Theater Studies Faculty: Publications since January 2022

%% Beckwith, Sarah   
@article{fds369842,
   Author = {Beckwith, S},
   Title = {Enter the Child: A Scene from Stanley Cavell's the Claim of
             Reason},
   Journal = {Philosophy and Literature},
   Volume = {46},
   Number = {2},
   Pages = {251-262},
   Year = {2022},
   Month = {October},
   url = {http://dx.doi.org/10.1353/phl.2022.0018},
   Abstract = {Taking its cue from a resonant passage in Stanley Cavell’s
             The Claim of Reason, this essay reflects on the necessity of
             the figure of the child for Cavell’s philosophy and for
             his understanding of the differences between Austinian and
             Wittgensteinian criteria. It develops the difference between
             instruction and initiation by meditating on how we learn the
             words for love. Finally, I examine briefly the figure of the
             boy Mamillius, son of the skeptic Leontes, in William
             Shakespeare’s The Winter’s Tale, whom Cavell first
             noticed as central to the play’s energies.},
   Doi = {10.1353/phl.2022.0018},
   Key = {fds369842}
}

@article{fds367919,
   Author = {Aers, D and Beckwith, S},
   Title = {Imagining the Virtues: Medieval and Early Modern
             Histories},
   Journal = {Journal of Medieval and Early Modern Studies},
   Volume = {52},
   Number = {3},
   Pages = {407-413},
   Year = {2022},
   Month = {September},
   url = {http://dx.doi.org/10.1215/10829636-9966051},
   Doi = {10.1215/10829636-9966051},
   Key = {fds367919}
}


%% D'Alessandro, Michael F   
@article{fds366560,
   Author = {D'Alessandro, M},
   Title = {At-Home Humbugs: Freaks and Fakes in the Nineteenth-Century
             Parlor Museum},
   Journal = {Theatre Survey},
   Volume = {63},
   Number = {1},
   Pages = {3-33},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2022},
   Month = {January},
   url = {http://dx.doi.org/10.1017/s0040557421000557},
   Abstract = {<jats:p>In April 1885, a <jats:italic>New York
             Herald</jats:italic> journalist rushed to Madison Square
             Garden for a special reception highlighting Jo-Jo, the
             Dog-Faced Boy. A feature of P. T. Barnum's traveling show,
             Jo-Jo was confounding scientists who had requested a
             stand-alone inspection of the mysterious attraction.
             Accordingly, the reporter provided an anthropological
             description of the boy: “He stands about five feet high. .
             . . His whole body is covered by a very thick growth of
             long, tow colored hair . . . and the peculiar formation of
             his head [is] very suggestive of the Russian dachshund.”
             At first, Jo-Jo appeared docile, but as the scientists
             prodded him more and more, he started “snarling, showing
             his three canine teeth” and asked his guardian if he could
             bite the inspectors. Jo-Jo was decidedly not a dog-boy, or
             not exactly. He was, in fact, a Russian teenager suffering
             from hypertrichosis, a condition causing excessive hair
             growth all over the body, including nearly every surface
             area of the face. Barnum had signed him to perform a year
             earlier, and the boy made quite an auspicious debut.
             However, Jo-Jo was simply the latest in a long line of
             supposed hybrid species and exotic curiosities that Barnum
             had been displaying since midcentury. The famed showman
             built his name in part by presenting human creation itself
             as a continual spectrum. Barnum's attractions ranged from
             live tigers and giraffes to enigmatic simian performers to
             wax statues of America's degraded lower classes. As much of
             a draw as he became, even Jo-Jo had to share a bill with
             Tattooed Hindoo Dwarfs, Hungarian Gypsies, Buddhist Priests,
             as well as a menagerie of animals including baby elephants,
             kangaroos, lions, and twenty-foot-long “great sinewy
             serpents.” But Jo-Jo's specific appeal was tied to his
             inexplicability. Even given the closer inspection of the
             dog-faced boy, “none of the physicians present would
             hazard an opinion as to his ancestry.”</jats:p>},
   Doi = {10.1017/s0040557421000557},
   Key = {fds366560}
}

@book{fds366561,
   Author = {D'Alessandro, M},
   Title = {Staged Readings Contesting Class in Popular American Theater
             and Literature, 1835-75},
   Pages = {300 pages},
   Year = {2022},
   ISBN = {0472220586},
   Abstract = {The book will be particularly appealing to those interested
             in histories of popular theater, literature and reading,
             social class, and mass culture.},
   Key = {fds366561}
}


%% DeFrantz, Thomas F.   
@article{fds364099,
   Author = {DeFrantz, TF},
   Title = {Black dance and technologies of wellness},
   Journal = {Theatre, Dance and Performance Training},
   Volume = {13},
   Number = {2},
   Pages = {212-213},
   Year = {2022},
   Month = {January},
   url = {http://dx.doi.org/10.1080/19443927.2022.2066380},
   Doi = {10.1080/19443927.2022.2066380},
   Key = {fds364099}
}


%% Donovan, Ryan M   
@book{fds367712,
   Author = {Donovan, R},
   Title = {Broadway Bodies A Critical History of Conformity},
   Pages = {337 pages},
   Publisher = {Oxford University Press},
   Year = {2023},
   ISBN = {0197551076},
   Abstract = {&quot;The Broadway Body I lied about my height on my
             résumé the entire time I was a dancer, though in truth I
             don&#39;t think the extra inch ever actually made a
             difference.},
   Key = {fds367712}
}

@article{fds370522,
   Author = {Donovan, R},
   Title = {The Body Politics of Broadway},
   Journal = {Dance Magazine},
   Volume = {97},
   Number = {4},
   Pages = {22-23},
   Year = {2023},
   Key = {fds370522}
}

@misc{fds367714,
   Author = {Donovan, R},
   Title = {An American in Tokyo? Musical Theatre Dance’s
             Transnational Movements},
   Booktitle = {The Routledge Companion to Musical Theatre},
   Publisher = {Routledge},
   Year = {2022},
   Month = {December},
   ISBN = {0367202093},
   Abstract = {This is an essential resource for students on theatre and
             performance courses, and an invaluable text for researchers
             and practitioners in these areas of study.},
   Key = {fds367714}
}

@misc{fds367715,
   Author = {Donovan, R},
   Title = {'That’s Showbiz, Kid': Casting as Process and
             Product},
   Booktitle = {The Routledge Companion to Musical Theatre},
   Publisher = {Routledge},
   Year = {2022},
   Month = {December},
   ISBN = {0367202093},
   Abstract = {This is an essential resource for students on theatre and
             performance courses, and an invaluable text for researchers
             and practitioners in these areas of study.},
   Key = {fds367715}
}

@book{fds367713,
   Author = {MacDonald, L and Donovan, R},
   Title = {The Routledge Companion to Musical Theatre},
   Publisher = {Routledge},
   Year = {2022},
   Month = {November},
   ISBN = {0367202093},
   url = {http://dx.doi.org/10.4324/9780429260247},
   Abstract = {This is an essential resource for students on theatre and
             performance courses, and an invaluable text for researchers
             and practitioners in these areas of study.},
   Doi = {10.4324/9780429260247},
   Key = {fds367713}
}

@misc{fds368077,
   Author = {Donovan, R},
   Title = {“That's Showbiz, Kid”},
   Pages = {298-312},
   Booktitle = {The Routledge Companion to Musical Theatre},
   Publisher = {Routledge},
   Year = {2022},
   Month = {November},
   url = {http://dx.doi.org/10.4324/9780429260247-28},
   Doi = {10.4324/9780429260247-28},
   Key = {fds368077}
}

@misc{fds368078,
   Author = {Donovan, R},
   Title = {An American in Tokyo?},
   Pages = {25-38},
   Booktitle = {The Routledge Companion to Musical Theatre},
   Publisher = {Routledge},
   Year = {2022},
   Month = {November},
   url = {http://dx.doi.org/10.4324/9780429260247-5},
   Doi = {10.4324/9780429260247-5},
   Key = {fds368078}
}

@misc{fds368079,
   Author = {MacDonald, L and Donovan, R and Everett, WA},
   Title = {Introduction},
   Pages = {1-2},
   Booktitle = {The Routledge Companion to Musical Theatre},
   Publisher = {Routledge},
   Year = {2022},
   Month = {November},
   url = {http://dx.doi.org/10.4324/9780429260247-1},
   Doi = {10.4324/9780429260247-1},
   Key = {fds368079}
}

@misc{fds367716,
   Author = {Donovan, R},
   Title = {'If You Were Gay, That’d Be Okay': Marketing LGBTQ
             Musicals from 'La Cage' to 'The Prom.'},
   Booktitle = {Gender, Sex and Sexuality in Musical Theatre He/She/They
             Could Have Danced All Night},
   Publisher = {Intellect (UK)},
   Year = {2022},
   Month = {August},
   ISBN = {1789386195},
   Abstract = {Critics and fans alike often mistake theatrical song and
             dance as evoking a sweeping sense of simplicity,
             heteronormativity, and traditionalism.},
   Key = {fds367716}
}


%% Finucci, Valeria   
@book{fds368531,
   Author = {Canalis, RF and Ciavolella, M and Finucci, V},
   Title = {Rethinking Medical Humanities: Perspectives from the Arts
             and the Social Sciences},
   Pages = {1-417},
   Year = {2022},
   Month = {December},
   ISBN = {9783110788006},
   url = {http://dx.doi.org/10.1515/9783110788501},
   Abstract = {Medical Humanities may be broadly conceptualized as a
             discipline wherein medicine and its specialties intersect
             with those of the humanities and social sciences. As such it
             is a hybrid area of study where the impact of disease and
             healing science on culture is assessed and expressed in the
             particular language of the disciplines concerned with the
             human experience. However, as much as at first sight this
             definition appears to be clear, it does not reflect how the
             interaction of medicine with the humanities has evolved to
             become a separate field of study. In this publication we
             have explored, through the analysis of a group of selected
             multidisciplinary essays, the dynamics of this process. The
             essays predominantly address the interaction of literature,
             philosophy, art, art history, ethics, and education with
             medicine and its specialties from the classical period to
             the present. Particular attention has been given to the
             Medieval, Early Modern, and Enlightenment periods. To avoid
             a rigid compartmentalization of the book based on individual
             fields of study we opted for a fluid division into
             multidisciplinary sections, reflective of the complex
             interactions of the included works with medicine.},
   Doi = {10.1515/9783110788501},
   Key = {fds368531}
}

@misc{fds368532,
   Author = {Finucci, V},
   Title = {The bio-turn in history writing: Death, last wishes, and
             lasting wishes},
   Pages = {213-226},
   Booktitle = {Rethinking Medical Humanities: Perspectives from the Arts
             and the Social Sciences},
   Year = {2022},
   Month = {December},
   ISBN = {9783110788006},
   url = {http://dx.doi.org/10.1515/9783110788501-011},
   Doi = {10.1515/9783110788501-011},
   Key = {fds368532}
}

@misc{fds368533,
   Author = {Canalis, RF and Ciavolella, M and Finucci, V},
   Title = {Rethinking medical humanities},
   Pages = {3-14},
   Booktitle = {Rethinking Medical Humanities: Perspectives from the Arts
             and the Social Sciences},
   Year = {2022},
   Month = {December},
   ISBN = {9783110788006},
   url = {http://dx.doi.org/10.1515/9783110788501-001},
   Doi = {10.1515/9783110788501-001},
   Key = {fds368533}
}


%% Hadjioannou, Markos   
@article{fds361139,
   Author = {Chow, R and Hadjioannou, M},
   Title = {Fathers in flux},
   Journal = {Cultural Critique},
   Volume = {114},
   Pages = {23-39},
   Year = {2022},
   Month = {December},
   Key = {fds361139}
}


%% Holmgren, Beth   
@article{fds367433,
   Author = {Holmgren, B},
   Title = {Rethinking the Biography of the Actor and
             Entertainer},
   Journal = {Pamietnik Teatralny},
   Volume = {71},
   Number = {3},
   Pages = {11-13},
   Publisher = {Instytut Sztuki Polskiej Akademii Nauk},
   Year = {2022},
   Month = {January},
   url = {http://dx.doi.org/10.36744/pt.370},
   Abstract = {<jats:p>Instroduction to essay cluster on new methods of
             biographical writing/performing.</jats:p>},
   Doi = {10.36744/pt.370},
   Key = {fds367433}
}

@article{fds369173,
   Author = {Holmgren, B},
   Title = {Ganbare! Workshops on Dying},
   Journal = {Literary Journalism Studies},
   Volume = {14},
   Number = {1},
   Pages = {146-149},
   Year = {2022},
   Key = {fds369173}
}


%% Lee, Esther K.   
@misc{fds365706,
   Author = {Lee, EK},
   Title = {A genealogy of the Fu Manchu Mustache},
   Pages = {125-140},
   Booktitle = {Monsters in Performance: Essays on the Aesthetics of
             Disqualification},
   Year = {2022},
   Month = {June},
   ISBN = {9780367683900},
   url = {http://dx.doi.org/10.4324/9781003137337-13},
   Doi = {10.4324/9781003137337-13},
   Key = {fds365706}
}

@book{fds361492,
   Author = {Lee, EK},
   Title = {Made-Up Asians: Yellowface During the Exclusion
             Era},
   Pages = {1-268},
   Year = {2022},
   Month = {January},
   ISBN = {9780472075430},
   url = {http://dx.doi.org/10.3998/mpub.12121434},
   Abstract = {Made-Up Asians traces the history of yellowface, the
             theatrical convention of non-Asian actors putting on makeup
             and costume to look East Asian. Using specific case studies
             from European and U.S. theater, race science, and early
             film, Esther Kim Lee traces the development of yellowface in
             the U.S. context during the Exclusion Era (1862-1940), when
             Asians faced legal and cultural exclusion from immigration
             and citizenship. These caricatured, distorted, and
             misrepresented versions of Asians took the place of excluded
             Asians on theatrical stages and cinema screens. The book
             examines a wide-ranging set of primary sources, including
             makeup guidebooks, play catalogs, advertisements,
             biographies, and backstage anecdotes, providing new ways of
             understanding and categorizing yellowface as theatrical
             practice and historical subject. Made-Up Asians also shows
             how lingering effects of Asian exclusionary laws can still
             be seen in yellowface performances, casting practices, and
             anti-Asian violence into the 21st century.},
   Doi = {10.3998/mpub.12121434},
   Key = {fds361492}
}

@article{fds369154,
   Author = {Lee, EK and Odom, G},
   Title = {A conversation about new directions in studies of modernity
             and theatre},
   Journal = {Studies in Theatre and Performance},
   Year = {2022},
   Month = {January},
   url = {http://dx.doi.org/10.1080/14682761.2022.2145679},
   Doi = {10.1080/14682761.2022.2145679},
   Key = {fds369154}
}

@book{fds361493,
   Title = {MODERN AND CONTEMPORARY WORLD DRAMA Critical and Primary
             Sources},
   Year = {2022},
   ISBN = {1350121940},
   Abstract = {An essential four-volume collection of key readings
             exploring modern and contemporary drama in a global context
             spanning the past 150 years.},
   Key = {fds361493}
}


%% Stiles, Kristine   
@article{fds363143,
   Author = {Alberro, A and Bhabha, H and Castillo, A and Chukhrov, K and Demos, TJ and Eleison, K and Emmelhainz, I and English, D and Flores, P and González,
             JA and Groys, B and Holert, T and Huyssen, A and Jones, A and Joselit, D and Kee, J and Mirzoeff, N and Osborne, P and Roberts, J and Shaked, N and Smith, T and Stiles, K and Tiampo, M and Wagner, AM},
   Title = {WHAT IS RADICAL?},
   Journal = {Artmargins},
   Volume = {10},
   Number = {3},
   Pages = {8-96},
   Year = {2022},
   Month = {February},
   url = {http://dx.doi.org/10.1162/artm_a_00301},
   Doi = {10.1162/artm_a_00301},
   Key = {fds363143}
}


%% Weiberg, Erika   
@article{fds369128,
   Author = {Weiberg, EL},
   Title = {FALSE REPORTS AND WAITING WIVES ON THE HOME FRONT IN
             AESCHYLUS’ AGAMEMNON AND SOPHOCLES’ TRACHINIAE},
   Journal = {Classical Philology},
   Volume = {117},
   Number = {2},
   Pages = {282-302},
   Year = {2022},
   Month = {April},
   url = {http://dx.doi.org/10.1086/718677},
   Abstract = {Nostos plays such as Aeschylus’ Agamemnon and
             Sophocles’ Trachiniae can be productively read within
             the context of the fifth-century Athenian home front.
             Focusing on wives’ receipt of false reports about their
             husbands in Agamemnon and Trachiniae, this article argues
             that Clytemnestra’s and Deianeira’s tense interactions
             with messengers both register Athenian wives’ anxieties
             about receiving untrustworthy information during their
             husbands’ absences and dramatize a double bind for wives
             on the home front, whose initiative in response to such
             reports is both demanded and condemned in the new
             circumstances presented by Athens’ fifth-century military
             revolution.},
   Doi = {10.1086/718677},
   Key = {fds369128}
}