Conceison, Hot Tickets: China’s New Generation Takes the Stage, Persimmon: Asian Literature, Arts, and Culture, vol. 3 no. 1 (2002), pp. 18-27 .
  22. C Conceison, No Ordinary Days, American Theatre no. May/June (2002), pp. 28-31 .
  23. C Conceison, Swing in Beijing (media review), Asian Theatre Journal (2002), University of Hawaii Press .
  24. C Conceison, Acting the Right Part: Political Theater and Popular Drama in Contemporary China by Xiaomei Chen, China Review International (2002) .
  25. C Conceison, Face Time: Time to Face Realities of Cultural Production in the American University, Studies in Theatre and Performance, vol. 21 no. 2 (July, 2001), pp. 96-108 [doi] .
  26. C Conceison, International casting in Chinese plays: A tale of two cities, THEATRE JOURNAL, vol. 53 no. 2 (May, 2001), pp. 277-290 [Gateway.cgi], [doi] .
  27. C Conceison, Between Orient and Occident: The Intercultural Spoken Other in China Dream, Theatre InSight, vol. 10 no. 1 (Spring) (1999), pp. 14-26 .
  28. C Conceison, The Occidental other on the Chinese stage: Cultural cross-examination in Guo Shixing's 'Bird Men', ASIAN THEATRE JOURNAL, vol. 15 no. 1 (1998), pp. 87-101 [Gateway.cgi], [doi] .
  29. C Conceison, Translating Collaboration: The Joy Luck Club and Intercultural Theatre, The Drama Review (TDR), vol. 39 no. 3 (T147) (1995), pp. 151-166 .
  30. C Conceison, The Main Melody Campaign in Chinese Spoken Drama, Asian Theatre Journal, vol. 11 no. 2 (1994), pp. 190-212 .

D'Alessandro, Michael F

  1. D’Alessandro, M, Dickens and Shakespeare and Longfellow, Oh My!: Staging the Fan Canon at the Nineteenth-Century Authors’ Carnivals, American Literary History, vol. 35 no. 2 (May, 2023), pp. 715-743, Oxford University Press (OUP) [doi]  [abs].
  2. D'Alessandro, M, At-Home Humbugs: Freaks and Fakes in the Nineteenth-Century Parlor Museum, Theatre Survey, vol. 63 no. 1 (January, 2022), pp. 3-33, Cambridge University Press (CUP) [doi]  [abs].
  3. D'Alessandro, M, Staged Readings Contesting Class in Popular American Theater and Literature, 1835-75 (2022), pp. 300 pages  [abs].
  4. d'Alessandro, M, "If Actresses Ever Are Themselves": Living Pictures, Dying Women, and British Class Pretensions in Alcott's Behind a Mask, ESQ: A Journal of Nineteenth-Century American Literature and Culture, vol. 68 no. 4 (2022), pp. 423-461, Project MUSE [doi] .
  5. D'Alessandro, M, “Creole Drama (by Juliane Braun) and Provocative Eloquence (by Laura Mielke)”, American Literature, vol. 92 no. 3 (September, 2020), pp. 589-591, Duke University Press .
  6. D'Alessandro, M, Stumbling Into Utopia, Duke Magazine no. Special 2019 (August, 2019) .
  7. D'Alessandro, M, “Storms! Shipwrecks! Massacres!: Playbill Puffery and Other Visual Collisions in Nineteenth-Century America.”, American Art, vol. 33 no. 3 (2019), pp. 94-113, University of Chicago Press .
  8. D'Alessandro, MF, "George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City.", The Journal of Nineteenth-Century Americanists, vol. 5 no. 2 (2017) .
  9. D'Alessandro, M, The Drunkard's Directions: Mapping Urban Space in the Antebellum Temperance Drama, The New England Quarterly, vol. 87 no. 2 (June, 2014), pp. 252-291, MIT Press - Journals [doi]  [abs].
  10. D’Alessandro, M, The Mouth Trap: Orality and the Rabelaisian Grotesque in Norris’s McTeague, Studies in American Naturalism, vol. 9 no. 1 (June, 2014), pp. 1-25, Project MUSE [doi] .
  11. D'Alessandro, MF, Childless 'Fathers,' Native Sons: Performing the Indian in Faulkner's Go Down, Moses, Mississippi Quarterly, vol. 67 no. 3 (2014), pp. 375-375, College of Arts and Sciences of Mississippi State University .
  12. D'Alessandro, MF, Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays, The Eugene O'Neill Review, vol. 27 (2007), pp. 21-21 .

Damasceno, Leslie H.

  1. Sentido, sentimento e sensibilidade do grotesco no teatro latinoamericano, edited by Leslie Damasceno, guest editor, Percevejo: Edição Especial, Teatro Latinomericano, vol. XIV (Summer, 2009), Universidade do Rio de Janeiro .
  2. In your face: identity, attitude and latino theatre, edited by Sónia Torres, SELLI: Anais do Seminário de Literaturas de Língua Inglesa, vol. !6 (December, 2006), pp. 59-66, Universidade Federal Fluminense Press .
  3. The Gestural Art of Reclaiming Utopia:Denise Stoklos at Play with the Hysterical-Historical, in Holy Terrors! Latin American Women Perform, edited by Diana Taylor and Roslyn Costantino (2004), Durham, NC: Duke University Press .
  4. Five entries on Brazilian theatre, in Encyclopedia of Contemporary Latin American Culture, edited by Dan Balderston, Ana Lopez and Mike Gonzalez (forthcoming 2003), Routledge Press .
  5. Staging the Crisis: Utopian Ideals, Consumer Aesthetics and the Theatrical Image in Brazillian Theatre from Collor to Cardoso (September, 2002) .
  6. The Gestural Art of Reclaining Utopia: Denise Stoklos at Play with the Hysterical-Historical, Women and Performance: Holy Terrors! Latin American Women Perform, vol. 11:2 no. 22 (September, 2000), pp. 111-145 (Special Issue.) .
  7. Cultural Space and Theatrical Conventions in the Work of Oduvaldo Vianna Filho (1996), Wayne State University P (English revision of Espaço Cultural e Convençoes Teatrais na Obra da Oduvaldo Vianna Filho.) .

DeFrantz, Thomas F.

  1. DeFrantz, TF, Black dance and technologies of wellness, Theatre, Dance and Performance Training, vol. 13 no. 2 (January, 2022), pp. 212-213 [doi] .
  2. Defrantz, TF, Intermediality and queer African American improvisation: Dianne mcintyre, sounds in motion, Theatre Research International, vol. 46 no. 2 (July, 2021), pp. 115-127 [doi]  [abs].
  3. DeFrantz, TF, The race of contemporary ballet: Interpellations of africanist aesthetics, in The Oxford Handbook of Contemporary Ballet (January, 2021), pp. 562-580 [doi]  [abs].
  4. DeFrantz, TF, The talking, Theater, vol. 50 no. 3 (November, 2020), pp. 63-67 [doi] .
  5. DeFrantz, TF, Soundz at the back of my head, Theater, vol. 50 no. 3 (November, 2020), pp. 69-85 [doi] .
  6. Defrantz, TF, Training Beyond: ‘Curating the End of the World’ (Part I and Part II) by New York Live ArtsGoogle Arts & Culture, 2020 1, Organized by Reynaldo Anderson, Tiffany E. Barber and Stacey Robinson with the Black Speculative Arts Movement, Performance Research, vol. 25 no. 8 (January, 2020), pp. 176-177 [doi] .
  7. Coleman, G; Defrantz, TF, Reach, Robot: AfroFuturist Technologies, in We Travel the Space Ways: Black Imagination, Fragments, and Diffractions (January, 2019), pp. 53-67 .
  8. Defrantz, TF, White privilege, Theater, vol. 48 no. 3 (November, 2018), pp. 23-37, Duke University Press [doi] .
  9. Perkins, KA; Richards, SL; Craft, RA; De Frantz, TF, The Routledge Companion to African American Theatre and Performance (January, 2018), pp. 1-426, Routledge [doi]  [abs].
  10. DeFrantz, TF; Badejo, P, Forewords (January, 2018), pp. vii-xii, Springer International Publishing [doi] .
  11. DeFrantz, TF, Them: Recombinant aesthetics of restaging experimental performance, in The Sentient Archive: Bodies, Performance, and Memory (January, 2018), pp. 268-292 .
  12. DeFrantz, TF, I Am Black: (You have to be willing to not know), Theater, vol. 47 no. 2 (January, 2017), pp. 9-21, Duke University Press [doi] .
  13. DeFrantz, TF, Identifying the endgame, Theater, vol. 47 no. 1 (January, 2017), pp. 3-15, Duke University Press [doi] .
  14. Defrantz, TF, Bone-breaking, black social dance, and queer corporeal orature, The Black Scholar, vol. 46 no. 1 (January, 2016), pp. 66-74, Informa UK Limited [doi] .
  15. DeFrantz, TF; Willis, TA, Introduction: Black moves: New research in black dance studies, The Black Scholar, vol. 46 no. 1 (January, 2016), pp. 1-3, Informa UK Limited [doi] .
  16. DeFrantz, T, Hip Hop in Hollywood: Encounter, Community, Resistance, in The Oxford Handbook of Dance and the Popular Screen, edited by Borelli, MB (July, 2014), pp. 476 pages, Oxford University Press .
  17. Black Performance Theory, edited by DeFrantz, TF; Gonzalez, A (April, 2014), pp. 296 pages, Duke University Press  [abs].
  18. DeFrantz, T, Hip Hop Habitus v.2.0, in Black Performance Theory: An Anthology of Critical Readings, edited by DeFrantz, TF; Gonzalez, A (April, 2014), pp. 223-242, Duke University Press  [abs].
  19. DeFrantz, T, Unchecked Popularity: Neoliberal Circulations of Black Social Dance, in Neoliberalism and Global Theatres: Performance Permutations, edited by Nielson, L; Ybarra, P (August, 2012), pp. 128-140, Palgrave Macmillan .
  20. DeFrantz, T, Unchecked Popularity: Neoliberal Circulations of Black Social Dance, in Neoliberalism and Global Theatres, edited by Nielsen, LD; Ybarra, P (July, 2012), pp. 328 pages, Palgrave Macmillan  [abs].
  21. DeFrantz, TF, Dancing Revelations: Alvin Ailey's Embodiment of African American Culture (October, 2011), pp. 1-320, Oxford University Press [doi]  [abs].
  22. DeFrantz, T, Theorizing Connectivity: African American Women in Concert Dance, Journal of Pan African Studies, vol. 4 no. 6 (September, 2011), pp. 56-74 [htm]  [abs].
  23. DeFrantz, TF, Movement in the age of globalization: A Panel, Theater, vol. 40 no. 1 (April, 2010), pp. 39-45, Duke University Press [doi] .
  24. DeFrantz, T, 'Popular Dances of the 1920s and early 30s: From Animal Dance Crazes to the Lindy Hop' and 'Popular African American Dance of the 1950s and 60s.', in Ain't Nothing LIke the Real Thing, edited by Carlin, R; Conwill, K (April, 2010), pp. 66-70, Smithsonian Inst Press (Natl Museum of African American History and Culture)  [abs].
  25. DeFrantz, T, Performing The Breaks: African American Aesthetic Structures, Theatre Journal, vol. 40 no. 1 (January, 2010), pp. 31-37, Duke University Press [doi] .
  26. DeFrantz, T, Donald Byrd: Re/Making 'Beauty', in Dance discourses, edited by Franco, S; France, CNDLD (December, 2007), pp. 221-235, Routledge [doi]  [abs].
  27. DeFrantz, T, Hip Hop Sexualities, in Handbook of the New Sexuality Studies, edited by Seidman, S; Fischer, N; Meeks, C (March, 2007), pp. 512 pages, Routledge .
  28. DeFrantz, TE, Composite Bodies of dance: The repertory of the Alvin Ailey American dance theater, Theatre Journal, vol. 57 no. 4 (December, 2005), pp. 659-678, Johns Hopkins University Press [doi] .
  29. DeFrantz, T, On the Presence of the Body: Essays on Dance and Performance Theory, edited by Lepecki, A (2004), pp. 64-81, Wesleyan University Press .
  30. DeFrantz, T, Believe the Hype! Hype Williams and Afro-Futurist Filmmaking, Refractory: a Journal of Entertainment Media, vol. 4 (2003) [available here] .
  31. Dancing Many Drums, edited by Defrantz, TF (April, 2002), pp. 384 pages, Univ of Wisconsin Press  [abs].
  32. DeFrantz, T, African American Dance: A Complex History, in Dancing Many Drums, edited by Defrantz, TF (April, 2002), pp. 384 pages, Univ of Wisconsin Press  [abs].
  33. Defrantz, TF, IV. Blacking Queer Dance, Dance Research Journal, vol. 34 no. 2 (January, 2002), pp. 102-105 [doi] .
  34. DeFrantz, T, Being Savion Glover: Translocation, Black Masculinity, and Hip Hop Tap Dance, edited by Burt, R; Foster, SL, Discourses in Dance (2002), pp. 102-105 .
  35. DeFrantz, T, Blacking Queer Dance, Dance Research Journal, vol. 34 no. 2 (2002), pp. 102-105, JSTOR [doi] .
  36. DeFrantz, T, Black Bodies Dancing Black Culture: Black Atlantic Transformations, Embodying Liberation: the Black Body in American Dance, vol. 4 (2001), pp. 11-16 .
  37. DeFrantz, T, Demons of Disorder: Early Blackface Minstrels and Their World. By Dale Cockrell. New York: Cambridge University Press, 1997; 256 pp.; $59.95 cloth, $19.95 paper. Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy. Edited by Annemarie Bean, James V. Hatch, and Brooks McNamara. Hanover, NH: Wesleyan University Press, UPNE, 1996; 310 pp.; 25 illustrations, $22.95 paper. Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910. By David Krasner. New York: St. Martin's Press, 1997; 252 pp.; $55.00 cloth, $16.95 paper., Tdr/The Drama Review, vol. 44 no. 3 (September, 2000), pp. 183-188, MIT Press - Journals [Gateway.cgi], [doi] .
  38. DeFrantz, T, Ballet In Black: Louis Johnson and Vernacular Humor, in Dancing Bodies, Living Histories, edited by Doolittle, L; Flynn, A (2000), pp. 178-195, Banff Centre Press .
  39. DeFrantz, T, To Make Black Bodies Strange: Social Protest in Concert Dance of the Black Arts Movement, in African American Performance: A Sourcebook, edited by Bean, A (1999), pp. 83-93, Routledge .
  40. DeFrantz, T, Stoned Soul Picnic: Alvin Ailey and the Struggle to Define Official Black Culture, in Soul: Black Power, Politics, and Pleasure, edited by Guillory, M; Green, R (1998), pp. 216-227, NYU Press .
  41. DeFrantz, T, Black dance confab focuses on education + Dallas-Black-Dance-Theatre hosts the 10th annual conference of the International-Association-of-Blacks-in-Dance, Dance Magazine, vol. 71 no. 5 (1997), pp. 20-& [Gateway.cgi] .
  42. DeFrantz, T, Simmering Passivity: The Black Male Body in Concert Dance, in Moving Words: New Directions in Dance Criticism, edited by Morris, G (1996), pp. 216-227, Routledge .

Del Dotto, Charles J.

  1. Book Review, Mary Luckhurst's Dramaturgy: A Revolution in Theatre, Theatre Survey, vol. 48 no. 1 (May, 2007) .
  2. "T. S. Eliot as Medieval Modernist: Period and Ideology in 'Religious Drama: Mediaeval and Modern'", The Journal of Religion and Theatre, vol. 5 no. 2 (Fall, 2006) .
  3. "Martyrdom, Nonconsequentialism, Anagogical Temporality: Interrogating Ends and Means / Transcending Endings and Beginnings in T. S. Eliot's Murder in the Cathedral" (2007?) (Under review as a solicited manuscript for a collection on "Sacrifice and the Human Relationship to Violence," edited by David Pan.) .

Donovan, Ryan M

  1. Donovan, R, ‘Now you know’: On Sondheim and middle age, Studies in Musical Theatre, vol. 17 no. 3 (December, 2023), pp. 223-228, Intellect [doi]  [abs].
  2. Donovan, R, Queer Approaches in Musical Theatre (June, 2023), pp. 137 pages, Bloomsbury Publishing  [abs].
  3. Donovan, R, Broadway Bodies A Critical History of Conformity (2023), pp. 337 pages, Oxford University Press  [abs].
  4. Donovan, R, The Body Politics of Broadway, DANCE MAGAZINE, vol. 97 no. 4 (2023), pp. 22-23 .
  5. MacDonald, L; Donovan, R, The Routledge Companion to Musical Theatre (November, 2022), Routledge [doi]  [abs].
  6. Donovan, R, “That's Showbiz, Kid”, in The Routledge Companion to Musical Theatre (November, 2022), pp. 298-312, Routledge [doi] .
  7. Donovan, R, An American in Tokyo?, in The Routledge Companion to Musical Theatre (November, 2022), pp. 25-38, Routledge [doi] .
  8. MacDonald, L; Donovan, R; Everett, WA, Introduction, in The Routledge Companion to Musical Theatre (November, 2022), pp. 1-2, Routledge [doi] .
  9. Donovan, R, 'If You Were Gay, That’d Be Okay': Marketing LGBTQ Musicals from 'La Cage' to 'The Prom.', in Gender, Sex and Sexuality in Musical Theatre He/She/They Could Have Danced All Night (August, 2022), Intellect (UK)  [abs].
  10. William Finn, in Fifty Key Figures in Queer US Theatre, edited by Noriega, J; Schildcrout, J (2022), Routledge  [abs].
  11. Donovan, R, Style as Star, in The Routledge Companion to the Contemporary Musical (August, 2019), pp. 48-57, Routledge [doi] .
  12. Das, JD; Donovan, R, Special Issue: Dance in musical theatre, Studies in Musical Theatre, vol. 13 no. 1 (January, 2019), pp. 3-7, Intellect [doi]  [abs].
  13. Donovan, R, Acts of recognition: Gesture and national identity in Agnes de Mille’s ‘Civil War Ballet’, Studies in Musical Theatre, vol. 6 no. 3 (September, 2012), pp. 325-333, Intellect [doi]  [abs].

Ferrone, Alex

  1. Ferrone, A, Review of Crave by Sarah Kane, Theatre Journal, vol. 74 no. 1 (2022), pp. 90-91, Johns Hopkins University Press .
  2. Ferrone, A, Flexibility, Abstraction, Orthodoxy: The Lehman Trilogy and (the) British Capital, Comparative Drama, vol. 56 no. 1/2 (2022), pp. 67-92, Western Michigan University .
  3. Ferrone, A, Stage Business and the Neoliberal Theatre of London (2021), Palgrave Macmillan  [abs].
  4. Ferrone, A, Review of Performance, Feminism and Affect in Neoliberal Times ed. by Elin Diamond, Denise Varney, and Candice Amich, Theatre Journal, vol. 71 no. 4 (December, 2019), pp. 535-537, Johns Hopkins University Press .
  5. Ferrone, A, Here and Then: Theatricalizing Space–Time Compression in Philip Ridley's Mercury Fur, Theatre Survey, vol. 58 no. 3 (September, 2017), pp. 352-374, Cambridge University Press (CUP) [doi]  [abs].

Finucci, Valeria

  1. Finucci, V, :Forgotten Healers: Women and the Pursuit of Health in Late Renaissance Italy, The Journal of Modern History, vol. 95 no. 2 (June, 2023), pp. 482-484, University of Chicago Press [doi] .
  2. Canalis, RF; Ciavolella, M; Finucci, V, Rethinking Medical Humanities: Perspectives from the Arts and the Social Sciences (December, 2022), pp. 1-417 [doi]  [abs].
  3. Finucci, V, The bio-turn in history writing: Death, last wishes, and lasting wishes, in Rethinking Medical Humanities: Perspectives from the Arts and the Social Sciences (December, 2022), pp. 213-226 [doi] .
  4. Canalis, RF; Ciavolella, M; Finucci, V, Rethinking medical humanities, in Rethinking Medical Humanities: Perspectives from the Arts and the Social Sciences (December, 2022), pp. 3-14 [doi] .
  5. Finucci, V, A royal accident: Medical authority and political dynamics in 1559, I Tatti Studies in the Italian Renaissance, vol. 24 no. 1 (March, 2021), pp. 41-65 [doi] .
  6. Finucci, V, Pious Postmortems: Anatomy, Sanctity and the Catholic Church in Early Modern Europe. By Bradford A. Bouley. Philadelphia: University of Pennsylvania Press, 2017. 214 pp. $55.00 hardcover., Church History, vol. 87 no. 2 (June, 2018), pp. 567-569, Cambridge University Press (CUP) [doi] .
  7. Andreini, I, Mirtilla, A Pastoral. A Bilingual Edition., edited by Finucci, V, vol. 62 (February, 2018) (translated by Kisacky, J.)  [abs].
  8. Finucci, V, Vesalius and the languages of anatomy, Journal of Medieval and Early Modern Studies, vol. 48 no. 1 (January, 2018), pp. 1-9, Duke University Press [doi] .
  9. Finucci, V, When the mirror lies: Sisterhood reconsidered in Moderata Fonte's thirteen Cantos of Floridoro, in Sibling Relations and Gender in the Early Modern World., edited by Miller, N; Yavneh, N (May, 2017), pp. 116-128, Aldershot: Ashgate .
  10. V. Finucci and M. Rippa-Bonati, eds, Usi e costumi nella Venezia del Cinquecento (2015: 143pp), Biblos Edizioni (Italian version of Mores Italiae.) .
  11. V. Finucci, "Vesalius and the Languages of Anatomy" Special Issue Editor, Journal of Medieval and Early Modern Studies,, vol. 48 no. 1 (Winter 2018, forthcoming) .
  12. V. Finucci, Celinda di Valeria Miani, Edizione critica (in progress), La Finestra Editrice .
  13. Finucci, V, Thinking through death: The politics of the corpse, edited by Valeria Finucci, Journal of Medieval and Early Modern Studies, vol. 45 no. 1 (January, 2015), pp. 1-6, Duke University Press [doi] .
  14. V. Finucci and D. Aers, Open Topic, edited by Valeria Finucci, Journal of Medieval and Early Modern Studies, vol. 45 no. 2 (2015) .
  15. V. Finucci, Through Death The Politics of the Corpse. Special Issue editor, edited by Valeria Finucci, Journal of Medieval and Early Modern Studies, vol. 45 no. 1 (2015) .
  16. V. Finucci and D. Aers, Open Topic, Journal of Medieval and Early Modern Studies, vol. 44 no. 2 (2014) .
  17. Finucci, V, Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy., RENAISSANCE AND REFORMATION, vol. 38 no. 4 (2015), pp. 221-224 .
  18. Finucci, V, The Sex of Men in Premodern Europe: A Cultural History. By Patricia Simons (Cambridge: Cambridge University Press, 2011. xv plus 327 pp. $99.00), Journal of Social History, vol. 48 no. 1 (September, 2014), pp. 201-203, Oxford University Press (OUP) [doi] .
  19. Finucci, V, The Lady Anatomist: The Life and Work of Anna Morandi Manzolini by Rebecca Messbarger (review), MLN, vol. 129 no. 1 (January, 2014), pp. 194-196, Project MUSE [Gateway.cgi], [doi] .
  20. Finucci, V, Kissing the Wild Woman: Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's Urania, EARLY MODERN WOMEN-AN INTERDISCIPLINARY JOURNAL, vol. 9 no. 1 (2014), pp. 197-200 .
  21. Nissen, C, Kissing the Wild Woman, Early Modern Women Journal, vol. 9 no. 1 (2013), pp. 197-200 .
  22. Finucci, V, The Prince’s Body: Vincenzo Gonzaga and Renaissance Medicine (2012), Harvard University Press, ca. 300pp. .
  23. Simons, P, The Sex of Men in Premodern Europe, Journal of Social History, vol. 48 no. 1 (2012), pp. 2013-14 .
  24. Finucci, V; Aers, D, Open Topic, edited by Finucci, V, In Journal of Medieval and Early Modern Studies, vol. 43 no. 2 (2012) .
  25. Finucci, V, Erotic Cultures of Renaissance Italy, AMERICAN HISTORICAL REVIEW, vol. 116 no. 3 (June, 2011), pp. 890-891 [Gateway.cgi] .
  26. Finucci, V, The Virgins Body and Early Modern Surgeons, in Masculinities, Childhood, Violence: Attending to Early Modern Women--and Men (2011), pp. 195-221, University of Delaware Press .
  27. Negri, VM, Celinda A Tragedy (2010), pp. 415 pages, Acmrs Publications  [abs].
  28. Grendler, P, The University of Mantua: The Gonzaga & the Jesuits, 1584-1630, Annali d’Italianistica, vol. 28 (2010), pp. 472-74 .
  29. Finucci, V, “La Italia de los últimos años del siglo XVI en el álbum ilustrado de estudiantes extranjero”, Cuaderno Internacional de Estudios Humanísticos y Literatura / International Journal of Humanistic Studies and Literature, vol. Fall (2010), pp. 11-18 .
  30. Finucci, V, La Italia de los ltimos aos del siglo XVI en el lbum ilustrado de estudiantes extranjero, Cuaderno Internacional de Estudios Human�sticos y Literatura / International Journal of Humanistic Studies and Literature, vol. Fall (2010), pp. 11-18 .
  31. Finucci, V, Celinda, A Tragedy by Valeria Miani (2010), pp. 415pp-415pp, Toronto: Centre for Reformation and Renaissance Studies (Bilingual edition.) .
  32. Jaffe, I; Colombardo, G, Zelotti’s Epic Frescoes at Cataio: the Obizzi Saga, Annali d’Italianistica, vol. 27 (2009), pp. 457-59 .
  33. Finucci, V; Aers, D, Open Topic, Journal of Medieval and Early Modern Studies, vol. 39.2 (2009) .
  34. Finucci, V; Aers, D, Open Topic, Journal of Medieval and Early Modern Studies, vol. 40.2 (2009) .
  35. Finucci, V; Aers, D, Open Topic, Journal of Medieval and Early Modern Studies, vol. 41.2 (2009) .
  36. Finucci, V; Aers, D, Open Topic, Journal of Medieval and Early Modern Studies, vol. 42.2 (2009) .
  37. Finucci, V, "There's the rub": Searching for sexual remedies in the New World, Journal of Medieval and Early Modern Studies, vol. 38 no. 3 (December, 2008), pp. 523-557, Duke University Press [Gateway.cgi], [doi] .
  38. Finucci, V, Marion Wells. The Secret Wound: Love/Melancholy and Early Modern Romance. Stanford: Stanford University Press, 2006. xii + 368. index. bibl. $60. ISBN: 978-0-8047-5046-2., Renaissance Quarterly, vol. 61 no. 2 (2008), pp. 618-620, Cambridge University Press (CUP) [doi] .
  39. Finucci, V; Aers, D, Open Topic, Journal of Medieval and Early Modern Studies, vol. 38 no. 2 (2008) .
  40. Finucci, V, Intellectual Tourism in Late Sixteenth-Century Italy: Costume and Manners in Venice and Padua // Turismo intellettuale nel tardo Cinquecento in Italia: Costumi e vita a Venezia e Padova, in Mores Italiae: Costume and Life in the Renaissance // Costumi e scene di vita del Rinascimento., edited by Bonati, MR; Finucci, V (2007), pp. 36-77, Bilingual Edition, Padua: Biblos .
  41. Valeria Finucci, , Devianza sessuale e imperativi genealogici: Il caso di Margherita Gonzaga, Acta Istriae, vol. 15 no. 2 (2007), pp. 385-398 .
  42. Pugliese, O, Castiglione’s The Book of the Courtier (Il libro del cortegiano): A Classic in the Making, Rivista di Studi Italiani, vol. 25 (2007), pp. 299-302 .
  43. Finucci, V; ed, , Mapping the Mediterranean, A Special Issue of the Journal of Medieval and Early Modern Studies, vol. 37 no. 1 (2007) .
  44. Finucci, V; Aers, D, Open Topic, Journal of Medieval and Early Modern Studies, vol. 37.2 (2007) .
  45. Finucci, V; Bonati, MR, Mores Italiae: Costume and Life in the Renaissance // Costumi e scene di vita del Rinascimento (Yale University, Beinecke Library, MS 457) (2007), Bilingual Edition (English/Italian). Padua: Biblos: 232pp .
  46. Finucci, V, The Story of Donna Camilla Faa’ of Bruno Gonzaga, in Women Writers of the Seventeenth Century, edited by Wilson, K (2007), University of Georgia Press .
  47. Finucci, V; ed, , Floridoro, a Chivalric Romance by Moderata Fonte (2006), University of Chicago Press: 493pp .
  48. Finucci, V; ed, , Petrarca, canoni, esemplarit (2006), Rome: Bulzoni Editore: 361pp .
  49. Finucci, V, :Cultural Non-Conformity in Early Modern Florence, Renaissance Quarterly, vol. 58 no. 1 (Spring, 2005), pp. 192-193 [doi] .
  50. Finucci, V, In the footsteps of Petrarch, Journal of Medieval and Early Modern Studies, vol. 35 no. 3 (January, 2005), pp. 457-466, Duke University Press [Gateway.cgi], [doi] .
  51. Finucci, V, ’Remember Me!’ Petrarca, in Petrarca: Canoni, Esemplarita', edited by Finucci, V (2005), Rome: Bulzoni .
  52. Finucci, V; Wharton, A, Open Topic, Journal of Medieval and Early Modern Studies, vol. 35 no. 2 (2005) .
  53. Finucci, V; ed, , In the Footsteps of Petrarch: Literature, Art, Music, Culture, A Special Issue of the Journal of Medieval and Early Modern Studies, vol. 35 no. 3 (2005) .
  54. Finucci, V; Wharton, A, Open Topic, Journal of Medieval and Early Modern Studies, vol. 36 no. 2 (2005) .
  55. Finucci, V; ed, ; trans, , Urania by Giulia Bigolina (2005), University of Chicago Press: 192pp .
  56. Henke, R, Performance and Literature in the Commedia dell’Arte, Shakespeare Quarterly, vol. 32 (2004), pp. 382-86 .
  57. Finucci, V, La verginita’ contestata: Fabrici d’Acquapendente e il Gran Turco, in Il teatro dei corpi: "Le pitture colorate d'anatomia" di Fabrici d'Acquapendente., edited by Bonati, MR; Pardo, P (2004), pp. 170-91, Milano: Media Med .
  58. Finucci, V, Galileo, la polizia del costume e i piaceri del ritorno alla natura, in Contro il portar la toga., edited by Tomasi, LT (2004), Pisa: ETS .
  59. Finucci, V, Moderata Fonte (Modesta Pozzo), in Encyclopedia of Italian Literary Studies, edited by Marrone, G (2004), New York: Routledge .
  60. Finucci, V, Isabella Canali Andreini, in Encyclopedia of Italian Literary Studies, edited by Marrone, G (2004), New York: Routledge .
  61. Finucci, V, The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance (2003), Duke University Press: 321pp .
  62. Finucci, V, The romance epics of Boiardo, Ariosto and Tasso: From public duty to private place., RENAISSANCE AND REFORMATION, vol. 27 no. 4 (2003), pp. 116-118 [Gateway.cgi] .
  63. Ferguson, R, The Theatre of Angelo Beolco (Ruzante), Rivista di Studi Italiani, vol. 20 (2002), pp. 517-19 .
  64. Finucci, V; ed, , Urania di Giulia Bigolina (ca. 1554) (2002), Rome: Bulzoni Editore: 198pp .
  65. V. Finucci and K. Brownlee, eds, Generation and Degeneration: Tropes of Reproduction in Literature and History from Antiquity to Early Modern Europe (2001), Duke University Press: 327pp .
  66. Laura Benedetti et al., Gendered Contexts: New Perspectives in Italian Cultural Studies, MLN, vol. 113 no. 1 (1998), pp. 250-52 .
  67. Bolzoni, L, La stanza della memoria. Modelli letterari e iconografici nell’et della stampa, MLN, vol. 112 no. 1 (2001), pp. 117-19 .
  68. Fonte, M, The Worth of Women ed. by Virginia Cox, Annali d’Italianistica, vol. 18 (2001), pp. 493-95 .
  69. Maggi, A, Identita’ e impresa rinascimentale, MLN, vol. 116 no. 1 (2001), pp. 198-200 .
  70. Finucci, V, Genealogical Pleasures, Genealogical Disruptions, in Generation and Degeneration, edited by Finucci, V; Brownlee, K (Spring, 2001), pp. 1-14 .
  71. Finucci, V, Maternal Imagination and the Monstrous Child in Tasso’s Gerusalemme Liberata, in Generation and Degeneration., edited by Finucci, V; Brownlee, K (Spring, 2001), pp. 41-77, Duke University Press .
  72. Finucci, V, Ariosto, Tasso, and Storytelling, in Renaissance Transactions: Ariosto and Tasso., edited by Finucci, V (1999), pp. 1-13, Duke University Press .
  73. Finucci, V, The Masquerade of Masculinity: Astolfo and Jocondo in Orlando Furioso, 28, in Renaissance Transactions: Ariosto and Tasso., edited by Finucci, V (1999), pp. 215-45, Duke University Press .
  74. Finucci, V; ed, , Renaissance Transactions: Ariosto and Tasso (1999), Duke University Press: 328pp .
  75. Finucci, V, Book Review: Gendered Contexts: New Perspectives in Italian Cultural Studies, MLN, vol. 113 no. 1 (January, 1998), pp. 250-252 [doi] .
  76. Finucci, V, L’educazione dei fratelli: legge del padre e sua riscrittura nel Libro del cortegiano, in Educare il corpo, educare la parola nella trattatistica del Rinascimento., edited by Patrizi, G; Quondam, A (1998), pp. 367-91, Rome: Bulzoni .
  77. Finucci, V; Brownlee, K, Genealogy and transgression: An introduction, International Journal of Phytoremediation, vol. 21 no. 1 (January, 1997), pp. 1-5 [doi] .
  78. Finucci, V, In the name of the brother: Male rivalry and social order in baldassarre castiglione's il libro del cortegiano, International Journal of Phytoremediation, vol. 21 no. 1 (January, 1997), pp. 91-116 [doi]  [abs].
  79. Valeria Finucci, ; Brownlee, K, Genealogy and Transgression, Exemplaria, vol. 9 no. 1 (1997), pp. 1-5 .
  80. Valeria Finucci, , In the Name of the Brother: Male Rivalry and Social Order in B. Castiglione's Il libro del cortegiano, Exemplaria, vol. 9 no. 1 (1997), pp. 91-116 .
  81. Finucci, V; Brownlee, K; ed, , Transgressive Genealogies, A Special Cluster of Exemplaria, vol. 9 no. 1 (1997) .
  82. Finucci, V, The Female Masquerade: Ariosto and the Game of Desire, in Desire in the Renaissance: Psychoanalysis and Literature, edited by Finucci, V; Schwartz, R (1995), pp. 61-88, Princeton: Princeton University Press .
  83. Finucci, V; ed, , Tredici canti del Floridoro di Moderata Fonte (1581) (1995), Modena: Mucchi: 232pp .
  84. Finucci, V, The Italian Memorialist: C. Faa’ Gonzaga, in Women Writers of the Seventeenth Century, edited by Wilson, K (1994), pp. 121-28, University of Georgia Press .
  85. Schwartz, G, Worlds Within and Without, in Desire in the Renaissance: Psychoanalysis and Literature, edited by Finucci, V; Schwartz, G (1994), pp. 3-15, Princeton: Princeton University Press .
  86. Valeria Finucci, , Alienazione individuale e linguaggio ambientale in Neera, Misure critiche, vol. 55-57 (1994), pp. 65-79 .
  87. Valeria Finucci, , Dislocation and Dehumanization in a War Novel": Moravia's La Ciociara, Canadian Journal of Italian Studies, vol. 10 (1994), pp. 43-58 .
  88. Valeria Finucci, , La donna di corte: discorso istituzionale e realta' ne Il libro del cortegiano, Annali d'Italianistica, vol. 7 (1994), pp. 88-103 .
  89. Valeria Finucci, , La scrittura femminile. Considerazioni in margine alla lettura di Le stanze ritrovate, Annali d'Italianistica, vol. 9 (1994), pp. 322-329 .
  90. Valeria Finucci, , Jokes on Women: Triangular Pleasures in Castiglione and Freud, Exemplaria, vol. 4 no. 1 (1994), pp. 51-77, Informa UK Limited [doi] .
  91. Valeria Finucci, , La scrittura epico-cavalleresca al femminile: Moderata Fonte e Tredici canti del Floridoro, Annali d'Italianistica, vol. 12 (1994), pp. 203-231 .
  92. Finucci, V; Schwartz, R, Desire in the Renaissance: Psychoanalysis and Literature (1994), Princeton University Press: 277pp .
  93. Finucci, V, The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto (1992), Stanford University Press: 329pp .
  94. Finucci, V; Javitch, D, Proclaiming a Classic. The Canonization of the "Orlando Furioso", Italica, vol. 69 no. 2 (1992), pp. 249-249, University of Illinois Press [doi] .
  95. Finucci, V, The Textualization of a Female 'I': Elsa Morante's Menzogna e Sortilegio, Italica, vol. 65 no. 4 (1988), pp. 308-308, University of Illinois Press [Gateway.cgi], [doi] .
  96. FINUCCI, V, BETWEEN ACQUIESCENCE AND MADNESS, NEERA 'TERESA', STANFORD ITALIAN REVIEW, vol. 7 no. 1-2 (1987), pp. 217-239 [Gateway.cgi] .
  97. FINUCCI, V, A PORTRAIT OF THE ARTIST AS A FEMALE PAINTER, THE KUNSTLERROMAN TRADITION IN BANTI,A. 'ARTEMISIA', QUADERNI D ITALIANISTICA, vol. 8 no. 2 (1987), pp. 167-193 [Gateway.cgi] .
  98. FINUCCI, V, RE-MEMBERING THE I, FAAGONZAGA 'STORIA' (1622), ITALIAN QUARTERLY, vol. 28 no. 107 (1987), pp. 21-32 [Gateway.cgi] .

Foster, Daniel H.

  1. D.H. Foster, The Minstrel's Progress: From British Bards to American Blackface, 1750 to 1850 (under review), Oxford University Press .
  2. D.H. Foster, “The Phoenix Bard”, Romanticism (under review) .
  3. D.H. Foster, From Das Volk to The Souls of Black Folk: Double-Consciousness and Form in W. E. B. Du Bois, African American Review (under review) .
  4. D.H. Foster, Writing the Highlands, Studies in Romanticism (under review) .
  5. D.H. Foster, Wagner's "Ring" Cycle and the Greeks (February, 2010), Cambridge University Press .
  6. D.H. Foster, The Eighth Veil: Intermedial Translation and the case of Salome, in Noise, Audition, Aurality: Histories of the Sonic World(s) of Europe, circa 1500-1945, edited by Ian Biddle and Kirsten Gibson (2010 (under consideration)) .
  7. D.H. Foster, Echoes in the Mirror: Cinematic Opera and its Doubles, in On Not Looking: Essays on Images and Viewers, edited by Frances Guerin ((under consideration)) .
  8. D.H. Foster, “Blackface Sheet Music Iconography and Idiom: The Evolution of Minstrelsy from Theater to Performance", Modern Language Quarterly (Spring, 2009) .
  9. D.H. Foster, From Minstrel Shows to Radio Shows: Racism and Representation in Blackface and Blackvoice, Journal of American Theatre and Drama (Spring, 2005)  [abs].
  10. D.H. Foster, Film Adaptation: From I, Robot to I Pagliacci, Association of Literary Scholars and Critics Newsletter (11-1 (Winter 2005): 8)  [abs].
  11. D.H. Foster, The Transatlantic Minstrel Show: British Romanticism and American Blackface (in progress)  [abs].
  12. D.H. Foster, Bleeding the Past, Building the Future: Epic and National Identity in Richard Wagner’s Ring Cycle, The McNeese Review (vol. 42 (2004): 1-19.)  [abs].
  13. From das Volk to The Souls of Black Folk: Music and National Identity in Richard Wagner and W. E. B. Du Bois, in Afro-German Dialogues, edited by Olaf Berwald and Margo Crawford (Forthcoming in 2005)  [abs].
  14. Echoes in the Mirror: Cinematic Opera and its Doubles (unpublished essay)  [abs].
  15. Enchanted and in Chains: Drama, Lyric, and the Visual Arts in Opera (unpublished essay)  [abs].
  16. Performance Communities: Franz Schubert's Die Winterreise and the British Romantics, in Inventing the Individual, edited by Larry Peer (2003), International Conference on Romanticism  [abs].
  17. The Eighth Veil: Salome and Intermedial Translation, Essays in Arts and Sciences (2003) (Essay currently under review.)  [abs].
  18. Music Drama or Music Parody? The Operatic Chorus in Richard Wagner's Gotterdammerung, Text and Presentation, vol. 22 (2002)  [abs].
  19. Frederic Spott, Bayreuth: A History of the Wagner Festival, Qui Parle, vol. 10 no. 1 (1998), pp. 113-118 .

Ginsberg, Lauren

  1. Ginsberg, LD, Great expectations: Wordplay as warfare in caesar's bellvm civile, Classical Quarterly, vol. 73 no. 1 (May, 2023), pp. 184-197 [doi]  [abs].
  2. Ginsberg, LD, Nero-Antichrist: The Founding and Fashioning of a Paradigm by Shushma Malik, Classical Journal, vol. 117 no. 3 (2022), pp. 369-371, Project MUSE [doi] .
  3. Ginsberg, LD, Allusive Prodigia: Caesar's Comets in Neronian Rome (Tac. Ann. 15.47), TAPA, vol. 150 no. 1 (2020), pp. 231-249, Project MUSE [doi] .
  4. Ginsberg, L, “The Failure of Female Fides in the Octavia” in Fides in Flavian Literature (A. Augoustakis, E. Buckley, and C. Stocks, eds). Phoenix Supplementary Volumes 56. (2019) .
  5. Ginsberg, LD; Krasne, DA, After 69 CE - Writing Civil War in Flavian Rome (December, 2018), pp. 499 pages, Walter de Gruyter GmbH & Co KG  [abs].
  6. Ginsberg, LD, VT ET HOSTEM AMAREM: JOCASTA AND THE POETICS OF CIVIL WAR IN SENECA'S PHOENISSAE, Ramus, vol. 46 no. 1-2 (December, 2017), pp. 58-74, Cambridge University Press (CUP) [doi]  [abs].
  7. Ginsberg, LD, Staging Memory, Staging Strife Empire and Civil War in the Octavia (December, 2016), pp. 240 pages, Oxford University Press  [abs].
  8. Lauren Ginsberg, , Jocasta's Catilinarian Oration (Sen. <em>Phoen.</em> 632–43), The Classical Journal, vol. 111 no. 4 (2016), pp. 483-483, Classical Association of the Middle West and South, Inc (CAMWS) [doi] .
  9. Ginsberg, L, “History as Intertext and Intertext as History in the Octavia” in Roman Drama and its Contexts. (S. Frangoulidis, S. Harrison, G. Manuwald, eds.). Trends in Classics Supplementary Volumes 34: 417-32. (2016) .
  10. Ginsberg, LD, Don’t Stand So Close to Me: Antigone’s Pietas in Seneca’s Phoenissae, TAPA, vol. 145 no. 1 (March, 2015), pp. 199-230, Project MUSE [doi]  [abs].
  11. Ginsberg, L, Tragic Rome? Roman Historical Drama and the Genre of Tragedy (Brill Companion to Roman Tragedy) (2015) .
  12. Ginsberg, LD, Wars More Than Civil: Memories of Pompey and Caesar in the Octavia, American Journal of Philology, vol. 134 no. 4 (December, 2013), pp. 637-674, Project MUSE [doi]  [abs].
  13. Donovan Ginsberg, L, Ingensas an Etymological Pun in theOctavia, Classical Philology, vol. 106 no. 4 (October, 2011), pp. 357-360, University of Chicago Press [doi] .

Gobert, R. Darren

  1. Gobert, RD, Performance and Modernity: Enacting Change on the Globalizing Stage By Julia A. Walker. Cambridge: Cambridge University Press, 2021; pp. xiii + 299, 20 illustrations. $99.99 cloth, $99.99 e-book., Theatre Survey, vol. 64 no. 2 (May, 2023), pp. 231-233, Cambridge University Press (CUP) [doi] .
  2. Gobert, RD, Love and Information by Caryl Churchill, or sexuality and gender in non-binary times, in Analysing Gender in Performance (December, 2022), pp. 179-192 [doi]  [abs].
  3. Gobert, RD, The Seven Streams of the River Ota: National Theatre, London, UK, PAJ: A Journal of Performance and Art, vol. 43 no. 3 (September, 2021), pp. 35-39, MIT Press - Journals [doi] .
  4. Gobert, RD, Adaptations, in Tom Stoppard in Context, edited by Kornhaber, D; Loehlin, J (June, 2021), pp. 214-221, Cambridge University Press  [abs].
  5. Gobert, RD, Review of Mount Oympus, directed by Jan Fabre., Theatre Journal, vol. 71 no. 3 (September, 2019), pp. 369-373, Johns Hopkins University Press [doi] .
  6. Gobert, RD, Review of Acting, Spectating and the Unconscious by Maria Turri, Theatre Research International, vol. 43 no. 2 (2018), pp. 228-229, Cambridge University Press (CUP) .
  7. Gobert, RD; Mackay, E; Owens, C; Watt, I; Wolff, T, Drama Drama: The State of Drama Studies in the Profession, The Harold Pinter Review, vol. 2 no. 1 (2018), pp. 1-15 .
  8. Gobert, RD, Editor's Note, edited by Gobert, RD, Modern Drama, vol. 60 no. 4 (2017), pp. iii-vi, University of Toronto Press .
  9. Gobert, RD, Editor's Note, edited by Gobert, RD, Modern Drama, vol. 60 no. 3 (2017), pp. iii-v, University of Toronto Press .
  10. Gobert, RD, The Field of Modern Drama, or Arcadia, Modern Drama, vol. 58 no. 3 (September, 2015), pp. 285-301, University of Toronto Press Inc. (UTPress) [doi] .
  11. Gobert, RD, Review of The First Frame: Theatre Space in Enlightenment France by Pannill Camp, Theatre Journal, vol. 67 no. 4 (2015), pp. 761-762, Johns Hopkins University Press .
  12. Gobert, RD, The Theatre of Caryl Churchill (September, 2014), pp. 328 pages, Bloomsbury Publishing  [abs].
  13. Gobert, RD, The Mind-Body Stage Passion and Interaction in the Cartesian Theater (August, 2013), pp. 264 pages, Stanford University Press  [abs].
  14. Gobert, RD, The Immaterial Matters, in The Public Intellectual and the Culture of Hope, edited by Haslam, J; Faflak, J (2013), pp. 250-267, University of Toronto Press .
  15. Gobert, RD, Behaviorism, Catharsis, and the History of Emotion, Journal of Dramatic Theory and Criticism, vol. 26 no. 2 (March, 2012), pp. 109-125, Project MUSE [doi] .
  16. Gobert, RD, Arcadia and the Ghosts of Past Performance, in Lectures de Tom Stoppard: Arcadia, edited by Campos, L; Vatain, J (2011), pp. 147-59, Presses universitaires de Rennes .
  17. Gobert, RD, Review of The Persistence of Allegory: Drama and Neoclassicism from Shakespeare to Wagner by Jane K. Brown, Modern Philology, vol. 107 no. 3 (2010), pp. E45-E48, University of Chicago Press .
  18. Gobert, RD, Dramatic Catharsis, Freudian Hysteria, and the "Private Theatre" of Anna O, in Emotions: A Cultural Studies Reader, edited by Pribram, D; Harding, J (2009), pp. 321-335, Routledge .
  19. Gobert, RD, On Performance and Selfhood in Caryl Churchill, in The Cambridge Companion to Caryl Churchill, edited by Aston, E; Diamond, E (2009), pp. 105-124, Cambridge UP .
  20. Gobert, RD, Historicizing Emotion: The Case of Freudian "Hysteria" and Aristotelian "Purgation", in Emotion, Place and Culture, edited by Smith, M; Davidson, J; Cameron, L; Bondi, L (2009), pp. 57-76, Routledge .
  21. Gobert, RD, CARTESIAN SUBJECTIVITY ON THE NEOCLASSICAL STAGE; OR, MOLIÈRE ACTS CORNEILLE FOR LOUIS XIV, Theatre Survey, vol. 49 no. 1 (May, 2008), pp. 65-89, Cambridge University Press (CUP) [doi]  [abs].
  22. Gobert, RD, Finding a Physical Language: Directing for the Nineties Generation, New Theatre Quarterly, vol. 24 no. 2 (May, 2008), pp. 141-157, Cambridge University Press (CUP) [doi]  [abs].
  23. Gobert, RD, Cognitive Catharsis in The Caucasian Chalk Circle, Modern Drama, vol. 49 no. 1 (March, 2006), pp. 12-40, University of Toronto Press Inc. (UTPress) [doi] .
  24. Gobert, RD, The Antitheatrical Paradox in Michel Marc Bouchard’s Les Feluettes, ou La Répétition d’un drame romantique, Canadian Literature ==, vol. 188 (2006), pp. 47-61, University of British Columbia Law Review Society .

Greer, Margaret R.

  1. Greer, MR, "Move over" Shakespeare: Lope's place in the European theater of his time, Anuario Lope de Vega, vol. 23 (January, 2017), pp. 318-346, Universitat Autonoma de Barcelona [doi]  [abs].
  2. Greer, MR, Secrets and mysteries in the tragic shift in el caballero de Olmedo, Memoria y Civilizacion, vol. 19 (January, 2016), pp. 147-164, Universidad de Navarra [doi]  [abs].
  3. Greer, MR, CALDERON IN HIS LABORATORY: THE EVIDENCE OF SHORT CUT DISCUSSION AND DELIVERY, ANUARIO CALDERONIANO no. 8 (2015), pp. 153-+ .
  4. Greer, MR; Rhodes, E, María de Zayas y Sotomayor. Exemplary Tales of Love and Tales of Disillusion (February, 2014), U. of Chicago Press .
  5. Greer, MR, Victor Dixon, En busca del Fénix. Quince estudios sobre Lope de Vega y su teatro., TC/12 / Iberoamericana / Vervuert. Madrid / Frankfurt am Main, 2013., Anuario Lope de Vega, vol. forthcoming (2014) .
  6. Greer, MR, Lope de Vega, Comedias, Parte XI, Coords. Laura Fernández and Gonzalo Pontón, 2 vols. Madrid, Gredos, 2012., Calíope (2014) .
  7. Greer, MR, Mapa de amanuenses teatrales del siglo XVII, in La comedia española en sus manuscritos, edited by al, FPE (2014) .
  8. Greer, MR, Francisco de Avellaneda, autor del entremés El infierno de Juan Rana, in Homenaje a Luis Iglesias Feijóo, vol. forthcoming (2014) .
  9. Greer, MR, Reflections of power: Eco y Narciso by Calderón meets Las meninas by Velazquez, Anuario Calderoniano, vol. 1 (November, 2013), pp. 191-211  [abs].
  10. Greer, MR, The weight of law in Calderón, Bulletin of Spanish Studies, vol. 90 no. 4-5 (June, 2013), pp. 651-678, Informa UK Limited [Gateway.cgi], [doi]  [abs].
  11. Greer, MR, Spain, Europe and the wider world, 1500–1800, Journal of Spanish Cultural Studies, vol. 14 no. 1 (March, 2013), pp. 86-88, Informa UK Limited [doi] .
  12. M.R. Greer, The Weight of Law in Calderón, edited by Grace Magnier, Bulletin of Spanish Studies, vol. 90 (Spring, 2013), pp. 651-678  [author's comments].
  13. Greer, MR, Authority and Theatrical Community: Early Modern Spanish Theater Manuscripts, Renaissance Drama, vol. 41 (Forthcoming, 2012) .
  14. Greer, MR, Class and the Dirty Work of War in Calderón, Anuario Calderoniano, vol. 2 (Winter, 2008) .
  15. Greer, MR, Place, Space and Public Formation in the Drama of the Spanish Empire, in Making Space Public in Early Modern Europe: Performance, Geography, Privacy, edited by Vanhaelen, A; Ward, J (Winter, 2013), pp. 76-97 [doi]  [abs].
  16. Greer, MR, J. H. Elliott, Spain, Europe and the Wider World, 1500-1800, New Haven: Yale University Press, 2009, Journal of Spanish Cultural Studies, vol. 14 (2013) (online: DOI: 10.1080/14636204.2013.834736.) .
  17. Greer, MR; García-Reidy, A, Manos Teatrales: Cyber-Paleography and Early Modern Spanish Theater, Journal of Early Modern Cultural Studies, vol. 13 no. 4 (2013), pp. 133-136 .
  18. Greer, MR, Manos Teatrales: la historia contada por los manuscritos,”, TeaPal, vol. 7 (2013), pp. 516-531 .
  19. Greer, MR, Los reflejos del poder: Eco y Narciso de Calderón frente a Las Meninas de Velázquez, Anuario calderoniano, vol. 6 (2013), pp. 191-211 .
  20. Greer, MR, Pedro Calderón de la Barca, dramaturgo cortesano, in La literatura en la época de Felipe IV, in an 8-vol series, "La monarquía de Felipe V", dir. José Martínez Millán, edited by Valls, MTF (2013) .
  21. Greer, MR, Thine and Mine: The Spanish Golden Age and Early Modern Studies, PMLA, Theories & Methodologies section, vol. 126 no. 1 (January, 2012), pp. 217-224, Modern Language Association (MLA) [doi] .
  22. Greer, MR, Don W. Cruickshank, Don Pedro Calderón. (Cambridge: Cambridge University Press, 2009), Modern Philology (Spring, 2012) .
  23. Greer, MR, MIRROR NEURONS, THEATRICAL MIRRORS AND THE HONOR CODE, special edition on "The Virtual Worlds of Calderón", edited by Juan Luis Suarez, ANUARIO CALDERONIANO no. 5 (2012), pp. 85-+ [Gateway.cgi] .
  24. Greer, MR, Playing the Palace: Space, Place and Performance in the Golden Age, in Cambridge History of the Theatre in Spain, edited by Delgado, M; Gies, D (2012), pp. 79-102, Cambridge University Press .
  25. Greer, MR, Los estudios calderonianos: los retos para dentro y para fuera, in Calderón: del manuscrito a la escena, edited by Armas, FAD; Lorenzo, LG (2012) .
  26. Greer, MR, William Egginton, The Theater of Truth: The Ideology of (Neo)Baroque Aesthetics. (Stanford: Stanford University Press, 2010)., Revista Hispánica Moderna (2011) .
  27. Greer, MR, Teresa Ferrer Vals, dir., Diccionario biográfico de actores del teatro clásico español, Bulletin of the Comediantes (2011) .
  28. Greer, MR, Alban Forcione, "Majesty and Humanity: Kings and Their Doubles in the Political Drama of the Spanish Golden Age," New Haven: Yale UP, 2009, Calíope, vol. 17 no. 1 (2011), pp. 219-224 .
  29. Greer, MR, Maria M. Calderón, "Subject Stages: Marriage, Theatre, and the Law in Early Modern Spain", U. of Toronto Press, 2010, Hispanic Review (2011) .
  30. Greer, MR, The Weight of Law in Calderón, Grace Magnier, Bulletin of Spanish Studies (2011) (Special issue, Festschrift to Don W. Cruickshank.) .
  31. Greer, MR, The Baroque and the Undead: Carnal Knowledge in the Novellas of María de Zayas y Sotomayor, in A Companion to Spanish Women’s Studies, edited by Coates, G (2011), pp. 143-156, Boydell and Brewer .
  32. Greer, MR, Espacios teatrales: su significación dramática y social, in Monstruos de apariencias lleno’s: Espacio de representación y espacios representados en el teatro áureo español, edited by Raposo, FS (2011), pp. 297-320, Gráficas Celler .
  33. Greer, MR, Robert Bayliss, The Discourse of Courtly Love in Seventeenth-Century Spanish Theater (Lewisburg: Bucknell University Press, 2008), Colorado Review of Hispanic Studies (2010) .
  34. Greer, MR, La clase social y el trabajo sucio de la guerra en los tablados madrileños, in Opinión pública y espacio urbano en la Edad Moderna, edited by Gómez, AC; Amelang, JS; Sánchez, CS (2010), pp. 25-42, Gijón .
  35. Greer, MR, ¿Por qué conmueven las cuestiones de la honra? Lope y la neurofisiología, in Cuatrocientos años del ’Arte nuevo’ de Lope de Vega: Actas selectas del XVI Congreso de la Asociación Internacional Español y Novohispano de los Siglos de Oro (Olmedo, 2009), edited by Luengos, GVG; Tortajada, HU (2010), pp. 593-598, U. of Valladolid .
  36. Greer, MR; Rhodes, E, Mara de Zayas y Sotomayor. Exemplary Tales of Love and Tales of Disillusion (Spring, 2009), U. of Chicago Press .
  37. Greer, MR, Calderón and the Bible, in Encyclopedia of the Bible and Its Reception (2009), Verlag Walter de Gruyter .
  38. M.R. Greer, Early Modern Spanish Theatrical Transmission, Memory, and a Claramonte Play, in Festschrift in honor of Robert L. Fiore, edited by Malcolm Compitello, Chad Gasta, et al (Winter, 2008), Juan de la Cuesta .
  39. Greer, MR, La mano del copista: Diego Martínez de Mora interpreta a Calderón, Anuario Calderoniano, vol. 1 (2008), pp. 201-221 .
  40. Greer, MR; Lorenzo, AU, El proyecto ’Manos teatrales’, Anuario Calderoniano, vol. I (2008), pp. 407-411 .
  41. Greer, MR, An (In)convenient Marriage? Justice and Power in ’La vida es sueño,’ comedia and auto sacramental, Bulletin of Spanish Studies, vol. 85 no. 6 (Fall, 2008), pp. 55-68 .
  42. Greer, MR, Autos sacramentales, in Encyclopedia of the Bible and its Reception (Winter, 2008), Verlag Walter de Gruyter .
  43. M.R. Greer, Bruce Burningham. Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage, Renaissance Quarterly (Winter, 2007) .
  44. Greer, MR; Mignolo, W; Quilligan, M, Rereading the Black Legend: The Discourses of Racism in the Renaissance Empires (December, 2007), U. of Chicago Press .
  45. Greer, MR, Spanish Golden Age Tragedy: From Cervantes to Calderón, A Companion to Tragedy (2007), pp. 351-370, BLACKWELL PUBLISHING LTD [doi] .
  46. Greer, MR, “La caza sacro-política: de El divino bosque de González de Eslava a Calderón,”, in Teatro Colonial Hispanoamericano, edited by Garrido, JAR; Arellano, I (2007), PUCP and U. de Navarra .
  47. Bass, LR; Greer, MR, Approaches to Teaching Early Modern Spanish Drama (April, 2006), New York: Modern Languages Association .
  48. Greer, MR, Hispanism and its ’disciplina’, Hispanic Issues on-line, vol. 1 no. 1 (2006) (Invited contribution to first issue of.) .
  49. Greer, MR, “Los dos cuerpos del rey en Calderón: El nuevo palacio del Retiro y El mayor encanto amor”, in El teatro clásico español a través de sus monarcas, edited by Lorenzo, LG (2006), Editorial Fundamentos .
  50. Bass, LR; Greer, MR, Preface", "Part One: Materials", and "Introduction" to Part Two, Approaches, in Approaches to Teaching Early Modern Spanish Drama, edited by Bass, LR; Greer, MR (2006) .
  51. Greer, MR, The Politics of memory in Calderón’s "El Tuzaní de la Alpujarra", in Rhetoric and Reality in Early Modern Spain, edited by Pym, R (2006), pp. 113-130, London: Tamesis .
  52. Greer, MR, Early Modern Spanish Theatrical Transmission, Memory, and a Claramonte Play, in Festschrift in honor of Robert L. Fiore, edited by Compitello, M; Gasta, C; al, E (2006), Juan de la Cuesta .
  53. M.R. Greer, Spanish Golden Age Tragedy: From Cervantes to Calderón, in A Blackwell Companion to Tragedy, edited by Rebecca Bushnell (2005), pp. 351-369, London: Blackwell .
  54. Greer, MR, Bruce Burningham. Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage, Renaissance Quarterly (2005) .
  55. Greer, MR; Sieber, H, Bruce W. Wardropper, 1919-2004, Bulletin of Spanish Studies, vol. 83 no. 2 (2005), pp. 249-52 .
  56. Greer, MR, Diana, Cupid and Barrowed Dogs: On Hunting in ’Don Quixote’, in Cervantes y su mundo, Estudios de Literatura 92, edited by Lauer, AR; Reichenberger, K, vol. 3 (2005), pp. 201-222, Kassel: Edition Reichenberger .
  57. Greer, MR, Imperialism and Anthropophagy in Early Modern Spanish Tragedy, in Reason and Its Others in Early Modern Spain and Italy, Hispanic Issues, edited by Castillo, D (2005), Minneapolis: U. of Minnesota Press (forthcoming.) .
  58. Greer, MR, I fantasmi di Cervantes" by Mariarossa Scaramuzza Vidoni, Cervantes, vol. 24 (2004), pp. 259-261 .
  59. Greer, MR; Junguito, A, Economies of the Early Modern Spanish Stage, Revista Canadiense de Estudios Hispánicos, vol. 29 (2004), pp. 31-46 .
  60. Greer, MR, Imperialismo y antropofagia en la tragedia del Siglo de Oro, in Temas del Barroco hispánico, edited by Arellano, I; Godoy, E (2004), pp. 161-175, Iberoamericana .
  61. Greer, MR, The Creation of National Theater, in Cambridge History of Spanish Literature, edited by Gies, D (2004), pp. 238-250, Cambridge UP .
  62. Cervantes in Algiers: A Captive’s Tale, by María Antonia Garcés, and Passing for Spain: Cervantes and the Fictions of Identity, by Barbara Fuchs, Caliope (2003) (forthcoming.) .
  63. La segunda versión de ‘La vida es sueño’, de Calderón. Edición, introducción y notas de Germán Vega García-Luengos, Don W. Cruickshank y J. M. Ruano de la Haza, Revista Canadiense de Estudios Hispánicos, vol. 37 no. 2 (2003), pp. 380-382 .
  64. Greer, MR, La segunda versión de ‘La vida es sueño’, de Calderón. Edición, introducción y notas de Germán Vega García-Luengos, Don W. Cruickshank y J. M. Ruano de la Haza, Revista Canadiense de Estudios Hispánicos, vol. 37 (2003), pp. 380-382 .
  65. Greer, MR, Cervantes in Algiers: A Captive’s Tale, by María Antonia Garcés, and Passing for Spain: Cervantes and the Fictions of Identity, by Barbara Fuchs, Caliope (2003) .
  66. Greer, MR, A la caza del sujeto noble en el teatro de los Siglos de Oro, in Estudios del teatro áureo. Texto, espacio y representación, Cultura Universitaria/Serie Ensayo 75, edited by al, AGE (2003), pp. 75-86, México: Universidad Autónoma Metropolitana – El Colegio de México .
  67. Il gran Cid dell Spagne. Materiales para el estudio del tema del Cid en Italia, by Marco Lombardi and Coral García, Rivista di Letterature Moderne e Comparate (2002) .
  68. Pilgrimage to Patronage. Lope de Vega and the Court of Philip III, 1598-1621, by Elizabeth Wright, Bulletin of Hispanic Studies (Liverpool). (2002) .
  69. Greer, MR, Pilgrimage to Patronage. Lope de Vega and the Court of Philip III, 1598-1621, by Elizabeth Wright, Bulletin of Hispanic Studies (Liverpool). (2002) .
  70. Greer, MR, Il gran Cid dell Spagne. Materiales para el estudio del tema del Cid en Italia, by Marco Lombardi and Coral García, Rivista di Letterature Moderne e Comparate (2002) .
  71. Greer, MR, In Memoriam: Anthony Higgins, 1964-2001, Calíope, vol. 8 no. 2 (2002), pp. 95-97 .
  72. Greer, MR, Calderon de la Barca, Playwright at Court, in Cambridge Companion to Valezquez, edited by Stratton-Pruitt, S (2002), pp. 149-169, Cambridge: Cambridge University Press .
  73. El rey don Pedro en Madrid y el infanzón de Illescas. Attributed to Lope de Vega. Critical Edition of the Text of the Primary Tradition, Carol Bingham Kirby, ed., Bulletin of the Comediantes, vol. 53 no. 2 (2001), pp. 335-337 .
  74. María de Zayas: The Said and the Unsaid., edited by Barbara Simerka and Christopher B. Weimer, Laberinto, vol. 3 (2001) [htm] .
  75. Greer, MR, El 'Rey Don Pedro en Madrid and El Infanzon de Illescas'. Attributed to Lope de Vega. Critical edition of the text of the primary tradition, BULLETIN OF THE COMEDIANTES, vol. 53 no. 2 (2001), pp. 335-337 [Gateway.cgi] .
  76. Greer, MR, Maria de Zayas and the Female Eunuch, Journal of Spanish Cultural Studies, vol. 2 no. 1 (2001), pp. 41-53 .
  77. Greer, MR, El poder del deseo y el deseo del poder, in Deseo, sexualidad y afectos en la obra de Calderón. Duodécimo Coloquio Anglogermano sobre Calderón. Leipzig, 14-18 de julio de 1999, Archivum Calderonianum 9, edited by Tietz, M (2001), pp. 61-71, Stuttgart: Franz Steiner Verlag .
  78. Margaret R. Greer and John Dagenais, Introduction to Decolonizing the Middle Ages, Special Topics issue, Journal of Medieval and Early Modern Studies, vol. 30 no. 3 (2000) .
  79. John Dagenais and Margaret R. Greer, eds., Decolonizing the Middle Ages, Journal of Medieval and Early Modern Studies, vol. 30 no. 3 (Fall, 2000) (A special topics issue.) .
  80. Greer, MR; ed, , Basta callar. Pedro Calderon de la Barca (2000), Ottawa: Dovehouse Editions .
  81. Greer, MR, Maria de Zayas Tells Baroque Tales of Love and the Cruelty of Men (2000), University Park, Pa.: Pennsylvania State University Press  [author's comments].
  82. Greer, MR, A Tale of Three Cities: The Place of the Theatre in Early Modern Madrid, London and Paris, Bulletin of Hispanic Studies (Liverpool), vol. 77 (2000), pp. 391-419 .
  83. Greer, MR, A Star-Crossed Golden Age. Myth and the Spanish Comedia, Frederick A. De Armas, ed, Revista de Estudios Hispánicos, vol. 33 (1999), pp. 587-588 .
  84. Greer, MR, Woman and the Tragic Family of Man in Los siete infantes de Lara of Juan de la Cueva., Hispania, vol. 82 (1999), pp. 472-480 .

Hadjioannou, Markos

  1. Chow, R; Hadjioannou, M, Fathers in flux, Cultural Critique, vol. 114 (December, 2022), pp. 23-39 .
  2. Hadjioannou, M, Documenting the Son/iconic Discord, Discourse, vol. 39 no. 3 (2017), pp. 356-375, Wayne State University Press [doi] .
  3. Hadjioannou, M, In the Cold Night of the Day: On Film Noir, Hitchcock, and Identity, Cultural Critique, vol. 94 no. Fall (2016), pp. 127-155 .
  4. Hadjioannou, M, From Light to Byte: Toward an Ethics of Digital Cinema (December, 2012), University of Minnesota Press [from-light-to-byte]  [abs].
  5. Hadjioannou, M, In Search of Lost Reality: Waltzing with Bashir, in DELEUZE AND FILM, Deleuze Connections., edited by Martin-Jones, D; Brown, W (2012), pp. 104-120, Edinburgh University Press  [abs].
  6. Hadjioannou, M, David Lynch: Continuities of an Obsessive Nightmare, Images and Views of Alternative Cinema (festival catalgue) (June, 2011), Theatro Ena (Short article (c. 3,200 words) as accompaniment for the screening program dedicated to David Lynch's experimental work..) .
  7. Hadjioannou, M, Re-Possessed, Cyprus Film Days 2011: 9th International Film Festival (catalgue) (April, 2011) .
  8. with Rodosthenous, G; Hadjioannou, M, In Between Stage and Screen: The Intermedial in Katie Mitchell’s…some trace of her, International Journal of Performance Arts and Digital Media, vol. 7 no. 1 (March, 2011), pp. 43-59, Intellect [available here], [doi]  [abs].
  9. Hadjioannou, M, Waking Life: The Destiny of Cinema’s Dreamscape; or the Question of Old and New Mediations, Excursions, vol. 1 no. 1 (2010), pp. 53-72 [11]  [abs].
  10. Hadjioannou, M, How Does the Digital Matter? Envisioning Corporeality through Christian Volckman’s Renaissance, Studies in French Cinema, vol. 8 no. 2 (June, 2008), pp. 123-136, Intellect [doi]  [abs].
  11. Hadjioannou, M, Into Great Stillness, Again and Again: Gilles Deleuze’s Time and the Constructions of Digital Cinema, edited by Ashton, D; Callen, D, Rhizomes, vol. 16 (Summer, 2008) [available here]  [abs].
  12. Hadjioannou, M, Markos Hadjioannou: A Digital Movie, Fileleftheros: P.S. Sunday Art Supplement (April, 2006), pp. 26 .

Hartsell-Gundy, Arianne

  1. Networking and Conferences, in Future Academic Librarian’s Toolkit: Finding Success on the Job Hunt and in Your First Job, edited by Hodge, M (2019), ACRL .
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  5. Hartsell-Gundy, AA, Sources: World Clothing and Fashion: An Encyclopedia of History, Culture, and Social Influence, Reference & User Services Quarterly, vol. 54 no. 1 (September, 2014), pp. 68-68, American Library Association [doi] .
  6. Cardone, T; Turton, ES; Olson, G; Magolda, MB, Learning Partnerships in Practice: Orientation, Leadership, and Residence Life, About Campus, vol. 18 no. 5 (November, 2013), pp. 2-9, SAGE Publications [doi] .
  7. Brinkman, SN; Hartsell-Gundy, AA, Building trust to relieve graduate student research anxiety, Public Services Quarterly, vol. 8 no. 1 (January, 2012), pp. 26-39, Informa UK Limited [doi]  [abs].
  8. Hartsell-Gundy, A; Tumbleson, B, Overview, Best Practices, and Literature Review, in Designing Online Learning A Primer for Librarians, edited by Alman, S; Tomer, C; Lincoln, M (2012), ABC-CLIO  [abs].
  9. Hartsell-Gundy, AA, Sources: Contemporary World Fiction: A Guide to Literature in Translation, Reference & User Services Quarterly, vol. 51 no. 2 (December, 2011), pp. 192-193, American Library Association [doi] .
  10. Hartsell-Gundy, A; Sullivan, E; Millard, J; Gibson, K; Thornley, A; Resnis, E, Re-purposing and Rethinking Social Networking in the Learning Environment, Journal of Interactive Instruction Development, vol. 22 no. 1 (2011), pp. 20-23 .
  11. Resnis, E; Gibson, K; Hartsell-Gundy, A; Misco, M, Information literacy assessment: A case study at Miami university, New Library World, vol. 111 no. 7-8 (January, 2010), pp. 287-301, Emerald [doi]  [abs].
  12. Hartsell-Gundy, AA, Sources: Characters and Plots in the Fiction of Kate Chopin, Reference & User Services Quarterly, vol. 49 no. 2 (December, 2009), pp. 190-191, American Library Association [doi] .
  13. Hartsell-Gundy, A; Gibson, K; Misco, M; Resnis, E, What Information Literacy Means to Me: Collaborating with Faculty to Understand Student Perceptions of Information Literacy, edited by Sietz, B, Proceedings of the 37th Annual Loex Conference (2009) [8] .
  14. Hartsell-Gundy, A; Rhoades, J, Marketing First Impressions: Academic Libraries Creating Partnerships and Connections at New Student Orientations, Library Philosophy and Practice (2008), pp. 1-11, University of Nebraska, Lincoln libraries [viewcontent.cgi] .

Hemphill, Ellen   (search)

  1. E. Hemphill, The Narrowing (September 26, 2013)  [abs].
  2. E. Hemphill, Out of the Blue (February, 2010) (This play was produced at Duke University in Feb. 2010. It is not published but was a collaborative art work.) [org] .
  3. E. Hemphill, Plays -performed by Archipelago Theatre - Unpublished: Those Women, Cassandra's Lullaby, Another Time, Another Place, Someone Else,Eulogy for a Warrior, Binky Kite and the Oxymorons, Amor Fortuna, A New Fine Shame, And Mary Wept, A New Fine Shame, Woman in the Attic (2003) (These are plays produced by Archipelago Theatre 1996-2007. Direction all by Ellen Hemphill; performance in several plays.) .
  4. Those Women, Eulogy for a Warrior, Another Time, Another Place, Amor Fortuna, Cassandra's Lullaby, A New Fine Shame, Mary Wept, Woman in the Attic, Binky Kite and the Oxymorons (2003)  [author's comments].

Holmgren, Beth

  1. Holmgren, B, Rethinking the Biography of the Actor and Entertainer: Introduction, Pamiętnik Teatralny, vol. 71 no. 3 (October, 2022), pp. 11-13, Instytut Sztuki Polskiej Akademii Nauk [doi]  [abs].
  2. Holmgren, B, Rethinking the Biography of the Actor and Entertainer, Pamietnik Teatralny, vol. 71 no. 3 (January, 2022), pp. 11-13, Instytut Sztuki Polskiej Akademii Nauk [doi]  [abs].
  3. Holmgren, B, Ganbare! Workshops on Dying, LITERARY JOURNALISM STUDIES, vol. 14 no. 1 (2022), pp. 146-149 .
  4. Goscilo, H; Holmgren, B, Polish Cinema Today A Bold New Era in Film (August, 2021), pp. 382 pages, Rowman & Littlefield  [abs].
  5. Holmgren, B, The Mire and The Mire ’97. Dir. Jan Holoubek. South Africa: Showmax; Poland: Studio Filmowe Kadr, 2018, 2021. Dist: Netflix. 50 minutes. Color., Slavic Review, vol. 80 no. 4 (2021), pp. 902-903, Cambridge University Press (CUP) [doi] .
  6. Holmgren, B, Poland 1945: War and Peace, LITERARY JOURNALISM STUDIES, vol. 13 no. 1-2 (2021), pp. 202-204 .
  7. Holmgren, B; Sadowska, M, The Art of Loving: The Story of Michalina Wislocka, SLAVIC REVIEW, vol. 79 no. 1 (January, 2020), pp. 183-184, CAMBRIDGE UNIV PRESS .
  8. Holmgren, B, The Jews in the Band: The Anders Army's Special Troupes, Polin: Studies in Polish Jewry, vol. 32 (January, 2020), pp. 177-191 .
  9. Holmgren, B, Cabaret Nation: The Jewish Foundations of Kabaret Literacki, 1920-1929., in Poland and Hungary Jewish Realities Compared, edited by Guesnet, F; Lupovitch, H; Polonsky, A (February, 2019), pp. 273-288, Polin: Studies in Polish Jewry  [abs].
  10. Holmgren, B, A Whole World of Mythology, edited by Baumgartner, J, Women's Review of Books, vol. 36 no. 1 (February, 2019), pp. 12-13, Old City Publishing  [abs].
  11. Holmgren, B, Holocaust history and jewish heritage preservation: Scholars and stewards working in pis-ruled Poland, Shofar, vol. 37 no. 1 (January, 2019), pp. 96-107, Project Muse [doi]  [abs].
  12. Holmgren, B, The Cabaret Song: Its Multi-Ethnic Pedigree and Transnational Adventures, 1919-1968, in Being Poland A New History of Polish Literature and Culture since 1918, edited by Trojanowska, T; Nizynska, J; Czaplinski, P (October, 2018), University of Toronto Press  [abs].
  13. Holmgren, B, Tending Andersland: The Calling of Feliks Konarski and Nina Olenska, in Diaspora polska w Ameryce Polnocnej, edited by Raczynski, R; Morawska, K (2018), pp. 513-528, Muzeum Emigracji w Gdyni .
  14. Holmgren, B, Their Own Wars: A Review of Svetlana Alexievich's THE UNWOMANLY FACE OF WAR: AN ORAL HISTORY OF WOMEN IN WORLD WAR II, Women's Review of Booksbbbbbb, vol. 54 no. 6 (December, 2017), pp. 11-13, Old City Publishing .
  15. Holmgren, B, Jerzy Jurandot, edited by Sandru, C; Koropeckyj, R, Literary Encyclopedia (2017) .
  16. Holmgren, B, The Cult of Forbidden Thoughts: The Big Green Tent by Liudmila Ulitskaya, translated by Polly Gannon, Women's Review of Books, vol. 33 no. 4 (July, 2016), pp. 12-13, Old City Publishing .
  17. Hashamova, Y; Holmgren, B; Lipovetsky, M, Transgressive women in modern Russian and east European cultures: From the bad to the blasphemous (January, 2016), pp. 1-216, Routledge [doi]  [abs].
  18. Holmgren, B, From the legs up: The rise and retreat of the chorus girl in interwar Poland, in Transgressive Women in Modern Russian and East European Cultures: From the Bad to the Blasphemous (January, 2016), pp. 13-29 [doi] .
  19. Holmgren, B, Collecting the Show on the Road: Spotlight on Anna Mieszkowska and the Polish Cabaret Archive, The Polish Review, vol. 59 no. 4 (December, 2014), pp. 3-20, University of Illinois Press [doi]  [abs].
  20. Holmgren, B, "Cabaret Identity: How Best to Play a Jew or Pass as a Gentile in Wartime Poland", Journal of Jewish Identities, vol. July 2014 no. Issue 7, number 2 (July, 2014), pp. 15-33, https://www.press.jhu.edu/journals/journal_of_jewish_identities/guidelines.html .
  21. Holmgren, B, Cabaret Identity: How Best to Play a Jew or Pass as a Gentile in Wartime Poland, Journal of Jewish Identities, vol. 7 no. 2 (July, 2014), pp. 15-33, Project MUSE [doi] .
  22. Holmgren, B, "Nadezhda Mandelstam", in YIVO ENCYCLOPEDIA OF JEWS IN EASTERN EUROPE, edited by Hundert, GD (February, 2014), Yale UP .
  23. Holmgren, B, Helena Modjeska on the American Stage, edited by Litak, A; Kurylczyk, B (February, 2014), pp. 2-3, The Helena Modrzejewska Theatre in Krakow, Poland .
  24. B. Holmgren, "Lopek and Company: The Warsaw Careers of Kazimierz Krukowski", POLIN: Studies in Polish Jewry (2014) .
  25. Holmgren, B, Russia on their mind: How hollywood pictured the Soviet front, in Americans Experience Russia: Encountering the Enigma, 1917 to the Present (December, 2013), pp. 105-123 [doi] .
  26. Holmgren, B, The Lives of Secret Others, East European Film Bulletin (August, 2013) (http://eefb.org/essays/.)  [author's comments].
  27. with Blobaum, R; Holmgren, B; Wampuszyc, E, Warsaw 2013, East European Politics and Societies, vol. 27 no. 2 (May, 2013), pp. 185-186, SAGE Publications [doi] .
  28. Holmgren, B, Acting Out: Qui pro Quo in the Context of Interwar Warsaw, East European Politics and Societies, vol. 27 no. 2 (May, 2013), pp. 205-223, SAGE Publications [Gateway.cgi], [doi]  [abs].
  29. Holmgren, B, Toward an Understanding of Gendered Agency in Contemporary Russia, Signs: Journal of Women in Culture and Society, vol. 38 no. 3 (Spring, 2013), pp. 535-542, University of Chicago Press [doi] .
  30. with Chatterjee, C; Holmgren, B, Americans Experience Russia: Encountering the Enigma, 1917 to the Present (January, 2013), pp. 1-232, Routledge [doi]  [abs].
  31. Chatterjee, C; Holmgren, B, Introduction (January, 2013), pp. 1-11 [doi]  [abs].
  32. Holmgren, B, Russia on Their Mind: How Hollywood Pictured the Soviet Front, in Americans Experience Russia: Encountering the Enigma, 1917 to the Present (January, 2013), pp. 105-123 [doi]  [abs].
  33. Goldovskaya, M; Chatterjee, C; Holmgren, B, An Interview with Marina Goldovskaya, a “Russian American” Filmmaker, in Americans Experience Russia: Encountering the Enigma, 1917 to the Present (January, 2013), pp. 199-204 [doi]  [abs].
  34. Holmgren, B, Starring Madame Modjeska: On Tour in Poland and America (November, 2011), pp. 432 pages, Indiana University Press  [abs].
  35. B. Holmgren, STARRING MADAME MODJESKA: ON TOUR IN POLAND AND AMERICA (October 20, 2011), Indiana University Press [product_info.php]  [abs].
  36. B. Holmgren, Russia on Their Mind: How Hollywood Depicted the Soviet Front, in AMERICANS EXPERIENCE RUSSIA: ENCOUNTERING THE ENIGMA, 1917 TO THE PRESENT (forthcoming in 2013), pp. 24 pp in ms. .
  37. B. Holmgren, "Helena Modjeska on the American Stage", Special publication (Newspaper of scholarly "reviews" and photo album), edited by Anna Litak, Bianka Kurylczyk, THE QUEEN OF DRAMA (Fall, 2010), pp. 2-3, The Helena Modrzejewska Theatre in Krakow, Poland .
  38. Holmgren, B, The art of playing patriot: The polish stardom of Helena Modjeska, Theatre Journal, vol. 62 no. 3 (October, 2010), pp. 349-371 [Gateway.cgi]  [abs].
  39. Holmgren, B, The Polish Actress Unbound: Tales of Modrzejewska/Modjeska, in The Other in Polish Theater and Drama, edited by Johnston, B; Cioffi, K (2010), pp. 57-77, Slavica Publishers .
  40. Holmgren, B, War, Women, and Song: The Case of Hanka Ordonowna, Aspasia: The International Yearbook of Central, Eastern, and Southeastern European Women’s and Gender History, vol. 2 (Summer, 2010), pp. 139-54 .
  41. Holmgren, B, Taking Stock, Screening History: Twenty Years of Women’s Studies at AAASS, NewsNet of the American Association for the Advancement of Slavic Studies, vol. 49 no. 1 (January, 2009), pp. 1-4 .
  42. Holmgren, B, Edouard de Reszke, in POLISH-AMERICAN HISTORY AND CULTURE: AN ENCYCLOPEDIA, edited by Pula, J (2009) .
  43. Holmgren, B, Jean de Reszke, in POLISH-AMERICAN HISTORY AND CULTURE: AN ENCYCLOPEDIA, edited by Pula, J (2009) .
  44. Holmgren, B, Ne-natural’naia shkola:Semeistvo Tal'nikovykh Panaevoi, in Trava: Punkty, edited by Ushakin, S; Trofimova, E (Fall, 2009), pp. 45-72, Novoe Literaturnoe Obozrenie (Original article published in Russian..) .
  45. Holmgren, B, "Od Booth-a do Modrzejewskiej: Wyrafinowany Szekspir na scenie amerykanskiej" ("From Booth to Modjeska: Refining Shakespeare for the American Stage"), PAMIETNIK TEATRALNY (THEATRE JOURNAL), vol. LVIII no. 3-4 (Summer, 2009), pp. 27-57  [author's comments].
  46. B. Holmgren, "Nadezhda Mandelstam", in YIVO ENCYCLOPEDIA OF JEWS IN EASTERN EUROPE, edited by Gershon D. Hundert (Spring, 2008), Yale UP .
  47. Holmgren, B, Nadezhda Mandel’shtam, in Dictionary of Literary Biography: Russian Prose Writers After World War II, edited by Rydel, C, vol. 302 (2008), pp. 164-71, Thomson Gale .
  48. Holmgren, B, Evgeniia Ginzburg, in Yivo Encyclopedia of Jews in Eastern Europe, edited by Hundert, GD (Spring, 2008), Yale UP .
  49. Holmgren, B, Settlling for the Real Hollywood: Russians in Studio-Era American Film, in American Artists From the Russian Empire, edited by Petrova, Y (Fall, 2008), pp. 97-115, The State Russian Museum & The Foundation for International Arts and Education .
  50. Holmgren, B, Aristocrats and Working Girls: Towards a History of Russian Emigre Women in the United States", in MAPPING THE FEMININE: RUSSIAN WOMEN AND CULTURAL DIFFERENCE, edited by Hoogenboom, H; Nepomnyashchy, C; Reyfman, I (Winter, 2008), pp. 231-47. .
  51. Holmgren, B, Fiction and the Acting Life: The Memoir of Helena Modjeska, in Real Stories, Imagined Realities: Fictionality and Non-fictionality in Literary Constructs and Historical Contexts, Tampere Studies in Language, Translation and Culture, Series A, edited by Lehtimaki, M; Leisti, S; Rytkonen, M (Summer, 2007), pp. 343-57., Tampere University Press  [abs].
  52. Holmgren, B, Review of Knut Andreas Grimstad & Ursula Phillips, ed. GENDER AND SEXUALITY IN ETHICAL CONTEXT: TEN ESSAYS ON POLISH PROSE, SLAVIC REVIEW, vol. 66 no. 2 (Summer, 2007), pp. 323-24 .
  53. Holmgren, B, "The Blue Angel" and Blackface: Redeeming Entertainment in Aleksandrov's "Circus", Russian Review, vol. 66 no. 1 (2007), pp. 5-22 [20620475], [doi] .
  54. B. Holmgren, H. Goscilo, eds., POLES APART: WOMEN IN MODERN POLISH CULTURE, Indiana Slavic Studies, edited by Helena Goscilo, Beth Holmgren (November, 2006), pp. 171 pages, Slavica Publishers (This volume includes my co-authored introduction and my authored article, "Public Women, Parochial Stage: The Actress in Late Nineteenth-Century Poland.".) .
  55. Holmgren, B, Public women, parochial stage: The actress in late nineteenth-century Poland, in Poles Apart: Women in Modern Polish Culture (January, 2006), pp. 11-35  [abs].
  56. Holmgren, B, Five short articles – "Nadezhda Mandelstam," "Liudmila Petrushevskaia," "GUM," "Lidiia Ruslanova," "Red Army Chorus", in THE ENCYCLOPEDIA OF CONTEMPORARY RUSSIAN CULTURE, edited by Evans-Romaine, K; Goscilo, H; Smorodinskaya, T (Fall, 2006), Routledge UP .
  57. B. Holmgren, "Nadezhda Mandel'shtam", in DICTIONARY OF LITERARY BIOGRAPHY: RUSSIAN PROSE WRITERS AFTER WORLD WAR II, edited by Christine Rydel, vol. 302 (Spring, 2005), pp. 164-71, Thomson Gale .
  58. Goscilo, H; Holmgren, B, Poles Apart: Women in Modern Polish Culture, edited by Goscilo, Helena, ; Holmgren, Beth, (2005), pp. 167 pages, Slavica Pub .
  59. Holmgren, B, Imitation of Life: A Russian Guest in the Polish Regimental Family, in Polish Encounters/Russian Identity, edited by Ransel, D; Shallcross, B (Spring, 2005), pp. 37-49, Indiana University Press .
  60. Holmgren, B, W domu u Sienkiewicza, in Polonistyka Po Amerykansku: Badania Nad Literature Polska W Ameryce Polnocnej (1990-2005), edited by Filipowicz, H; Karcz, A; Trojanowska, T (Summer, 2005), pp. 301-15, Instytut Badan Literackich PAN .
  61. Holmgren, B, Cossack Cowboys, Mad Russians: The Émigré Actor in Studio-Era Hollywood, Russian Review, vol. 64 no. 2 (2005), pp. 236-258, WILEY [doi] .
  62. Gheith, J; Holmgren, B, Art and prostokvasha: Avdot'ia panaeva's work (December, 2003), pp. 128-144 .
  63. Holmgren, B, Introduction, Russian Memoir: History and Literature, vol. 8 no. SUPPL. 5 (December, 2003), pp. S4-S4, Elsevier BV [doi] .
  64. The Russian Memoir, edited by Holmgren, Beth, (November, 2003), pp. 256 pages, Northwestern University Press  [abs].
  65. B. Holmgren, THE RUSSIAN MEMOIR: HISTORY AND LITERATURE, edited by Beth Holmgren (November, 2003), Northwestern University Press (This edited volume includes my introduction (ix-xxxix) and an essay I co-authored with Jehanne Gheith, "Art and Prostokvasha: Avdot'ia Panaeva's Work" (128-44).) .
  66. B. Holmgren, "The Polish Actress Unbound: Tales of Modrzejewska/Modjeska", in THE OTHER IN POLISH THEATRE AND DRAMA, Indiana Slavic Series, edited by Bill Johnston, Kathleen Cioffi (Summer, 2003), pp. 57-77, Slavica Publishers .
  67. Holmgren, B, Emigre-zation: American Picture Books and Russian Artists, in KAZAAM! SPLAT! PLOOF! The American Impact on European Culture Since 1945, edited by Ramet, S; Crnkovic, G (Spring, 2003), pp. 219-33, Rowman and Littlefield .
  68. Holmgren, B, America, America: Scouting the Routes of Translation, in Living in Translation: Polish Writers in America, edited by Stephan, H (Spring, 2003), pp. 29-43, Rodopi Press .
  69. Holmgren, B, At Home with Sienkiewicz, in Framing the Polish Home: Postwar Cultural Constructions of Hearth, Nation, and Self, edited by Shallcross, B (Fall, 2002), pp. 219-36, Ohio University Press .
  70. Holmgren, B, Ameryka, Ameryka, czyli jak zyc w przekladzie, in Zycie W Przekladzie, edited by Stephan, H (Fall, 2002), pp. 17-33, Wydawnictwo Literackie, Krakow, Poland .
  71. Holmgren, B, The Importance of Being Unhappy, or Why She Died, in Imitations of Life: Two Centuries of Melodrama in Russia, edited by McReynolds, L; Neuberger, J (Fall, 2002), pp. 79-98, Duke University Press .
  72. Holmgren, B, Writing the Female Body Politic (1945-1985), in The Cambridge History of Russian Women's Literature, edited by Barker, A; Gheith, J (Fall, 2002), pp. 225-42, Cambridge University Press .
  73. Holmgren, B, Virility and Gentility: How Sienkiewicz and Modjeska Redeemed America, Polish Review, vol. XLVI no. 3 (2001), pp. 283-296 .
  74. Вербицкая, А; Holmgren, B, Keys to Happiness A Novel (1999), pp. 300 pages, Indiana University Press  [abs].
  75. Holmgren, B, Rewriting Capitalism (December, 1998), pp. 260 pages, University of Pittsburgh Pre  [abs].
  76. Goscilo, H; Holmgren, B, Russia--women--culture (1996), pp. 386 pages, Indiana University Press  [abs].
  77. Holmgren, B, Patronized Saints: The Cult of the Artist in Poland's Illustrated Weekly, East European Politics and Societies, vol. 10 no. 3 (1996), pp. 416-438, SAGE Publications [doi] .
  78. Holmgren, B, Those Unsettling Slavs, Or There's No Place Like Home, Literary Studies East and West, vol. 11 (1996), pp. 98-110 .
  79. Holmgren, B, The Heart of the Matter? Nationalizing the Russian and Polish Romance, Teksty drugie (texts 2), vol. 3/4 (1995), pp. 68-86 .
  80. Holmgren, B, Bug Inspectors and Beauty Queens: The Problems of Translating Feminism into Russian, Genders, vol. 22 (1995), pp. 15-31 .
  81. Holmgren, B, Why Russian Girls Loved Charskaia, Russian Review, vol. 54 no. 1 (1995), pp. 91-106, JSTOR [130776], [doi] .
  82. Holmgren, B, Women's Works in Stalin's Time (January, 1993), pp. 225 pages, Indiana University Press  [abs].
  83. Holmgren, B, The Transfiguring of Context in the Work of Abram Terts, Slavic Review, vol. 50 no. 4 (1991), pp. 965-977, Cambridge University Press (CUP) [2500476], [doi]  [abs].
  84. Holmgren, B, Rozmowy z Gombrowiczem.(Gombrowicz’s A Kind of Testament), Pamiętnik Literacki (The Literary Journal), vol. 1 (1990), pp. 75-106 .
  85. Holmgren, B, Witold Gombrowicz within the Wieszcz Tradition, The Slavic and East European Journal, vol. 33 no. 4 (1989), pp. 556-570, JSTOR [308286], [doi] .

Jones, Douglas A

  1. Jones, DA, Repetition and Value in Richard Wright’s Man Who Lived Underground, American Literature, vol. 95 no. 1 (March, 2023), pp. 123-134 [doi]  [abs].
  2. Jones, DA, Elizabeth McHenry, To Make Negro Literature: Writing, Literary Practice, and African American Authorship, American Literary History, vol. 35 no. 1 (February, 2023), pp. 508-510, Oxford University Press (OUP) [doi] .
  3. Jones, DAJ, PAUL LAURENCE DUNBAR The life and times of a caged bird, TLS-THE TIMES LITERARY SUPPLEMENT no. 6270 (2023), pp. 20-20 .

Kelley, Anthony M.

  1. A.M. Kelley, Soundtrack to "Kudzu Vine" [Documentary] (May, 2011) [26640630]  [abs].
  2. A.M. Kelley, "Kudzu Vine Suite" (2011)  [abs].
  3. A.M. Kelley, "Grist for the Mill" (2010) [id380000131]  [abs].
  4. A.M. Kelley, Nicholas Lewis, Reginald Patterson, David Garner, Contra-Funkti, 1-6 (2009)  [abs].
  5. A.M. Kelley, Incidental Music to the stage production, SPRING AWAKENING (Spring, 2008)  [abs].
  6. A.M. Kelley, Soundtrack to "The Doll" (October 18, 2007), Myrmecoid Music [watch]  [abs].
  7. Kelley, AM, Coleridge-Taylor Perkinson: Composer with colossal imagination, The News and Observer (February, 2007) [html]  [abs].
  8. A.M. Kelley, Conjure Bearden [Musical Suite for Film] (Spring, 2006), Myrmecoid Music [mov]  [abs].
  9. A.M. Kelley, Point of Reference (2003), Myrmecoid Music  [abs].

Khalsa, Keval K.

  1. Subject of Feature story in the Independent Weekly (June 9, 2010) [Content] .
  2. Radio Interview with Blake Tedder, WCOM Radio, Full Lotus Kirtan Show (April 20, 2010) [episodes]  [abs].

Kim, Hye Won

  1. Kim, H, Domesticating Hedwig: Neoliberal Global Capitalism and Compression in South Korean Musical Theater, The Journal of Popular Culture, vol. 51 no. 2 (April, 2018), pp. 421-445, WILEY [doi] .
  2. Kim, G; Kim, H, “Play the Woman”: The Feminine Theatricality of Shakespeare’s The Taming of the Shrew and Shakespeare and Fletcher’s Henry VIII, Hankuk University of Foreign Studies Literature Studies, vol. 66 (May, 2017), pp. 35-54, Hankuk University of Foreign Studies Literature Studies [doi] .
  3. Jiyon, B; Kim, H, Mapping the Dissonance of World Literature, The Journal of Modern British & American Language & Literature, vol. 35 no. 1 (February, 2017), pp. 205-205, The Association of Modern British and American Language and Literature [doi] .
  4. Kim, H, Celebrating heteroglossic hybridity: Ready-to-assemble Broadway-style musicals in South Korea, Studies in Musical Theatre, vol. 10 no. 3 (December, 2016), pp. 343-354, Intellect [doi] .
  5. Hye won Kim,, R&H Brand: Breeding of American Paternalism and the Inception of Flower Drum Song, American Studies, vol. 38 no. 1 (June, 2015), pp. 1-35, American Studies Institute [doi] .

Lee, Esther K.

  1. Lee, EK; Odom, G; Dharwadker, AB, A conversation about new directions in studies of modernity and theatre, Studies in Theatre and Performance, vol. 43 no. 1 (January, 2023), pp. 108-119 [doi] .
  2. Lee, EK, A genealogy of the Fu Manchu Mustache, in Monsters in Performance: Essays on the Aesthetics of Disqualification (June, 2022), pp. 125-140 [doi] .
  3. Lee, EK, Made-Up Asians: Yellowface During the Exclusion Era (January, 2022), pp. 1-268 [doi]  [abs].
  4. Lee, EK, BD WONG (San Francisco, California, 1960-), in Fifty Key Figures in Queer Us Theatre (January, 2022), pp. 242-245 [doi] .
  5. MODERN AND CONTEMPORARY WORLD DRAMA Critical and Primary Sources (2022)  [abs].
  6. Lee, E, Transcultural Memory and Food in Julia Cho’s Aubergine, in Critical Perspectives on Contemporary Plays by Women The Early Twenty-First Century (July, 2021) .
  7. Lee, E, Sounding Asian American: Geeks and Superheroes in Qui Nguyen’s Vietgone, in Theatre After Empire (May, 2021), pp. 193-206, Routledge .
  8. Lee, E, Asian American Theater and Drama from the 1960s to the 1990s, in The Oxford Encyclopedia of Asian American Literature and Culture (2020), Oxford University Press, USA .
  9. Lee, E, Historiography of Yellowface: Stage Make-Up, Materiality and Technology, in The Methuen Drama Handbook of Theatre History and Historiography (October, 2019), Bloomsbury Publishing .
  10. Canning, CM; Lee, EK; Warner, S, Adages for Ethical Graduate Mentoring in the Twenty-first Century, Theatre Topics, vol. 29 no. 2 (2019), pp. 103-113, Project MUSE [doi] .
  11. Lee, EK, Korean Diaspora and the Moebius Strip: Sung Rno's Yi Sang Counts to Thirteen and Transnational Avant-Garde Theater, in Transnational Performance, Identity and Mobility in Asia (April, 2018), Springer .
  12. Lee, EK, M. Butterfly by David Henry Hwang, Theatre Journal, vol. 70 no. 4 (2018), pp. 560-561, Project MUSE [doi] .
  13. Lee, EK, All the Stage’s a World: The Organization of International, Multicultural, and Global Theatre Companies in the U.S., in Theater and Cultural Politics in a New World (October, 2016)  [abs].
  14. Lee, EK, Strangers Onstage: Asia, America, Theatre, and Performance, Journal of American Drama and Theatre, vol. 28 no. 1 (2016) .
  15. Lee, EK, The Theatre of David Henry Hwang (December, 2015), pp. 224 pages, Bloomsbury Publishing  [abs].
  16. Lee, EK, Contemporary Asian American Drama, in The Cambridge History of Asian American Literature (December, 2015), Cambridge University Press  [abs].
  17. Lee, EK, Designed Bodies: A Historiographical Study of Costume Design and Asian American Theater, in The Oxford Handbook of Dance and Theater (2015), Oxford University Press, USA .
  18. Lee, EK, Asian American Women Playwrights and the Dilemma of the Identity Play: Staging Heterotopic Subjectivities, in Contemporary Women Playwrights Into the 21st Century (January, 2014), Macmillan International Higher Education .
  19. Lee, EK, Seven Contemporary Plays from the Korean Diaspora in the Americas (August, 2012), pp. 330 pages, Duke University Press  [abs].
  20. Lee, EK, Patient Zero: Jean Yoon and Korean Canadian Theatre, in Asian Canadian Theatre (2011), Theatre Communications Group .
  21. Lee, EK, Avant-Garde Becomes Nationalism: Immortalizing Nam June Paik in South Korea, in Avant-Garde Performance and Material Exchange Vectors of the Radical (November, 2010), Springer .
  22. Lee, EK, A History of Asian American Theatre (October, 2006), pp. 264 pages, Cambridge University Press  [abs].
  23. Lee, EK, Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh, Modern Drama, vol. 48 no. 2 (2005), pp. 371-408, University of Toronto Press .
  24. Lee, EK, Between the Personal and the Universal: Asian American Solo Performance from the 1970s to the 1990s, Journal of Asian American Studies, vol. 6 no. 3 (October, 2003), pp. 289-312, Johns Hopkins University Press .

Lentricchia, Frank

  1. Lentricchia, F, The gaiety of language: An essay on the radical poetics of W. B. Yeats and wallace stevens (April, 2023), pp. 1-213, University of California Press  [abs].
  2. Lentricchia, F, From ’Last Will and Testament’, Scribner Magazine (Fall 1996) .
  3. Lentricchia, F, Ezra Pound’s American Book of Wonders, South Atlantic Quarterly (Spring 1993) .
  4. Lentricchia, F, Patriarchy Against Itself–The Young Manhood of Wallace Stevens, Critical Inquiry (Summer 1987) .
  5. Lentricchia, F, Reflections on the Return of William James, Cultural Critique (Fall 1986) .
  6. Lentricchia, F, On Behalf of Theory, TriQuarterly (Fall 1985) .
  7. Lentricchia, F, Luigi Ventura and the Origins of Italian-American Fiction, Italian-Americana (Spring 1975) .
  8. Lentricchia, F, The Romanticism of William James, Salmagundi (Winter 1974) .
  9. Lentricchia, F, Wallace Stevens: The Ironic Eye, The Yale Review (Spring 1967) .
  10. Lentricchia, F, The Accidental Pallbearer (2013), Melville House .
  11. Lentricchia, F, The Sadness of Antonioni, SUNY Press (fiction) (2010) .
  12. Lentricchia, F, The Italian Actress (Spring, 2008), SUNY Press  [author's comments].
  13. Lentricchia, F, Essays on the Fiction of Frank Lentricchia, ed. by Thomas DePietro, in Book of Essays about Lentricchia's Fiction (2007), Guernica Editions .
  14. Lentricchia, F, SAQ: A General Issue Including Poetry, Fiction, Criticism, and Photo-Essays (February, 2004), pp. 275 pages .
  15. Lentricchia, F; Issue, , South Atlantic Quarterly: Special Issue (2004), Duke University Press (including poetry, fiction, criticism, and photo essays.) .
  16. F. Lentricchia, DeLillo and/or Aristotle, South Atlantic Quarterly (Summer/Fall 2000) .
  17. Lentricchia, F, "Dissent from the Homeland" (2003), Duke University Press (Expanded South Atlantic Quarterly issue, co-edited with Stanley Hauerwas.) .
  18. Lentricchia, F, The Italiam-American Reader, edited by Tonelli, B (2003), William Morrow .
  19. Lentricchia, F, Don DeLillo’s White Noise (2003), Philadelphia .
  20. Lentricchia, F, Close Reading: The Reader, edited by Lentricchia, F; DuBois, A (2003), Duke University Press .
  21. McAuliffe, J; Lentricchia, F, Crimes of Art and Terror (2003), University of Chicago Press (trans. into Turkish.) .
  22. Lentricchia, F, Modern American Lyric in the Culture of Capital, Cambridge History of American Literature (2003), Cambridge (Book-length contribution to Cambridge History of American Literature.) .
  23. Lentricchia, F, DeLillo and/or Aristotle, South Atlantic Quarterly (2003) .
  24. Lentricchia, F, Johnny Critelli, in The Italian American Reader, edited by Tonelli, B (2003), William Morrow .
  25. Lentricchia, F, "Tales of the Electronic Tribe", in Don DeLillo’s White Noise (2003), Philadelphia .
  26. Lentricchia, F, "Dissent from the Homeland: Essays after 9/11", South Atlantic Quarterly (September, 2002) (Special Issue of South Atlantic Quarterly.) .
  27. Lentricchia, F, The Penguin Book of Italian-American Writing, edited by Barreca, R (2002), New York .
  28. Lentricchia, F, Sitdown at the Heartland Hotel, in The Penguin Book of Italian-American Writing, edited by Barreca, R (2002), New York .
  29. Lentricchia, F, Lucchesi and The Whale (2001), Duke University Press (Fiction.) .
  30. Lentricchia, F, DeLillo and/or Aristotle, South Atlantic Quarterly (2000) .
  31. Lentricchia, F, The Music of the Inferno (1999), SUNY Press (Fiction.) .
  32. Lentricchia, F, Islas Malvinas, London Review of Books (1999) .
  33. Lentricchia, F, Lucchesi: His Life in Art, London Review of Books (1998) .
  34. Lentricchia, F, Don DeLillo’s Primal Scenes, in White Noise: Text and Criticism, edited by Osteen, M (1998), New York: Penguin Books .
  35. Lentricchia, F, No More Whining, London Review of Books (1997) .
  36. Lentricchia, F, The Knifemen (1996), Scribner (Fiction.) .
  37. Lentricchia, F, Johnny Critelli (1996), Scribner (Fiction.) .
  38. Lentricchia, F, Last Will and Testament of an Ex-Literary Critic, Lingua Franca (1996) .
  39. Lentricchia, F, From ’Johnny Critelli’, Scribner Magazine (1996) .
  40. Lentricchia, F, The Edge of Night (1994), Random House (Autobiography.) .
  41. Lentricchia, F, Modernist Quartet (1994), Cambridge University Press .
  42. Lentricchia, F, Christmas 1987, Harper’s (1993) .
  43. Lentricchia, F, My Kinsman, T.S. Eliot, Raritan (1992) .
  44. Lentricchia, F, Making It to Mepkin Abbey, Harper’s (1992) .
  45. Lentricchia, F, New Essays on White Noise (1991), Cambridge University Press .
  46. Lentricchia, F, Introducing Don DeLillo (1991), Duke University Press .
  47. Lentricchia, F, The Resentments of Robert Frost, American Literature (June, 1990) .
  48. Lentricchia, F, Critical Terms for Literary Study (1990), University of Chicago Press .
  49. LENTRICCHIA, F, PHILOSOPHERS OF MODERNISM AT HARVARD, C.1900, SOUTH ATLANTIC QUARTERLY, vol. 89 no. 4 (Fall, 1990), pp. 787-834 [Gateway.cgi] .
  50. Lentricchia, F, Lyric in the Culture of Capitalism, American Literary History, vol. 1 no. 1 (1989), pp. 63-88 [doi] .
  51. Lentricchia, F, Foucault’s Legacy: A New Historicism?, in The New Historicism, edited by Veeser, HA (1989), Routledge .
  52. Lentricchia, F, The Redemptive Imagination, in Modern Critical Views: Robert Frost, edited by Bloom, H (1989), Chelsea House .
  53. Lentricchia, F, Analysis of Burke’s Speech, in The Legacy of Kenneth Burke, edited by Simons, HW; Melia, T (1989), University of Wisconsin Press .
  54. Lentricchia, F, Ariel and the Police: Michel Foucault, William James, Wallace Stevens (1988), University of Wisconsin Press .
  55. Lentricchia, F, Andiamo, Critical Inquiry (1988) .
  56. Lentricchia, F, The ’Life’ of a Humanist Intellectual, in The Academic’s Handbook (1988), Duke University Press .
  57. Lentricchia, F, Anatomy of a Jar, South Atlantic Quarterly (1987) .
  58. Lentricchia, F, The Return of William James, in The Current in Criticism (1987), Purdue University Press .
  59. Lentricchia, F, On the Ideologies of Poetic Modernism, 1890-1913: The Example of William James, in Reconstructing American Literary History, edited by Bercovitch, S (1986), Cambridge: Harvard University Press .
  60. Lentricchia, F, Criticism and Social Change (1983), University of Chicago Press .
  61. LENTRICCHIA, F, RORTY CULTURAL CONVERSATION, RARITAN-A QUARTERLY REVIEW, vol. 3 no. 1 (1983), pp. 136-141 [Gateway.cgi] .
  62. Lentricchia, F, Reading History with Kenneth Burke, in Representing Kenneth Burke: Selected Papers from the English Institute, edited by White, H (1983) .
  63. LENTRICCHIA, F, READING FOUCAULT 'PUNISHMENT, LABOR, RESISTANCE' .2., RARITAN-A QUARTERLY REVIEW, vol. 2 no. 1 (1982), pp. 41-70 [Gateway.cgi] .
  64. LENTRICCHIA, F, READING FOUCAULT .1. PUNISHMENT, LABOR, RESISTANCE, RARITAN-A QUARTERLY REVIEW, vol. 1 no. 4 (1982), pp. 5-32 [Gateway.cgi] .
  65. Lentricchia, F, Reivew of Karl Keller’s The Only Kangaroo Among the Beauty, South Atlantic Quarterly (Winter, 1981) .
  66. Lentricchia, F, After the New Criticism (1980), University of Chicago Press .
  67. Lentricchia, F, Derrida, History, and Intellectuals, Salmagundi (1980) .
  68. Lentricchia, F, Review of Richard Poirer’s Robert Frost: The Work of Knowing, South Atlantic Quarterly (Winter, 1979) .
  69. LENTRICCHIA, F, HISTORICITY OF FRYES 'ANATOMY', SALMAGUNDI-A QUARTERLY OF THE HUMANITIES AND SOCIAL SCIENCES no. 40 (1978), pp. 97-121 [Gateway.cgi] .
  70. Lentricchia, F, Review of Harold Bloom’s Poetry and Repression, Modern Language Quarterly (March, 1977) .
  71. Lentricchia, F, Wallace Stevens: The Critic’s Redemption, Modern Language Quarterly (March, 1975) .
  72. Lentricchia, F, Robert Frost: Latest Assessments, CEA Critic (January, 1975) .
  73. Lentricchia, F, Robert Frost: Modern Poetics and the Landscapes of Self (1975), Duke University Press .
  74. Lentricchia, F, The Poetry of John J. Soldo, Italian-Americana (Fall, 1974) .
  75. Lentricchia, F, Robert Frost and Modern Literary Theory, in Frost: Centennial Essays (1974), University and College Press of Mississippi .
  76. Lentricchia, F, Mailer: Occult Gossip, Riverside Press-Enterprise (1973) .
  77. Lentricchia, F, Coleridge and Emerson: Prophets of Silence, Prophets of Language, Journal of Aesthetics and Art Criticism (1973) .
  78. Lentricchia, F, Robert Frost: The Aesthetics of Voice and the Theory of Poetry, Criticism (1973) .
  79. Lentricchia, F, Experience as Meaning: Robert Frost’s ’Mending Wall’, CEA Critic (1972) .
  80. Lentricchia, F, The Place of Cleanth Brooks, Journal of Aesthetics and Art Criticism (1970) .
  81. Lentricchia, F, Yeats and Stevens, Contemporary Literature (1968) .
  82. Lentricchia, F, Four Types of Nineteenth-Century Poetic, Journal of Aesthetics and Art Criticism (1968) .
  83. Lentricchia, F, Attitudes Toward Literature, Poetry (May, 1967) .
  84. Lentricchia, F, Wallace Stevens: Emergence of the Poet, Poetry (December, 1966) .
  85. Lentricchia, F, Harriet Beecher Stowe and the Byron Whirlwind, Bulletin of the New York Public Library (April, 1966) .
  86. Lentricchia, F, Some Coordinates of Modern Literature, Poetry (1966) .
  87. Lentricchia, F, Byron in Boston, Emerson Society Quarterly (1964) .

Malone, Michael

  1. M. Malone, Fast Love, Mademoiselle (2010) .
  2. M. Malone, Fast Love, in O’Henry Prize Stories (2010) .
  3. M. Malone, Fast Love, in Growing Up in the South (2010), Dell .
  4. M. Malone, Maniac Loose, in Confederacy of Crime (2010), NAL .
  5. M. Malone, Maniac Loose, in Tarheel Dead (2010), UNC Press .
  6. M. Malone, Red Clay (2010) (Screenplay by David Auburn (author of Proof).) .
  7. M. Malone, Invitation to the Ball (2010) (Produced as the play Haunted Heart by Lost Studio in Los Angeles. Ca..) .
  8. Malone, M, The Four Corners of the Sky (Spring, 2010), Sourcebooks Landmark (forthcoming.) .
  9. Malone, M, Maniac Loose, in Tarheel Dead (2010), UNC Press .
  10. Malone, M, Maniac Loose, in Confederacy of Crime (2010), NAL .
  11. Malone, M, Fast Love, in Growing Up in the South (2010), Dell .
  12. Malone, M, Fast Love, in O’Henry Prize Stories (2010) .
  13. Malone, M, White Trash Noir, in Murder at the Foul Line (2010) (Edgar nomination.) .
  14. Malone, M, Life Lessons (2010), Hyperion (a whimsical study of soap opera; forthcoming.) .
  15. Malone, M, Mangum & Savile (Fall, 2010), Harcourt Brace (forthcoming.) .
  16. Malone, M, Fast Love, Mademoiselle (2010) .
  17. Malone, M, Not For Love, in Anthology of North Carolina Writers (2009), UNC Press (forthcoming.) .
  18. Malone, M, First Lady (2007), New Star .
  19. Malone, M, The Killing Club (February, 2005), Hyperion (NY Times bestseller Book Sense Notable (American Booksellers Association) Mystery Guild, Literary Guild Random House Audio, etc. Hyperion paperback, 2006.) .
  20. Malone, M, Red Clay, Blue Cadillac: 12 Southern Women (2005), Sourcebooks Landmark .
  21. Malone, M, Red Clay, in A New Omnibus of Crime (2005), Oxford University Press .
  22. Malone, M, The Last Noel (2004), Paperback Landmark .
  23. Malone, M, Handling Sin (2004), Book Sense, Rediscovery Novel .
  24. Malone, M, The Last Noel (2003), Sourcebooks Landmark (Paperback, 2003 Book Sense Top Ten Gold Medal Winner, Independent Publishers of America TV Movie option, Viacom.) .
  25. Malone, M, First Lady (2003), Seuil .
  26. M. Malone, Red Clay, Blue Cadillac: 12 Southern Women (Spring, 2002), Sourcebooks Landmark (Short Story Collection. Chinese Edition, New Star.) .
  27. M. Malone, Time's Witness (2002), Sourcebooks Landmark .
  28. M. Malone, First Lady (2002), Robinson-Constable (Audio, Ibis.) .
  29. M. Malone, First Lady (2002), Paperback Landmark .
  30. Malone, M, First Lady (2002), Paperback Landmark .
  31. Malone, M, Foolscap (2002), Sourcebooks Landmark .
  32. Malone, M, Dingley Falls (2002), Sourcebooks Landmark (paperback.) .
  33. Malone, M, Maniac Loose, in Best American Mystery Stories 2002 (2002), Houghton Mifflin .
  34. Malone, M, First Lady (2001), Sourcebooks Landmark (Literary Guild/Mystery Guild.) .
  35. Malone, M, Handling Sin (2001), Sourcebooks Landmark .
  36. Malone, M, Uncivil Seasons (2001), Sourcebooks Landmark .
  37. Malone, M, The Power, in Murderers Row (2001), Warner Books .
  38. Malone, M, Love and Other Crimes, in Criminal Records, (2000), Orion .
  39. Malone, M, Invitation to the Ball, in Murder and Obsession (1998), Dutton .
  40. Malone, M, Red Clay, in Best American Mystery Stories 1998 (1998), Houghton Mifflin .
  41. Malone, M, Red Clay, in Murder for Love (1997), Dutton (won the 1997 Edgar Award; Also French and Italian editions, etc..) .
  42. Malone, M, Dingley Falls (1995), Washington Square Press (British and Italian editions; reissue Sphere.) .
  43. Malone, M, Foolscap (1994), Washington Square Press .
  44. Malone, M, Time’s Witness (1994), Washington Square Press (British Editions, Chatto & Windus, Sphere, Abacus, Constable and Robinson, Audio, Ibis French Editions, Seuil Japanese Editions, Hawakawa Chinese Edition, New Star Various film options; most recently Scripps Howard, NBC.) .
  45. Malone, M, Uncivil Seasons (1992), Washington Square Press (British Editions, Chatto & Windus, Sphere, Abacus, Constable and Robinson, Audio, Ibis French Editions, Seuil Japanese Editions, Hawakawa Chinese Edition, New Star Various film options; originally at Warnar Brothers.) .
  46. Malone, M, Foolscap (1991), Little Brown .
  47. Malone, M, Time’s Witness (1991), Pocket Books .
  48. Malone, M, Time’s Witness (1989), Little Brown (Book of the Month Club.) .
  49. Malone, M, Uncivil Seasons (1988), Pocket Books .
  50. Malone, M, Handling Sin (1987), Pocket Books (Washington Square Press, etc. Foreign editions include: British Editions, Chatto & Windus, Sphere, Abacus Swedish Edition, Wahlstrom & Widstrand Spanish Edition, Editoriale Planeta Chinese Edition, New Star Various film options, most recently Twentieth Century Fox. Icon Productions.) .
  51. Malone, M, Handling Sin (1986), Little Brown .
  52. Malone, M, Uncivil Seasons (1985), Dell .
  53. Malone, M, Uncivil Seasons (1983), Delacorte (Book of the Month Club.) .
  54. Malone, M, Dingley Falls (1981), Pocket Books (reissue 1989.) .
  55. Malone, M, Dingley Falls (1980), Harcourt Brace Jovanovich .
  56. Malone, M, Heroes of Eros (1979), E.P. Dutton & Co. (a study of the iconography of cultural codes of stardom and genre in American film—based on dissertation at Harvard.) .
  57. Malone, M, Psychetypes (1978), Pocket Books .
  58. Malone, M, The Delectable Mountains (1978), Random House (Paperback, SourceBooks Landmark 2002-presem.) .
  59. Malone, M, Psychetypes (1977), E.P. Dutton & Co. (a study of Jungian typology.) .
  60. Malone, M, Painting the Roses Red (1976), Random House .

McAuliffe, Jody

  1. McAuliffe, J, Ibsen in practice, relational readings of performance, cultural encounters and power, Studies in Theatre and Performance, vol. 36 no. 1 (January, 2016), pp. 98-99, Informa UK Limited [doi] .
  2. McAuliffe, J, Bozo’s Circus, in Litscapes: Collected Writings 2015, edited by Alvarez, CM (May, 2015), Steerage Press .
  3. Political and Protest Theatre after 9/11, Patriotic Dissent, The Comparative Drama Conference Series, edited by Graley Herren, Text & Presentation, 2012, vol. 9 (2013), McFarland & Company, Inc. .
  4. McAuliffe, J, The Mythical Bill, A Neurological Memoir, Sightline Series (2013), University of Iowa Press .
  5. McAuliffe, J, Gulag Follies, in Ethics & Images of Pain (2012), Routledge .
  6. McAuliffe, J, Enda Walsh - med unik scenisk fantasi, Norwegian Shakespeare and Theatre Magazine (2011) .
  7. McAuliffe, J, Mythical Bill: An Inordinately Bright, Dreary Life, in Topograph: New writing from the Carolinas and the landscape beyond, edited by Jackson, J (2010), Novello Festival Press .
  8. McAuliffe, J, Maly Theatre of St. Petersburg’s production of Uncle Vanya, Norwegian Shakespeare and Theatre Magazine (2010) .
  9. McAuliffe, J, He Sings the Body Tinterotic, in Frank Lentricchia: Essays on his Fiction, edited by Pietro, TD (2009), Guernica Editions .
  10. McAuliffe, J, The Wooster Group - La Didone, Norsk Shakespeare Og Teater-Tidsskrift (2009) .
  11. McAuliffe, J, My Lovely Suicides (a novel) (2008), Ravenna Press .
  12. McAuliffe, J, Mesterlig av Caryl Churchill, Norsk Shakespeare Og Teater-Tidsskrift (2008) .
  13. McAuliffe, J, Fire korte av Beckett, Norsk Shakespeare Og Teater-Tidsskrift (2008) .
  14. McAuliffe, J, Den ultimate feminist, Norsk Shakespeare Og Teater-Tidsskrift (2008) .
  15. McAuliffe, J, Teater som inkvisisjon, Norsk Shakespeare Og Teater-Tidsskrift (2008) .
  16. McAuliffe, J, Faulkners romanunivers til scenen, Norsk Shakespeare Og Teater-Tidsskrift (2008) .
  17. McAuliffe, J, Boos etterkommere (Descendants of Boo), Vagant Magazine, Norway (September, 2006)  [author's comments].
  18. Jody McAuliffe and Frank Lentricchia, translated into Turkish by Ayrinti Yayinlari, Crimes of Art and Terror (2005) .
  19. McAuliffe, J, Lucia Joyce as Cordelia and the Fool, Journal of Modern Literature (2005)  [author's comments].
  20. McAuliffe, J, Grave Love, South Atlantic Quarterly (December, 2003) .
  21. Lentricchia, F; McAuliffe, J, Crimes of Art and Terror (November, 2003), pp. 200 pages, University of Chicago Press  [abs] [author's comments].
  22. with Frank Lentricchia, Groundzeroland, in Dissent from the Homeland: Essays after 9/11, South Atlantic Quarterly (2003) .
  23. William Noland, The Image World of Mao II, South Atlantic Quarterly (2003) (contains my notes on William Noland's images.) .
  24. McAuliffe, J; Lentricchia, F, Groundzeroland, in Dissent from the Homeland: Essays after 9/11 (2003), Duke Press .
  25. McAuliffe, J, Fire and Water, The Norwegian Shakespeare and Theatre Magazine (2003)  [author's comments].
  26. McAuliffe, J, Not So Far Away, The Norwegian Shakespeare and Theatre Magazine (2003)  [author's comments].
  27. McAuliffe, J, Reflections on a Director’s Process, in The New Trial, edited by Weiss, P (2001), Duke University Press (translated by Evers, K; Rollerston, J.) .
  28. McAuliffe, J, The Imaginary Letters of Heinrich von Kleist to the Poet Holderlin, Literary Imagination (Winter, 2001) (fiction.) .
  29. Various, , Mysterious actions: New American drama, edited by McAuliffe, J; Noland, W, South Atlantic Quarterly, vol. 99 no. 2/3 (2000), pp. 273-275, Duke University Press (Guest Editor.) [doi] .
  30. McAuliffe, J, The Neurology of Ninfa, Italy, Italy (1999) .
  31. Plays, Movies, and Critics, edited by McAuliffe, J (1993), Duke Press .
  32. McAuliffe, J, The Church of the Desert: Reflections on The Sheltering Sky, in Plays, Movies, and Critics (Spring, 1993), Duke Press .
  33. McAuliffe, J, American Dreaming: 1492, Duke Magazine (May, 1992) .
  34. McAuliffe, J, Standing on End, Southwest Review (Spring, 1989) (short story.) .

Metzger, Sean

  1. S. Metzger, When Men Dance: Choreographing Masculinities across Borders, Dance Research Journal, vol. 44 no. 1 (Summer, 2012), pp. 118-119 .
  2. S. Metzger, Mifune and Me: Asian/American Corporeal Citations and the Politics of Mobility, The Journal of Transnational American Studies, vol. 4 no. 1 (2012), pp. 18 pages [acgcc_jtas] .
  3. S. Metzger, Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity; Beyond the Black Lady: Sexuality and the New African American Middle Class, American Literature, vol. 83 no. 4 (Dec 2011), pp. 866-868 .
  4. S. Metzger, At the Vanishing Point: Theatre and Asian/American Critique, American Quarterly, vol. 63 no. 2 (2011), pp. 277-300 .
  5. S. Metzger, Le Rugissement du Lion: Mapping and Memory in Montreal’s Chinese/Canadian Street Theater, in New Essays in Canadian Theatre Vol. 1: Asian Canadian Theatre, edited by Nina Lee Aquino and Ric Knowles (2011), Playwrights Canada Press [html] .
  6. Embodying Asian/American Sexualities (2010)  [author's comments].
  7. with Olivia Khoo, Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (2009), Intellect [available here] .
  8. S. Metzger, Saving Face, or the Future Perfect of Queer Chinese/American Cinema?, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (2009), pp. 223-240 .
  9. with Olivia Khoo, Introduction, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (2009), pp. 13-34 .
  10. with Gina Masequesmay, Introduction: Embodying Asian/American Sexualities, in Embodying Asian/American Sexualities (2009), pp. 1-21 .
  11. with Michaeline Crichlow and Patricia Northover, Questioning Freedoms in the Atlantic World (intro essay), Cultural Dynamics, vol. 21 no. 3 (2009), pp. 215-225 .
  12. S. Metzger, Unsettling: Towards a Chinese/Cuban Cultural Critique, Cultural Dynamics, vol. 21 no. 3 (2009), pp. 317-338 .
  13. with Michaeline Crichlow, Race, Space, Place: Making and Unmaking Freedoms in the Atlantic World, Cultural Dynamics, vol. 21 no. 3 (2009) .
  14. Ripples in the Seascape: The Cuba Commission Report and the Idea of Freedom, Afro-Hispanic Review, vol. 27 no. 1 (Spring, 2008), pp. 105-121 .
  15. S. Metzger, Yuko Kurahashi et al, Performance Review of The First National Asian American Theater Festival, Theatre Journal, vol. 60 no. 2 (May 2008), pp. 283-285 .
  16. Performance Review of Yohen, Theatre Journal, vol. 51 no. 4 (Dec 1999), pp. 68-70 .
  17. S. Metzger, The Provincetown Players and the Culture of Modernity; Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement; Performance in America: Contemporary U.S. Culture and the Performing Arts, American Literature, vol. 79 no. 4 (December, 2007) .
  18. S. Metzger, Double Agency: Acts of Impersonation in Asian American Literature and Culture and Americans First: Chinese Americans and the Second World War, American Literature, vol. 79 no. 1 (March, 2007), pp. 201-203 .
  19. S. Metzger, The Little (Chinese) Mermaid: Importing "Western" Femininity in Lou Ye's Suzhou he (Suzhou River), in How East Asian Films Are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea, and Hong Kong, edited by Andrew David Jackson, Michael Gibb, and Dave White (2007), pp. 135-154, The Edwin Mellen Press .
  20. with Gina Masequesmay, Embodying Asian/American Sexualities (2009), Lexington Books [CATALOG.db&eqSKUdata=0739129031] .
  21. Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s and From Inner Worlds to Outer Space: The Multimedia Performances of Dan Kwong, TDR, vol. 50 no. 192 (Winter, 2006) .
  22. Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the late 30s, Quarterly Review of Film and Video, vol. 23 no. 1 (2006), pp. 1-11 .
  23. The Protestant Ethnic and the Spirit of Capitalism by Rey Chow, Modern Chinese Literature and Culture and MCLC Resource Center Publication (February, 2005) [htm] .
  24. Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama, Theatre Journal, vol. 56 (December, 2004), pp. 627-651 .
  25. with Cathy Irwin, Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance, edited by Sansan Kwan and Kenneth Speirs, Mixing It Up: Multiracial Subjects (2004), pp. 163-180, University of Texas .
  26. Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou's Turandot, Asian Theatre Journal, vol. 20 no. 2 (Fall, 2003), pp. 209-217 .
  27. Filmic Revisions of Vietnam and the MIAs (Male Indochinese Asexuals), Quarterly Review of Film and Video, vol. 19 no. 2 (2002), pp. 107-121 .
  28. Eugenie Chan, in Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, edited by Miles X. Liu (2002), pp. 18-23, Greenwood Publishing .
  29. Mulan, verkleedpartijen in China, edited by Nadia Lie & Theo D'haen, Zorro & Co. : Populaire personages en het koloniale verleden. (2002), pp. 117-126, Nijmegen:Vantilt .
  30. with Hope Medina, Performing America: Cultural Nationalism in American Theater, Theatre Journal, vol. 53 (May, 2001), pp. 358-360 .
  31. Farewell My Fantasy, Journal of Homosexuality, vol. 39 no. 3-4 (2000), pp. 213-232 (also published in Queer Asian Cinema, ed. Andrew Grossman (NY: Haworth Press, 2000). Revised version in Chinese translation published as "Ba Wang Bie Ji Kua Xingbie yu Wenhua de Huanmie." Ed. and Trans. Ya-Chen Chen. Ba Wang Bie Ji: Tongxinglian Yuedu yu Kua Wenhua Duehua. Taiwan: Nanhua University Press, 2004: 121-157..) .

Moi, Toril

  1. Moi, T, Acknowledging Hanna Pitkin: A Belated Discovery of a Kindred Spirit, Polity, vol. 55 no. 3 (July, 2023), pp. 479-487 [doi] .
  2. Moi, T, Response to eight respondents to my book Revolution of the Ordinary, Nonsite.org (May, 2019), Emory University .
  3. Anderson, A; Felski, R; Moi, T, Character Three Inquiries in Literary Studies (2019), pp. 160 pages, Trios  [abs].
  4. Moi, T, Acknowledging the Other: Reading, Writing, and Living in The Mandarins, edited by du Graf, L; Elsky, J; Fauré, C, Yale French Studies, vol. 135-136 no. 135-136 (2019), pp. 100-115, Yale University Press .
  5. Anderson, A; Moi, T; Felski, R, Introduction & Rethinking Character, in Character Three Inquiries in Literary Studies (2019), pp. 1-76, University of Chicago Press  [abs].
  6. Moi, T, Lidenskapens grammatikk: Om Vigdis Hjorth og Annie Ernaux (The Grammar of Passion: About Vigdis Hjorth and Annie Ernaux), in Fem kvinner, tre menn og en datter skriver om Vigdis Hjorth, edited by Grøner, E (2019), pp. 77-88, Cappelen Damm .
  7. Moi, T, From femininity to finitude: Freud, lacan, and feminism, again, in Dialogues on Sexuality, Gender and Psychoanalysis (March, 2018), pp. 93-135 .
  8. Moi, T, Describing My Struggle, The Point (December, 2017) .
  9. Moi, T, Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell (May, 2017), pp. 306 pages, University of Chicago Press  [abs].
  10. Moi, T, The adulteress wife, in On Ne Nait Pas Femme: On Le Devient the Life of a Sentence (January, 2017), pp. 103-113 [doi]  [abs].
  11. Moi, T, Hedda’s words: The work of language in Hedda Gabler, in Ibsen's Hedda Gabler: Philosophical Perspectives (January, 2017), pp. 152-173 [doi]  [abs].
  12. Moi, T, Toril Moi leser A.O. Vinje [Toril Moi reads A. O. Vinje] (2016), pp. 62 pages, Nasjonalbiblioteket .
  13. Moi, T, 'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique, in Rethinking Critique, edited by Anker, E; Felski, R (2016), Duke University Press .
  14. Moi, T, Foreword, in The Utopian, by Michael Westlake (2016), pp. VII-XIV, Verbivoracious Press  [abs].
  15. Moi, T, Naised: sugu, soolisus ja vabadus [Translation of “Women: Sex, Gender, and Freedom: Thoughts about Equality and Difference” Manuscript written for the Ministry for Equality’s Feminist Research Conference in Tallinn, Estonia, on June 1, 2015], Sirp: Eesti Kultuurileht (July, 2015), pp. 3-5 (translated by Larin, L; Talvik, R.) .
  16. Moi, T, ‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap, in Å forsvinne i teksten, edited by Køltzow, L; Blad, HP (May, 2015), Flamme Forlag .
  17. Moi, T, Thinking through examples: What ordinary language philosophy can do for feminist theory, New Literary History, vol. 46 no. 2 (March, 2015), pp. 191-216, Johns Hopkins University Press [doi] .
  18. Bauer, N; Beckwith, S; Crary, A; Laugier, S; Moi, T; Zerilli, L, Introduction, New Literary History, vol. 46 no. 2 (March, 2015), pp. v-xiii, Project MUSE [Gateway.cgi], [doi] .
  19. Showalter, E; Moi, T, Elaine showalter a literature of their own, in Feminist Literary Criticism (January, 2014), pp. 24-52 [doi]  [abs].
  20. Moi, T, Fem røde epler: Fra navn til bruk. En kommentar til §1 i Wittgensteins Filosofiske undersøkelser” [Five red apples: from names to use, A commentary on §1 in Wittgenstein’s Philosophical Investigations], Edda, vol. 114 no. 4 (2014), pp. 348-353 .
  21. Moi, T, Ibsen’s Late Style, in Henrik Ibsen, The Master Builder and Other Plays (2014), Penguin Books (9,000 words.) .
  22. Moi, T, Stumhet og kjærlighet: En lesning av Amtmandens Døttre [Muteness and Love: A Reading of The District Governor’s Daughters]., in Å bli en stemme: Nye studier i Camilla Colletts forfatterskap, edited by Haugen, T (2014), pp. 33-54, Novus Forlag .
  23. Moi, T, ’Something That Might Resemble a Kind of Love’: Fantasy and Realism in Henrik Ibsen’s Little Eyolf, in Understanding Love Through Philosophy, Film, and Fiction, ed. Susan Wolfe and Christopher Grau, edited by Susan Wolf and Christopher Grau (December, 2013), pp. 185-208, Oxford University Press .
  24. Moi, T, Hedda's Silences: Beauty and Despair in Hedda Gabler, MODERN DRAMA, vol. 56 no. 4 (Winter, 2013), pp. 434-456, University of Toronto Press Inc. (UTPress) [Gateway.cgi], [doi]  [abs].
  25. Moi, T, Shame and Openness: On Karl Ove Knausgård, Salmagundi Magazine, vol. 107 no. Winter (2013), pp. 205-210 (translated by Moi, T; Lunde, AF.) .
  26. Moi, T, Afterword: How the French Read, New Literary History, vol. 44 no. 2 (Spring, 2013), pp. 299-314, Johns Hopkins University Press [doi] .
  27. Moi, T, ‘To Make them Other, and Face Them’: Literature, Philosophy and ‘La Femme rompue’, in Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize, edited by Atack, M; Holmes, D; Knight, D; Still, J (2012), pp. 11-24, Oxford: Legenda .
  28. Moi, T, Access to the Universal: Language, Literature and the Humanities, in The Critical Pulse: Thirty-Six Credos by Contemporary Critics, edited by Williams, J; Steffen, H (2012), pp. 183-87, Columbia University Press .
  29. Toril, M, Henrik Ibsen and idealism: Rethinking literary history of the XIX century, Etudes Germaniques, vol. 62 no. 4 (December, 2007), pp. 915-932  [abs].
  30. Dupont, N; Moi, T, The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase, Contemporary French and Francophone Studies, vol. 10 no. 2 (December, 2006), pp. 127-140 [doi] .
  31. Moi, T, Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy (2006), pp. xvi + 396 pages, Oxford University Press .
  32. Moi, T, Sex, Gender and the Body: The Student Edition of What Is a Woman? (2005), pp. xv + 274 pages, Oxford and New York: Oxford University Press (Contains the first two essays in What Is a Woman? and a new preface..) .
  33. Moi, T, Introduction, in Camille The Lady of the Camellias, by Alexandre Dumas Fils, vol. 4 (2003), pp. iii, Signet Classics [doi]  [abs].
  34. Moi, T, What Is a Woman? and Other Essays (January, 1999), pp. xv + 517 pages, Oxford University Press .
  35. Moi, T, "Am I That Name": Reply to Deborah Knight, New Literary History, vol. 26 no. 1 (December, 1995), pp. 57-62, Project MUSE [Gateway.cgi], [doi] .
  36. MOI, T, ANOTHER COLETTE - THE QUESTION OF GENDERED WRITING - HUFFER,L, FRENCH FORUM, vol. 20 no. 2 (1995), pp. 250-252 [Gateway.cgi] .
  37. Moi, T, Simone de Beauvoir: The Making of an Intellectual Woman (1994), pp. xii + 324 pages, Blackwell .
  38. MOI, T; MITCHELL, J, PSYCHOANALYSIS, FEMINISM, AND POLITICS, A CONVERSATION WITH MITCHELL,JULIET, SOUTH ATLANTIC QUARTERLY, vol. 93 no. 4 (1994), pp. 925-949 [Gateway.cgi] .
  39. Moi, T, Review Article Femininity Revisited, Journal of Gender Studies, vol. 1 no. 3 (May, 1992), pp. 324-334, Informa UK Limited [doi] .
  40. Moi, T, She died because she came too late…" knowledge, doubles and death in thomas's tristan, Exemplaria, vol. 4 no. 1 (January, 1992), pp. 105-133, Informa UK Limited [doi] .
  41. Moi, T, Simone de Beauvoir's L'Invitée: an existentialist melodrama, Paragraph, vol. 14 no. 2 (July, 1991), pp. 151-169, Edinburgh University Press [Gateway.cgi], [doi] .
  42. MOI, T, Review. Subject to Change: Reading Feminist Writing. Miller, Nancy K., French Studies, vol. 45 no. 1 (January, 1991), pp. 112-112, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  43. MOI, T, Review. Politics, Philosophy, Culture: Interviews and Other Writings 1977-1984. Edited with an introduction by Lawrence D. Kritzman. Foucault, Michel, French Studies, vol. 44 no. 3 (July, 1990), pp. 370-370, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  44. MOI, T, BOOKS OR SPINNING-WHEELS - ON WOMEN, PHILOSOPHY, ET-CETERA - FRENCH - LEDOEUFF,M, TLS-THE TIMES LITERARY SUPPLEMENT no. 4549 (1990), pp. S13-S13 [Gateway.cgi] .
  45. MOI, T, SEXUAL SUBVERSIONS - 3 FRENCH FEMINISTS - GROSZ,E, TLS-THE TIMES LITERARY SUPPLEMENT no. 4549 (1990), pp. S13-S13 [Gateway.cgi] .
  46. MOI, T, A WORLD OF DIFFERENCE - JOHNSON,B, SUB-STANCE no. 59 (1989), pp. 120-122 [Gateway.cgi] .
  47. MOI, T, Review. Simone de Beauvoir: Witness to a Century. Wenzel, Helene Vivienne (ed.), French Studies, vol. 42 no. 2 (April, 1988), pp. 235-236, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  48. Moi, T, Leo Bersani, The Freudian Body: Psychoanalysis and Art, New York: Columbia University Press, 1986, £15.45, 126 pp, History of the Human Sciences, vol. 1 no. 2 (January, 1988), pp. 276-279, SAGE Publications [doi] .
  49. DANIUS, S; MOI, T, AN INTERVIEW WITH MOI,TORIL ON LITERATURE AND SEXUAL POLITICS, BLM-BONNIERS LITTERARA MAGASIN, vol. 57 no. 4 (1988), pp. 258-264 [Gateway.cgi] .
  50. MOI, T, Review. Feminism in France. From May '68 to Mitterrand. Duchen, Claire, French Studies, vol. 41 no. 4 (October, 1987), pp. 494-494, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  51. MOI, T, Review. Theory as Fiction. Bowie, Malcolm, Freud, Proust and Lacan., French Studies, vol. 41 no. 4 (October, 1987), pp. 469-469, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  52. MOI, T, Review. Cross-References. Modern French Theory and the Practice of Criticism. Kelley, David and Llasera, Isabelle (eds), French Studies, vol. 41 no. 3 (July, 1987), pp. 371-371, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  53. Various, , French Feminist Thought, edited by Moi, T (1987), pp. x + 260 pages, Blackwell .
  54. MOI, T, FRENCH FEMINIST CRITICISM, WOMEN, LANGUAGE, AND LITERATURE, AN ANNOTATED-BIBLIOGRAPHY - GELFAND,ED, HULES,VT, FRENCH STUDIES, vol. 41 no. 1 (1987), pp. 114-116 [Gateway.cgi] .
  55. MOI, T, FEMMES, RECENT WRITINGS ON FRENCH WOMEN - WEITZ,MC, FRENCH STUDIES, vol. 41 no. 1 (1987), pp. 114-116 [Gateway.cgi] .
  56. MOI, T, Review. The Knowledge of Ignorance. From Genesis to Jules Verne. Martin, Andrew, French Studies, vol. 40 no. 2 (April, 1986), pp. 246-246, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  57. MOI, T, Review. Cousins, Mark and Hussain, Athar, Michel Foucault, French Studies, vol. 40 no. 1 (January, 1986), pp. 113-113, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  58. Kristeva, J, The Kristeva Reader, edited by Moi, T (1986), pp. viii + 327 pages, Oxford: Blackwell, and New York: Columbia .
  59. MOI, T, CIXOUS,HELENE, WRITING THE FEMININE - CONLEY,VA, QUINQUEREME-NEW STUDIES IN MODERN LANGUAGES, vol. 9 no. 1 (1986), pp. 80-83 [Gateway.cgi] .
  60. Moi, T, Sexual/Textual Politics: Feminist Literary Theory (1985), pp. xviii + 206 pages, Methuen .

Montozzi-Wood, Johann R.

  1. Montozzi-Wood, J, Queer Epistemologies in the Making of Queer Makishi: Visibility, Trans-position, and Devised Performance Practice, in Performing Arousal: Precarious Bodies and Frames of Representation, edited by Listengarten, J; Meerzon, Y (December, 2021), Methuen Drama  [abs].

Morris, Christine

  1. The VASTA Voice and Speech Workout and CD, edited by Janet Rodgers (2000), Applause Books (An anthology of voice and speech warmups, songs, and exercises contributed by leading voice and speech specialists and practitioners. Ms. Morris is one of the professionals who contributed to the collection.) .
  2. C. Morris and Gillian Lane-Plescia, Accents of the American South, II (1998) (Collected numerous North Carolina and other Southern dialect samples for study and publication. Used internationally by voice coaches, directors, and actors.) .

O'berski, Jaybird

  1. Berski, JO, Middleton & Rowley’s THE CHANGELING, edited by Ewert, K; Edmondson, P (May, 2012), Palgrave Macmillan [title.aspx]  [abs].

Odendahl-James, Jules

  1. Stewart, KA; Loiseau, N; Odendahl-James, J; Rainer, C; Alexopoulos, E, Theatre as a Transformative Learning Experience for US-Based Students of Global Health Ethics, Critical Stages no. 17 (2018), pp. 1-16 .
  2. Odendahl-James, J, Audience as Performer: The Changing Role of Theatre Audiences in the Twenty-First Century. By Caroline Heim . London and New York: Routledge, 2016; pp. 190. $125 cloth, $47.95 paper, $47.95 e-book., Theatre Survey, vol. 58 no. 3 (September, 2017), pp. 420-422, Cambridge University Press (CUP) [doi] .
  3. Odendahl-James, J, THEATRE FOR CHILDREN IN HOSPITAL: THE GIFT OF COMPASSION, Theatre Journal, vol. 69 no. 4 (2017), pp. 604-606 .
  4. Odendahl-James, J, THE PENELOPE PROJECT: AN ARTS-BASED ODYSSEY TO CHANGE ELDER CARE, Theatre Journal, vol. 69 no. 4 (2017), pp. 604-606 .
  5. Odendahl-James, J, Review of Karen H. Rothenberg and Lynn Wein Bush, The Drama of DNA: Narrative Genomics., The American Journal of Bioethics : Ajob, vol. 16 no. 12 (December, 2016), pp. W17-W19 [doi] .
  6. Odendahl-James, J, Women's Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries. By Leslie Atkins Durham. New York: Palgrave Macmillan, 2013; pp. ix + 214. $95 cloth, $95 e-book., Theatre Survey, vol. 56 no. 3 (September, 2015), pp. 435-437, Cambridge University Press (CUP) [doi] .
  7. Odendahl-James, J, Mapping and Making: Dramaturg as Performance Geneticist, Theater Topics, vol. 24 no. 3 (September, 2014), pp. 211-223, Routledge .
  8. Odendahl-James, J, The Science of Dramaturgy and the Dramaturgy of Science, in The Routledge Companion to Dramaturgy (August, 2014), pp. 381-388, Routledge [doi]  [abs].
  9. Odendahl-James, J, Book Review: The Rise of True Crime: 20th-Century Murder and American Popular Culture, Crime, Media, Culture: an International Journal, vol. 6 no. 2 (August, 2010), pp. 243-247, SAGE Publications [doi] .
  10. Odendahl-James, J, Radical Acts: Theater and Feminist Pedagogies of Change. Edited by Ann Elizabeth Armstrong and Kathleen Juhl. San Francisco, CA: Aunt Lute Books, 2007; pp. 329. $17.95 paper., Theatre Survey, vol. 51 no. 1 (May, 2010), pp. 173-175, Cambridge University Press (CUP) [doi] .
  11. Odendahl-James, J, Review of The Rise of True Crime: Murder and Twentieth Century Armerican Culture by Jean Murley., Crime, Media, Culture (2010) .
  12. Odendahl-James, J, Review of Radical Acts: Theatre and Feminist Pedagogies of Change, eds. Ann Elizabeth Armstrong and Kathleen Juhl., Theatre Survey, vol. 51 no. 1 (2010) .
  13. Odendahl-James, J, "Science is no country for storytellers, baby.": Bones as a Forensic Procedural. (2010) [science-no-country-storytellers-baby-bones-forensic-procedural] .
  14. Odendahl, J, The Thin Blue Line, in Encyclopedia of Documentary Film (2006), Routledge (Encyclopedia Entry..) .
  15. Odendahl, J, Arts Funding and Censorship, in Social Issues: An Encyclopedia of Controversies, Histories, and Debates, edited by Ciment, J (2006), pp. 169-77, East River Books (Article-length encyclopedia entry..) .
  16. Odendahl, J, Longinotto, Kim, in Encyclopedia of Documentary Film (2006), Routledge (Encyclopedia Entry..) .
  17. Odendahl, J, "Embodied Views to the Visual Through Interdisciplinary and Reflexive Methodologies", Text and Performance Quarterly (January, 2003)  [abs].
  18. Odendahl, J, Giving, Loving, and Writing, M/C: a Journal of Media and Culture, vol. 5 no. 6 (November, 2002) .
  19. with Odendahl-James, J; Rowett, K; Morton-Brown, M, The Three Faces of Ophelia or What’s a Nice Girl Like You Doing In a River Like This?, in Selected Papers from Duke University’s Eighth Annual Women Studies' Graduate Research Conference, Durham, 14-15 November 1997 (1998), pp. 118-135, Duke University’s Department of Women’s Studies .

Porter, Joseph A.

  1. Porter, JA, A Thread, edited by Rowan, L, Golden Handcuffs Review, vol. II no. 23 (June, 2017), pp. 65-69, Golden Handcuffs Review Publications .
  2. O'Brien, S, THEN AND NOW, Tls the Times Literary Supplement no. 5890 (February, 2016), pp. 16-16 [Gateway.cgi] .
  3. Touchez du bois: Nouvelles (forthcoming), Joelle Losfeld/Gallimard .
  4. Mercury, in Stanford Global Shakespeare Encyclopedia, edited by Patricia Parker (forthcoming), Stanford UP .
  5. Review of Lena Cowen Orlin, ed. Othello: The State of Play, Renaissance Quarterly (Fall, 2015) .
  6. from Deep France: A Memoir, Traveltainted (online) (Spring, 2015) .
  7. Character and Ideology in Shakespeare, in Shakespeare Left and Right: Routledge Revivals, edited by Ivo Kamps (2015) (Reprint from 1991.) .
  8. Mercutio (repr. from Shakespeare's Mercutio), in Romeo and Juliet: A Norton Critical Edition, edited by Gordon McMullan (forthcoming), WW Norton .
  9. Porter, JA, Othello: The State of Play. Lena Cowen Orlin, ed. Arden Shakespeare: The State of Play. London: Bloomsbury, 2014. xi + 290 pp. $26.95., Renaissance Quarterly, vol. 68 no. 3 (2015), pp. 1148-1149, Cambridge University Press (CUP) [Gateway.cgi], [doi] .
  10. Porter, JA, Mercury, in Shakespeare Encyclopedia (December, 2014), Greenwood .
  11. Porter, JA, Mr. Seguin's Goat: Reverse Translation from Daudet, _Lettres de mon moulin_, Golden Handcuffs Review (May, 2014) .
  12. Porter, JA, Nadine (repr. with new preface), New Madrid (May, 2014) .
  13. porter, J, In the Mind's Eye (April, 2014) .
  14. Porter, JA, Strange Motions: Unintentional Patternings in the Plots of Hal's Plays (April, 2014) .
  15. Porter, JA, Interview (April, 2014) .
  16. Porter, JA, The Vacation (April, 2014) .
  17. Porter, JA, Gender Vectors in the Pragmatic Space of Shakespearean Drama (April, 2014) .
  18. Porter, JA, Pragmatics of Duologue: King John, Romeo and Juliet, and Measure for Measure (April, 2014) .
  19. Porter, JA, Fraternal Pragmatics: John and the Bastard (April, 2014) .
  20. Porter, JA, Bright Glances (April, 2014) .
  21. Porter, JA, St. Sylvere's Head (April, 2014) .
  22. Porter, JA, St. Sylvere's Head (April, 2014) .
  23. Porter, JA, St. Sylvere's Head (April, 2014) .
  24. Porter, JA, Mercutio in Performance (April, 2014) .
  25. Porter, JA, Mercutio and Marlowe (April, 2014) .
  26. Porter, JA, Aerial View (April, 2014) .
  27. Porter, JA, Pragmatics and Shakespeare (April, 2014) .
  28. Porter, JA, St. Sylvere's Head (April, 2014) .
  29. Porter, JA, Retrieval (April, 2014) .
  30. Porter, JA, St.Sylvere's Head (April, 2014) .
  31. Porter, JA, St. Sylvere's Head (April, 2014) .
  32. Porter, JA, West Baltimore and Attention Shoppers (April, 2014) .
  33. Porter, JA, Politics and Shakespeare (April, 2014) .
  34. Porter, JA, Yours (April, 2014) .
  35. Porter, JA, Why Write, Who For? (April, 2014) .
  36. Porter, JA, An Errand (April, 2014) .
  37. Porter, JA, Work in Progress (April, 2014) .
  38. Porter, JA, An Errand (April, 2014) .
  39. Porter, JA, Aerial View (April, 2014) .
  40. Porter, JA, Naufrage and Diapason (April, 2014) .
  41. Porter, JA, Homage to William Faulkner (April, 2014) .
  42. Porter, JA, Joe Ashby Porter: New Fiction (April, 2014) .
  43. Porter, JA, from Resident Aliens (April, 2014) .
  44. Porter, JA, Scrupulous Amadee (April, 2014) .
  45. Porter, JA, Duckwalking (April, 2014) .
  46. Porter, JA, From Resident Aliens (April, 2014) .
  47. Porter, JA, from Resident Aliens (April, 2014) .
  48. Porter, JA, from Resident Aliens and "Scrupulous Amadee" (April, 2014) .
  49. Porter, JA, from Resident Aliens (April, 2014) .
  50. Porter, JA, from Resident Aliens (April, 2014) .
  51. Porter, JA, from Resident Aliens (April, 2014) .
  52. Porter, JA, from Resident Aliens (April, 2014) .
  53. Porter, JA, A Pear-shaped Woman and a Fuddy-duddy (April, 2014) .
  54. Porter, JA, A Man Wanted to Buy a Cat (April, 2014) .
  55. Porter, JA, Close Reading Without Readings (April, 2014) .
  56. Porter, JA, Revisiting Shakespeare's Eliot (April, 2014) .
  57. Porter, JA, Ultrafiction (April, 2014) .
  58. Porter, JA, "The Murder of Gonzago" in _Hamlet_: What's the Word (April, 2014) .
  59. Porter, JA, Plus d'un titre, Live Radio Conversation, Radio France Culture (April, 2014) .
  60. Porter, JA, Le futur proche, Reading and Discussion (April, 2014) .
  61. Porter, JA, A Conversation on Literary Translation (April, 2014) .
  62. Porter, JA, 2012, Constitutive Vision and Spectral Textuality in _Othello_ (April, 2014) .
  63. Porter, JA, Response to Marie Chaix, Silences, or A Woman’s Life, Golden Handcuffs Review, vol. 18 (2014) .
  64. Porter, JA, Dear Toby, Golden Handcuffs Review, vol. 19 (2014) .
  65. Porter, JA, Review of Marie Chaix, Woman's Life, Golden Handcuffs Review (2014) .
  66. Porter, JA, In a Nutshell, Golden Handcuffs Review, vol. 18 (Winter, 2014) .
  67. eds. Joseph A. Porter, Edward McGee, and (Assoc. Ed.) Jill levenson, New Variorum Othello (In progress since ca. 1990) .
  68. Shakespeare, W, New Variorum Othello (in progress), edited by Porter, Joseph A, ; McGee, Edward, ; Levenson, Jill, (2013) .
  69. Porter, JA, For Bob, in Review of Contemporary Fiction 33.1: Robert Coover Festschrift (2012) .
  70. Porter, JA, An Interface (2012) .
  71. Porter, JA, In a Nutshell, Preliminary Sketch, Fence (2012) .
  72. Porter, JA, Le futur proche (2011), Joëlle Losfeld/Gallimard (Paris) (Translation by Bernard Hoepffner of _The Near Future_.) .
  73. Porter, JA, Burnt Alum, Golden Handcuffs Review (Spring, 2011) .
  74. Mathews, R; Peterson, ED, Response., Revista Espanola De Cardiologia (English Ed.), vol. 63 no. 10 (2010), pp. 1215-1216 [doi] .
  75. Porter, JA, About my Fiction (2010) .
  76. Porter, JA, Eloquence and Liminality (repr. from Shakespeare’s Mercutio), in Shakespearean Criticism, vol. 118 (February, 2009), Gale .
  77. Porter, JA, Review of Toby Olson, _Tampico_, Golden Handcuffs Review (2009) .
  78. Porter, JA, Now This, in Long Story Short: Flash Fiction by . . . North Carolina's Finest Writers (2009) .
  79. Porter, JA, All Aboard: Stories (2008), Turtle Point Press .
  80. Porter, JA, Now This, repr, in Long Story Short: Flash Fiction by Sixty-five of North Carolina’s Finest Writers (2008), UNC Press .
  81. Porter, JA, Review of Ben Fountain, _Close Encounters with Che Guevara_, Duke Magazine (2008) .
  82. Porter, JA, Race and Othello's Slavery: A Passage in Genre Fugue. (2008) .
  83. Porter, JA, Dream On, Golden Handcuffs Review, vol. I no. 10 (2008) .
  84. Porter, JA, Blind Spots: Ocular Proof in _Othello_ Discourse (2007) .
  85. Porter, JA, Nadine, repr., with new preface, New Madrid (2007) .
  86. Porter, JA, The Near Future (2006), (novel), Turtle Point Press .
  87. Ashby Porter, J, 'Solstice', Michigan Quarterly Review, vol. 45 no. 4 (2006), pp. 655-674 [Gateway.cgi] .
  88. Porter, JA, Merrymount, Yale Review (2006) .
  89. Porter, JA, Solstice, Michigan Qurterly Review (2006) .
  90. Marlowe, Shakespeare, and the Canonization of Heterosexuality (2nd repr.), in Literary and Cultural Theory: From Basic Principles to Advanced Applications, edited by James E. Hall (2005 [2001]) .
  91. Porter, JA, Marlowe, Shakespeare, and the Canonization of Heterosexuality (2nd. reprint), in Literary and Cultural Theory: From Basic Principles to Advanced Applications (2005) .
  92. Porter, JA, Bowling Green, repr, in The Kentucky Anthology: Two Hundred Years of Writing in the Bluegrass State, edited by Hall, W (2005), U. Press of KY .
  93. Porter, JA, West Baltimore, repr, in So the Story Goes: Twenty-Five Years of the Johns Hopkins Short Fiction Series, edited by Irwin, JT; McGarry, J (2005), Johns Hopkins Universisty Press .
  94. Porter, JA, Revisiting Shakespeare’s Eliot, Renaissance Papers 2004 (2005) .
  95. Porter, JA, Rare Accidents: Pangs of Scriptive Transparency (2005) .
  96. Porter, JA, Textual Alter Egos: Life as Reader and Writer (2005) .
  97. Porter, JA, Tamiami Trail, excerpt from _The Near Future_, English Studies Forum (Online) (2005) .
  98. Porter, JA, Reunion Eve, Golden Handcuffs Review (2005) .
  99. Porter, JA, Manatee, excerpt from _The Near Future_, Golden Handcuffs Review (2005) .
  100. Porter, JA, Mr. Seguin’s Goat: Reverse Translation from Daudet, _Lettres de mon moulin_, Golden Handcuffs Review (2005) .
  101. Oster, J, Joseph A. Porter/Joe Ashby Porter, Duke Arts and Sciences News (2004) .
  102. Porter, JA, Pending, Harrington Gay Men’S Fiction Quarterly (2004) .
  103. Porter, JA, "Bone Key" from _Touch Wood_ (2003) .
  104. Porter, JA, "Touch Wood," Featured Reading (2003) .
  105. Porter, JA, Touch Wood: Short Stories (2002), Turtle Point Press [available here] .
  106. Porter, JA, from Shakespeare’s Mercutio, vol. 68 (2002), Detroit: Gale Research .
  107. Porter, JA, An Errand and Touch Wood (2002) .
  108. Porter, JA, Touch Wood (2002) .
  109. Porter, JA, Touch Wood (2002) .
  110. Porter, JA, A Man Wanted to Buy a Cat, Kenyon Review (2002) .
  111. Porter, JA, Multiple Identities, Duke Magazine (February, 2001) .
  112. Yours, in Home and Beyond: An Anthology of Kentucky Short Stories (2001), Lexington: U Kentucky P .
  113. Porter, JA, Eloquence and Liminality: Glossing Mercutio’s Speech Acts, in Romeo and Juliet: New Casebooks, edited by White, RS (2001), Palgrave (Reprinted from Shakespeare's Mercutio.) .
  114. Porter, JA, "To Mauretania": Re-framing Othello: Contexts, Para-texts and Critical New Directions." (2001) .
  115. Porter, JA, from Resident Aliens and Touch Wood (2001) .
  116. Porter, JA, Icehouse Burgess, Yale Review (July, 2000) .
  117. Porter, JA, Resident Aliens (novel) (2000), New Amsterdam/Ivan R. Dee .
  118. Porter, JA, The Wild Goose Chase: Teaching Metaphor in Romeo and Juliet, in Approaches to Teaching Romeo and Juliet, edited by Hunt, M (2000), Modern Language Association of America .
  119. Porter, JA, Roof Work from This is Where We Live (2000) .
  120. Porter, JA, Separated at Birth: Hamlet, Othello, Welles, Olivier (2000) .
  121. Porter, JA, Naufrage and Diapason, and Touch Wood (1999) .
  122. Porter, JA, Roof Work (1999) .
  123. Touch Wood, Carolina Quarterly (1998) .
  124. Porter, JA, Review of Andre Brink’s Destabilizing Shakespeare, Shakespeare Quarterly (1998) .
  125. Porter, JA; Brink, A; Brink, A, Destabilising Shakespeare, Shakespeare Quarterly, vol. 49 no. 2 (1998), pp. 235-235, Oxford University Press (OUP) [Gateway.cgi], [doi] .
  126. Porter, JA, Jojo's Sabbatical Report (1998) .
  127. Porter, JA, Millennial Editing (1998) .
  128. Porter, JA; ed,, Critical Essays on Shakespeare’s Romeo and Juliet (1997), Boston: G. K. Hall .
  129. Porter, JA, In the Mind, in The Store of Joys: Writers Celebrate the NC Museum of Art’s 50th Anniversary (1997), Winston-Salem: John F. Blair .
  130. Porter, JA, Naufrage and Diapason, in Voices from Home: The North Carolina Prose Anthology (1997), Greensboro, NC: Avisson (Originally appeared in Fiction, 1995.) .
  131. Porter, JA, In The Mind, Th Store of Joys: Writers Celebrate the Nc Museum of Arts 50th Anniversary (1997), JOhn F. Blair .
  132. Belleforest's 'Vn esclaue More' and Othello, Shakespeare Quarterly, vol. 47 no. 2 (1996) .
  133. Porter, JA, A Calling, vol. 8 no. 2 (1996) .
  134. Porter, JA, Aaron, Eleazor, Othello: Surfing the Islamic Intertext in Early Modern English Drama (1996) .
  135. Porter, JA, Bone Key, Yale Review (1996) .
  136. Porter, JA, A Calling, Journal of Kentucky Studies (1995) .
  137. Porter, JA, Slavery Racialized (1994) .
  138. Porter, JA, An Errand, Fiction International (1994) .
  139. Porter, JA, Renaissance Sexuality and Text: Three Studies, Research Opportunities in Renaissance Drama, vol. 33 (1993) (Review of Gregory W. Bredbeck's Sodomy and Interpretation: Marlowe to Milton; Mary Beth Rose's, The Expense of Spirit: Love and Sexuality in English Renaissance Drama; and Bruce R. Smith's Homosexual Desire in Shakespeare's England: A Cultural Poetics.) .
  140. Porter, JA, Puzzling Marston and Homer: (A Response to Brownell Salomon and W. E. Slights), Connotations, vol. 2 no. 1 (1992) .
  141. Porter, JA, Teaching Shakespeare (1992) .
  142. Randall, DBJ, Renaissance Papers 1990 (1991), Southeastern Renaissance Conference .
  143. Porter, JA, Symposium: Contemporary American Fiction (rev.), in Writers and Their Craft: Short Stories and Essays on the Narrative, edited by Delbanco, N; Goldstein, L (1991), Detroit: Wayne State .
  144. Porter, JA, Complement Extern: Iago’s Speech Acts, in Othello: New Perspectives, edited by Vaughan, V (1991), Rutherford NJ: Fairleigh Dickenson UP .
  145. Porter, JA, Character and Ideology in Shakespeare, in Shakespeare Left and Right, edited by Kamps, I (1991), New York: Routledge .
  146. Porter, JA, Lithuania: Short Stories (1990), Johns Hopkins UP .
  147. Randall, DBJ, Renaissance Papers 1989 (1990), Southeastern Renaissance Conference .
  148. Porter, JA, Practice and Theory in Shakespeare Computing (1990) .
  149. Porter, JA, Openings (1990) .
  150. Porter, JA, Playing for Keeps, New American Writing (1990) .
  151. Porter, JA, Attention, Shoppers, Witness (1990) .
  152. Porter, JA, Playing for Keeps (1990) .
  153. Marlowe, Shakespeare, and the Canonization of Heterosexuality, in Displacing Homophobia: Gay Male Perspectives in Literature and Culture, edited by Ronald R. Butters, John M. Clum, and Michael Moon (1989), Durham: Duke UP (repr.,.) .
  154. Porter, JA, Shakespeare’s Mercutio: His History and Drama (1989), UNC Press .
  155. Randall, DBJ, Renaissance Papers 1988 (1989), Southeasteern Renaissance Conference .
  156. Porter, JA, Marlowe, Shakespeare, and the Canonization of Heterosexuality, in Displacing Homophobia: Gay Male Perspectives in Literature and Culture, edited by Butters, RR; Clum, JM; Moon, M (1989), Durham: Duke UP .
  157. Randall, DBJ, Renaissance Papers 1987 (1988), Southeastern Renaissance Conference .
  158. Porter, JA, Fraternal Pragmatics: Speech Acts of John and the Bastard, in King John: New Perspectives, edited by Aquino, DC (1988), Newark: U of Delaware P .
  159. Porter, JA, Retrieval, Raritan a Quarterly Review (1988), Rutgers University .
  160. Porter, JA, Retrieval, Raritan a Quarterly Review (1988), Rutgers University .
  161. Porter, JA, Symposium: Contemporary American Fiction, Michigan Quarterly Review (1988) .
  162. Porter, JA, Speech Acts of Iago (1988) .
  163. Randall, DBJ, Renaissance Papers 1986 (1987), Southeastern Renaissance Conference .
  164. JA Porter, Symposium: Contemporary American Fiction, Michigan Quarterly Review (1987) .
  165. PORTER, JA, Review of Shakespeare's Politics by Ekbert Faas, Renaissance Quarterly, vol. 40 no. 2 (1987), pp. 372-374, University of Chicago Press [Gateway.cgi], [doi] .
  166. Porter, JA, Symposium: Contemporary American Fiction (1987) .
  167. Porter, JA, Romeo and Juliet and Mercutio: Toward Postfeminist Tragedy (1987) .
  168. Porter, JA, St. Silvere’s Head (version one), Archive Centennial Issue (1987) .
  169. Porter, JA, St. Silvere’s Head (version two), Confrontation Southern Writing Issue (1987) .
  170. Porter, JA, Aerial View, The Louisville Review (1987) .
  171. Pragmatics for Criticism: Two Generations of Speech Act Theory, Poetics, vol. 15 no. 3 (1986) .
  172. Randall, DBJ, Renaissance Papers 1985 (1986), Southeastern Renaissance Conference .
  173. Porter, JA, More Echoes from Eliot’s Ortho-epia Gallica, in Lear and Henry V, Shakespeare Quarterly, vol. 37 (1986) .
  174. Porter, JA, Hillcrest Days, Cardinal (1986) .
  175. Porter, JA, The Tunnel, Journal of Kentucky Studies (1986) .
  176. Shakespeare's Universe of Discourse, (Cambridge UP, 1984), Shakespeare Quarterly, vol. 36 no. 4 (1985) .
  177. Randall, DBJ, Renaissance Papers 1984 (1985), Southeastern Renaissance Conference .
  178. Porter, JA, West Baltimore, The American Voice (1985) .
  179. Porter, JA, Renaissance Papers 1983 (1984), Southeastern Renaissance Conference .
  180. Porter, JA, Duckwalking, in The Pushcart Prize IX: Best of the Small Presses (1984) (Also reproduced in Harper's, 1984; originally appeared in Contemporary American Fiction, 1983.) .
  181. Porter, JA, From 1 Henry IV [in The Drama of Speech Acts], in Shakespearean Criticism, edited by Harris, LL (1984), Detroit: Gale Research .
  182. Porter, JA, Mercutio’s Brother, South Atlantic Review, vol. 49 (1984) .
  183. Porter, JA, The Vacation (1984) .
  184. Porter, JA, A Borderline Mercutio (1984) .
  185. Porter, JA, Duckwalking, The Pushcart Prize Ix: Best of the Small Presses (1984) .
  186. Porter, JA, The Supermarket, The Minnesota Review (1984) .
  187. Porter, JA, The Kentucky Stories (1983), Johns Hopkins UP .
  188. Porter, JA, Review of Hayden Carruth’s Working Papers, South Atlantic Quarterly, vol. 82 no. 2 (1983) .
  189. Porter, JA, Nadine, Ploughshares (1983) .
  190. Porter, JA, Bright Glances (1983) .
  191. Porter, JA, The Vacation (1983) .
  192. Porter, JA, How He Met the Celebrities, Northwest Review (1983) .
  193. Porter, JA, Troth, New Directions, vol. 47 (1983) .
  194. Porter, JA, Antaeus (1982) .
  195. Porter, JA, Review of Eileen Jorge Allman’s Player-King and Adversary, South Atlantic Quarterly, vol. 80 no. 2 (1981) .
  196. Porter, JA, Review of John Ashbery’s Shadow Train, Louisville Courier Journal (1981) .
  197. PORTER, JA, Review of Player-King and Adversary by Eileen Jorge Allman, South Atlantic Quarterly, vol. 80 no. 4 (1981), pp. 493-493, Duke University Press [Gateway.cgi] .
  198. Porter, JA, Review of Jonathan Baumbach’s My Father More or Less; B. H. Friedman’s Coming Close; Harold Jaffe’s Mourning Crazy Horse, Louisville Courier Journal (1980) .
  199. Porter, JA, Review of Alan Sillitoe’s The Second Chance, Louisville Courier Journal (1980) .
  200. Porter, JA, Marthe Grosjean, Tobacco Road (1980) .
  201. Porter, JA; Contributing,, The Pushcart Prize: Best of the Small Presses,18- (1980) .
  202. Porter, JA, Manuela Fuentes, Aspen Anthology (1980) .
  203. Porter, JA, The Drama of Speech Acts: Shakespeare’s Lancastrian Tetralogy (1979), U of California P .
  204. Porter, JA, Nadine, the Supermarket, the Story Ends (1979) .
  205. Porter, JA, In the Mind’s Eye, New Directions, vol. 39 (1979) .
  206. Porter, JA, Sweetness: A Thinking Machine, The Pushcart Prize Iv: Best of the Small Presses (1979) .
  207. Porter, JA, Crazyhorse (1979-80), vol. 18-21 (1979) .
  208. Porter, JA, A Child of the Heart, Triquarterly (1978) .
  209. Porter, JA, Openings (1978) .
  210. Porter, JA, The Vacation (1978) .
  211. Porter, JA, The Tunnel, Wind (1978) .
  212. Porter, JA, Eelgrass (novel) (1977), New Directions .
  213. Porter, JA, For Nineteen Sixty-eight, The Iowa Review (1977) .
  214. Porter, JA, T as in Thiladelthia, Via (1976) .
  215. Porter, JA, Bowling Green, Antaeus (1975) .
  216. Porter, JA, Beans, Fiction (1973) .
  217. Porter, JA, The Vacation, The Best American Short Stories (1972) .
  218. Works in Progress  (i. Renaissance Studies: Shakespearean Moorings. ii. Long and short works on characterology, dramatic speech acts, and cultural study; a longer work on "The Character of Speech Acts"; an article "Empirical Shakespeare"; shorter works on characterology, dramatic speech acts, pragmatics, and cultural study. iii. Long and short fiction, including the novel "Forgotten Coast" and "Deep France," a memoir..) .

Prieur, Nina Billone

  1. Nina Billone, Performing Civil Death: The Medea Project and Theater for Incarcerated Women, Text and Performance Quarterly, vol. 29 no. 3 (July, 2009), pp. 160-175 [section] .

Quilligan, Maureen

  1. Quilligan, M, Theodor De Bry's voyages to the new and old worlds, Journal of Medieval and Early Modern Studies, vol. 41 no. 1 (December, 2011), pp. 1-12, Duke University Press [Gateway.cgi], [doi] .
  2. Quilligan, M, The Key of Green: Passion and Perception in Renaissance Culture, Modern Language Quarterly, vol. 72 no. 2 (June, 2011), pp. 259-262, Duke University Press [doi] .
  3. Margaret Hannay, Mary Wroth, Renaissance Quarterly (2011), University of Chicago Press  [abs].
  4. Bruce R. Smith, The Key of Green, Modern Philology (2011)  [abs].
  5. Quilligan, M, Review of Bruce R. Smith's The Key of Green, Modern Philology (2011)  [abs].
  6. Quilligan, M, Review of Mary Wroth by Margaret Hannay, Renaissance Quarterly (2011), University of Chicago Press  [abs].
  7. Theodor de Bry's Voyages to the Old World and New, JMEMS, vol. (Winter 2010) (2010), Duke University Press  [abs].
  8. Quilligan, M, Margaret P. Hannay. Mary Sidney, Lady Wroth. Farnham: Ashgate Publishing Limited, 2010. xxxiv + 363 pp. index. illus. chron. bibl. $99.95. ISBN: 978–0–7546–6053–8., Renaissance Quarterly, vol. 63 no. 4 (2010), pp. 1422-1423, Cambridge University Press (CUP) [Gateway.cgi], [doi] .
  9. Quilligan, M, Allegory and Female Authority, in Thinking Allegory Otherwise, edited by Machovsky, B (2009), Stanford University Press  [abs].
  10. Raman, S, Margaret R. Greer, Walter D. Mignolo, and Maureen Quilligan, eds. Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires. Chicago: The University of Chicago Press, 2008. viii + 478 pp. index. illus. bibl. $25. ISBN: 978–0–226–30722–0., vol. 61 (2008), pp. 1289-1291, Cambridge University Press (CUP) [doi] .
  11. Re-reading the Black Legend: The Discourses of Religion and Racial Differences in the European Renaissance, edited by Mignolo, W; Greer, MARGARET; Quilligan, MAUREEN (2007), Chicago University Press .
  12. Quilligan, M, Incest and agency in Elizabeth's England (December, 2005), pp. 1-281  [abs].
  13. Quilligan, M, Recent studies in the english renaissance, SEL - Studies in English Literature, vol. 43 no. 1 (January, 2003), pp. 233-295 [doi] .
  14. Incest and Agency in Elizabeth's England (2005), University of Pennsylvania Press  [abs].
  15. Quilligan, M, Incest and Agency: the Case of Elizabeth I, in Generation and Degeneration, edited by Brownlee, K; Finucci, V (2003), Duke UP .
  16. Quilligan, M, Review of K. Schwarz’s Amazon Love, Shakespeare Studies (2003) .
  17. Quilligan, M, Renaissance materialities: Introduction, Journal of Medieval and Early Modern Studies, vol. 32 no. 3 (September, 2002), pp. 427-431, Duke University Press [doi] .
  18. Quilligan, M, Renaissance Materialities, vol. JMEMS (September, 2002), Duke UP  [abs].
  19. Quilligan, M, On the Renaissance Epic: Spenser and Slavery, South Atlantic Quarterly, vol. 100 no. 1 (January, 2001), pp. 15-39, Duke University Press [doi] .
  20. Quilligan, M, Spenser and Slavery, edited by Baucom, I, South Atlantic Quarterly (2001) .
  21. Quilligan, M, Elizabeth’s Embroidery, Shakespeare Studies, vol. 29 (2001), pp. 208-215 .
  22. Quilligan, M, Freedom, Service, and the Trade in Slaves: The Problem of Labor in Paradise Lost, in Object and Subject: Reconstructing Renaissance Culture, edited by Grazia, MD; Quilligan, M; Stallybrass, P (1995), Cambridge UP .
  23. with Quilligan, ; Grazia, MD; Stallybrass, P, Object and Subject: Reconstructing Renaissance Culture (1995), Cambridge UP .
  24. Quilligan, M, Review of Gamani Salgado’s The Elizabethan Underworld, New York Times Book Review (1993) .
  25. Quilligan, M, Author, Author, Yale Review (1993) .
  26. Quilligan, M, The Language of the Body: The Taming of the Shrew and The Tragedy of Mariam, in Renaissance Sexuality, edited by Turner, JK (1992), Cambridge: Cambridge UP .
  27. Quilligan, M, The Allegory of Female Authority : Christine de Pizan’s Cite des Dames (1991), Ithaca, NY: Cornell UP .
  28. Quilligan, M, Christine de Pizan and Canon Formation, in Displacements: Woman Tradition Literatures in French, edited by Miller, NK; DeJean, J (1991), pp. 126-43, Baltimore: Johns Hopkins P .
  29. Quilligan, M, Christine de Pizan: Interventions, Exemplaria: A Journal of Theory in Medieval and Renaissance Studies, special issue edited by Ruth Barrie Strauss (1991) .
  30. Quilligan, M, Translating Dismemberment: Christine de Pizan and Boccaccio, Studi Sul Boccaccio (1991) .
  31. Quilligan, M, Feminine Endings: The Sexual Politics of Sidney’s and Spenser’s Rhyming, in The Englishwoman in Print: Counterbalancing the Canon, edited by Haselkorn, AM; Travitsky, BS (1990), pp. 311-25, Amherst, MA: U of Massachusetts P .
  32. Quilligan, M, The Constant Subject: Instability and Authority in Wroth’s Urania Poems, in Soliciting Interpretation: Literary Theory and Seventeenth-Century English Poetry, edited by Harvey, E; Maus, K (1990), pp. 273-306, Chicago: U of Chicago P .
  33. Quilligan, M, The Anthropology of Intertextuality: Mary Wroth and the Family Romance, in Unfolded Tales: Essays on Renaissance Romance, edited by Teskey, G; Logan, G (1989), Ithaca, NY: Cornell UP .
  34. Quilligan, M, Sidney and His Queen, in The Historical Renaissance, edited by Strier, R; Dubrow, H (1989), pp. 171-96, Chicago: U of Chicago P .
  35. Quilligan, M, Review of The History of Private Life, vol. III, edited by Chartier, R, New York Times Book Review (1989) .
  36. Quilligan, M, Review of Antonia Fraser’s The Warrior Queens, Washington Post (1989) .
  37. Quilligan, M, Review of Laurie Finke and Martin Shichtman’s Medieval Text and Contemporary Readers, Speculum (1989) .
  38. QUILLIGAN, M, Allegory and the Textual Body: Female Authority in Christine de Pizan's 'Livre de le Cite des Dames', Romanic Review, vol. 79 no. 1 (January, 1988), pp. 222-248 (Reprinted in The New Medievalism, ed. Kevin Brownlee and Stephen G. Nichols [Baltimore: Johns Hopkins P, 1991].) [Gateway.cgi] .
  39. Quilligan, M, Review of Patricia Parker’s Literary Fat Ladies: Rhetoric Gender Property, Shakespeare Quarterly (1988) .
  40. Quilligan, M, The Difference of Feminist Biography, Yale Review (1988), pp. 52-73 .
  41. Quilligan, M, The Comedy of Female Authority in The Faerie Queene, ELR (1988), pp. 427-41 .
  42. Quilligan, M; Ferguson, M; kers, NV, Rewriting the Renaissance: Discourses of Sexual Difference in Early Modern Europe (1986), University of Chicago Press .
  43. Quilligan, M, Milton’s Spenser: The Inheritance of Ineffability, in The Ineffable Word: From Dante to Eliot, edited by Hawkins, P; Schotter, A (1985), A.M.S. Press, U of California P .
  44. Quilligan, M, Review of Jasper Ridley’s Henry VIII, New York Times (1985) .
  45. Quilligan, M, Review of Judith C. Brown’s Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy (1985) .
  46. Quilligan, M, Review of Tirant Lo Blanc, The Nation (1985) (15th century Spanish text in translation.) .
  47. Quilligan, M, Review of Antonia Fraser’s The Weaker Vessel, The Nation (1985) .
  48. Quilligan, M, Milton’s Spenser: The Politics of Reading (1983), Cornell UP .
  49. Quilligan, M, Review of The Paradise of Women: Writing Englishwomen of the Renaissance, edited by Travitsky, B, Modern Language Notes (1983) .
  50. Quilligan, M, Review of Christine de Pizan’s The Book of the City of Ladies, trans. E.J. Richards, New York Times Book Review (1982) .
  51. Quilligan, M, Thomas Pynchon and the Language of Allegory, in Thomas Pynchon, Critical Essays, edited by Pearce, (1981), Twayne (Reprint of material on Pynchon from The Language of Allegory.) .
  52. Quilligan, M, The Language of Allegory: Defining the Genre (1979), Cornell UP (paperback, 1991.) .
  53. Quiligan, M, Langland's Literal Allegory, Essays in Criticism, vol. XXVIII no. 2 (January, 1978), pp. 95-111, Oxford University Press (OUP) [doi] .
  54. Quilligan, M, Review of Gay Clifford’s The Transformations of Allegory, Poetics Today Quarterly (1978) .
  55. Quilligan, M, Words and Sex: the Language of Allegory in the De planctu naturae, Le Roman de la Rose, and Book III of the Faerie Queene, Allegorica, vol. 2 no. 1 (1977), pp. 195-216 [Gateway.cgi] .

Randall, Dale B.

  1. Randall, DBJ, Avoiding Garrulity: An Introduction to Sir Edwin Sadleir and His Improvement of Cervantes's Don Quixote, Studies in philology, vol. 106 no. 4 (2009), pp. 468-482 [Gateway.cgi] .
  2. Randall, DBJ, Dudley North’s Observations and Advices Oeconomicall (forthcoming) (An edited spinoff from Gentle Flame.) .
  3. Randall, DBJ, An Annotated List of 17th-Century English Allusions to Cervantes (forthcoming) (In collaboration with Professor Emeritus Jackson Boswell, University of the District of Columbia.) .
  4. Randall, DBJ, Entry for Dudley, Fourth Lord North (1622-1677), in New Dictionary of National Biography (forthcoming), Oxford UP .
  5. Randall, DBJ, Tragic instance: The sequence of Shakespeare's tragedies, Sixteenth Century Journal: journal of early modern studies, vol. 31 no. 2 (2000), pp. 615-617 [Gateway.cgi] .
  6. Randall, DBJ, Soliloquy of a Farmer’s Wife: The Diary of Anne Elliott Perrin (17 December 1917-31 December 1918) (1999), Athens: Ohio UP, 113 illust. xxxi, 384 pp .
  7. Randall, DBJ, Image-making and image-breaking: Seeing The 'Minister's black veil' through a Miltonic glass, darkly, Resources for American Literary Study, vol. 23 no. 1 (1997), pp. 19-27 [Gateway.cgi] .
  8. Randall, DBJ, Winter Fruit: English Drama 1642-1660 (1995), Lexington: UP of Kentucky, xiv, 454 pp .
  9. RANDALL, D, AMERICAN MAIRSY-DOTTINESS, FASTOLF,JOHN SECRETARY, AND THE LAW FRENCH OF A CAROLINE CAVALIER + POPULAR SONG VOCABULARY, American Speech, vol. 70 no. 4 (1995), pp. 361-370 [Gateway.cgi], [doi] .
  10. Randall, DBJ, Renaissance Papers 1990 (1991), Southeastern Renaissance Conference  [abs].
  11. Randall, DBJ, Renaissance Papers 1989 (1990), Southeastern Renaissance Conference .
  12. RANDALL, D, X-ME-NO-XS, SOME EXAMPLES (MAINLY FROM THE RENAISSANCE) OF THE NEOLOGIZING IMPERATIVE RETORT, American Speech, vol. 64 no. 3 (1989), pp. 233-243 [Gateway.cgi], [doi] .
  13. RANDALL, D, READING THE LIGHT IN LOVELACE THE 'GRASSHOPPER', College Literature, vol. 16 no. 2 (1989), pp. 182-189 [Gateway.cgi] .
  14. Randall, DBJ, Renaissance Papers 1988 (1989), Southeasteern Renaissance Conference  [abs].
  15. RANDALL, D, RENAISSANCE DRAMA IN ENGLAND AND SPAIN, TOPICAL ALLUSION AND HISTORY PLAYS - LOFTIS,J, Renaissance Quarterly, vol. 41 no. 4 (1988), pp. 744-746 [Gateway.cgi], [doi] .
  16. Randall, DBJ, Renaissance Papers 1987 (1988), Southeastern Renaissance Conference  [abs].
  17. Randall, DBJ, Renaissance Papers 1986 (1987), Southeastern Renaissance Conference  [abs].
  18. Randall, DBJ, Theatres of Greatness: A Revisionary View of Ford’s "Perkin Warbeck", vol. 37 (1986), University of Victoria, Victoria, B.C., 80 pp .
  19. Randall, DBJ, Renaissance Papers 1985 (1986), Southeastern Renaissance Conference  [abs].
  20. with J. Porter, Renaissance Papers 1985 (1985), Durham: Southeastern Renaissance Conference, 95 pp  [abs].
  21. with J. Porter, Renaissance Papers 1984 (1985), Durham: Southeastern Renaissance Conference, 79 pp  [abs].
  22. Randall, DBJ, Renaissance Papers 1984 (1985), Southeastern Renaissance Conference .
  23. RANDALL, D, THE IRONING OF HERBERT,GEORGE 'COLLAR', Studies in philology, vol. 81 no. 4 (1984), pp. 473-495 [Gateway.cgi] .
  24. RANDALL, D, SOME OBSERVATIONS ON THE THEME OF CHASTITY IN THE 'CHANGELING' + MIDDLETON,THOMAS, English Literary Renaissance, vol. 14 no. 3 (1984), pp. 347-366 [Gateway.cgi], [doi] .
  25. RANDALL, D, THE ROMAN VIBRATIONS OF JULIAS CLOTHES + HERRICK,ROBERT 'UPON JULIAS CLOTHES', English Language Notes, vol. 21 no. 3 (1984), pp. 10-16 [Gateway.cgi] .
  26. RANDALL, D, APPROACHES TO BROWNE,THOMAS - PATRIDES,CA, SAQ: The South Atlantic Quarterly, vol. 83 no. 3 (1984), pp. 359-360 [Gateway.cgi] .
  27. Randall, DBJ, Gentle Flame: The Life and Verse of Dudley, Fourth Lord North (1602-1677) (1983), Durham: Duke UP, 254 pp .
  28. RANDALL, D, DANIEL,SAMUEL - THE BROTHERTON-MANUSCRIPT, A STUDY IN AUTHORSHIP - PITCHER,J, Renaissance Quarterly, vol. 36 no. 1 (1983), pp. 145-148 [Gateway.cgi], [doi] .
  29. RANDALL, D, WEBSTER,JOHN - CITIZEN AND DRAMATIST - BRADBROOK,MC, SAQ: The South Atlantic Quarterly, vol. 81 no. 2 (1982), pp. 244-246 [Gateway.cgi] .
  30. RANDALL, D, COUNTRY DELIGHTS FOR THE GENTRY - A VIEW FROM 1669, SAQ: The South Atlantic Quarterly, vol. 80 no. 2 (1981), pp. 222-232 [Gateway.cgi] .
  31. RANDALL, D, TRAGIC PATTERNS IN JACOBEAN AND CAROLINE DRAMA - CHAMPION,LS, SAQ: The South Atlantic Quarterly, vol. 78 no. 2 (1979), pp. 269-270 [Gateway.cgi] .
  32. Randall, DBJ, Medieval and Renaissance, in Proceedings of the Southeastern Institute of Medieval and Renaissance Studies (1979), Durham: Duke UP, 166 pp  [abs].
  33. RANDALL, D, CROWELLS HANDBOOK OF ELIZABETHAN AND STUART LITERATURE - RUOFF,JE, SAQ: The South Atlantic Quarterly, vol. 76 no. 1 (1977), pp. 130-131 [Gateway.cgi] .
  34. Williams, GW, Studies in the Continental Background of Renaissance English Literature: Essays Presented to John L. Lievsay (1977), Durham: Duke UP, 235 pp  [abs].
  35. Randall, DBJ, Medieval and Renaissance Studies, in Proceedings of the Southeastern Institute of Medieval and Renaissance Studies (1976), Duke UP, 127 pp  [abs].
  36. Randall, DBJ, Joseph Conrad and Warrington Dawson: The Record of a Friendship (1968), Durham: Duke UP, 242 pp .

Riddell, Richard V.

  1. Riddell, RV, Ibsen’s An Enemy of the People at the 35th Berlin Theatertreffen, Theaterforum (1999) .
  2. Napoleon, D, Shedding Light on the Play, Theater Week (February, 1996) (Interview.) .
  3. Riddell, RV, Artists and Audiences, Duke Magazine, Arts and Ideas (Fall, 1996) .
  4. Riddell, RV, The Training Explosion, American Theatre (October, 1990) .
  5. Riddell, RV, In Praise of Groups, American Theatre (April, 1990) .
  6. Riddell, RV, The Academy Flunks Out, American Theatre (June, 1989) (Reprint of previous article in The Chronicle of Higher Education, February 1989.) .
  7. Riddell, RV, On German Stages, a Society Explores Itself, The New York Times (March, 1989) .
  8. Riddell, RV, The University Once Thought It Could Develop Artists: Now We Know It Can’t, The Chronicle of Higher Education (1989) (Reprinted in American Theatre under title, "The Academy Flunks Out", June 1989.) .
  9. Riddell, RV, Tribute to Alan Schneider, Society of Stage Directors and Choreographers Bulletin (1985) .
  10. Riddell, RV, Achim Freyer, Karl-Ernst Herrman, Wilfried Minks, in Contemporary Designers (1984), St. James Press .
  11. Riddell, RV, Notes on Lighting Satyagraha, Theatre Design and Technology (Spring, 1981) .
  12. Riddell, RV, Berlin Theatertreffen 1980: End of the Director’s Theatre?, Theatre Crafts (November, 1980) .
  13. Riddell, RV, The German Raum, The Drama Review (March, 1980) .
  14. Riddell, RV, East and West Germany (at the 1979 Prague Quadrennial), Theatre Design and Technology (Spring, 1980) .
  15. Achim Freyer, Theatre Crafts (October 1979) .
  16. Riddell, RV, The Schaubuehne. Spatial Experimentation in Berlin, Theatre Crafts (1979) .
  17. Riddell, RV, Wilfried Minks, Theatre Crafts (1978) .

Rogers, Bradley

  1. Rogers, JB, The Song is You Musical Theatre and the Politics of Bursting Into Song and Dance (2020)  [abs].
  2. Rogers, B, Redressing The Black Crook: The Dancing Tableau of Melodrama, Modern Drama, vol. 55 (February, 2014), pp. 476-496 .
  3. B. Rogers, The Interpellations of Interpolation, or The Disintegrating Female Musical Body, Camera Obscura, vol. 67 (2008), pp. 88-111 .
  4. Rogers, B, The Interpellations of Interpolation, or The Disintegrating Female Musical Body, Camera Obscura, vol. 67 (2008), pp. 88-111 .

Shannon, Laurie

  1. Minerva's Men: Horizontal Nationhood and the Literary Production of Googe, Turberville and Gascoigne, in The Oxford Handbook of Tudor Literature, edited by Cathy Shrank and Mike Pincombe ((forthcoming, 2009)), Oxford University Press .
  2. Invisible Parts: Animals and the Renaissance Anatomies of Human Exceptionalism, in Animal Encounters, edited by Manuela Rossini and Tom Tyler ((forthcoming, 2008)), Leiden, NL: Brill Publishers .
  3. Lear's Queer Cosmos, in Shakesqueer, edited by Madhavi Menon ((forthcoming, 2009)), Duke University Press .
  4. The Touch of Office: Supernumarist Erotics and the Tudor Public Figure, in Epic Sexualities, edited by Lynn Enterline & Kathryn Schwarz (forthcoming) .
  5. L. Shannon, Review of Valerie Traub's The Renaissance of Lesbianism, Shakespeare Quarterly, vol. 55 no. 2 (Summer, 2004), pp. 225-228 .
  6. Poetic Companies: Musters of Agency in George Gascoigne's 'Friendly Verse', GLQ: A Journal of Gay and Lesbian Studies, vol. 10 no. 3 (Spring, 2004), pp. 453-483 .
  7. La chatte de Montaigne, in Dictionnaire de Michel de Montaigne, edited by Philippe Desan, (trans. Marc Schachter) (2004), Paris: Editions Champion .
  8. Likenings: Rhetorical Husbandries and Portia's 'True Conceit' of Friendship, Renaissance Drama, vol. 31 (2002), pp. 3-26 .
  9. Sovereign Amity: Figures of Friendship in Shakespearean Contexts (2002), University of Chicago Press .
  10. Nature's Bias: Renaissance Homonormativity and Elizabethan Comic Likeness, Modern Philology, vol. 98 no. 2 (2000), pp. 183-210 .
  11. 'His Apparel Was Done Upon Him': Rites of Personage in Foxe's Book of Martyrs, Shakespeare Studies, vol. 28 (2000), pp. 193-98 .
  12. Review of Lisa Jardine's Reading Shakespeare Historically, Modern Philology, vol. 98 no. 1 (Aug. 2000), pp. 35-39 .
  13. 'The Country of Our Friendship': Jewett's Intimiste Art, American Literature, vol. 71 no. 2 (June 1999), pp. 227-62 .
  14. Monarchs, Minions, and 'Soveraigne' Friendship, Friendship special issue, South Atlantic Quarterly, vol. 97 no. 1 (Winter, 1998), pp. 91-112 .
  15. Review of Things of Darkness: Economies of Race and Gender in Early Modern England and Shakespeare's Queer Children: Sexual Politics and Contemporary Culture, Signs: Journal of Women and Culture and Society, vol. 23 no. 2 (Winter 1998), pp. 543-546 .
  16. Playwrighting, The Lesbian and Gay Studies Newsletter, the Official Publication of the Gay and Lesbian Caucus of the MLA, vol. 24 no. 1 & 2 (Spring/Summer 1998) (Review of Jeffrey Masten's Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama.)  [abs].
  17. Emilia's Argument: Friendship and 'Human Title' in The Two Noble Kinsmen, E L H, vol. 64 no. 3 (Sept. 1997), pp. 657-82 .
  18. Review of Lorna Hutson's The Userer's Daughter: Male Friendship and Fictions of Women in Sixteenth-Century England, The Marlowe Society of America Book Reviews, vol. XIV no. i (1995) .
  19. The Tragedie of Mariam: Elizabeth Cary's Critique of Founding Social Discourses, English Literary Renaissance, vol. 24 no. 1 (Winter, 1994), pp. 135-53 .
  20. Current Research  ("Nature's Bias: The Zoographies of Early Modern Difference" & "The Book of Princes: Renaissance Texts, Royal Selves, Modern Bodies".) .
  21. Poor, Bare, Forked: Human Negative Exceptionalism, Animal Sovereignty, and the Natural History of King Lear , book 2007 ((in progress).) .

Solterer, Helen

  1. Solterer, H, The master and Minerva: Disputing women in French medieval culture (September, 2023), pp. 1-301, University of California Press (co-awarded The Modern Language Association Scaglione Prize, 1995.)  [abs].
  2. Migrants shaping Europe, past and present: Multilingual literatures, arts, and cultures, edited by Solterer, H; Joos, V (November, 2022), Manchester University Press  [abs].
  3. Solterer, H; Joos, V, Introduction (November, 2022), pp. 1-16 .
  4. Raimond, E; Wardle, M; Vilches, E; José, A; Lasch, P; de Prada, RS; Hurli, S; Solterer, H, In transit, in Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures (November, 2022), pp. 229-254 .
  5. Solterer, H, Calais-enclave: Fictions for locking in and opening up, 2018-1346, in Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures (November, 2022), pp. 171-196 .
  6. Curran, CP, James Joyce Remembered, edition 2022, edited by Solterer, H; Ryan, A (2022), University College Dublin Press .
  7. Solterer, H, A timely villon: Anachrony and premodern poetic fiction, New Literary History, vol. 52 no. 2 (June, 2021), pp. 311-334 [doi] .
  8. Solterer, H, Timely Fictions (2017) .
  9. Solterer, H, Another Land's End of Literature, in Founding Feminisms in Medieval Studies Essays in Honor of E. Jane Burns (March, 2016), pp. 153-168, Boydell & Brewer .
  10. "Another Land’s End of Literature”, in Founding Feminisms in Medieval Studies (2016), pp. 153-168, Boydell & Brewer .
  11. Solterer, H, "Aimer un pays tout autre: Christine de Pizan, Alain Chartier, & Compagnie”, in Sens, Rhétorique, et Musique : Études réunies en hommage à Jacqueline Cerquiglini-Toulet, edited by Lefèvre, S; Lucken, C; Doudet, E (2015), pp. 769-782, Champion .
  12. Solterer, H, Un Moyen Âge républicain : paradoxes du théâtre en temps de guerre (2014), Presses universitaires Paris-Sorbonne, (translated by Chénetier Alev, M.) [un-moyen-age-republicain] .
  13. Solterer, H; Dominguez, V, Réactivations scéniques, in Le Théâtre du XIIe au XIIe siècles, edited by Halévy, O; Parussa, G; Smith, D (2014), L’Avant-Scène .
  14. H. Solterer, "Love to Hate: A Premodern Legacy?" (2013) .
  15. Solterer, H, “Strange or Elegant or Foul Matter,”, Exemplaria, 25 (2013) (2013), pp. 79-92 (A Book-review essay.) [1041257312Z.00000000026] .
  16. Solterer, H, Parcours d’un militant de théâtre: Moussa Abadi, in Le texte critique : expérimenter le théâtre et le cinéma aux XXe et XXIe siècles, edited by Alev, VVEMC (2013), pp. 207-220., Presses universitaires François-Rabelais .
  17. Solterer, H, Medieval Roles in Modern Times: Theater and the Battle for the French Republic (February, 2010), pp. 271 pages, 40 figures pages, The Pennsylvania State University Press .
  18. Solterer, H, review of Carol Symes, "A Common Stage:Theater and Public Life in Medieval Arras, Theatre Survey, vol. 51 no. no. 1 (2010), pp. 135-137 .
  19. Solterer, H, review of Jody Enders, Murder by Accident: Medieval Theater, Modern Media, Critical Intentions, H-France Review, vol. 10 (October) no. 156 (2010) .
  20. Solterer, H, “Jouer le Moyen Âge: Gustave Cohen et la troupe théophilienne,”, in Les Pères des études médiévales: examen critique de la constitution d’un savoir académique, edited by Bouhaïk-Gironès, M; Dominguez, V; Koopmans, J (2010), pp. 255-281 [8 figures], Presses universitaires de Rennes .
  21. Solterer, H; Delabroy, J, Teaching Abroad With Obama, InsideHigherEd.com (2008) .
  22. Solterer, H, Theatre and Theatricality, in The Cambridge Companion to Medieval French Literature (2008), pp. 181-194, Cambridge University Press .
  23. Solterer, H, Teaching Free Speech in Times of War, edited by I com, InsiderHigherEd.com (September, 2007) .
  24. Solterer, H, Making Names, Breaking Lives: Women & Injurious Language, in Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman, edited by Doss-Quinby, E; Krueger, R; Burns, EJ (2007), pp. 207-21, Boydell & Brewer .
  25. Solterer, H, Gustave Cohen at Pont-Holyoke : The Drama of Belonging to France, in Artists, Intellectuals and World War II, edited by Benfey, C; Remmler, K (2006), pp. 145-161, University of Massachusetts Press .
  26. Solterer, H, Defense of Women, in Women and Gender in Medieval Europe, edited by Stuard, S; Schaus, M; Izbicki, T (2005), pp. 64-68, Routledge .
  27. Solterer, H, La Belle Dame sans Merci, in Medieval Women: An Encyclopedia, edited by Wilson, KM; Margolis, N (2004), pp. 80-84, New York: Greenwood Press .
  28. Solterer, H, The Freedoms of Fiction for Gender in Premodern France, in Gender in Debate from the Early Middle Ages to the Renaissance, edited by Fenster, TS; Lees, CA (2002), pp. 135-163, New York: Palgrave Press .
  29. Solterer, H, “Le Jeu de Robin et Marion,” “Le Jeu de la Feuillée,” “La Farce de Maître Pathelin, Mystères et Moralités," Le Mystère de la Passion" [articles on medieval theater] (2001), Microsoft .
  30. Solterer, H, Fiction versus Defamation: The Quarrel over the Romance of the Rose, The Medieval History Journal, vol. 2 no. 1 (1999), pp. 111-141, SAGE Publications [doi]  [abs].
  31. Solterer, H, Performer le passé, in Paul Zumthor ou l’invention permanente. Critique, histoire, poésie, edited by Cerquiglini-Toulet, J; Lucken, C (1998), pp. 117-159, Droz .
  32. Solterer, H, European Medieval Studies under Fire, 1919-45, edited by Solterer, H, vol. 27 no. 3 (September, 1997) .
  33. Solterer, H, Performing pasts: A dialogue with Paul Zumthor, Journal of Medieval and Early Modern Studies, vol. 27 no. 3 (1997), pp. 595-640, Duke University Press [Gateway.cgi] .
  34. Solterer, H, The Waking of Medieval Theatricality, Paris 1935-1995, New Literary History, vol. 27 no. 3 (1996), pp. 257-290 [Gateway.cgi], [doi] .
  35. Solterer, H, The Waking of Medieval Theatricality: Paris 1935-1995, New Literary History, vol. 27 no. 3 (1996), pp. 357-390 [Gateway.cgi], [doi] .
  36. co-authored, ; Burns, EJ; Kay, S; Krueger, RL, Feminism and the Discipline of Old French Studies: "Une Bele Disjointure", in Medievalism in a Modernist Temper, edited by Bloch, RH; Nichols, SG (1995), pp. 225-266, Johns Hopkins University Press .
  37. SOLTERER, H, Seeing, Hearing, Tasting Woman : The Senses of Medieval Reading, Comparative Literature, vol. 46 no. 2 (1994), pp. 129-145, Duke University Press [Gateway.cgi], [doi] .
  38. SOLTERER, H, Dismembering, Remembering the Châtelain de Couci, Romance Philology, vol. 46 no. 2 (November, 1992), pp. 103-124 [Gateway.cgi] .
  39. SOLTERER, H, Figures for Female Militancy in Medieval France, SIGNS, vol. 16 no. 2 (1991), pp. 522-549, University of Chicago Press [Gateway.cgi], [doi] .
  40. SOLTERER, H, Letter-Writing & Picture Reading: Medieval Textuality and the "Bestiaire d'amour", WORD & IMAGE, vol. 5 no. 1 (1989), pp. 131-147, Informa UK Limited [Gateway.cgi], [doi] .

Stiles, Kristine

  1. Alberro, A; Bhabha, H; Castillo, A; Chukhrov, K; Demos, TJ; Eleison, K; Emmelhainz, I; English, D; Flores, P; González, JA; Groys, B; Holert, T; Huyssen, A; Jones, A; Joselit, D; Kee, J; Mirzoeff, N; Osborne, P; Roberts, J; Shaked, N; Smith, T; Stiles, K; Tiampo, M; Wagner, AM, WHAT IS RADICAL?, ARTMargins, vol. 10 no. 3 (February, 2022), pp. 8-96 [doi] .
  2. Stiles, K, Collecting the future: A personal history of an archive, in What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond (September, 2021), pp. 21-34 .
  3. Stiles, K, 'Lux Balcanica est umbra Orientis’: Marilyn Arsem’s Balkan Performances (November, 2020), pp. 104-133, Intellect Books .
  4. Stiles, K, Concerning Consequences Studies in Art, Destruction, and Trauma (March, 2016), pp. 490 pages, University of Chicago Press  [abs].
  5. Stiles, K, Anti-art, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 185-186 [doi]  [abs].
  6. Stiles, K, Fluxus, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 205-206 [doi]  [abs].
  7. Stiles, K, Destruction art, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 197-198 [doi]  [abs].
  8. Stiles, K; O’Dell, K, Bodies in action, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 265-267 [doi]  [abs].
  9. K. Stiles, Concerning Consequences: Studies in Art, Destruction, and Trauma, 1978-2014 (2014), University of Chicago Press (Forthcoming.) .
  10. Kicking Holes in the Darkness: Rhys Ernst and Zackary Drucker, in Whitney Biennial 2014 (2014), pp. 56-61, Whitney Museum of American Art (Authors of the catalog include the curators of the 2014 Whitney Biennial, Stuart Comer, Anthony Elms, Michelle Grabner..) [pdf] .
  11. ‘…but a hammer with which to shape it.’: Media Art and Society 1959-2013, in Pioneering Values: WRO 15th Biennial (2014) .
  12. Stiles, K, The Ideal Gifts of Istvan Kantor, in PERMANENT REVOLUTION: The Art of Istvan Kantor, edited by Feesey, L (2013), pp. 73-87, The Istvan Kantor Collective (Edited by Linda Feesey, and co-edited by Mireille Bourgeois.) .
  13. Stiles, K, Wangechi Mutu’s Family Tree, in Wangechi Mutu: A Fantastic Journey, edited by Schoonmaker, T no. 51-79 (2013), Nasher Museum of Art at Duke University  [abs].
  14. Stiles, K, Performance Art, in Oxford Bibliographies in Art History, edited by Kaufmann, TD (2013), Oxford University Press  [abs] [author's comments].
  15. with Stiles, K, 'I’m Ready.' Thinking About Artists’ Writings in a Global Context, in Not a day without a line: Understanding artists’ writings, edited by Prester, HD (2013), pp. 177-203, Academia Press  [abs] [author's comments].
  16. Stiles, K, "I'm Ready." Thinking about Artists' Writings in a Global Context Today, in NOT A DAY WITHOUT A LINE: UNDERSTANDING ARTISTS' WRITINGS (2013), pp. 175-201 .
  17. Stiles, K, “The Ideal Gifts of Istvan Kantor.” (2013), The Istvan Kantor Collective .
  18. Stiles, K, “Performance Art” (2013), Oxford University Press  [abs].
  19. Stiles, K; Selz, P, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings (2012), University of California Press (2nd, revised, expanded edition edited by Kristine Stiles.) .
  20. Stiles, K, Peter d’Agostino’s World-Wide-Walks / between earth & sky, in Peter d’Agostino: World-Wide-Walks [Paseos a Nivel Planetario] / between earth & sky [entre la tierra y el cielo] / 1973 – 2012 (2012), pp. 22-34, Bizkaia de la UPV/EHU (Bilbao, Spain:.) .
  21. Stiles, K, Conversation with William Pope.L, in The Voice of Images (2012), pp. 181-193, Palazzo Grassi .
  22. Stiles, K, Comments on my first interview with Gustav Metzger, in Gustav Metzger, Years without Art (2012), pp. 39-39 .
  23. Stiles, K, Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity, in The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, edited by Princenthal, N; Posner, H (2011), pp. 50-67, Neuberger Museum of Art .
  24. Stiles, K, 7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time), in Maurice Benayoun / OPEN ART 1980-2010 (2011), pp. 83-87, CDA d’Enghien and Les Nouvelles éditions Scala), .
  25. Stiles, K, Peggy Phelan and Kristine Stiles In Conversation, Millennium Film Journal no. 54 (2011), pp. 30-34 .
  26. Stiles, K, Negative Affirmative: San Francisco Bay Area Art, 1974-1981, in Under the Big Black Sun: California Art 1974-1981, edited by Schimmel, P (2011), pp. 27-43, Los Angeles Museum of Contemporary Art .
  27. Stiles, K, Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle (2010), Duke University Press (With an Introduction and extensive annotations by Kristine Stiles.) .
  28. Stiles, K, Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences, in Billie Maciunas, The Eve of Fluxus (2010), pp. ix-xvi., Arbiter Press .
  29. Stiles, K, Art will be…2009-2034, Duke Alumni Magazine (May, 2009), Duke University .
  30. K. Stiles, Jean Toche: Impressions From The Rogue Bush Imperial Presidency (2009), Durham: John Hope Franklin Center for Interdisciplinary & International Studies .
  31. Stiles, K, The Trinity Session, in Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness (2009), pp. 35-38, Toronto: Museum of Contemporary Canadian Art .
  32. Stiles, K, Irregular Ways of Being in Time, in The Third Mind: American Artists Contemplate Asia 1860-1989, edited by Munroe, A (2009), pp. 333-345, New York: Solomon R. Guggenheim .
  33. “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic, in Marina Abramovic (2008), Phaidon .
  34. Stiles, K, Come and Go, in California Video (2008), The J. Paul Getty Trust, Getty Research .
  35. Stiles, K, Cloud with its Shadow: Marina Abramovic, in Marina Abramovic (2008), pp. 33-94, Phaidon .
  36. Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity, Archive, vol. 1 (2008), Muzeum Sztuki, Lodz, Poland .
  37. States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina (With contributions by Andrei Codrescu, Marius Babius and Ruxana Marcoci.) .
  38. States of Mind: Dan & Lia Perjovschi, in States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum at Duke University and Duke University Press .
  39. Perjovschi, D; Codrescu, A; Babias, M, States of Mind Dan & Lia Perjovschi (2007), pp. 242 pages, Duke University Press  [abs].
  40. Stiles, K, States of Mind: Dan & Lia Perjovschi, in States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum at Duke University and Duke University Press .
  41. Stiles, K, Teaching a Dead Hand to Draw, Kim Jones, War and Art, in Kim Jones: A Retrospective (2007) .
  42. Stiles, K, Burden of Light, in Chris Burden (2007), Newcastle England: Merrell and Locus Plus .
  43. Stiles, K, Shaved Heads and Marked Bodies: Representations from Cultures of Trauma, in On Violence: An Anthology, edited by Lawrence, B; Karim, A (2007), pp. 522-538, Duke University Press [html]  [abs].
  44. Stiles, K, Chris Burden (2006), New York: Zwirner & Wirth Gallery .
  45. Stiles, K, Metzger's Fierce, Poignant, and Prescient Manifestos, in Rett Kopi: Documents the Future (2006), pp. 157-166, Rett Kopi .
  46. Stiles, K; Grobstein, P, The Art Historian and the Neurobiologist: A Conversation about Proprioception, the 'I-function,' Body Art, and Story Telling, Serendip (October, 2005), Bryn Mawr College [available here] .
  47. Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art (2005) .
  48. Stiles, K, Fluxus Performance and Humor, in The Artist’s Joke (2005), MIT Press .
  49. Stiles, K, The Story of the Destruction in Art Symposium and the "DIAS Affect", in Gustav Metzger: Geschichte Geschichte (2005), Vienna: Generali Foundation [pdf] .
  50. Stiles, K, Barbara Smith’s Haunting, in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith (2005), Pomona College Museum of Art .
  51. Stiles, K, Barbara Smith’s Haunting, in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith (2005), Pomona, California: Pomona College Museum of Art .
  52. Stiles, K, Remembrance, Resistance, Reconstruction, The Social Value of Lia and Dan Perjovschi’s Art, IDEA, vol. 19 (2005), Cluj, Romania .
  53. Paul Couillard and Ed Johnson," for Artspace, Ontario, Canada (2004), Ontario: Artspace .
  54. Stiles, K, I/Eye/Oculus: Performance, Installation and Video, in Art of the Twentieth Century, edited by Harrison, C; Wood, PW (2004), pp. 183-229, New Haven & London: Yale University Press and The Open University .
  55. Stiles, K, Agnes Hegedus, Bernd Lintermann, Jeffrey Shaw: reconfiguring the CAVE, in Future Cinema: The Cinematic Imaginary after Film, edited by Shaw, J; Weibel, P (2004), pp. 492-497, Karlsruhe, Germany and Cambridge, Mass: ZKM Center for Art and Media and MIT Press .
  56. Jean-Jacques Lebel (2003), London: Mayor Gallery .
  57. Stiles, K, Jean-Jacques Lebel’s Phoenix and Ashes, in Jean-Jacques Lebel (2003), pp. 3-15, London: The Mayor Gallery .
  58. Stiles, K, At Last, A Great Woman Artist: Writing About Carolee Schneemann’s Epistolary Practice, in Singular Women, edited by Frederickson, K; Webb, SE (2003), Berkeley: University California Press .
  59. Stiles, K, Anomaly, Sky, Sex, and Psi in Fluxus, in Critical Mass: Happenings, Fluxus, Performance & Intermedia at Rutgers University 1958-1971 (2003), pp. 60-88, Rutgers University and Amherst College .
  60. Stiles, K, Performance, in Critical Terms for Art History, 2nd Edition, edited by Nelson, R; Shiff, R (2003), pp. 75-97, Chicago: University of Chicago .
  61. Stiles, K, Franz West’s Dialogic PaBtucke, in Franz West (2003), pp. 104-121, London: The Whitechapel Gallery .
  62. Stiles, K, Peinture, Photographie, Performance: Le Cas de Georges Mathieu, in Georges Mathieu (2003), pp. 75-81, Paris: Galerie National du Jeu de Paume .
  63. Stiles, K, Thunderbird Immolation: William Pope L. & Burning Racism, in William Pope.L: Eracism, edited by Bessire, M (2002), pp. 36-42, Cambridge and Portland: MIT Press and the Institute of Contemporary Art at Maine College of Art .
  64. Stiles, K, David Tudor-Alive , Free, and Without Need of Culture (in a special issue, 'Composers Inside Electronics: Music after David Tudor'), Leonardo Music Journal, vol. 14 (2002), pp. 62-63 [html] .
  65. The Painter as an Instrument of Real Time, introduction to Carolee Schneemann’s Imaging Her Erotics: Essays, Interviews, Projects (2001), pp. 2-16, Cambridge, Mass.: MIT Press .
  66. Stiles, K, Concerning Public Art and ’Messianic Time’ (2001) [html] .
  67. Stiles, K, Review of RoseLee Goldberg’s Laurie Anderson, Make: The Magazine of Women’s Art, vol. 90 (2001), pp. 90-90 .
  68. Stiles, K, The Painter as an Instrument of Real Time, in Imaging Her Erotics: Essays, Interviews, Projects (2001), pp. 2-16, MIT Press .
  69. Pamela M. Lee, Object to be Destroyed: The Work of Gordon Matta-Clark, CAA.Reviews, the online reviews publication of the College Art Association (2000) [html] .
  70. Bob Watts, edited by Slovenia: Museum of Koper and Editions Francesco Conz (2000) .
  71. Stiles, K, Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation, and Multidimensional Awareness, in Reframing Consciousness: Art and Consciousness in the Post- Biological Era, edited by Ascott, R (2000), pp. 52-60, Exeter: Intellect [books] .
  72. Stiles, K, Mapping Joshua Neustein’s Art, in Joshua Neustein: Five Ash Cities, Domestic Tranquility Bne Brak (2000), pp. 122-130, Herzliya, Israel: Hezliya Museum (reprinted in JOSHUA NEUSTEIN: Five Ash cities (Chicago: Academy Chicago Publishers in Association with Olive Production, 2000).) .
  73. Stiles, K, Corpora Vilia: Valie Export’s Body, in Valie Export’s Visual Syntagmatics (2000), pp. 16-33, Goldie Paley Gallery, Moore College of Art and Design, Philadelpia .
  74. Stiles, K, Being Undyed: The Meeting of Mind and Matter in Yoko Ono’s Events, in Yes Yoko Ono, edited by Monroe, A (2000), pp. 145-149, New York: Japan Society .
  75. Stiles, K, Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde, in Contours of the Theatrical Avant-Garde: Performance and Textuality, edited by Harding, JM (2000), pp. 239-289, Madison: University of Madison/Wisconsin [pdf] .
  76. Stiles, K, Afterword: Quicksilver and Revelations, Performance at the End of the 20th Century, in Performance Artists Talking: 1979-7989: Sex, Food, Money/Fame, Ritual/Death, edited by Montano, L (2000), Berkeley: University of California Press .
  77. Stiles, K, Review of Pamela M. Lee’s Object to be Destroyed: The Work of Gordon Matta- Clark, CAA.Reviews, the online reviews publication of the College Art Association (2000) [html] .
  78. Stiles, K; Shanken, EA, Missing in Action: Agency and Meaning in Interactive Art, in Context Providers: Context and Meaning in Digital Art, edited by Lovejoy, M; Paul, C; Vesna, V (2000), University of Minnesota Press [pdf] .
  79. Stiles, K, Comisuri: Art Actiunile ca Objecte, Balkon: Revista de Arta Contemporana, vol. March no. 2 (2000), pp. 3-4, Timisoara, Romania .
  80. Stiles, K, Battle of the Yams: Contentless Forms and the Recovery of Meaning in Events and Happenings, in Off Limits: Rutgers University and the Avant-Garde, 1957-1963 (1999), pp. 118-129, Newark: Newark Museum and Rutgers University Press .
  81. Stiles, K, 300 Words for Dan Perjovschi, in After the Wall: Art and Culture in Post-Communist Europe (1999), pp. 153-153, Stockholm: Moderna Museet [html] .
  82. Stiles, K, The Flux/Med’ Collages of Bob Watts, in Bob Watts, Francesco Conz (1999), pp. 1-3, Museum of Koper, Slovenia .
  83. Stiles, K, Beautiful, Jean-Jacques’: Jean-Jacques Lebel’s Affect and the Theories of Gilles Deleuze and Felix Guattari, in Jean-Jacques Lebel (1999), pp. 7-30, Milano: Edizioni Gabriele Mazzotta .
  84. Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity, in Body and the East: From the 1960s to the Present (1998), pp. 19-30, Ljubljana: Museum of Modern Art .
  85. Stiles, K, Uncorrupted Joy: International Art Actions, in Out of Actions: Between Performance and the Object 1949-1979, Paul Schimmel Edition (1998), pp. 226-238, Los Angeles Museum of Contemporary Art [pdf] .
  86. Stiles, K, Joshua Neustein, BOMB, vol. 57 (Fall, 1997), pp. 80-81, [New York] .
  87. Hans Waanders (1997), Raleigh: City Gallery of Contemporary Art .
  88. Stiles, K, To the Organizers, Participants, and Audience of REcycling the Mode(ls)’, in Messages from the Countryside/Reflections in RE (1997), pp. 28-29, Chisinau, Moldova: Soros Center for Contemporary Art .
  89. Stiles, K, Debate: Empty Slogan of Self-Representation, Siksi [Helsinki], vol. Spring no. 12:1 (1997), pp. 87-90 .
  90. Stiles, K, AmaLia Perjovschi (1996), Soros Foundation .
  91. Stiles, K, Rampman Against a Portable Field: The ’activites’ of Pinchas Cohen Gan, in Figure Form Formula: The Art of Pinchas Cohen Gan (1996), pp. 19-41, Greensboro: Weatherspoon .
  92. Stiles, K, Conversation with Paul McCarthy, in Paul McCarthy (1996), pp. 6-29, London: Phaidon Press .
  93. Stiles, K, Roman Signer: The Sound of One Bomb Clapping,, in Roman Signer (1996), pp. 10-15, Philadelphia: Goldie Palley Gallery at the Moore College of Art and Design .
  94. Stiles, K, Schlaget Auf: The Problem with Carolee Schneemann’s Paintings, in Carolee Schneemann: Up to and Including Her Limits (1996), pp. 15-25, New York: The New Museum .
  95. Stiles, K, Dan Perjovschi’s Postcards From America (1995), Pont La Vue Press .
  96. Ion Bitzan (1994), Bath, England: City of Bath College .
  97. Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events, in Alison Knowles (1994), pp. 26-35, Saarbrucken, Germany: Stadt Galerie Saarbrucken .
  98. Stiles, K, Irreparable Damage: Meditation on James Lerager’s Tales from the Nuclear Age, in For James Lerager: Tales from the Nuclear Age (1994), pp. 3-7, Raleigh: City Gallery Contemporary Art .
  99. Stiles, K, Between Water and Stone; Fluxus Performance, A Metaphysics of Acts, in In the Spirit of Fluxus, edited by Armstrong, E; Rothfuss, J (1993), pp. 62-99, Minneapolis: Walker Art Center (excerpted in Tracy Warr, ed., The Artists'Body (London: Phaidon Press, 2000): 211-14.) [pdf] .
  100. Stiles, K, Survival Ethos and Destruction Art, Discourse: Journal for Theoretical Studies in Media and Culture, vol. 14:2 (Spring, 1992), pp. 74-102 .
  101. Stiles, K, Selected Comments on Destruction Art, in Boek Voor De Instabiele: Book for the Unstable Media, edited by Adriaansens, A (1992), pp. 43-75, Rotterdam: V2-Organization [kristine-stiles-selected-comments] .
  102. Stiles, K, Unbosoming Lennon: The Politics of Yoko Ono's Experience, Art Criticism 7:2, vol. Spring (1992), pp. 21-54, reprinted by the University of Havannah, Cuba, 1994 .
  103. Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events, in FluxAttitudes (1991), pp. 25-34, Buffalo & New York: Hallwalls and the New Museum .
  104. Stiles, K, Thresholds of Control: Destruction Art and Teminal Culture, in Out of Control (1991), pp. 29-50, Linz, Austria: Ars Electronica & Landesverlag (reprinted in Ars Electronica: Facing the Future (A Survey of Two Decades, ed. Timothy Druckrey, Cambridge: MIT Press, 2000.) .
  105. Stiles, K, Readings: Performance and Its Objects, Arts, vol. 65:3 no. 3 (November, 1990), pp. 35-47 [Gateway.cgi] .
  106. Stiles, K, Notes on Rudolf Schwarzkogler's Images of Healing, White Walls: A Magazine of Writings by Artists, vol. 25 (Spring, 1990), pp. 13-26 .
  107. STILES, K, PERFORMANCE AND ITS OBJECTS, ARTS MAGAZINE, vol. 65 no. 3 (1990), pp. 35-& [Gateway.cgi] .
  108. Stiles, K, Sticks and Stones: The Destruction in Art Symposium, Arts, vol. 63.5 (January, 1989), pp. 54-60 .
  109. Stiles, K, Not Just an 'Other' Exhibition, High Performance, vol. 11 (Fall, 1988), pp. 34-38 .
  110. Raphael Montanez Ortiz: Years of the Warrior, Years of the Psyche, 1968-1988 (1988), El Museo Del Barrio, New York .
  111. Stiles, K, Raphael Montañez Ortiz's Physio-Psycho-Alchemical Art, in Raphael Montañez Ortiz (1988), El Museo Del Barrio .
  112. Stiles, K, Introduction to the Destruction in Art Symposium: DIAS & Discussion with Ivor Davies, Link [Wales], vol. 52 (September, 1987), pp. 4-10, [Wales] .
  113. Stiles, K, Rodforce: Thoughts on the Art of Sherman Fleming, High Performance, vol. 10:2 (Summer, 1987), pp. 34-39 .
  114. Stiles, K, Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance, The Act, vol. 1 (Spring, 1987), pp. 22-31 .
  115. Stiles, K, Imploring Silence: Words and Performance Essence, A Polemic, High Performance, vol. 8.1 (April, 1985), pp. 33-36 .
  116. Stiles, K, STELARC: On Evolution, Frank, vol. 3 (August, 1984), pp. 25 & 35 .
  117. Stiles, K, The Luciferian Marriage: Government/Corporate/Media ’Fact’ as Entertainment, in The Un/necessary Image, edited by Agostino, PD; Muntadas, A (1983), pp. 28-31, Cambridge: MIT Press (reprinted.) .
  118. Stiles, K, Questions (1982), KronOscope Press (This artist's book contains essays on Kristine Stiles' art by Lynn Hershman, Kathy O’Dell, and Richard Irwin..) .
  119. Stiles, K, Come and Go, in Coming and Going NEW YORK (Subway), PARIS (Metro), San Francisco (BART), Washinton (METRO): Peter D’Agostino (1982), pp. 76-81, San Francisco: Not for Sale Press .
  120. Stiles, K, La Crise de l'avant-garde and an Interview with Jean-Jacques Lebel, + - 0 [Brussels], vol. 34 (1981), pp. 32-36 .
  121. Recontre Avec Morgan O'Hara (1980), Lausanne: Le Musee Cantonal des Beaux-Arts .
  122. Stiles, K, Trans-Europ Express-Expressed, in Alph-Trans-Chung: Peter D-Agostino (1980), pp. 55-58, Dayton: Wright State University Press .
  123. Stiles, K, Brief essays on American painters, in 2 Jahrzehnte amerikanische malerei 1920-1940 (1979), pp. 66 & 76 & 116 & 122-66 & 76 & 116 & 122, Dusseldort, West Germany: Stadische Kunsthalle, Dusseldorf .
  124. Stiles, K, No Money Back Anytime, LAICA Journal: Southern California Art Magazine, vol. 23 (1979), pp. 19-23 (June-July.) .
  125. Stiles, K, Helen and Newton Harrison: Questions, Arts Magazine, vol. 52:6 (February, 1978), pp. 131-133 .
  126. Stiles, K, 1.1.78 - 2.2.78: Roberta Breitmore, in Roberta Breitmore Is Not Lynn Hershman (1978), pp. 5-14, San Francisco: De Young Memorial Museum .

Storer, Jeff M.

  1. with Storer, AJ, UNLEASHED: Twenty Five Year of Manbites Dog (2013) .
  2. J. Storer, 25th Anniversary Manbites Dog Theater Photo Anthology (2012) .

Supko, John

  1. Supko, JP, How I Taught My Computer to Write Its Own Music, Nautilus no. 21 (February, 2015) [how-i-taught-my-computer-to-write-its-own-music]  [abs].
  2. Church, M; Burt, TP; Galay, VJ; Kondolf, GM, Rivers (January, 2015), pp. 98-129 (percussion soloist & electronics; commissioned by Andrew Bliss & the University of Kentucky, Lexington.) [doi]  [abs].
  3. Supko, JP, divine the rest (December, 2013)  [author's comments].
  4. Supko, JP, ALL SOULS (revised & expanded version 2012-2013) (November, 2013) .
  5. Supko, JP, A Free Invention for George Pitcher (May, 2013) [A-FREE-INVENTION-FOR-GEORGE-PITCHER]  [author's comments].
  6. Supko, JP, FLESH (March, 2013) [FLESH]  [author's comments].
  7. Supko, JP; Seaman, B, s_traits (2013)  [author's comments].
  8. Supko, JP, VEXED (September, 2012)  [author's comments].
  9. Supko, JP, R! (August, 2012)  [author's comments].
  10. Supko, JP, I asked for names of all that is (July, 2012)  [author's comments].
  11. Supko, JP, HIMALAJA (July, 2012)  [author's comments].
  12. Supko, JP, ALL SOULS (2012)  [author's comments].
  13. Supko, JP, Drawn Only Once (November, 2011), New Amsterdam Records [available here]  [abs] [author's comments].
  14. Supko, JP, This City (October, 2011)  [abs].
  15. Supko, JP, USINE (September, 2011)  [abs] [author's comments].
  16. Supko, JP; Seaman, B, S_traits (February, 2011)  [abs].
  17. Supko, JP, Inland Ocean (December, 2010)  [author's comments].
  18. Supko, JP, Rooms (November, 2010)  [author's comments].
  19. Supko, JP, Straits II (acoustic version) (May, 2010)  [author's comments].
  20. Supko, JP, "This Window Makes Me Feel", new version for alto flute (February, 2010)  [author's comments].
  21. J.P. Supko, How Many Midnights (In progress)  [author's comments].
  22. Supko, JP, Straits (November, 2009) (percussion duo & electronics; commissioned by the Meehan/Perkins Duo & Meet The Composer; 16 minutes.) .
  23. Supko, JP, Songs of a Landloper (2009) (ten-song cycle for soprano soloist and chamber ensemble; written for The Newspeak Ensemble; 25 minutes.) [htm] .
  24. Supko, JP, Everybody Says Everything (2007) (electric guitar quartet & electronics; written for Catch (Amsterdam); 9 minutes.) [mp3] .
  25. Supko, JP, Dream Cuisine (2007) (cantata for 2 sopranos, 1 alto, 3 baritones, string quartet, 2 percussionists & 2 keyboard players; written for the Flux Quartet; 15 minutes.) [mp3] .
  26. Supko, JP, Littoral (2007) (flute, percussion & 5.1 surround-sound electronics; on texts of Cees Nooteboom & Richard Hakluyt; commissioned by Due East; 35 minutes.) [mp3] .

Voss, Zannie G.

  1. with Glenn B. Voss and Christine Moorman, An Empirical Examination of the Complex Relationships Between Entrepreneurial Orientation and Stakeholder Support, European Journal of Marketing, vol. 39 no. 9/10 (Fall, 2005), pp. 1132-1150 .
  2. with G.B. Voss with C. Shuff and I. Rose, Theatre Facts 2004, Propriety publication (Summer, 2005), Theatre Communications Group .
  3. with D. Sirdeshmukh and G. B. Voss, Improving Organizational Performance by Aligning Strategic Emphasis with Marketplace Characteristics: Knowing When to Explore and When to Exploit (June, 2004) (Presented at the 8th International Research Seminar in Services Management, La Londe, France; published in the conference proceedings.) .
  4. with G. B. Voss and Christopher Shuff, In Whom We Trust III: Theatre Governing Boards in 2004 (2004), Theatre Communications Group .
  5. with G. B. Voss with Christopher Shuff and Katie Taber, Theatre Facts 2003: A Report on Practices and Performances in the American Nonprofit Theatre (2004), Theatre Communications Group .
  6. with G. B. Voss, Perceived Image and Customer Response: A Case of Two Theatres, in AIMAC :Seventh International Conference on Arts and Cultural Management Proceedings (2003) (Presented at the AIMAC: Seventh International Conference on Arts and Cultural Management in Milan, Italy; published in the conference proceedings.) .
  7. Z.G. Voss, The Effects of Authenticity Rifts on Firm Performance and Customer Response (2003), Université d’Aix Marseille, III -- Institut d’Administration des Entreprises (Doctoral Dissertation in the Science of Management.) .
  8. with G. B. Voss, C. Shuff, and R. Ford, Theatre Facts 2002: A Report on Practices and Performances in the American Nonprofit Theatre (2003), Theatre Communications Group (Report findings published in additional articles online by the The Seattle Times (8/22/03), Philanthropy Journal (8/28/03), Association of Fundraising Professionals (9/15/03), American Society of Public Administration (9/8/03), San Francisco Chronicle (8/26/03), Backstage (6/19/03), San Jose Mercury News (9/27/03)..) .
  9. with G. B. Voss and M. Montoya-Weiss, Investigating the Effects on Firm Performance of Product Portfolio Innovativeness and Organizational Learning through Experimentation, in American Marketing Association Winter Educators' Conference Proceedings (2003), American Marketing Association (paper presented at the AMA Winter Educators' Conference; published in the conference proceedings.) .
  10. with G. B. Voss, The Effects of Authenticity Rifts on Firm Performance and Marketing Outcomes in the Arts, The Eric Langeard International Research Seminar in Service Management Proceedings (June, 2002) (Presented Paper at the Langeard Services Management Conference, LaLonde, France.) .
  11. with A. Andreasen, G. B. Voss, C. Moorman, Cross-Sector Knowledge Transfer: Implications for Non-Profit Marketing, American Marketing Association Marketing and Public Policy Consortium (May, 2002) .
  12. with Voss, Glenn B., Christopher Shuff, and Rachel Ford, Theatre Facts 2001: A Report on Practices and Performances in the American Nonprofit Theatre (2002), Propriety Report published by Theatre Communications Group (Invited.) .
  13. with Voss, Glenn B. and Christopher Shuff, In Whom We Trust II: Theatre Governing Boards in 2001 (2002), Propriety Report published by Theatre Communications Group (Invited.) .
  14. with Voss, Glenn B., Christopher Shuff and Dan Melia, Theatre Facts 2000: A Report on Practices and Performances in the American Nonprofit Theatre (2001), Propriety Report published by Theatre Communications Group (Invited; Report Findings incorporated into the Statistical Abstract of the United States published by the U.S. Department of Commerce.) .
  15. with G. B. Voss, Exploring Entrepreneurial Orientation and its Effect on Product Development, Organizational Behavior, and Performance in the Nonprofit Professional Theatre Industry, The Eric Langeard International Research Seminar in Service Management Proceedings (June, 2000) .
  16. with Voss, Glenn B. and Daniel M. Cable, Linking Organizational Values to Relationships with External Constituents: A Study of Nonprofit Professional Theatres, Organization Science (May/June 2000), pp. 330-347 .
  17. with Voss, Glenn B., Strategic Orientation and Firm Performance in an Artistic Environment, Journal of Marketing, vol. 64 (January, 2000), pp. 67-83 .
  18. with Voss, Glenn B., Exploring the Impact of Organizational Values and Strategic Orientation on Performance in the Nonprofit Professional Theatre Industry, International Journal of Arts Management, vol. 3 no. 1 (2000), pp. 62-76 .
  19. with Voss, Glenn B., Christopher Shuff, and Collette Carter, Theatre Facts 2001: A Report on Practices and Performances in the American Nonprofit Theatre (2000), Propriety Report published by Theatre Communications Group (Invited.) .
  20. with G. B. Voss, Nonprofit Professional Theatres: Organizational Values, Strategic Orientation, and Performance, AIMAC: Fifth International Conference on Arts and Cultural Management Proceedings (June, 1999) (Paper presented at the AIMAC: Fifth International Conference on Arts and Cultural Management, Helsinki, Finland.) .

Weiberg, Erika

  1. Weiberg, EL, Archive Feelings: A Theory of Greek Tragedy. By Mario Telò. Columbus: Ohio State University Press, 2020. Pp. [ix] + 327., Classical Philology, vol. 117 no. 4 (October, 2022), pp. 753-758, University of Chicago Press [doi] .
  2. Weiberg, EL, FALSE REPORTS AND WAITING WIVES ON THE HOME FRONT IN AESCHYLUS’ AGAMEMNON AND SOPHOCLES’ TRACHINIAE, Classical Philology, vol. 117 no. 2 (April, 2022), pp. 282-302 [doi]  [abs].
  3. Weiberg, EL, Archive Feelings: A Theory of Greek Tragedy, CLASSICAL PHILOLOGY, vol. 117 no. 4 (2022), pp. 753-758 .
  4. Weiberg, EL, The Bed and the Tomb, Mnemosyne, vol. 73 no. 5 (January, 2020), pp. 729-749, Brill [doi]  [abs].
  5. Weiberg, E, Learning to Bear Witness: Tragic Bystanders in Sophocles’ Trachiniae, in Emotional Trauma in Greece and Rome, edited by Karanika, A; Panoussi, V (January, 2020), pp. 177-191, Routledge  [abs].
  6. Weiberg, EL, Tectius illa cupit: Female Pleasure in Ovid's Ars amatoria, Helios, vol. 47 no. 2 (2020), pp. 161-189, Project MUSE [doi] .
  7. Weiberg, E, Weapons as Friends and Foes in Sophocles’ Ajax and Euripides’ Heracles, in The Materialities of Greek Tragedy, edited by Telò, M; Mueller, M (August, 2018), pp. 63-78, Bloomsbury Academic  [abs].
  8. Weiberg,, The Writing on the Mind: Deianeira's Trauma in Sophocles' <em>Trachiniae</em>, Phoenix, vol. 72 no. 1/2 (2018), pp. 19-19, Project MUSE [doi] .
  9. Weiberg, E, Lessons in Grief and Corruption: Anne Carson’s Translations of Euripides, in Anne Carson: Ecstatic Lyre, edited by Wilkinson, JM (January, 2015), pp. 200-205, University of Michigan Press .

Wilbur, Sarah

  1. Wilbur, S, Funding Bodies Five Decades of Dance Making at the National Endowment for the Arts (October, 2021), pp. 360 pages, Wesleyan University Press  [abs].
  2. Wilbur, S, Who "Makes" a Dance? Studying Infrastructure through a Dance Lens, in The Futures of Dance Studies, edited by Schneider, R; Ross, J; Manning, S (January, 2020), pp. 360-379, University of Wisconsin Press .
  3. Wilbur, S, The Oxford Handbook of Dance and Politics, Dance Research Journal, vol. 50 no. 2 (August, 2018), pp. 78-87, Cambridge University Press (CUP) [doi]  [abs].
  4. Wilbur, S, Does the NEA Need Saving?, TDR/The Drama Review, vol. 61 no. 4 (November, 2017), pp. 96-106, Massachusetts Institute of Technology Press (MIT Press) [doi]  [abs].
  5. Wilbur, S, Gestural Economies and Production Pedagogies in Deaf West's "Spring Awakening", edited by Nicely, M, TDR/The Drama Review, vol. 60 no. 2 (May, 2016), pp. 145-153, Massachusetts Institute of Technology Press (MIT Press) [doi]  [abs].
  6. Wilbur, S, It's About Time: Creative Placemaking and Performance Analytics, edited by Vourloumis, H; Argyropoulou, G, Performance Research, vol. 20 no. 4 (2015), pp. 96-103, Taylor & Francis (Routledge) [doi]  [abs].

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