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Publications of N. Gregson Davis :chronological alphabetical combined listing:
%% Books
@book{fds294195,
Author = {Davis, G},
Title = {POLYHYMNIA: THE RHETORIC OF HORATION LYRIC
DISCOURSE},
Pages = {1-282},
Publisher = {University of California Press},
Year = {2023},
Month = {January},
ISBN = {0520070771},
Abstract = {Horace's Odes have a surface translucency that belies their
rhetorical sophistication. Gregson Davis brings together
recent trends in the study of Augustan poetry and critical
theory and deftly applies them to individual poems.
Exploring four rhetorical strategies—what he calls modes
of assimilation, authentication, consolation, and praise and
dispraise—Davis produces enlightening, new interpretations
of this classic work. Polyhymnia, named after one of the
Muses invoked in Horace's opening poem, revises the common
image of Horace as a complacent, uncomplicated, and
basically superficial singer. Focusing on the artistic
persona—the lyric "self" that is constituted in the
text—Davis explores how the lyric speaker constructs
subtle "arguments" whose building-blocks are topoi,
recurrent motifs, and generic conventions. By examining the
substructure of lyric argument in groupings of poems sharing
similar strategies, the author discloses the major
principles that inform Horatian lyric composition.},
Key = {fds294195}
}
@book{fds294191,
Author = {Davis, G},
Title = {Parthenope: The interplay of ideas in Vergilian
Bucolic},
Volume = {346},
Pages = {1-191},
Year = {2012},
Month = {January},
ISBN = {9789004233089},
Key = {fds294191}
}
@book{fds320254,
Author = {Davis, G},
Title = {Virgil's eclogues},
Pages = {1-91},
Year = {2010},
Month = {December},
ISBN = {9780812242256},
Abstract = {Publius Vergilius Maro (70-19 B.C.), known in English as
Virgil, was perhaps the single greatest poet of the Roman
empire a friend to the emperor Augustus and the beneficiary
of wealthy and powerful patrons. Most famous for his epic of
the founding of Rome, the Aeneid, he wrote two other
collections of poems: the Georgics and the Bucolics, or
Eclogues. The Eclogues were Virgil's first published poems.
Ancient sources say that he spent three years composing and
revising them at about the age of thirty. Though these poems
begin a sequence that continues with the Georgics and
culminates in the Aeneid, they are no less elegant in style
or less profound in insight than the later, more extensive
works. These intricate and highly polished variations on the
idea of the pastoral poem, as practiced by earlier Greek
poets, mix political, social, historical, artistic, and
moral commentary in musical Latin that exerted a profound
influence on subsequent Western poetry. Poet Len Krisak's
vibrant metric translation captures the music of Virgil's
richly textured verse by employing rhyme and other sonic
devices. The result is English poetry rather than translated
prose. Presenting the English on facing pages with the
original Latin, Virgil's Eclogues also features an
introduction by scholar Gregson Davis that situates the epic
in the time in which it was created. © 2010 University of
Pennsylvania Press. All rights reserved.},
Key = {fds320254}
}
@book{fds305956,
Author = {Davis, G},
Title = {A Companion to Horace},
Publisher = {WILEY-BLACKWELL},
Year = {2010},
Month = {February},
ISBN = {9781405155403},
url = {http://dx.doi.org/10.1002/9781444319187},
Abstract = {Product Information About The Product A Companion to Horace
features a collection of commissioned interpretive essays by
leading scholars in the field of Latin literature covering
the entire generic range of works produced by Horace. •
Features original essays by a wide range of leading literary
scholars • Exceeds expectations for the standard handbook
by featuring essays that challenge, rather than just
summarize, conventional views of Homer's work and influence
• Considers Horace's debt to his Greek predecessors •
Treats the reception of Horace from contemporary theoretical
perspectives • Offers up-to-date information and
illustrations on the archaeological site traditionally
identified as Horace's villa in the Sabine countryside. ©
2010 Blackwell Publishing Ltd.},
Doi = {10.1002/9781444319187},
Key = {fds305956}
}
@book{fds294196,
Author = {Davis, G},
Title = {Aimé Césaire},
Publisher = {Cambridge University Press},
Year = {1997},
Key = {fds294196}
}
@book{fds294194,
Author = {Davis, G},
Title = {Non-Vicious Circle: Twenty Poems of Aimé
Césaire},
Publisher = {Stanford University Press},
Year = {1984},
Key = {fds294194}
}
@book{fds294193,
Author = {Davis, G},
Title = {The Death of Procris "Amor" and the Hunt in Ovid's
Metamorphoses},
Volume = {2},
Pages = {164 pages},
Publisher = {Edizioni dell’ Ateneo},
Year = {1983},
Key = {fds294193}
}
@book{fds294192,
Author = {Davis, G and Davis, M},
Title = {Antigua Black: Portrait of an Island People},
Publisher = {Scrimshaw Press},
Year = {1971},
Key = {fds294192}
}
%% Papers Published
@article{fds350013,
Title = {Euphrosyne},
Journal = {Beiträge zur Altertumskunde},
Volume = {370},
Publisher = {de Gruyter},
Editor = {Davis, G and Burian, P and Clay, JS},
Year = {2020},
Key = {fds350013}
}
@article{fds318109,
Author = {Crichlow, MA and Davis, G},
Title = {Introduction},
Journal = {South Atlantic Quarterly},
Volume = {115},
Number = {3},
Pages = {437-440},
Publisher = {Duke University Press},
Year = {2016},
Month = {July},
url = {http://dx.doi.org/10.1215/00382876-3608565},
Doi = {10.1215/00382876-3608565},
Key = {fds318109}
}
@article{fds320253,
Author = {Davis, G},
Title = {Forging a caribbean literary style: Vulgar eloquence and the
language of césaire's cahier d'un retour au pays
natal},
Journal = {South Atlantic Quarterly},
Volume = {115},
Number = {3},
Pages = {457-467},
Publisher = {Duke University Press},
Year = {2016},
Month = {July},
url = {http://dx.doi.org/10.1215/00382876-3608587},
Doi = {10.1215/00382876-3608587},
Key = {fds320253}
}
@article{fds294161,
Author = {Davis, G},
Title = {A flag of one’s own? Aimé Césaire between poetry and
politics},
Publisher = {Oxford University Press},
Year = {2013},
Month = {June},
url = {http://blog.oup.com/2013/06/aime-cesaire-poetry-politics/},
Abstract = {Blog post},
Key = {fds294161}
}
@article{fds294167,
Author = {Davis, G},
Title = {A, virgo infelix, quae te dementia cepit?: The Epicurean
Critique of amor insanus},
Journal = {Vergilius},
Volume = {57},
Pages = {35-54},
Year = {2011},
ISSN = {0506-7294},
Key = {fds294167}
}
@article{fds294197,
Author = {Davis, G},
Title = {Negritude-as-performance: the interplay of efficacious and
inefficaciuos speech acts in Cahier d'un retour au pays
natal},
Journal = {Research in African Literatures},
Volume = {41},
Number = {1},
Pages = {142-154},
Publisher = {Indiana University Press},
Year = {2010},
Month = {Spring},
url = {http://dx.doi.org/10.2979/RAL.2010.41.1.142},
Abstract = {This essay adumbrates a way of reading Cahier d'un retour au
pays natal that understands it as an enactment of the poet's
idiosyncratic conception of Negritude. Through the crucible
of performance, Césairean Negritude is revealed as a
complex process of self-exploration. "Performance" is
employed here not merely in its figurative sense (though
dramaturgical tropes will be considered in the course of
analysis), but in its more robust signification as a series
of speech acts-some self-fulfilling, some manqués - that
constitute the Césairean inflection of Negritude. The
performance of Negritude that takes place in the poem mimics
the process of "illumination" or enlightenment that follows
in the wake of rigorous self-examination. The delineation of
the major ways in which the speaker inscribes the process of
identity refashioning through performance is the basis for a
revisionist interpretation of the fundamental meaning(s) of
the term for its acknowledged inventor. ©
2010.},
Doi = {10.2979/RAL.2010.41.1.142},
Key = {fds294197}
}
@article{fds294190,
Author = {Davis, G},
Title = {Jane Austen’s Mansfield Park: the Antigua
Collection},
Year = {2004},
url = {http://www.uwichill.edu/bb/bnccde/antigua/conference/papersdavishtml},
Key = {fds294190}
}
@article{fds294214,
Author = {Davis, G},
Title = {Ait Phaselus: The Caricature of Stylistic Inelegance in
Catullus 4"},
Journal = {"Materiali e discussioni per l'analysi dei testi
classici."},
Volume = {48},
Pages = {111-143},
Year = {2002},
Month = {August},
Key = {fds294214}
}
@article{fds294199,
Author = {Davis, G},
Title = {Ut pictura poesis: A Testament},
Journal = {Agenda},
Volume = {39},
Number = {1-3},
Pages = {198-199},
Year = {2002},
Abstract = {Special Issue on Derek Walcott},
Key = {fds294199}
}
@article{fds294201,
Author = {Davis, G},
Title = {'Pastoral sites': aspects of bucolic transformation in Derek
Walcott's Omeros.},
Journal = {Classical World},
Volume = {93.1},
Number = {1},
Pages = {43-49},
Publisher = {JSTOR},
Year = {1999},
url = {http://dx.doi.org/10.2307/4352370},
Doi = {10.2307/4352370},
Key = {fds294201}
}
@article{fds294216,
Author = {Davis, G},
Title = {L'intertextualite comme strategie dans un programme
postcolonial: 'Ferrements' d'Aime Cesaire.},
Journal = {Europe},
Volume = {832-3},
Pages = {109-118},
Year = {1998},
Key = {fds294216}
}
@article{fds294215,
Author = {Davis, G},
Title = {'With no Homeric Shadow': The Disavowal of Epic in Derek
Walcott's Omeros.},
Journal = {South Atlantic Quarterly},
Volume = {96.2},
Number = {2},
Pages = {321-333},
Year = {1997},
Key = {fds294215}
}
@article{fds305958,
Author = {Davis, G},
Title = {The poetics of Derek Walcott: Intertextual
perspectives},
Journal = {South Atlantic Quarterly},
Volume = {96},
Number = {2},
Pages = {227-228},
Editor = {Davis, G},
Year = {1997},
Key = {fds305958}
}
@article{fds294213,
Author = {Davis, G},
Title = {The figure of Anacreon in Horatian lyric},
Journal = {Hellas},
Volume = {7},
Number = {2},
Pages = {63-74},
Year = {1996},
Abstract = {Special issue in honor of Wesley Trimpi},
Key = {fds294213}
}
@article{fds294212,
Author = {Davis, G},
Title = {Cupid at the Ivory Gates: Ausonius as a reader of
Vergil},
Journal = {Colby Quarterly},
Volume = {30.3},
Pages = {162-170},
Year = {1994},
Key = {fds294212}
}
@article{fds350014,
Author = {Kennedy, D and Perky, J and Lougee, C and McCall, M and Robinson, P and Gibb, J and Bush, CN and Brown, J and Dekker, G and King, B and Chace, W and Camargo, C and Evans, JM and Rebholz, R and Degler, C and Gelpi, B and Rosaldo, R and Mahrt, W and Rayden, H and Lindenberger, H and Gelpi, A and Davis, G and Middlebrook, D and Phillips, D and Papasotiriou, H and Evans, M and Chace, B and Harvey, V and Sneehan, J and Riggs,
D},
Title = {The discussion about proposals to change the Western Culture
program at Stanford University},
Journal = {Minerva},
Volume = {27},
Number = {2-3},
Pages = {223-411},
Year = {1989},
Month = {June},
url = {http://dx.doi.org/10.1007/BF01102569},
Doi = {10.1007/BF01102569},
Key = {fds350014}
}
@article{fds294211,
Author = {Davis, G},
Title = {Ingenii cumba?: literary aporia and the rhetoric of Horace's
O navis referent (C.1.14)},
Journal = {Rheinisches Museum für Philologie},
Volume = {132},
Pages = {331-345},
Year = {1989},
Key = {fds294211}
}
@article{fds294210,
Author = {Davis, G},
Title = {Quis...digne scripserit?: The topos of alter Homerus in
Horace C.1.6},
Journal = {Phoenix},
Volume = {41.3},
Pages = {292-295},
Year = {1987},
Key = {fds294210}
}
@article{fds305268,
Author = {Davis, G},
Title = {Carmina/Iambi: the literary-generic dimension of Horace's
Integer vitae (C.1, 22)},
Journal = {Quaderni Urbinati Di Cultura Classica: Atti Di
Convegni},
Volume = {27},
Number = {3},
Pages = {67-78},
Year = {1987},
ISSN = {1724-1901},
Key = {fds305268}
}
@article{fds294208,
Author = {Davis, G},
Title = {Silence and Decorum: Encomiastic Convention and the Epilogue
of Horace Carm 3.2},
Journal = {Classical Antiquity},
Volume = {2.1},
Number = {1},
Pages = {9-26},
Publisher = {JSTOR},
Year = {1983},
url = {http://dx.doi.org/10.2307/25010779},
Doi = {10.2307/25010779},
Key = {fds294208}
}
@article{fds294207,
Author = {Davis, G},
Title = {The Disavowal of the Grand (Recusatio) in two poems by
Wallace Stevens},
Journal = {Pacific Coast Philology},
Volume = {17},
Number = {1-2},
Pages = {92-102},
Year = {1982},
Key = {fds294207}
}
@article{fds294206,
Author = {Davis, G},
Title = {The Problem of Closure in a carmen perpetuum: Aspects of
Thematic Recapitulation in Ovid Metamorphoses
15},
Journal = {Grazer Beiträge},
Volume = {9},
Pages = {123-132},
Year = {1980},
Key = {fds294206}
}
@article{fds294205,
Author = {Davis, G},
Title = {Ovid Metamorphoses 3.442ff. and the Prologue to Menander's
Misoumenos},
Journal = {Phoenix},
Volume = {32},
Pages = {339-342},
Year = {1978},
Key = {fds294205}
}
@article{fds294204,
Author = {Davis, G},
Title = {Towards a ‘Non-Vicious Circle’: The Lyric of Aimé
Césaire in English},
Journal = {Stanford French Review},
Volume = {1.1},
Pages = {135-146},
Year = {1977},
Key = {fds294204}
}
@article{fds294203,
Author = {Davis, G},
Title = {The Persona of Licymnia: a Revaluation of Horace Carm.
2.12},
Journal = {Philologus},
Volume = {1.119},
Number = {1-2},
Pages = {70-83},
Publisher = {WALTER DE GRUYTER GMBH},
Year = {1975},
url = {http://dx.doi.org/10.1524/phil.1975.119.12.70},
Doi = {10.1524/phil.1975.119.12.70},
Key = {fds294203}
}
@article{fds294202,
Author = {Davis, G},
Title = {Ad Sidera Notus: The Rhetoric of Lament and Consolation in
Fortunatus' De Gelesuintha},
Journal = {Agon},
Volume = {1.1},
Pages = {118-134},
Year = {1967},
Key = {fds294202}
}
%% Articles
@article{fds294163,
Author = {Davis, G},
Title = {Journal of a Homecoming},
Booktitle = {Cahier d'un retour au pays natal by Aimé
Césaire},
Publisher = {Duke University Press},
Year = {2016},
Abstract = {English translation},
Key = {fds294163}
}
@article{fds294168,
Author = {Davis, G},
Title = {Aimé Césaire},
Booktitle = {Dictionary of Caribbean and Afro-Latin American
Biography},
Year = {2015},
Key = {fds294168}
}
@article{fds294169,
Author = {Davis, G},
Title = {The dual function of the umbra-motif in Vergil’s
Bucolics},
Volume = {10},
Pages = {89-101},
Booktitle = {Vergilian Studies dedicated to the memory of Mario
Geymonat},
Publisher = {Traugott Bautz Verlag},
Editor = {Günther, HC},
Year = {2015},
Key = {fds294169}
}
@article{fds294170,
Author = {Davis, G},
Title = {Locus of performance and lyric argument in Horace
C.3.28},
Pages = {275-284},
Booktitle = {Actes du colloque de Lyon "La poésie lyrique dans la cité
antique},
Publisher = {École Normale de Lyon},
Year = {2015},
Abstract = {Translation},
Key = {fds294170}
}
@article{fds320255,
Author = {Davis, G},
Title = {Defining a Lyric Ethos: Archilochus lyricus and Horatian
melos},
Pages = {105-127},
Booktitle = {A Companion to Horace},
Publisher = {WILEY-BLACKWELL},
Year = {2010},
Month = {February},
ISBN = {9781405155403},
url = {http://dx.doi.org/10.1002/9781444319187.ch6},
Doi = {10.1002/9781444319187.ch6},
Key = {fds320255}
}
@article{fds294177,
Author = {Davis, G},
Title = {Derek Walcott},
Booktitle = {Oxford Encyclopedia of African Thought},
Editor = {Irele, A and Jeyifo, B},
Year = {2010},
Key = {fds294177}
}
@article{fds294178,
Author = {Davis, G},
Title = {Aimé Césaire},
Booktitle = {Oxford Encyclopedia of African Thought},
Publisher = {Oxford University Press},
Editor = {Irele, A and Jeyifo, B},
Year = {2010},
Key = {fds294178}
}
@article{fds294179,
Author = {Davis, G},
Title = {Archilochus lyricus and Horatian melos},
Pages = {105-127},
Booktitle = {A Companion to Horace},
Publisher = {WILEY-BLACKWELL},
Editor = {Davis, G},
Year = {2010},
Key = {fds294179}
}
@article{fds294166,
Author = {Davis, G},
Title = {Wine and the Symposium},
Pages = {207-220},
Booktitle = {The Cambridge Companion to Horace},
Publisher = {Cambridge University Press},
Editor = {Harrison, S},
Year = {2007},
ISBN = {9780521830027},
url = {http://dx.doi.org/10.1017/CCOL0521830028.016},
Abstract = {The topic of ‘Wine and the symposium’ constitutes a
major preoccupation of Horace’s poetry from the early
Epodes to the late Epistles. It is therefore crucial to an
understanding of his underlying system of values. The main
focus of this condensed treatment will be on the Odes, with
occasional glances at pertinent passages from the Epistles.
Since wine is seldom mentioned in Horace’s lyric corpus
outside of the context of the symposium, the convivial odes
will receive prime attention in what follows. Before
summarising the typical content and structure of the
Symposium Ode, it is useful to consider the arrangement of
the poems with respect to the theme of wine-drinking. The
collection of odes in Book 1 is framed by opening and
closing poems that give prominence to the leitmotif of wine.
Thus the dedicatory poem to his patron, Maecenas (Odes 1.1),
which presents the programme of the Odes as a whole, takes
the rhetorical form of a priamel in which the climactic term
features the poet-speaker’s choice of a Dionysian
community of Nymphs and Satyrs dancing and singing together
in a sacred grove and crowned with ivy (29-34). The main
vocation championed by the speaker is the composition of
lyric poetry in the tradition of Archaic Greek (Lesbian)
lyric, but the setting is consonant with the sympotic muse,
since the presence of the Bacchic entourage is hardly
conceivable without wine-induced ekstasis.},
Doi = {10.1017/CCOL0521830028.016},
Key = {fds294166}
}
@article{fds294175,
Author = {Davis, G},
Title = {’Homecomings without Home’: representations of
(post)colonial nostos (homecoming) in the lyric of Aimé
Césaire and Derek Walcott’},
Booktitle = {Homer in the Twentieth Century: between World Literature and
the Western Canon},
Publisher = {Oxford University Press},
Editor = {Greenwood, E and Graziosi, B},
Year = {2007},
Key = {fds294175}
}
@article{fds294176,
Author = {Davis, G},
Title = {Reframing the Homeric: images of the Odyssey in the art of
Derek Walcott and Romare Bearden},
Pages = {401-414},
Booktitle = {Oxford Companion to Classical Receptions},
Publisher = {Oxford University Press},
Editor = {Hardwick, L and Stray, C},
Year = {2007},
Key = {fds294176}
}
@article{fds294165,
Author = {Davis, G},
Title = {From Lyric to Elegy: the Inscription of the Elegiac Subject
in Heroides 15 (Sappho to Phaon)},
Volume = {15},
Pages = {175-191},
Booktitle = {Defining Genre and Gender in Latin Literature: Essays
Presented to William S. Anderson on His Seventy-Fifth
Birthday},
Publisher = {Peter Lang Publishing},
Editor = {Batsone, WW and Tissol, G},
Year = {2005},
Key = {fds294165}
}
@article{fds294180,
Author = {Davis, G},
Title = {Consolation in the Bucolic mode: The Epicurean cadence of
Vergil’s First Eclogue},
Pages = {63-74},
Booktitle = {Vergil. Philodemus, and the Augustans},
Publisher = {University of Texas Press, Austin, Texas},
Editor = {Armstrong, D and Fish, J and Johnston, P and Skinner,
M},
Year = {2003},
Key = {fds294180}
}
@article{fds305957,
Author = {Davis, G},
Title = {Translation of "Do not have Pity," "Sun Serpent," "Day and
Night," by Aimé Césaire},
Volume = {2},
Pages = {1718-1719},
Booktitle = {The Norton Anthology: World Masterpieces},
Year = {2000},
Key = {fds305957}
}
@article{fds294159,
Author = {Davis, G},
Title = {Carmina/Iambi: the literary-generic dimension of Horace's
Integer vitae (C.1, 22)},
Pages = {51-62},
Booktitle = {Why Horace: A Collection of Interpretations},
Publisher = {Bolchazy- Carducci},
Editor = {Anderson, WS},
Year = {1999},
Key = {fds294159}
}
@article{fds294174,
Author = {Davis, G},
Title = {Beyond Disciplinary Hierarchies in Higher
Education},
Booktitle = {Bruce A. Kimball: The Condition of American Liberal
Education: Pragmatism and a Changing Tradition},
Publisher = {College Entrance Examination Board, New York},
Editor = {Orrill, R},
Year = {1995},
Key = {fds294174}
}
@article{fds294173,
Author = {Davis, G},
Title = {Between Cultures: toward a redefinition of Liberal
Education},
Pages = {19-34},
Booktitle = {African Studies and the Undergraduate Curriculum},
Publisher = {Lynne Reicher Publishers},
Editor = {Alden, P and Lloyd, D and Samatar, A},
Year = {1994},
Key = {fds294173}
}
@article{fds294189,
Author = {Davis, G},
Title = {Desire and the Hunt in Ovid’s Metamorphoses},
Pages = {142-170},
Booktitle = {The Burnett Lectures: A Quarter Century},
Editor = {Genovese, EN},
Year = {1993},
Key = {fds294189}
}
@article{fds294200,
Author = {Davis, G},
Title = {Lyric worlds: Old and New under the sun},
Journal = {Arts and Sciences Newsletter},
Volume = {12},
Number = {1},
Publisher = {Cornell University},
Year = {1991},
Key = {fds294200}
}
@article{fds305959,
Author = {Davis, G},
Title = {Translation of "Statue of Lafcadio Hearn"},
Booktitle = {Soleil éclaté: Melanges offerts à Aimé Césaire à
l’occasion de son soixante-dixiéme anniversaire par une
équipe internationale d’artistes et de
chercheurs},
Publisher = {Gunter Narr Verlag, Tübingen},
Editor = {Leiner, J},
Year = {1984},
Key = {fds305959}
}
@article{fds294198,
Author = {Davis, G},
Title = {The mind at the end of the palm},
Journal = {The Stanford Magazine},
Pages = {46-51},
Year = {1982},
Key = {fds294198}
}
%% Book & Monograph Reviews
@article{fds294172,
Author = {Davis, G},
Title = {Afro-Greeks: Dialogues between Anglophone Caribbean
Literature and Classics in the Twentieth Century by Emily
Greenwood (Oxford, Oxford University Press,
2010)},
Journal = {New West Indian Guide/Neue West-Indische
Gids},
Volume = {48},
Number = {1 & 2},
Pages = {179-181},
Year = {2012},
Key = {fds294172}
}
@article{fds294188,
Author = {Davis, G},
Title = {Horace’s Narrative Odes by Michèle Lowrie (Oxford
1997)},
Journal = {Classical Review},
Volume = {ns. 49},
Number = {1},
Pages = {50-52},
Year = {1999},
Month = {Spring},
url = {http://dx.doi.org/10.1093/cr/49.1.50},
Doi = {10.1093/cr/49.1.50},
Key = {fds294188}
}
@article{fds294187,
Author = {Davis, G},
Title = {Epic of the Dispossessed: Derek Walcott’s Omeros by Robert
D. Hammer (Columbia 1997)},
Journal = {South Central Review},
Volume = {15},
Number = {2},
Pages = {59-61},
Year = {1998},
Key = {fds294187}
}
@article{fds294186,
Author = {Davis, G},
Title = {Derek Walcott’s Poetry: American Mimicry by Rei Terada
(Boston 1992)},
Journal = {American Literature},
Volume = {69},
Number = {1},
Pages = {241-241},
Year = {1997},
Key = {fds294186}
}
@article{fds294185,
Author = {Davis, G},
Title = {On Césaire, review-essay on Aimé Césaire: le nègre
inconsolé by Roger Toumson and Simonne Henry-Valmore
(Paris/Fort-de-France 1993); Aimé Césaire: une traversée
paradoxale du siècle by Raphael Confiant (Paris 1993);
Cahier d’un retour au pays natal ed. Abiola
Irele},
Journal = {Research in African Literatures},
Volume = {26},
Number = {2},
Pages = {173-184},
Year = {1995},
Key = {fds294185}
}
@article{fds294183,
Author = {Davis, G},
Title = {From a Sabine Jar by L. Edmunds (Chapel Hill
1992)},
Journal = {Classical Journal},
Volume = {88},
Number = {2},
Pages = {203-206},
Year = {1993},
Key = {fds294183}
}
@article{fds294184,
Author = {Davis, G},
Title = {Redeeming the Text: Latin Poetry and the Hermeneutics of
Reception by Charles Martindale (Cambridge
1993)},
Journal = {New England Classical Newsletter and Journal},
Volume = {20},
Number = {4},
Pages = {86-87},
Year = {1993},
Key = {fds294184}
}
@article{fds294182,
Author = {Davis, G},
Title = {Metaformations by F. Ahl (Ithaca 1985)},
Journal = {Classical Philology},
Volume = {83},
Number = {3},
Pages = {260-262},
Year = {1985},
Key = {fds294182}
}
@article{fds294181,
Author = {Davis, G},
Title = {The Art of the Aeneid by W.S. Anderson},
Journal = {Comparative Literature},
Volume = {24},
Number = {1},
Pages = {93-94},
Year = {1972},
Key = {fds294181}
}