Publications of Esther Gabara    :chronological  alphabetical  combined listing:

%% Books   
@book{fds363961,
   Author = {Gabara, E},
   Title = {Non-Literary Fiction Art of the Americas Under
             Neoliberalism},
   Publisher = {University of Chicago Press},
   Year = {2022},
   Key = {fds363961}
}

@book{fds348139,
   Author = {Gabara, E},
   Title = {Pop América, 1965-1975},
   Pages = {200 pages},
   Year = {2018},
   Month = {October},
   ISBN = {9780938989424},
   Abstract = {This bilingual, fully illustrated catalogue accompanies the
             Nasher Museum of Art at Duke University's exhibition Pop
             América, 1965-1975, which presents a vision of Pop art
             across the Americas as a whole.},
   Key = {fds348139}
}

@book{fds309937,
   Author = {Lasch, BP and Aravamudan, EBS and Jennifer Gonzalez and AM and Mignolo,
             W and Sigal, P},
   Title = {Black Mirror/Espejo Negro},
   Publisher = {Nasher Museum of Art and the Franklin Humanities Institute,
             distributed by Duke University Press},
   Year = {2010},
   Key = {fds309937}
}

@book{fds297871,
   Author = {Gabara, E},
   Title = {Errant Modernism: The Ethos of Photography in Mexico and
             Brazil},
   Series = {A John Hope Franklin Center Book},
   Publisher = {Duke University Press},
   Year = {2008},
   Month = {November},
   url = {http://www.amazon.com/Errant-Modernism-Photography-Mexico-Franklin/dp/0822343231/ref=sr_1_1?ie=UTF8&s=books&qid=1271674051&sr=8-1},
   Key = {fds297871}
}


%% Book in Progress   
@misc{fds314208,
   Author = {Gabara, EL},
   Title = {“El laberinto de la hermandad: Me-Xicano Photography and
             Protest.”},
   Journal = {LA RAZA},
   Publisher = {University of Washington Press/ Autry National Center/
             Chicano Studies Research Center},
   Year = {2020},
   Month = {February},
   ISBN = {9780895511652},
   Key = {fds314208}
}

@misc{fds314207,
   Author = {Gabara, EL},
   Title = {“Missing Body Art: Absent Identity in the Work of Tatiana
             Parcero.”},
   Journal = {Revolution and Ritual: The Photographs of Sara Catrejón,
             Graciela Iturbide, and Tatiana Parcero.},
   Year = {2017},
   Month = {January},
   Key = {fds314207}
}

@misc{fds314209,
   Author = {Gabara, EL},
   Title = {“Crossing the Border: Whether Real or Imagined.”},
   Journal = {What It Means to Be American},
   Publisher = {Smithsonian Institute/ Zócalo Public Square},
   Year = {2015},
   Month = {May},
   url = {http://www.whatitmeanstobeamerican.org/discussions/movies-most-memorable-mexican-american-moments/#esther-gabara},
   Key = {fds314209}
}

@misc{fds297869,
   Author = {Gabara, EL},
   Title = {Non-Literary Fiction: Invention and Interventions in
             Contemporary Latin American Art},
   Year = {2012},
   Key = {fds297869}
}

@misc{fds297870,
   Author = {Gabara, EL},
   Title = {Arte y colonialidad: Arte latinoamericano en
             España},
   Year = {2012},
   Key = {fds297870}
}

@misc{fds297861,
   Author = {Gabara, EL},
   Title = {Orit Raff: Inside Drawing},
   Pages = {n.p.-n.p.},
   Publisher = {Pamphlet, Julie Saul Gallery, New York, and Galerie Paula
             Boettcher, Berlin},
   Year = {2000},
   Month = {February},
   Key = {fds297861}
}


%% Articles in a Collection   
@article{fds363962,
   Author = {Gabara, E},
   Title = {El signo de la moda/ The Sign of Fashion},
   Booktitle = {Un arte sin tutela / Art Without Guardianship Salon
             independiente en Mexico, 1968-1971 / Salón Independiente in
             Mexico 1968-1971},
   Year = {2018},
   ISBN = {9788417047627},
   Abstract = {This is the first study of the exhibit.00Exhibition: MUAC,
             Mexico City, Mexico (10.02.-16.09.2018).},
   Key = {fds363962}
}

@article{fds297840,
   Author = {Gabara, EL},
   Title = {Photography, Avant-Garde and Modernity},
   Series = {Blackwell Companions to Art History Series},
   Booktitle = {A Companion to Modern and Contemporary Latin American &
             Latino Art},
   Editor = {Anreus, A and Greeley, R and Sullivan, M},
   Year = {2015},
   Key = {fds297840}
}

@article{fds297839,
   Author = {Gabara, EL},
   Title = {Landscape: Errant Modernism and Aesthetics in
             Brazil},
   Pages = {353-361},
   Booktitle = {Modern Art in Africa, Asia and Latin America: An
             Introduction to Global Modernisms},
   Publisher = {Wiley-Blackwell},
   Editor = {Brien, EO and Nicodemus, E and Chiu, M and Benjamin Genocchio and MKC and Tejada, R},
   Year = {2012},
   Key = {fds297839}
}

@article{fds297838,
   Author = {Gabara, EL},
   Title = {Orientalism Unmoored},
   Pages = {n.p.-n.p.},
   Booktitle = {Orit Raff: Shangri-La},
   Publisher = {Tel Aviv, Israel: A’ Point Books/ Noga Callery of
             Contemporary Art},
   Year = {2011},
   Month = {January},
   Key = {fds297838}
}

@article{fds297837,
   Author = {Gabara, EL},
   Title = {Perspectives on Scale: From the Atomic to the
             Universal},
   Pages = {200-204},
   Booktitle = {Art and Globalization},
   Publisher = {Penn State Press},
   Editor = {Elkins, J and Kim, AS and Valiavicharska, Z},
   Year = {2010},
   url = {http://www.psupress.org/books/titles/978-0-271-03716-5.html},
   Key = {fds297837}
}

@article{fds297836,
   Author = {Gabara, EL},
   Title = {Modernist Ethics: Really Engaging Popular Culture in Mexico
             and Brazil},
   Pages = {63-104},
   Booktitle = {The Ethics of Latin American Literary Criticism: Reading
             Otherwise},
   Publisher = {Palgrave MacMillan},
   Editor = {Zivin, EG},
   Year = {2007},
   url = {http://www.amazon.com/Ethics-Latin-American-Literary-Criticism/dp/1403984964/ref=sr_1_1?ie=UTF8&s=books&qid=1276246010&sr=8-1},
   Key = {fds297836}
}

@article{fds297835,
   Author = {Gabara, EL},
   Title = {Recycled Photographs: Moving Still Images of Mexico City,
             1950/2000},
   Pages = {139-172},
   Booktitle = {Double Exposure: Photography and Literature in Latin
             America},
   Publisher = {Albuquerque: University of New Mexico Press},
   Editor = {Schwartz, M and Tierney-Tello, MB},
   Year = {2006},
   url = {http://www.amazon.com/Photography-Writing-Latin-America-Exposures/dp/0826338089/ref=sr_1_1?ie=UTF8&s=books&qid=1276246200&sr=8-1},
   Key = {fds297835}
}

@article{fds297834,
   Author = {Gabara, EL},
   Title = {’Nunca olhei tão olhado em minha vida e está sublime’:
             O (auto)retrato e a fotografia na obra de Mário de
             Andrade},
   Pages = {169-190},
   Booktitle = {A Historiografia Literária e as Técnicas de Escrita. Do
             Manuscrito ao Hipertexto},
   Publisher = {Vieira e Lent/ Edições Casa de Rui Barbosa},
   Editor = {Süssekind, F and Dias, T},
   Year = {2004},
   Key = {fds297834}
}


%% Translation in a Journal   
@article{fds166082,
   Author = {Colectivo Situaciones and Buenos Aires and Argentina},
   Title = {“Disquiet in the impasse: Coming from the Latin American
             Situation,”},
   Journal = {http://micropolitics.wordpress.com/},
   Year = {2010},
   Month = {Winter},
   Key = {fds166082}
}


%% Reviews of Published Books   
@article{fds373485,
   Author = {Gabara, E},
   Title = {“Doing unpayable debt”},
   Journal = {Cultural Dynamics},
   Volume = {35},
   Number = {4},
   Pages = {237-244},
   Year = {2023},
   Month = {November},
   url = {http://dx.doi.org/10.1177/09213740231206093},
   Abstract = {This response to Denise Ferreira da Silva’s Unpayable Debt
             (2022) takes seriously the author’s self-description as a
             scholar and artist, and so considers the study within a
             genealogy of contemporary experiments with the book form in
             the Americas. Unpayable Debt calls for a reader who will
             assemble its sequence of moments and texts into an
             accounting of the debt that Western epistemologies,
             disciplines, and habits of reading owe to the people and
             cultures subjected to the trans-Atlantic slave trade, and to
             the dispossession and genocide of indigenous peoples.
             Fiction, distinct from history and the other disciplines
             that use the written word, proves essential to calculate
             that liability, and Ferreira da Silva exercises its
             inventive power in her scholarly critique as much as in
             videos, performances, and social practice
             collaborations.},
   Doi = {10.1177/09213740231206093},
   Key = {fds373485}
}

@article{fds355206,
   Author = {Gabara, E and Adey, I},
   Title = {The Bermuda Triangle of Madrid’s Museums: The Prado, the
             Museum of the Americas and the National Museum of
             Anthropology},
   Journal = {Art in Translation},
   Volume = {12},
   Number = {2},
   Pages = {128-149},
   Year = {2020},
   Month = {January},
   url = {http://dx.doi.org/10.1080/17561310.2020.1831747},
   Abstract = {The Bermuda triangle of the title refers to the magical
             space between three Madrid museums— El Prado, the Museum
             of the Americas, and the National Museum of
             Anthropology—in which the coloniality of Spanish society
             disappears, in the contemporary moment as much as in the
             historical narrative. This article asks: where is Latin
             America— specifically, Latin American art—in Spain? It
             sets out the discursive maneuvers that have obscured that
             coloniality in art and in the daily activities that allow
             Spaniards to enjoy Andean potatoes in their tortillas and
             Mayan chocolate with their churros, without savoring the
             American bitterness that is their basic ingredient.},
   Doi = {10.1080/17561310.2020.1831747},
   Key = {fds355206}
}

@article{fds314210,
   Author = {Gabara, EL},
   Title = {“Crossing the Border: Whether Real or Imagined.”},
   Journal = {What It Means to Be American},
   Publisher = {Smithsonian Institute/ Zócalo Public Square},
   Year = {2015},
   Month = {May},
   url = {http://www.whatitmeanstobeamerican.org/discussions/movies-most-memorable-mexican-american-moments/#esther-gabara},
   Key = {fds314210}
}

@article{fds297868,
   Author = {Gabara, E},
   Title = {Fictions of emancipation: Collaborations with and against
             the law},
   Journal = {English Language Notes},
   Volume = {51},
   Number = {1},
   Pages = {173-181},
   Year = {2013},
   Month = {Summer},
   url = {http://hdl.handle.net/10161/10378 Duke open
             access},
   Abstract = {The topic of emancipation has garnered a great deal of
             attention recently, from Jacques Ranciere’s work, now
             widely read by scholars, artists, and activists, to new
             edited collections in my field of Latin American thought,
             published in Spanish and English. As present and necessary
             as this concept is, I propose that it is so because it
             contains within it some of the most difficult double binds
             faced by the intersection of art and politics. The bind of
             emancipation becomes evident in contrast to its supposed
             synonym (according to most thesauruses) of
             “enfranchisement.” The latter consistently signifies the
             liberation of the subject: his/her freedom from confinement
             and admission into the rights of citizenship. Emancipation,
             in contrast, is a fraught process, which ultimately does not
             guarantee the rights of all, and at times imperils the
             rights of very specific subjects. Nonetheless, I argue that
             it is worth delving deeper into emancipation’s perils, as
             they reveal compelling forms of fiction that connect
             performance to court, and art to law.},
   Doi = {10.1215/00138282-51.1.173},
   Key = {fds297868}
}

@article{fds297872,
   Author = {Gabara, EL},
   Title = {El triángulo museológico de las Bermudas: El Prado, el
             Museo de América y el Museo Nacional de
             Antropología},
   Journal = {Revista SUR/versión. Investigación y creación de América
             Latina y el Caribe},
   Volume = {2},
   Number = {2},
   Year = {2013},
   Key = {fds297872}
}

@article{fds297866,
   Author = {Gabara, E},
   Title = {El triángulo museológico de las Bermudas: El Prado, el
             Museo de América y el Museo Nacional de
             Antropología},
   Journal = {El D_Efecto Barroco: Políticas De La Imagen
             Hispana},
   Editor = {Badia, JLMYT},
   Year = {2012},
   Month = {June},
   url = {http://eldefectobarroco.wordpress.com/},
   Key = {fds297866}
}

@article{fds297850,
   Author = {Noble, A},
   Title = {Review of Errant Modernism},
   Journal = {A Contracorriente},
   Volume = {8},
   Pages = {442-447},
   Year = {2012},
   url = {http://www.ncsu.edu/project/acontracorriente/fall_10/reviews/Noble_rev.pdf},
   Key = {fds297850}
}

@article{fds297860,
   Author = {Oldfield, P},
   Title = {Review of Errant Modernism},
   Journal = {Bulletin of Latin American Research},
   Volume = {31},
   Number = {3},
   Pages = {409-410},
   Year = {2012},
   Key = {fds297860}
}

@article{fds297858,
   Author = {Edwards, E},
   Title = {Relocating Photographies, Histories and Modernisms},
   Journal = {Art History},
   Volume = {34},
   Number = {1},
   Pages = {211-213},
   Year = {2011},
   Month = {January},
   url = {http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8365.2010.00810.x/pdf},
   Key = {fds297858}
}

@article{fds297851,
   Author = {Segre, E},
   Title = {Review of Errant Modernism, etc.},
   Journal = {History of Photography},
   Volume = {35},
   Number = {1},
   Pages = {85-88},
   Year = {2011},
   Key = {fds297851}
}

@article{fds297852,
   Author = {Delgado, Z and Patricia, M},
   Title = {Review of Errant Modernism},
   Journal = {E.I.A.L.},
   Volume = {22},
   Number = {1},
   Pages = {179-181},
   Year = {2011},
   Key = {fds297852}
}

@article{fds297853,
   Author = {Preciado, CD},
   Title = {Review of Errant Modernism},
   Journal = {Arizona Journal of Hispanic Cultural Studies},
   Volume = {15},
   Pages = {216-217},
   Year = {2011},
   Key = {fds297853}
}

@article{fds297854,
   Author = {Gallo, R},
   Title = {Review of Errant Modernism},
   Journal = {Modernism/Modernity},
   Volume = {18},
   Number = {1},
   Pages = {201-203},
   Year = {2011},
   Key = {fds297854}
}

@article{fds297855,
   Author = {Rawson, K},
   Title = {Review of Errant Modernism},
   Journal = {Aztlán. A Journal of Chicano Studies},
   Volume = {36},
   Number = {1},
   Pages = {223-228},
   Year = {2011},
   Key = {fds297855}
}

@article{fds297856,
   Author = {Prado, S and Ignacio, M},
   Title = {Estrategias para mirar la nación. El giro visual de los
             estudios culturales mexicanos en lengua inglesa},
   Journal = {Mexican Studies/ Estudios Mexicanos},
   Volume = {27},
   Number = {2},
   Pages = {449–469-449–469},
   Year = {2011},
   Key = {fds297856}
}

@article{fds297857,
   Author = {Herlinghaus, H},
   Title = {Review of Errant Modernism},
   Journal = {MLN},
   Volume = {26},
   Number = {2},
   Pages = {418-420},
   Year = {2011},
   Key = {fds297857}
}

@article{fds297864,
   Author = {Folgarait, L},
   Title = {Seeing Mexico Photographed: The Work of Horne, Casasola,
             Modotti, and Álvarez Bravo},
   Year = {2011},
   Month = {Winter},
   url = {http://hdl.handle.net/10161/10379 Duke open
             access},
   Key = {fds297864}
}

@article{fds181413,
   Author = {Noble, Andrea},
   Title = {Review of Errant Modernism},
   Journal = {A Contracorriente},
   Volume = {8},
   Number = {1},
   Pages = {442-447},
   Year = {2010},
   Month = {Fall},
   url = {http://www.ncsu.edu/project/acontracorriente/fall_10/reviews/Noble_rev.pdf},
   Key = {fds181413}
}

@article{fds297849,
   Author = {Flaherty, G},
   Title = {Review of Errant Modernism and National Camera},
   Journal = {caa on-line reviews},
   Year = {2010},
   Month = {August},
   url = {http://www.caareviews.org/reviews/1500},
   Key = {fds297849}
}

@article{fds297848,
   Author = {Krippner, J},
   Title = {Errant Moderism: The Ethos of Photography in Mexico and
             Brazil},
   Journal = {The Americas},
   Volume = {66},
   Number = {3},
   Pages = {416-418},
   Year = {2010},
   Month = {January},
   url = {http://muse.jhu.edu/journals/the_americas/v066/66.3.krippner.html},
   Key = {fds297848}
}

@article{fds297845,
   Author = {Foster, DW},
   Title = {Errant Modernism: The Ethos of Photography in Mexico and
             Brazil},
   Journal = {Luso-Brazilian Review},
   Volume = {47},
   Number = {1},
   Pages = {227-229},
   Year = {2010},
   url = {http://muse.jhu.edu/journals/luso-brazilian_review/v047/47.1.foster.html},
   Key = {fds297845}
}

@article{fds297846,
   Author = {Galvez, A},
   Title = {Review of Errant Modernism},
   Journal = {E-misférica},
   Volume = {7},
   Number = {1},
   Year = {2010},
   url = {http://hemisphericinstitute.org/hemi/pt/e-misferica-71/galvez},
   Key = {fds297846}
}

@article{fds297847,
   Author = {Castro, ME and Paul},
   Title = {Review of Errant Modernism},
   Journal = {The Bulletin of Hispanic Studies},
   Volume = {87},
   Number = {7},
   Pages = {894-895},
   Year = {2010},
   Key = {fds297847}
}

@article{fds297859,
   Author = {Gallo, R},
   Title = {Mexican Photography: From the Daguerrotype to Digital
             Images},
   Journal = {Hispanic Review},
   Volume = {39},
   Number = {1},
   Pages = {135-141},
   Year = {2010},
   Month = {Winter},
   Key = {fds297859}
}

@article{fds297865,
   Author = {Gabara, E},
   Title = {Gestures, Practices, and Projects: [Latin] American
             Re-visions of Visual Culture and Performance
             Studies},
   Journal = {E-misférica},
   Volume = {7},
   Number = {1},
   Year = {2010},
   url = {http://hemisphericinstitute.org/hemi/en/e-misferica-71},
   Key = {fds297865}
}

@article{fds297867,
   Author = {Gabara, EL},
   Title = {Fighting It Out: Being Naco in the Global Lucha
             Libre},
   Volume = {26},
   Series = {Mexico Issue},
   Pages = {277-300},
   Publisher = {The Wolfsonian-Florida International University},
   Year = {2010},
   url = {http://www.psupress.org/books/titles/978-1-930776-18-0.html},
   Key = {fds297867}
}

@article{fds297844,
   Author = {Carranza, LE},
   Title = {Errant Modernism: The Ethos of Photography in Mexico and
             Brazil},
   Journal = {Choice},
   Volume = {47},
   Number = {1},
   Year = {2009},
   Month = {September},
   Key = {fds297844}
}

@article{fds297843,
   Author = {O Toole and G},
   Title = {The Errors of the Avant-Garde},
   Journal = {The Latin American Review of Books},
   Year = {2009},
   Month = {July},
   url = {http://www.latamrob.com/?p=891},
   Key = {fds297843}
}

@article{fds297842,
   Author = {Fraser, B},
   Title = {Review of Errant Modernism},
   Journal = {Chasqui},
   Volume = {38},
   Number = {2},
   Pages = {185-187},
   Year = {2009},
   url = {http://find.galegroup.com/gtx/retrieve.do?contentSet=IAC-Documents&resultListType=RESULT_LIST&qrySerId=Locale(en,US,):FQE=(JN,None,9)%22Chasqui%22:And:LQE=(DA,None,8)20091101$&sgHitCountType=None&inPS=true&sort=DateDescend&searchType=PublicationSearchForm&tabID=T002&prodId=IFME&searchId=R1%C2%A4tPosition=23&userGroupName=duke_perkins&docId=A215115428&docType=IAC},
   Key = {fds297842}
}

@article{fds297873,
   Author = {Gabara, EL},
   Title = {"Cannon and Camera": Photography and Colonialism in the
             Américas},
   Journal = {ELN},
   Volume = {44},
   Number = {2},
   Pages = {45-64},
   Year = {2006},
   Month = {Winter},
   url = {http://web.ebscohost.com/ehost/pdfviewer/pdfviewer?vid=4&hid=119&sid=0bfc5dab-9155-4009-9928-17fbb106e56b@sessionmgr110},
   Doi = {10.1215/00138282-44.2.45},
   Key = {fds297873}
}

@article{fds297874,
   Author = {Gabara, EL},
   Title = {Facing Brazil: The Problem of Portraiture and a Modernist
             Sublime},
   Journal = {CR: The New Centennial Review},
   Volume = {4},
   Number = {2},
   Pages = {33-76},
   Publisher = {Johns Hopkins University Press},
   Year = {2004},
   url = {http://muse.jhu.edu/journals/new_centennial_review/toc/ncr4.2.html},
   Doi = {10.1353/ncr.2005.0006},
   Key = {fds297874}
}

@article{fds297862,
   Author = {Gabara, EL},
   Title = {Review of Fragments of a Golden Age: The Politics of Culture
             in Mexico since 1940. Eds. Gilbert Joseph, Anne Rubenstein,
             and Eric Zolov},
   Journal = {Nepantla: Views from South},
   Volume = {4},
   Number = {1},
   Pages = {201-207},
   Year = {2003},
   Key = {fds297862}
}

@article{fds297863,
   Author = {Gabara, EL},
   Title = {Review of Primitivism and Identity in Latin America: Essays
             on Art, Literature, and Culture. Eds. Erik Camayd-Freixas
             and José Eduardo González},
   Journal = {Latin American Literary Review},
   Volume = {61},
   Pages = {113-115},
   Year = {2003},
   Month = {Summer},
   Key = {fds297863}
}

@article{fds297841,
   Author = {Gabara, EL},
   Title = {Engendering Nation: Las bellas artes públicas and the
             Mexican Photo-essay, 1920-1940},
   Volume = {49},
   Pages = {139-154},
   Booktitle = {Yearbook of Comparative and General Literature},
   Year = {2001},
   Month = {Fall},
   Key = {fds297841}
}

@article{fds297876,
   Author = {Gabara, EL},
   Title = {La ciudad loca: An Epistemological Plan},
   Journal = {Journal of Latin American Cultural Studies},
   Volume = {9},
   Number = {2},
   Pages = {119-35},
   Year = {2000},
   url = {http://dx.doi.org/10.1080/713679235},
   Doi = {10.1080/713679235},
   Key = {fds297876}
}

@article{fds297875,
   Author = {Gabara, E and Conlon, J},
   Title = {Moving the Avant-Garde},
   Journal = {Stanford Humanities Review},
   Volume = {7},
   Number = {1},
   Pages = {vii-xii},
   Year = {1999},
   Month = {June},
   Key = {fds297875}
}

@article{fds309938,
   Author = {Santiago, S},
   Title = {Two Strangers in Mexico},
   Journal = {Stanford Humanities Review},
   Volume = {7},
   Number = {1},
   Pages = {vii-xii},
   Year = {1999},
   Month = {June},
   Key = {fds309938}
}

@article{fds309939,
   Author = {Conlon, J},
   Title = {Two Strangers in Mexico, by Silviano Santiago},
   Journal = {Stanford Humanities Review},
   Volume = {7},
   Number = {1},
   Pages = {79-87},
   Year = {1999},
   Key = {fds309939}
}