|
|
- D’Alessandro, M. "Dickens and Shakespeare and Longfellow, Oh My!: Staging the Fan Canon at the Nineteenth-Century Authors’ Carnivals." American Literary History 35.2Oxford University Press (OUP),
(May, 2023): 715-743.
[doi] [abs]
- D'Alessandro, M. "At-Home Humbugs: Freaks and Fakes in the Nineteenth-Century Parlor Museum." Theatre Survey 63.1Cambridge University Press (CUP),
(January, 2022): 3-33.
[doi] [abs]
- D'Alessandro, M. Staged Readings Contesting Class in Popular American Theater and Literature, 1835-75. 2022. 300 pages pp. [abs]
- d'Alessandro, M. ""If Actresses Ever Are Themselves": Living Pictures, Dying Women, and British Class Pretensions in Alcott's Behind a Mask." ESQ: A Journal of Nineteenth-Century American Literature and Culture 68.4Project MUSE,
(2022): 423-461.
[doi]
- D'Alessandro, M. “Creole Drama (by Juliane Braun) and Provocative Eloquence (by Laura Mielke)”. American Literature 92.3
(September, 2020): 589-591.
- D'Alessandro, M. "Stumbling Into Utopia." Duke Magazine Special 2019 (August, 2019).
- D'Alessandro, M. "“Storms! Shipwrecks! Massacres!: Playbill Puffery and Other Visual Collisions in Nineteenth-Century America.”." American Art 33.3University of Chicago Press,
(2019): 94-113.
- D'Alessandro, MF. ""George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City."." The Journal of Nineteenth-Century Americanists 5.2
(2017)
- D'Alessandro, M. "The Drunkard's Directions: Mapping Urban Space in the Antebellum Temperance Drama." The New England Quarterly 87.2MIT Press - Journals,
(June, 2014): 252-291.
[doi] [abs]
- D’Alessandro, M. "The Mouth Trap: Orality and the Rabelaisian Grotesque in Norris’s McTeague." Studies in American Naturalism 9.1Project MUSE,
(June, 2014): 1-25.
[doi]
- D'Alessandro, MF. "Childless 'Fathers,' Native Sons: Performing the Indian in Faulkner's Go Down, Moses." Mississippi Quarterly 67.3College of Arts and Sciences of Mississippi State University,
(2014): 375-375.
- D'Alessandro, MF. "Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays." The Eugene O'Neill Review 27
(2007): 21-21.
|
