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Publications of N. Gregson Davis    :chronological  alphabetical  combined listing:

%% Books   
@book{fds294191,
   Author = {Davis, G},
   Title = {Parthenope: The interplay of ideas in Vergilian
             Bucolic},
   Volume = {346},
   Pages = {1-191},
   Year = {2012},
   Month = {January},
   ISBN = {9789004233089},
   Key = {fds294191}
}

@book{fds320254,
   Author = {Davis, G},
   Title = {Virgil's eclogues},
   Pages = {1-91},
   Year = {2010},
   Month = {December},
   ISBN = {9780812242256},
   Abstract = {Publius Vergilius Maro (70-19 B.C.), known in English as
             Virgil, was perhaps the single greatest poet of the Roman
             empire a friend to the emperor Augustus and the beneficiary
             of wealthy and powerful patrons. Most famous for his epic of
             the founding of Rome, the Aeneid, he wrote two other
             collections of poems: the Georgics and the Bucolics, or
             Eclogues. The Eclogues were Virgil's first published poems.
             Ancient sources say that he spent three years composing and
             revising them at about the age of thirty. Though these poems
             begin a sequence that continues with the Georgics and
             culminates in the Aeneid, they are no less elegant in style
             or less profound in insight than the later, more extensive
             works. These intricate and highly polished variations on the
             idea of the pastoral poem, as practiced by earlier Greek
             poets, mix political, social, historical, artistic, and
             moral commentary in musical Latin that exerted a profound
             influence on subsequent Western poetry. Poet Len Krisak's
             vibrant metric translation captures the music of Virgil's
             richly textured verse by employing rhyme and other sonic
             devices. The result is English poetry rather than translated
             prose. Presenting the English on facing pages with the
             original Latin, Virgil's Eclogues also features an
             introduction by scholar Gregson Davis that situates the epic
             in the time in which it was created. © 2010 University of
             Pennsylvania Press. All rights reserved.},
   Key = {fds320254}
}

@book{fds305956,
   Author = {Davis, G},
   Title = {A Companion to Horace},
   Publisher = {WILEY-BLACKWELL},
   Year = {2010},
   Month = {February},
   ISBN = {9781405155403},
   url = {http://dx.doi.org/10.1002/9781444319187},
   Abstract = {Product Information About The Product A Companion to Horace
             features a collection of commissioned interpretive essays by
             leading scholars in the field of Latin literature covering
             the entire generic range of works produced by Horace. •
             Features original essays by a wide range of leading literary
             scholars • Exceeds expectations for the standard handbook
             by featuring essays that challenge, rather than just
             summarize, conventional views of Homer's work and influence
             • Considers Horace's debt to his Greek predecessors •
             Treats the reception of Horace from contemporary theoretical
             perspectives • Offers up-to-date information and
             illustrations on the archaeological site traditionally
             identified as Horace's villa in the Sabine countryside. ©
             2010 Blackwell Publishing Ltd.},
   Doi = {10.1002/9781444319187},
   Key = {fds305956}
}

@book{fds294196,
   Author = {Davis, G},
   Title = {Aimé Césaire},
   Publisher = {Cambridge University Press},
   Year = {1997},
   Key = {fds294196}
}

@book{fds294195,
   Author = {Davis, G},
   Title = {Polyhymnia: The Rhetoric of Horatian Lyric
             Discourse},
   Publisher = {University of California Press},
   Year = {1991},
   Key = {fds294195}
}

@book{fds294194,
   Author = {Davis, G},
   Title = {Non-Vicious Circle: Twenty Poems of Aimé
             Césaire},
   Publisher = {Stanford University Press},
   Year = {1984},
   Key = {fds294194}
}

@book{fds294193,
   Author = {Davis, G},
   Title = {The Death of Procris "Amor" and the Hunt in Ovid's
             Metamorphoses},
   Volume = {2},
   Pages = {164 pages},
   Publisher = {Edizioni dell’ Ateneo},
   Year = {1983},
   Key = {fds294193}
}

@book{fds294192,
   Author = {Davis, G and Davis, M},
   Title = {Antigua Black: Portrait of an Island People},
   Publisher = {Scrimshaw Press},
   Year = {1971},
   Key = {fds294192}
}


%% Papers Published   
@article{fds350013,
   Title = {Euphrosyne},
   Journal = {Beiträge Zur Altertumskunde},
   Volume = {370},
   Publisher = {de Gruyter},
   Editor = {Davis, G and Burian, P and Clay, JS},
   Year = {2020},
   Key = {fds350013}
}

@article{fds318109,
   Author = {Crichlow, MA and Davis, G},
   Title = {Introduction},
   Journal = {South Atlantic Quarterly},
   Volume = {115},
   Number = {3},
   Pages = {437-440},
   Publisher = {Duke University Press},
   Year = {2016},
   Month = {July},
   url = {http://dx.doi.org/10.1215/00382876-3608565},
   Doi = {10.1215/00382876-3608565},
   Key = {fds318109}
}

@article{fds320253,
   Author = {Davis, G},
   Title = {Forging a caribbean literary style: Vulgar eloquence and the
             language of césaire's cahier d'un retour au pays
             natal},
   Journal = {South Atlantic Quarterly},
   Volume = {115},
   Number = {3},
   Pages = {457-467},
   Publisher = {Duke University Press},
   Year = {2016},
   Month = {July},
   url = {http://dx.doi.org/10.1215/00382876-3608587},
   Doi = {10.1215/00382876-3608587},
   Key = {fds320253}
}

@article{fds294161,
   Author = {Davis, G},
   Title = {A flag of one’s own? Aimé Césaire between poetry and
             politics},
   Publisher = {Oxford University Press},
   Year = {2013},
   Month = {June},
   url = {http://blog.oup.com/2013/06/aime-cesaire-poetry-politics/},
   Abstract = {Blog post},
   Key = {fds294161}
}

@article{fds294167,
   Author = {Davis, G},
   Title = {A, virgo infelix, quae te dementia cepit?: The Epicurean
             Critique of amor insanus},
   Journal = {Vergilius},
   Volume = {57},
   Pages = {35-54},
   Year = {2011},
   ISSN = {0506-7294},
   Key = {fds294167}
}

@article{fds294197,
   Author = {Davis, G},
   Title = {Negritude-as-performance: The interplay of efficacious and
             inefficacious speech acts in Cahier d'un retour au pays
             natal},
   Journal = {Research in African Literatures},
   Volume = {41},
   Number = {1},
   Pages = {142-154},
   Publisher = {Indiana University Press},
   Year = {2010},
   Month = {Spring},
   url = {http://dx.doi.org/10.2979/RAL.2010.41.1.142},
   Abstract = {This essay adumbrates a way of reading Cahier d'un retour au
             pays natal that understands it as an enactment of the poet's
             idiosyncratic conception of Negritude. Through the crucible
             of performance, Césairean Negritude is revealed as a
             complex process of self-exploration. "Performance" is
             employed here not merely in its figurative sense (though
             dramaturgical tropes will be considered in the course of
             analysis), but in its more robust signification as a series
             of speech acts-some self-fulfilling, some manqués - that
             constitute the Césairean inflection of Negritude. The
             performance of Negritude that takes place in the poem mimics
             the process of "illumination" or enlightenment that follows
             in the wake of rigorous self-examination. The delineation of
             the major ways in which the speaker inscribes the process of
             identity refashioning through performance is the basis for a
             revisionist interpretation of the fundamental meaning(s) of
             the term for its acknowledged inventor. ©
             2010.},
   Doi = {10.2979/RAL.2010.41.1.142},
   Key = {fds294197}
}

@article{fds294190,
   Author = {Davis, G},
   Title = {Jane Austen’s Mansfield Park: the Antigua
             Collection},
   Year = {2004},
   url = {http://www.uwichill.edu/bb/bnccde/antigua/conference/papersdavishtml},
   Key = {fds294190}
}

@article{fds294199,
   Author = {Davis, G},
   Title = {Ut pictura poesis: A testament},
   Journal = {Agenda},
   Volume = {39},
   Number = {1-3},
   Pages = {198},
   Year = {2003},
   Month = {December},
   Abstract = {Special Issue on Derek Walcott},
   Key = {fds294199}
}

@article{fds294214,
   Author = {Davis, G},
   Title = {Ait Phaselus: The Caricature of Stylistic Inelegance in
             Catullus 4"},
   Journal = {"Materiali E Discussioni Per L'Analysi Dei Testi
             Classici."},
   Volume = {48},
   Pages = {111-143},
   Year = {2002},
   Month = {August},
   Key = {fds294214}
}

@article{fds294201,
   Author = {Davis, G},
   Title = {"Pastoral Sites": Aspects of Bucolic Transformation in Derek
             Walcott's "Omeros"},
   Journal = {The Classical World},
   Volume = {93},
   Number = {1},
   Pages = {43-43},
   Publisher = {JSTOR},
   Year = {1999},
   url = {http://dx.doi.org/10.2307/4352370},
   Doi = {10.2307/4352370},
   Key = {fds294201}
}

@article{fds294216,
   Author = {Davis, G},
   Title = {L'intertextualite comme strategie dans un programme
             postcolonial: 'Ferrements' d'Aime Cesaire.},
   Journal = {Europe},
   Volume = {832-3},
   Pages = {109-118},
   Year = {1998},
   Key = {fds294216}
}

@article{fds294215,
   Author = {Davis, G},
   Title = {''With no Homeric shadow'': The disavowal of epic in Derek
             Walcott's 'Omeros'},
   Journal = {South Atlantic Quarterly},
   Volume = {96},
   Number = {2},
   Pages = {321-333},
   Year = {1997},
   Key = {fds294215}
}

@article{fds294213,
   Author = {Davis, G},
   Title = {The figure of Anacreon in Horatian lyric},
   Journal = {Hellas},
   Volume = {7},
   Number = {2},
   Pages = {63-74},
   Year = {1996},
   Abstract = {Special issue in honor of Wesley Trimpi},
   Key = {fds294213}
}

@article{fds294212,
   Author = {Davis, G},
   Title = {Cupid at the Ivory Gates: Ausonius as a reader of
             Vergil},
   Journal = {Colby Quarterly},
   Volume = {30.3},
   Pages = {162-170},
   Year = {1994},
   Key = {fds294212}
}

@article{fds350014,
   Author = {Kennedy, D and Perky, J and Lougee, C and McCall, M and Robinson, P and Gibb, J and Bush, CN and Brown, J and Dekker, G and King, B and Chace, W and Camargo, C and Evans, JM and Rebholz, R and Degler, C and Gelpi, B and Rosaldo, R and Mahrt, W and Rayden, H and Lindenberger, H and Gelpi, A and Davis, G and Middlebrook, D and Phillips, D and Papasotiriou, H and Evans, M and Chace, B and Harvey, V and Sneehan, J and Riggs,
             D},
   Title = {The discussion about proposals to change the Western Culture
             program at Stanford University},
   Journal = {Minerva},
   Volume = {27},
   Number = {2-3},
   Pages = {223-411},
   Year = {1989},
   Month = {June},
   url = {http://dx.doi.org/10.1007/BF01102569},
   Doi = {10.1007/BF01102569},
   Key = {fds350014}
}

@article{fds294211,
   Author = {Davis, G},
   Title = {Ingenii cumba?: literary aporia and the rhetoric of Horace's
             O navis referent (C.1.14)},
   Journal = {Rheinisches Museum Für Philologie},
   Volume = {132},
   Pages = {331-345},
   Year = {1989},
   Key = {fds294211}
}

@article{fds294210,
   Author = {Davis, G},
   Title = {Quis...digne scripserit?: The topos of alter Homerus in
             Horace C.1.6},
   Journal = {Phoenix},
   Volume = {41.3},
   Pages = {292-295},
   Year = {1987},
   Key = {fds294210}
}

@article{fds305268,
   Author = {Davis, G},
   Title = {Carmina/Iambi: the literary-generic dimension of Horace's
             Integer vitae (C.1, 22)},
   Journal = {Quaderni Urbinati Di Cultura Classica: Atti Di
             Convegni},
   Volume = {27},
   Number = {3},
   Pages = {67-78},
   Year = {1987},
   ISSN = {1724-1901},
   Key = {fds305268}
}

@article{fds294208,
   Author = {Davis, G},
   Title = {Silence and Decorum: Encomiastic Convention and the Epilogue
             of Horace Carm. 3.2},
   Journal = {Classical Antiquity},
   Volume = {2},
   Number = {1},
   Pages = {9-26},
   Publisher = {JSTOR},
   Year = {1983},
   Month = {January},
   url = {http://dx.doi.org/10.2307/25010779},
   Doi = {10.2307/25010779},
   Key = {fds294208}
}

@article{fds294207,
   Author = {Davis, G},
   Title = {The Disavowal of the Grand (Recusatio) in two poems by
             Wallace Stevens},
   Journal = {Pacific Coast Philology},
   Volume = {17},
   Number = {1-2},
   Pages = {92-102},
   Year = {1982},
   Key = {fds294207}
}

@article{fds294206,
   Author = {Davis, G},
   Title = {The Problem of Closure in a carmen perpetuum: Aspects of
             Thematic Recapitulation in Ovid Metamorphoses
             15},
   Journal = {Grazer Beiträge},
   Volume = {9},
   Pages = {123-132},
   Year = {1980},
   Key = {fds294206}
}

@article{fds294205,
   Author = {Davis, G},
   Title = {Ovid Metamorphoses 3.442ff. and the Prologue to Menander's
             Misoumenos},
   Journal = {Phoenix},
   Volume = {32},
   Pages = {339-342},
   Year = {1978},
   Key = {fds294205}
}

@article{fds294204,
   Author = {Davis, G},
   Title = {Towards a ‘Non-Vicious Circle’: The Lyric of Aimé
             Césaire in English},
   Journal = {Stanford French Review},
   Volume = {1.1},
   Pages = {135-146},
   Year = {1977},
   Key = {fds294204}
}

@article{fds294203,
   Author = {Davis, G},
   Title = {The persona of licymnia: A revaluation of horace, carm. 2.
             12},
   Journal = {Philologus},
   Volume = {119},
   Number = {1-2},
   Pages = {70-83},
   Publisher = {WALTER DE GRUYTER GMBH},
   Year = {1975},
   Month = {January},
   url = {http://dx.doi.org/10.1524/phil.1975.119.12.70},
   Doi = {10.1524/phil.1975.119.12.70},
   Key = {fds294203}
}

@article{fds294202,
   Author = {Davis, G},
   Title = {Ad Sidera Notus: The Rhetoric of Lament and Consolation in
             Fortunatus' De Gelesuintha},
   Journal = {Agon},
   Volume = {1.1},
   Pages = {118-134},
   Year = {1967},
   Key = {fds294202}
}


%% Articles   
@article{fds294163,
   Author = {Davis, G},
   Title = {Journal of a Homecoming},
   Booktitle = {Cahier d'un retour au pays natal by Aimé
             Césaire},
   Publisher = {Duke University Press},
   Year = {2016},
   Abstract = {English translation},
   Key = {fds294163}
}

@article{fds294168,
   Author = {Davis, G},
   Title = {Aimé Césaire},
   Booktitle = {Dictionary of Caribbean and Afro-Latin American
             Biography},
   Year = {2015},
   Key = {fds294168}
}

@article{fds294169,
   Author = {Davis, G},
   Title = {The dual function of the umbra-motif in Vergil’s
             Bucolics},
   Volume = {10},
   Pages = {89-101},
   Booktitle = {Vergilian Studies dedicated to the memory of Mario
             Geymonat},
   Publisher = {Traugott Bautz Verlag},
   Editor = {Günther, HC},
   Year = {2015},
   Key = {fds294169}
}

@article{fds294170,
   Author = {Davis, G},
   Title = {Locus of performance and lyric argument in Horace
             C.3.28},
   Pages = {275-284},
   Booktitle = {Actes du colloque de Lyon "La poésie lyrique dans la cité
             antique},
   Publisher = {École Normale de Lyon},
   Year = {2015},
   Abstract = {Translation},
   Key = {fds294170}
}

@article{fds320255,
   Author = {Davis, G},
   Title = {Defining a Lyric Ethos: Archilochus lyricus and Horatian
             melos},
   Pages = {105-127},
   Booktitle = {A Companion to Horace},
   Publisher = {WILEY-BLACKWELL},
   Year = {2010},
   Month = {February},
   ISBN = {9781405155403},
   url = {http://dx.doi.org/10.1002/9781444319187.ch6},
   Doi = {10.1002/9781444319187.ch6},
   Key = {fds320255}
}

@article{fds294177,
   Author = {Davis, G},
   Title = {Derek Walcott},
   Booktitle = {Oxford Encyclopedia of African Thought},
   Editor = {Irele, A and Jeyifo, B},
   Year = {2010},
   Key = {fds294177}
}

@article{fds294178,
   Author = {Davis, G},
   Title = {Aimé Césaire},
   Booktitle = {Oxford Encyclopedia of African Thought},
   Publisher = {Oxford University Press},
   Editor = {Irele, A and Jeyifo, B},
   Year = {2010},
   Key = {fds294178}
}

@article{fds294179,
   Author = {Davis, G},
   Title = {Archilochus lyricus and Horatian melos},
   Pages = {105-127},
   Booktitle = {A Companion to Horace},
   Publisher = {WILEY-BLACKWELL},
   Editor = {Davis, G},
   Year = {2010},
   Key = {fds294179}
}

@article{fds294166,
   Author = {Davis, G},
   Title = {Wine and the Symposium},
   Pages = {207-220},
   Booktitle = {The Cambridge Companion to Horace},
   Publisher = {Cambridge University Press},
   Editor = {Harrison, S},
   Year = {2007},
   ISBN = {9780521830027},
   url = {http://dx.doi.org/10.1017/CCOL0521830028.016},
   Abstract = {The topic of ‘Wine and the symposium’ constitutes a
             major preoccupation of Horace’s poetry from the early
             Epodes to the late Epistles. It is therefore crucial to an
             understanding of his underlying system of values. The main
             focus of this condensed treatment will be on the Odes, with
             occasional glances at pertinent passages from the Epistles.
             Since wine is seldom mentioned in Horace’s lyric corpus
             outside of the context of the symposium, the convivial odes
             will receive prime attention in what follows. Before
             summarising the typical content and structure of the
             Symposium Ode, it is useful to consider the arrangement of
             the poems with respect to the theme of wine-drinking. The
             collection of odes in Book 1 is framed by opening and
             closing poems that give prominence to the leitmotif of wine.
             Thus the dedicatory poem to his patron, Maecenas (Odes 1.1),
             which presents the programme of the Odes as a whole, takes
             the rhetorical form of a priamel in which the climactic term
             features the poet-speaker’s choice of a Dionysian
             community of Nymphs and Satyrs dancing and singing together
             in a sacred grove and crowned with ivy (29-34). The main
             vocation championed by the speaker is the composition of
             lyric poetry in the tradition of Archaic Greek (Lesbian)
             lyric, but the setting is consonant with the sympotic muse,
             since the presence of the Bacchic entourage is hardly
             conceivable without wine-induced ekstasis.},
   Doi = {10.1017/CCOL0521830028.016},
   Key = {fds294166}
}

@article{fds294175,
   Author = {Davis, G},
   Title = {’Homecomings without Home’: representations of
             (post)colonial nostos (homecoming) in the lyric of Aimé
             Césaire and Derek Walcott’},
   Booktitle = {Homer in the Twentieth Century: between World Literature and
             the Western Canon},
   Publisher = {Oxford University Press},
   Editor = {Greenwood, E and Graziosi, B},
   Year = {2007},
   Key = {fds294175}
}

@article{fds294176,
   Author = {Davis, G},
   Title = {Reframing the Homeric: images of the Odyssey in the art of
             Derek Walcott and Romare Bearden},
   Pages = {401-414},
   Booktitle = {Oxford Companion to Classical Receptions},
   Publisher = {Oxford University Press},
   Editor = {Hardwick, L and Stray, C},
   Year = {2007},
   Key = {fds294176}
}

@article{fds294165,
   Author = {Davis, G},
   Title = {From Lyric to Elegy: the Inscription of the Elegiac Subject
             in Heroides 15 (Sappho to Phaon)},
   Volume = {15},
   Pages = {175-191},
   Booktitle = {Defining Genre and Gender in Latin Literature: Essays
             Presented to William S. Anderson on His Seventy-Fifth
             Birthday},
   Publisher = {Peter Lang Publishing},
   Editor = {Batsone, WW and Tissol, G},
   Year = {2005},
   Key = {fds294165}
}

@article{fds294180,
   Author = {Davis, G},
   Title = {Consolation in the Bucolic mode: The Epicurean cadence of
             Vergil’s First Eclogue},
   Pages = {63-74},
   Booktitle = {Vergil. Philodemus, and the Augustans},
   Publisher = {University of Texas Press, Austin, Texas},
   Editor = {Armstrong, D and Fish, J and Johnston, P and Skinner,
             M},
   Year = {2003},
   Key = {fds294180}
}

@article{fds294159,
   Author = {Davis, G},
   Title = {Carmina/Iambi: the literary-generic dimension of Horace's
             Integer vitae (C.1, 22)},
   Pages = {51-62},
   Booktitle = {Why Horace: A Collection of Interpretations},
   Publisher = {Bolchazy- Carducci},
   Editor = {Anderson, WS},
   Year = {1999},
   Key = {fds294159}
}

@article{fds294174,
   Author = {Davis, G},
   Title = {Beyond Disciplinary Hierarchies in Higher
             Education},
   Booktitle = {Bruce A. Kimball: The Condition of American Liberal
             Education: Pragmatism and a Changing Tradition},
   Publisher = {College Entrance Examination Board, New York},
   Editor = {Orrill, R},
   Year = {1995},
   Key = {fds294174}
}

@article{fds294173,
   Author = {Davis, G},
   Title = {Between Cultures: toward a redefinition of Liberal
             Education},
   Pages = {19-34},
   Booktitle = {African Studies and the Undergraduate Curriculum},
   Publisher = {Lynne Reicher Publishers},
   Editor = {Alden, P and Lloyd, D and Samatar, A},
   Year = {1994},
   Key = {fds294173}
}

@article{fds294189,
   Author = {Davis, G},
   Title = {Desire and the Hunt in Ovid’s Metamorphoses},
   Pages = {142-170},
   Booktitle = {The Burnett Lectures: A Quarter Century},
   Editor = {Genovese, EN},
   Year = {1993},
   Key = {fds294189}
}

@article{fds294200,
   Author = {Davis, G},
   Title = {Lyric worlds: Old and New under the sun},
   Journal = {Arts and Sciences Newsletter},
   Volume = {12},
   Number = {1},
   Publisher = {Cornell University},
   Year = {1991},
   Key = {fds294200}
}

@article{fds294198,
   Author = {Davis, G},
   Title = {The mind at the end of the palm},
   Journal = {The Stanford Magazine},
   Pages = {46-51},
   Year = {1982},
   Key = {fds294198}
}


%% Book & Monograph Reviews   
@article{fds294172,
   Author = {Davis, G},
   Title = {Afro-Greeks: Dialogues between Anglophone Caribbean
             Literature and Classics in the Twentieth Century by Emily
             Greenwood (Oxford, Oxford University Press,
             2010)},
   Journal = {New West Indian Guide/Neue West Indische
             Gids},
   Volume = {48},
   Number = {1 & 2},
   Pages = {179-181},
   Year = {2012},
   Key = {fds294172}
}

@article{fds294188,
   Author = {Davis, G},
   Title = {Horace’s Narrative Odes by Michèle Lowrie (Oxford
             1997)},
   Journal = {Classical Review},
   Volume = {ns. 49},
   Number = {1},
   Pages = {50-52},
   Year = {1999},
   Month = {Spring},
   url = {http://dx.doi.org/10.1093/cr/49.1.50},
   Doi = {10.1093/cr/49.1.50},
   Key = {fds294188}
}

@article{fds294187,
   Author = {Davis, G},
   Title = {Epic of the Dispossessed: Derek Walcott’s Omeros by Robert
             D. Hammer (Columbia 1997)},
   Journal = {South Central Review},
   Volume = {15},
   Number = {2},
   Pages = {59-61},
   Year = {1998},
   Key = {fds294187}
}

@article{fds294186,
   Author = {Davis, G},
   Title = {Derek Walcott’s Poetry: American Mimicry by Rei Terada
             (Boston 1992)},
   Journal = {American Literature},
   Volume = {69},
   Number = {1},
   Pages = {241-241},
   Year = {1997},
   Key = {fds294186}
}

@article{fds294185,
   Author = {Davis, G},
   Title = {On Césaire, review-essay on Aimé Césaire: le nègre
             inconsolé by Roger Toumson and Simonne Henry-Valmore
             (Paris/Fort-de-France 1993); Aimé Césaire: une traversée
             paradoxale du siècle by Raphael Confiant (Paris 1993);
             Cahier d’un retour au pays natal ed. Abiola
             Irele},
   Journal = {Research in African Literatures},
   Volume = {26},
   Number = {2},
   Pages = {173-184},
   Year = {1995},
   Key = {fds294185}
}

@article{fds294183,
   Author = {Davis, G},
   Title = {From a Sabine Jar by L. Edmunds (Chapel Hill
             1992)},
   Journal = {Classical Journal},
   Volume = {88},
   Number = {2},
   Pages = {203-206},
   Year = {1993},
   Key = {fds294183}
}

@article{fds294184,
   Author = {Davis, G},
   Title = {Redeeming the Text: Latin Poetry and the Hermeneutics of
             Reception by Charles Martindale (Cambridge
             1993)},
   Journal = {New England Classical Newsletter and Journal},
   Volume = {20},
   Number = {4},
   Pages = {86-87},
   Year = {1993},
   Key = {fds294184}
}

@article{fds294182,
   Author = {Davis, G},
   Title = {Metaformations by F. Ahl (Ithaca 1985)},
   Journal = {Classical Philology},
   Volume = {83},
   Number = {3},
   Pages = {260-262},
   Year = {1985},
   Key = {fds294182}
}

@article{fds294181,
   Author = {Davis, G},
   Title = {The Art of the Aeneid by W.S. Anderson},
   Journal = {Comparative Literature},
   Volume = {24},
   Number = {1},
   Pages = {93-94},
   Year = {1972},
   Key = {fds294181}
}