Publications of Sean Metzger    :chronological  alphabetical  by type  bibtex listing:

1. S. Metzger, When Men Dance: Choreographing Masculinities across Borders, Dance Research Journal, vol. 44 no. 1 (Summer, 2012), pp. 118-119
2. S. Metzger, Mifune and Me: Asian/American Corporeal Citations and the Politics of Mobility, The Journal of Transnational American Studies, vol. 4 no. 1 (2012), pp. 18 pages [acgcc_jtas]
3. S. Metzger, Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity; Beyond the Black Lady: Sexuality and the New African American Middle Class, American Literature, vol. 83 no. 4 (Dec 2011), pp. 866-868
4. S. Metzger, At the Vanishing Point: Theatre and Asian/American Critique, American Quarterly, vol. 63 no. 2 (2011), pp. 277-300
5. S. Metzger, Le Rugissement du Lion: Mapping and Memory in Montreal’s Chinese/Canadian Street Theater, in New Essays in Canadian Theatre Vol. 1: Asian Canadian Theatre, edited by Nina Lee Aquino and Ric Knowles (2011), Playwrights Canada Press [html]
6. S. Metzger, Embodying Asian/American Sexualities (2010)  [author's comments]
7. with Olivia Khoo, Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (2009), Intellect [available here]
8. with Michaeline Crichlow, Race, Space, Place: Making and Unmaking Freedoms in the Atlantic World, Cultural Dynamics, vol. 21 no. 3 (2009)
9. S. Metzger, Saving Face, or the Future Perfect of Queer Chinese/American Cinema?, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (2009), pp. 223-240
10. with Olivia Khoo, Introduction, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (2009), pp. 13-34
11. with Gina Masequesmay, Introduction: Embodying Asian/American Sexualities, in Embodying Asian/American Sexualities (2009), pp. 1-21
12. with Michaeline Crichlow and Patricia Northover, Questioning Freedoms in the Atlantic World (intro essay), Cultural Dynamics, vol. 21 no. 3 (2009), pp. 215-225
13. S. Metzger, Unsettling: Towards a Chinese/Cuban Cultural Critique, Cultural Dynamics, vol. 21 no. 3 (2009), pp. 317-338
14. S. Metzger, Ripples in the Seascape: The Cuba Commission Report and the Idea of Freedom, Afro-Hispanic Review, vol. 27 no. 1 (Spring, 2008), pp. 105-121
15. S. Metzger, Yuko Kurahashi et al, Performance Review of The First National Asian American Theater Festival, Theatre Journal, vol. 60 no. 2 (May 2008), pp. 283-285
16. S. Metzger, Performance Review of Yohen, Theatre Journal, vol. 51 no. 4 (Dec 1999), pp. 68-70
17. S. Metzger, The Provincetown Players and the Culture of Modernity; Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement; Performance in America: Contemporary U.S. Culture and the Performing Arts, American Literature, vol. 79 no. 4 (December, 2007)
18. S. Metzger, Double Agency: Acts of Impersonation in Asian American Literature and Culture and Americans First: Chinese Americans and the Second World War, American Literature, vol. 79 no. 1 (March, 2007), pp. 201-203
19. with Gina Masequesmay, Embodying Asian/American Sexualities (2009), Lexington Books [CATALOG.db&eqSKUdata=0739129031]
20. S. Metzger, The Little (Chinese) Mermaid: Importing "Western" Femininity in Lou Ye's Suzhou he (Suzhou River), in How East Asian Films Are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea, and Hong Kong, edited by Andrew David Jackson, Michael Gibb, and Dave White (2007), pp. 135-154, The Edwin Mellen Press
21. S. Metzger, Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s and From Inner Worlds to Outer Space: The Multimedia Performances of Dan Kwong, TDR, vol. 50 no. 192 (Winter, 2006)
22. S. Metzger, Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the late 30s, Quarterly Review of Film and Video, vol. 23 no. 1 (2006), pp. 1-11
23. S. Metzger, The Protestant Ethnic and the Spirit of Capitalism by Rey Chow, Modern Chinese Literature and Culture and MCLC Resource Center Publication (February, 2005) [htm]
24. S. Metzger, Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama, Theatre Journal, vol. 56 (December, 2004), pp. 627-651
25. with Cathy Irwin, Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance, edited by Sansan Kwan and Kenneth Speirs, Mixing It Up: Multiracial Subjects (2004), pp. 163-180, University of Texas
26. S. Metzger, Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou's Turandot, Asian Theatre Journal, vol. 20 no. 2 (Fall, 2003), pp. 209-217
27. S. Metzger, Filmic Revisions of Vietnam and the MIAs (Male Indochinese Asexuals), Quarterly Review of Film and Video, vol. 19 no. 2 (2002), pp. 107-121
28. Eugenie Chan, in Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, edited by Miles X. Liu (2002), pp. 18-23, Greenwood Publishing
29. Mulan, verkleedpartijen in China, edited by Nadia Lie & Theo D'haen, Zorro & Co. : Populaire personages en het koloniale verleden. (2002), pp. 117-126, Nijmegen:Vantilt
30. with Hope Medina, Performing America: Cultural Nationalism in American Theater, Theatre Journal, vol. 53 (May, 2001), pp. 358-360
31. S. Metzger, Farewell My Fantasy, Journal of Homosexuality, vol. 39 no. 3-4 (2000), pp. 213-232 (also published in Queer Asian Cinema, ed. Andrew Grossman (NY: Haworth Press, 2000). Revised version in Chinese translation published as "Ba Wang Bie Ji Kua Xingbie yu Wenhua de Huanmie." Ed. and Trans. Ya-Chen Chen. Ba Wang Bie Ji: Tongxinglian Yuedu yu Kua Wenhua Duehua. Taiwan: Nanhua University Press, 2004: 121-157..)