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Publications of Pedro Lasch    :recent first  alphabetical  combined  bibtex listing:

Books

  1. Lasch, P; others, , An Atlas of Radical Cartography, edited by Mogel, L; Bhagat, A (2007), Los Angeles: Journal of Aesthetics and Protest Press
  2. P. Lasch and others, in Cartography: Artists + Maps, edited by Katharine Harmon (2009), Princeton Architectural Press  [abs]
  3. P. Lasch with S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, P. Sigal, Black Mirror/Espejo Negro by Pedro Lasch (Fall, 2010), Nasher Museum of Art and Franklin Humanities Institute. Distributed by Duke University Press [available here]
  4. Lasch, P; others, , Un Atlas de Cartografías Radicales, edited by Mogel, L; Bhagat, A (November, 2010) (First Spanish edition of the 2007 'An Atlas of Radical Cartography.' Prologue to the Spanish edition: Javier Arbona, Nick Sowers and Bryan Finoki.)
  5. Lasch, P, Lecturas para un espectador inquieto (2012), pp. 273-282 pages, CA2M: Madrid, Spain
  6. Lasch, P, Grand Gestures & (Im)Modest Proposals: A Project for Documenta 13 AND AND AND, edited by Lasch, P (September, 2012), XCO / Documenta 13 AND AND AND, Kassel, Germany  [abs]
  7. Lasch, P; Cruz, T, Transnational Community-Based Production, Cooperative Art, and Informal Trade Networks, in What We Made: Conversations on Art and Social Cooperation, edited by Finkelpearl, T (January, 2013), Duke University Press  [abs]
  8. Lasch, P; Cruz, T, What We Made: Conversations on Art and Social Cooperation, edited by Finkelpearl, T (January, 2013), Duke University Press  [abs]
  9. Lasch, P, TAKE ME TO THE TOP: The Fine Art of Finance, A project by Pedro Lasch, with the collaboration of Stefano Harney and Sverre Spoelstra London Eye, July 5th, 2012 Produced by Hayward Gallery for the Wide Open School exhibition, in HETEROPOLIS, edited by Boucher, M-P; Dufresne, J-M; Melgar, G; Prost, J-F (December, 2013), Adaptive Actions, Montreal
  10. Lasch, P, HETEROPOLIS, edited by Boucher, M-P; Dufresne, J-M; Melgar, G; Prost, J-F (December, 2013), Adaptive Actions, Montreal
  11. Lasch, P, Géoesthétique, edited by Quiros, K; Imhoff, A (December, 2013), B42, Paris, France

Articles Published

  1. Lasch, P, Una Propuesta Escultorica para el Zocalo, Curare: Espacio Critico para las Artes, vol. 15 (1999), pp. 89-95
  2. Lasch, P, Ciencia y Circo, Ciencas, vol. 57 (2000), pp. 68-74, Mexico City: U.N.A.M.
  3. Lasch, P, El Pincel Electrico y el Cuadro de Plata, Ciencias, vol. 59 (2000), pp. 76-77, Mexico City: U.N.A.M.
  4. Lasch, P, Un Arte que Nace, y si no se Reproduce...Muere, Longevidad: Ciencia y Culture no. 108-116 (2000)
  5. Lasch, P, La Mesa de Juego de Mendeleiev, Ciencias, vol. 65 no. 76 (2002), Mexico City: U.N.A.M.
  6. 16Beaver Group, ; Lasch P, , An Open Interview and Lunch, Fuse Magazine, vol. 26:2 (2003), pp. 12-13 (special issue "Democracies Improvised", as well as Special Addendum.)
  7. Lasch, P, Naturalizations: Media Defacements, Rethinking Marxism, vol. 16:4 (2004), pp. 486-487
  8. 16Beaver Group, ; Lasch P, , Act Patriot Act (2005), The Contemporary Museum, Baltimore (Special publication for the exhibition "Patriot".)
  9. Lasch, P, Una Propuesta Escultorica, Saber Ver, vol. Segunda Epoca (2005), pp. 38-39
  10. Lasch, P, Recycled Photographs: Moving Still Images of Mexico City, 1950/2000, in Photography and Writing in Latin America: Double Exposures, edited by Schwartz, M; Tierney-Tello, MB (2006), pp. 139-172, Albuquerque: University of New Mexico Press [ref=sr_1_1]
  11. Lasch, P, Justice for Three Voices: Two Real, One Imaginary, edited by Ahn, K, Journal BOL no. Issue #4 (2006), Seoul: BOL
  12. Lasch P, , Map of New ORDER Lines, edited by Ahn, K, Journal BOL no. Issue #4 (2006), Seoul: BOL
  13. Lasch, P; others, , Introducción: (Des)Colonialidad del ser y el saber, Eds. Mignolo, Maldonado-Torres, Schiwy, El desprendimiento: pensamiento crítico y opción descolonial no. 1 (2006), pp. 2 & cover-2 & cover, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  14. W. Mignolo, Interculturalidad, descolonización del estado y del conocimiento, edited by Eds. Walter Mignolo, Catherine Walsh, Alvaro García Linera, El desprendimiento: pensamiento crítico y opción descolonial no. 2 (2010 Fall), Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  15. Lasch P, , Abren muestra fotográfica sobre vida de mexicanos en Nueva York, Milenio (Guadalajara) (April, 2006)
  16. Ramírez, M; Tania, ; Lasch P, , Ser mixteco o purépecha ya no puede entenderse con una lógica territorial, La Jornada (México) (October, 2007)
  17. Lasch, P; others, , Genero y Descolonialidad, edited by Mignolo, W; Lugones, M; jiménez-Lucena, I; Tlostanova, M, El desprendimiento: pensamiento crítico y opción descolonial no. 4 (2008), pp. cover & p2-cover & p2
  18. Lasch, P, El color de la razón: racismo epistemológico y razón imperial, edited by Mignolo, W; Eze, EC; Henry, P; Castro-Gómez, S, El desprendimiento: pensamiento crítico y opción descolonial no. 3 (Spring, 2008), pp. cover & p2-cover & p2, Argentina: Editorial Signo and GlobalArgentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  19. Lasch, P, Tianguis Transnacional: Drifting and Indigenous Migrancy, WHW Newspapers, edited by Holmes, B; Group, B; What, H; Curlin, FWWHWI; Devic, A; Ilic, N; Sabolovic, S, What Keeps Mankind Alive? and Continental Drift no. Issue #15 (Fall, 2008), pp. 20-21, Zagreb, Croatia
  20. Lasch, P; 16Beaver Group, , Iraq Questionnaire Answers, October Magazine no. No. 123 (Winter, 2008), pp. 149-160, MIT Press
  21. Lasch, P; 16Beaver, , C.A.R.T.E.L., Special Issue Publication and Website, edited by Services, T, Art Work: A National Conversation About Art, Labor, and Economics (2009) [available here]
  22. Lasch, P, A Proposal for the 11th Istanbul Biennial, 2009, IDEA: Arts & Society (2009), pp. 146-148 (Special insert as artwork.)
  23. Lasch, P, What Are We Before We Are Naturalized? A Journal of Non-Linear Activity, IDEA: Arts & Society no. 33-34 (2009), pp. 7-27
  24. Lasch, P, University, Narcochingadazo, and Hemispheric Non-Cooperation, edited by Lane, J; Godoy-Anativia, M, e-misférica, vol. 6 no. 2 (2010), New York University: Hemispheric Institute of Performance and Politics
  25. Lasch, P; others, , Arte y estética en la encrucijada descolonial, edited by Mignolo, EW; Palermo, Z, El desprendimiento: pensamiento crítico y opción descolonial no. 6 (2010), pp. cover & p2-cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  26. 16Beaver Group, ; Lasch P, , Free Association/Means in Common, edited by Curcio, A; Ozselcuk, C, Rethinking Marxism, Special Issue: The Commons and the Forms of the Commune, vol. 22 no. 3 (July, 2010)
  27. Lasch, P, The Indianization of Globalization, edited by Levander, C; Mignolo, W, The Global South, vol. 5 no. 1 (Spring, 2011), pp. 12-13
  28. P. Lasch and others, Pensamiento argentino y opción descolonial, edited by Walter Mignolo, Zulma Palermo, El desprendimiento: pensamiento crítico y opción descolonial, vol. 7 (Spring, 2011), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  29. Appleton, A; Lasch P, , Where Do We Migrate: Group exhibition asks you to consider the plight of refugees, exiles, and migrants, Baltimore City Paper (April, 2011)
  30. Lasch P, , Selections from Pedro Lasch’s ’Phantom Limbs’ and ’Twin Towers Go Global’, Time Out New York (September, 2011)
  31. Lasch, P, If Not Here, Then There: Will We Some Day Regret Not Having Rebuilt the Twin Towers?, 9/11 Anniversary Issue, Towerview: The Chronicle’s News and Culture Magazine, vol. 13 no. 2 (September, 2011), pp. 20-20
  32. Margaret R. Greer, Thine and Mine: The Spanish “Golden Age” and Early Modern Studies, PMLA, vol. 126 no. 1 (November, 2011), pp. 217-224, MLA Journals
  33. Lasch, P, Breve Argumento Visual por una Estética Descolonial, Causa Sur: Pensar Nuestra America / Revista de pensamiento político, Buenos Aires, Argentina no. 5 (2013)
  34. Lasch, P; others, , Pensamiento argentino y opción descolonial, edited by Mignolo, W; Palermo, Z, El desprendimiento: pensamiento crítico y opción descolonial, vol. 7 (2013), pp. cover & p2-cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  35. Lasch, P; Lay-Trigo, , Migrarte Ciencia y arte visual, un diálogo identitario bilateral, edited by Educatives, IUDCII, EARI. Educación artística. Revista de investigación no. 4 (Winter, 2013), Universitat de València
  36. Lasch, P, Propositions for a Decolonial Aesthetics and “Five Decolonial Days in Kassel” (Documenta 13 AND AND AND), Periscope - Social Text, New York (July, 2013), New York, NY [available here]

Book Reviews

  1. Luz Elena Ramírez Gochicoa, Pedro Lasch: Un artista a través del espejo, Revista Dirección de Bibliotecas (October, 2010), México: Universidad Autónoma del Estado de México (UAEM)
  2. JENNIFER REYNOLDS-KAYE, Black Mirror / Espejo Negro by Pedro Lasch and Jennifer A. González, e-misferica, vol. 9 no. 1 & 2 (Spring, 2012), Hemispheric Institute for Performance & Politics, New York [reynoldskaye]

Other

  1. Pedro Lasch & Miguel Rojas Sotelo, Separata Decolonial, Revista Calle 14: Arte y Decolonialidad, vol. 4 no. 5 (2010), Bogota, Colombia

Exhibition Catalogs

  1. N. Thompson & G. Sholette, The Interventionists: User’s Manual for the Creative Disruption of Everyday Life (2004), pp. 111-112, Cambridge, MASS MoCA Publication & MIT Press
  2. H. Chen et al, Social Capital (Exhibition Catalogue) (2004), pp. 19-24, Whitney Museum of American Art
  3. L. Suan Hiang, SENI: Singapore 2004, Art & the Contemporary (Exhibition Catalogue) (2004), pp. 36-49, National Arts Council. Singapore
  4. Beck, J, The Art of Memory and Navigation Across Asia, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Kim, H-H, vol. 1 (2006), pp. 281-295, Gwangju Biennale Foundation
  5. 16 Beaver Group, , Between US: Introduction, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Kim, H-H, vol. 1 (2006), pp. 281-295, Gwangju Biennale Foundation
  6. Lasch, P, Naturalizations, in Caras Vemos, Corazones No Sabemos: Faces Seen, Hearts Unkown (Exhibitition Catalogue), edited by Malagamba, A (2006), pp. 66-66, Notre Dame: Snite Museum, University of Notre Dame
  7. 16 Beaver Group, , Between US: Exhibition Notes and Documentation, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Kim, H-H, vol. 2 (2006), pp. 168-169, Gwangju Biennale Foundation
  8. Lasch, P, Tanta Cerca Tan Cerquita, in Catalog for Transitio 2007: International Festival of Electronic Arts & Transnational Communities, edited by Quintanilla, EG; Delgado, M (Spring, 2009), Centro Nacional de las Artes, Mexico City
  9. P. Lasch and others, Greater New York (Exhibition Catalogue), edited by New York: PS1 MoMA (May, 2010)
  10. Lasch, P, Brain Review 2002 (Part 1), in SPECULATIVE: Exhibition catalogue, edited by Leary, CO; Blas, Z (2011), pp. 36-42, Los Angeles Contemporary Exhibitions Los Angeles
  11. Lasch, P, Global Indianization? and LATINO/A AMERICA, in The Future Lasts Forever, edited by Lagomarsino, R; Motta, C (2011), pp. 45-49, Gävle Konstcentrum, Iaspis, Sweden
  12. Lasch, P, LATINO/A AMERICA, in Trans-Americanity: Subaltern Modernities, Global Coloniality, and Cultures of Greater Mexico, edited by Saldívar, JD (2011), pp. cover-cover, Duke University Press
  13. P. Lasch and others, Where Do We Migrate To: Issues in Critical Theory, edited by Niels Van Tomme (2011), pp. 17 & insert, University of Maryland Baltimore: Center for Art, Design, and Visual Culture
  14. P. Lasch and others, Mapping: Memory and Motion in Contemporary Art, edited by Sarah Tanguy (2011), pp. 28-29, Katonah Museum of Art
  15. P. Lasch and others, Haiti: History Embedded in Amber, edited by Edouard Duval Carrier (2011), pp. 30-31, Franklin Humanities Institute
  16. Lasch, P, Breve argumento visual por una estética descolonial, in Lecturas para un espectador inquieto (2012), pp. 273-282, CA2M: Madrid, Spain, Madrid, Spain
  17. Pedro Lasch and Miguel Rojas-Sotelo, Estéticas Decoloniales, edited by Walter Mignolo and Pedro Pablo Gomez (April, 2012), pp. 40-61, Facultad de Artes ASAB / Museo de Arte Moderno Bogota, Bogota, Columbia [est_ticasdecoloniales_gm]
  18. Lasch, P, Eight Ways to Look at a Map: Modular statements from the LATINO/A AMERICA Series (translation from 2006 English-Spanish text), in Géoesthétique, edited by Quiros, K; Imhoff, A (December, 2013), B42, Paris, France

Exhibition Reviews

  1. Jovanovich, Alex, An Atlas of Radical Cartography, Art Lies: A Contemporary Art Quarterly no. Issue 57 (Spring, 2008)
  2. Jessie Tsang, LATINO/A AMERICA: The New York & North Carolina Suites, Recess (January 22, 2009), The Duke Chronicle
  3. Roberta Smith, Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’, The New York Times: Museum and Gallery Listings for Oct. 7-13 (October 7, 2011)

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