Theater Studies Faculty: Publications since January 2021

%% DeFrantz, Thomas F.   
@article{fds358729,
   Author = {DeFrantz, TF},
   Title = {The race of contemporary ballet: Interpellations of
             africanist aesthetics},
   Pages = {562-580},
   Booktitle = {The Oxford Handbook of Contemporary Ballet},
   Year = {2021},
   Month = {January},
   ISBN = {9780190871499},
   url = {http://dx.doi.org/10.1093/oxfordhb/9780190871499.013.7},
   Abstract = {This chapter considers the tripartite formation of who,
             what, and how in considerations of Africanist aesthetics and
             Black mobilizations that fuel contemporary ballet. Who
             dances contemporary ballet, and are they Black? What sorts
             of Black dance movements are deployed in contemporary
             ballet? And, most important, how does a Black attitude mark
             performances within ballet as belonging to a contemporary
             moment? The chapter presumes that contemporary ballet
             emerges in direct relationship to Africanist aesthetics. It
             considers work by William Forsythe, Alonzo King, and Twyla
             Tharp as a trio of artists whose work continues to circulate
             with different relationships to questions of Black dancers,
             dances, dancing, and the contemporary.},
   Doi = {10.1093/oxfordhb/9780190871499.013.7},
   Key = {fds358729}
}

@article{fds358324,
   Author = {Defrantz, TF},
   Title = {Intermediality and queer African American improvisation:
             Dianne mcintyre, sounds in motion},
   Journal = {Theatre Research International},
   Volume = {46},
   Number = {2},
   Pages = {115-127},
   Year = {2021},
   Month = {July},
   url = {http://dx.doi.org/10.1017/S0307883321000055},
   Abstract = {This article explores the work of choreographer Dianne
             McIntyre as an improvisational artist entangled in questions
             of intermedial relations among sounds and motions. It
             discusses the terms of performance in relation to emergent
             paradigms of Afro-pessimism, and argues for a black regard
             as a method of engaging with experimental performances by
             artists of African descent. The article explores theoretical
             terms of witness and encounter with black performance in
             relation to queer alterities, and non-normative modes of
             physical expression. The article suggests further need for
             research into the work of an outstanding black American
             female artist of theatre and dance.},
   Doi = {10.1017/S0307883321000055},
   Key = {fds358324}
}


%% Finucci, Valeria   
@article{fds357885,
   Author = {Finucci, V},
   Title = {A royal accident: Medical authority and political dynamics
             in 1559},
   Journal = {I Tatti Studies},
   Volume = {24},
   Number = {1},
   Pages = {41-65},
   Year = {2021},
   Month = {March},
   url = {http://dx.doi.org/10.1086/713500},
   Doi = {10.1086/713500},
   Key = {fds357885}
}


%% Gobert, R. Darren   
@misc{fds358280,
   Author = {Gobert, RD},
   Title = {Adaptations},
   Pages = {214-221},
   Booktitle = {Tom Stoppard in Context},
   Publisher = {Cambridge University Press},
   Editor = {Kornhaber, D and Loehlin, J},
   Year = {2021},
   Month = {June},
   ISBN = {1108349684},
   Abstract = {This collection covers biographical and historical topics,
             as well as the broad array of intellectual, aesthetic, and
             political concerns with which Stoppard has
             engaged.},
   Key = {fds358280}
}

@article{fds359354,
   Author = {Gobert, RD},
   Title = {The Seven Streams of the River Ota: National Theatre,
             London, UK},
   Journal = {Paj: a Journal of Performance and Art},
   Volume = {43},
   Number = {3},
   Pages = {35-39},
   Publisher = {MIT Press - Journals},
   Year = {2021},
   Month = {September},
   url = {http://dx.doi.org/10.1162/pajj_a_00576},
   Doi = {10.1162/pajj_a_00576},
   Key = {fds359354}
}


%% Hadjioannou, Markos   
@article{fds361139,
   Author = {Chow, R and Hadjioannou, M},
   Title = {Fathers in flux},
   Journal = {Cultural Critique},
   Volume = {114},
   Pages = {23-39},
   Year = {2022},
   Month = {December},
   Key = {fds361139}
}


%% Holmgren, Beth   
@article{fds363115,
   Author = {Holmgren, B},
   Title = {The Mire and The Mire ’97. Dir. Jan Holoubek. South
             Africa: Showmax; Poland: Studio Filmowe Kadr, 2018, 2021.
             Dist: Netflix. 50 minutes. Color.},
   Journal = {Slavic Review},
   Volume = {80},
   Number = {4},
   Pages = {902-903},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2021},
   url = {http://dx.doi.org/10.1017/slr.2022.22},
   Doi = {10.1017/slr.2022.22},
   Key = {fds363115}
}


%% Lee, Esther K.   
@misc{fds355159,
   Author = {Lee, E},
   Title = {Sounding Asian American: Geeks and Superheroes in Qui
             Nguyen’s Vietgone},
   Pages = {193-206},
   Booktitle = {Theatre After Empire},
   Publisher = {Routledge},
   Year = {2021},
   Month = {May},
   ISBN = {1138368946},
   Key = {fds355159}
}

@misc{fds355158,
   Author = {Lee, E},
   Title = {Transcultural Memory and Food in Julia Cho’s
             Aubergine},
   Booktitle = {Critical Perspectives on Contemporary Plays by Women The
             Early Twenty-First Century},
   Year = {2021},
   Month = {July},
   ISBN = {0472074350},
   Key = {fds355158}
}

@book{fds361493,
   Title = {MODERN AND CONTEMPORARY WORLD DRAMA Critical and Primary
             Sources},
   Year = {2022},
   ISBN = {1350121940},
   Abstract = {An essential four-volume collection of key readings
             exploring modern and contemporary drama in a global context
             spanning the past 150 years.},
   Key = {fds361493}
}

@book{fds361492,
   Author = {LEE, EKIM},
   Title = {Made-Up Asians Yellowface During the Exclusion
             Era},
   Pages = {296 pages},
   Year = {2022},
   Month = {July},
   ISBN = {0472075438},
   Abstract = {Why and how Asian characters have been represented by
             non-Asian actorson stage and screen},
   Key = {fds361492}
}


%% Stiles, Kristine   
@article{fds363144,
   Author = {Stiles, K},
   Title = {Collecting the future: A personal history of an
             archive},
   Pages = {21-34},
   Booktitle = {What Will Be Already Exists: Temporalities of Cold War
             Archives in East-Central Europe and Beyond},
   Year = {2021},
   Month = {September},
   ISBN = {9783837658231},
   Key = {fds363144}
}

@article{fds363143,
   Author = {Alberro, A and Bhabha, H and Castillo, A and Chukhrov, K and Demos, TJ and Eleison, K and Emmelhainz, I and English, D and Flores, P and González,
             JA and Groys, B and Holert, T and Huyssen, A and Jones, A and Joselit, D and Kee, J and Mirzoeff, N and Osborne, P and Roberts, J and Shaked, N and Smith, T and Stiles, K and Tiampo, M and Wagner, AM},
   Title = {WHAT IS RADICAL?},
   Journal = {Artmargins},
   Volume = {10},
   Number = {3},
   Pages = {8-96},
   Year = {2022},
   Month = {February},
   url = {http://dx.doi.org/10.1162/artm_a_00301},
   Doi = {10.1162/artm_a_00301},
   Key = {fds363143}
}