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Books
- Powell, RJ, Black Art A Cultural History
(August, 2021),
pp. 360 pages, London: Thames and Hudson, Ltd., ISBN 9780500204665 (Revised & expanded edition of Black Art & Culture in the 20th Century, 1997; Spanish translation: Arte y Cultura Negros en el Siglo XX, Barcelona: Ediciones Destino, S.A., 1998.) [abs]
- Caragol, T; Moss, D; Powell, RJ; Sajet, K, THE OBAMA PORTRAITS
(January, 2020),
pp. 1-140 [abs]
- Powell, R, Going There: Black Visual Satire
(2020),
pp. 240 pages, Yale University Press, ISBN 9780300245745 [abs]
- Powell, R, Archibald Motley Jazz Age Modernist
(October, 2015), ISBN 9780938989394 [abs]
- Powell, RJ, Rhapsodies in Black: The Art of the Harlem Renaissance
(October, 2014), University of California Press
- Powell, RJ, African American Art: Harlem Renaissance, Civil Rights Era and Beyond
(2012),
pp. 12-33 pages, Washington, DC: Smithsonian American Art Museum
- Powell, RJ, Who Am I in This Picture? Amherst College Portraits
(2009),
pp. 8-15 pages, Amherst College
- Powell, RJ, Ras Ishi/Secret Diaries
(2009),
pp. 19-27 pages, Miller Publishing Company, Ltd.
- Powell, RJ, Cutting a Figure Fashioning Black Portraiture
(2008),
pp. 293 pages, University of Chicago Press, ISBN 9780226677279 [abs]
- Powell, RJ, Circle Dance: The Art of John T. Scott
(2005), University Press of Mississippi
- Powell, RJ, Beauford Delaney: The Color Yellow
(2002), High Museum of Art
- Powell, RJ, To Conserve a Legacy: American Art from Historically Black Colleges and Universities
(1999), MIT Press
- Powell, RJ, Jacob Lawrence
(1992), New York: Rizzoli International Publications, Inc.
- Powell, RJ, Homecoming: The Art and Life of William H. Johnson
(1991), New York: W. W. Norton
- Powell, RJ, From the Potomac to the Anacostia: Art and Ideology in the Washington Area
(1989), Washington Project for the Arts
- Powell, RJ, James Lesesne Wells: Sixty Years in Art
(1986), Washington Project for the Arts
Articles Published
- Caragol, T; Moss, D; Powell, RJ; Sajet, K, The Obama Portraits, in Art History and Beyond,
in The Obama Portraits
(2020), Princeton University Press
- Powell, R, Raymond Saunders,
in Among Others Blackness at MoMA, edited by English, D; Barat, C
(August, 2019), ISBN 9781633450349 [abs]
- Powell, R, Herve Telemaque,
in Among Others: Blackness at MoMA, edited by English, D; Barat, C
(2019), Museum of Modern Art
- Powell, RJ, The Brown Paper Bag Test,
Nka Journal of Contemporary African Art, vol. 2018 no. 42-43
(November, 2018),
pp. 234-249, Duke University Press [doi]
- Powell, R, Black Parnassus: Chicago in the Interwar Years,
in Gordon Parks The New Tide, Early Work 1940-1950, edited by Brookman, P
(October, 2018),
pp. 259-265, Steidl/Gordon Parks Foundation/National Gallery of Art, ISBN 9783958294943 [abs]
- Oliver, VC; Powell, RJ, Reminiscing: Valerie Cassel Oliver and Richard J. Powell in conversation,
Callaloo, vol. 40 no. 5
(January, 2017),
pp. 53-162 [doi]
- Powell, RJ, Who’s Zoomin’ Who?: The Eyes of Donyale Luna,
Nka Journal of Contemporary African Art, vol. 2016 no. 38-39
(November, 2016),
pp. 14-21, Duke University Press [doi] [abs]
- Powell, RJ, TWO PAINTINGS BY WILLIAM H. JOHNSON,
in The Seductions of Biography
(January, 2016),
pp. 89-97, ISBN 9780415910897 [doi]
- Powell, RJ, "Porch and Drawl",
in Southern Accent: Seeking the American South in Contemporary Art, edited by Lash, M; Schoonmaker, T
(2016),
pp. 106-119, Nasher Museum of Art at Duke University
- Powell, RJ, "Wounded Zouave and the Cyrenian Paradigm",
in The Civil War in Art and Memory, edited by Savage, K
(2016),
pp. 65-80, National Gallery of Art
- Powell, RJ, "I Talismani di Betye Saar",
in Betye Saar: Uneasy Dancer, edited by Marinetti, M
(2016),
pp. 233-241, Fondazione Prada
- Powell, RJ, "Les ames illustrees: W. E. B. Du Bois dans l'art contemporain",
in The Color Line: Les Artistes Africains-Americains et La Segregation, edited by Soutif, D
(2016),
pp. 74-85, Flammarion
- Oliver, VC; Powell, RJ, "Richard Powell/'Say it Loud': An Interview with Richard Powell by Valerie Cassel Oliver",
Callaloo, vol. 38 no. 4
(2016),
pp. 985-995, Johns Hopkins University Press
- Powell, RJ, Rechercher et imaginer l’art « black » américain depuis 2005,
Perspective no. 2
(December, 2015),
pp. 81-94, OpenEdition [doi]
- Powell, RJ, "Dem Shoes": Thomas Hart Benton's Romance,
in American Epics: Thomas Hart Benton and Hollywood, edited by Bailly, A
(2015),
pp. 83-87, Delmonico Books - Prestel, ISBN 978-3-7913-5422-4
- Powell, RJ, Probability Theory: David Hammons's Money Tree,
in Open This End: Contemporary Art from the Collection of Blake Byrne, edited by Wolin, Joseph R.,
(2015),
pp. 42-49, The Skylark Foundation, ISBN 978-0-692-33572-7
- Powell, RJ, Journeying Beyond: The Prints and Paintings of Joyce Wellman,
The International Review of African American Art, vol. 10 no. 3
(October, 2014)
- Powell, RJ, Images and Identities: A Brief, Introductory Note,
The International Review of African American Art, vol. 11 no. 3
(October, 2014),
pp. 6-6
- Powell, RJ, New Negroes, Harlem, and Jazz (1900-1950),
in The image of the black in western art, edited by Bindman, D; Gates, HL
(2014),
pp. 53-104, Harvard University Press, ISBN 9780674052697
- Powell, RJ, Walking on Water: Embodiment, Abstraction, and Black Visuality,
in Represent: 200 Years of African American Art in the Philadelphia Museum of Art, edited by Shaw, Gwendolyn DuBois,
(2014),
pp. 1-19
- Powell, RJ, New Negroes, Harlem, and Jazz (1900-1950),
in The Image of the Black in Western Art, V, Part 2: The Twentieth Century, The Rise of Black Artists
(2014),
pp. 53-104, Harvard University Press
- Powell, RJ, Freeman Henry Morris Murray: Emancipation and the Freed in American Sculpture,
The Art Bulletin, vol. 95
(December, 2013),
pp. 646-649
- Powell, RJ, "Foreword: Augustus Saint-Gaudens’ Devotional Memorial",
in Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial, edited by Greenough, S; Anderson, N
(2013),
pp. xv-185, Yale University Press
- Powell, RJ, Emancipation and the Freed in American Sculpture,
ART BULLETIN, vol. 95 no. 4
(2013),
pp. 646-649, ISSN 0004-3079 [Gateway.cgi]
- Powell, RJ, "Foreword: Augustus Saint-Gaudens’ Devotional Memorial",
in Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial
(2013),
pp. xv-185, Yale University Press
- Powell, RJ, "Tanner and Transcendence",
in Henry Ossawa Tanner: Modern Spirit, edited by Marley, AO
(2012),
pp. 56-65, Berkeley: University of California Press
- Powell, RJ, "Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse",
in African American Art: Harlem Renaissance, Civil Rights Era and Beyond
(2012),
pp. 12-33, Washington, DC: Smithsonian American Art Museum
- Powell, RJ, "Tanner and Transcendence",
in Henry Ossawa Tanner: Modern Spirit
(2012),
pp. 56-65, Berkeley: University of California Press
- Powell, RJ, "Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse",
in African American Art: Harlem Renaissance, Civil Rights Era and Beyond
(2012),
pp. 12-33, Washington, DC: Smithsonian American Art Museum
- Powell, RJ, "Trembling Vistas, Primal Youth: William H. Johnson’s Painterly Expressionism, 1927-1935" & "Devotion and Disrepute: William H. Johnson’s Florence, South Carolina Paintings, circa 1944",
in William H. Johnson: An American Modern
(2011),
pp. 22-101, University of Washington Press
- Powell, RJ, "The Woodshed",
in Romare Bearden: American Modernist, edited by Fine, R; Francis, J, vol. 71
(2011),
pp. 200-2006, National Gallery of Art, ISSN 0091-7338 [Gateway.cgi]
- Powell, RJ, "From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe",
in The Migrant’s Time: Rethinking Art History and Diaspora, edited by Mathur, S
(2011),
pp. 78-90, Sterling and Francine Clark Institute
- Powell, RJ, The Woodshed,
STUDIES IN THE HISTORY OF ART, vol. 71
(2011),
pp. 199-206
- Powell, RJ, DEVOTION AND DISREPUTE William H. Johnson's Florence, South Carolina, Paintings, circa 1944,
in WILLIAM H JOHNSON: AN AMERICAN MODERN
(2011),
pp. 88-101, ISBN 978-0-295-99148-1
- Powell, RJ, TREMBLING VISTAS, PRIMAL YOUTH William H. Johnson's Painterly Expressionism, 1927-1935,
in WILLIAM H JOHNSON: AN AMERICAN MODERN
(2011),
pp. 22-39, ISBN 978-0-295-99148-1
- Powell, RJ, 'Paint That Thing!' Aaron Douglas's Call to Modernism,
American Studies, vol. 46
(2010),
pp. 107-119
- Powell, RJ, "Unexpected Faces in Public Places",
in Who Am I in This Picture? Amherst College Portraits
(2009),
pp. 8-15, Amherst College, Amherst, Massachusetts
- Powell, RJ, "The Systems and Semiotics of Ras Ishi Butcher",
in Ras Ishi/Secret Diaries
(2009),
pp. 19-27, Miller Publishing Company, Ltd., Edgehill, St. Thomas, Barbados
- Powell, RJ, "The Systems and Semiotics of Ras Ishi Butcher",
in Ras Ishi/Secret Diaries
(2009),
pp. 19-27, Miller Publishing Company, Ltd.
- Powell, RJ, "Unexpected Faces in Public Places",
in Who Am I in This Picture? Amherst College Portraits
(2009),
pp. 8-15, Amherst College
- Powell, RJ, The Picturesque, Miss Nottage and the Caribbean Sublime,
Small Axe: A Caribbean Journal of Criticism, vol. 25
(February, 2008),
pp. 157-168
- Powell, RJ, "Barkley L. Hendricks, Anew",
in Barkley L. Hendricks/Birth of the Cool, edited by Schoonmaker, T
(2008),
pp. 38-57, Nasher Museum of Art at Duke University, Durham, NC
- Powell, RJ, PAINT IN THE NAME OF LOVE,
INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART, vol. 22 no. 2
(2008),
pp. 64-65, ISSN 1045-0920 [Gateway.cgi]
- Powell, RJ, "Paesaggio come evasion. Soggezione e affrancamento nelle immagini ottocentesche di afroamericani",
in Pittura Americana del XIX secolo: Atti del convegno, edited by Goldin, M; Weinberg, HB
(2008),
pp. 116-136, Linea d’Ombra Libri, Treviso
- Powell, RJ, "Barkley L. Hendricks, Anew",
in Barkley L. Hendricks/Birth of the Cool
(2008),
pp. 38-57, Nasher Museum of Art at Duke University
- Powell, RJ, "The Aaron Douglas Effect",
in Aaron Douglas: African American Modernist, edited by Earle, S
(2007),
pp. 53-73, Yale University Press, New Haven, CT
- with Powell, RJ; Powell, RJ; Puryear, M, "A Conversation with Martin Puryear",
in Martin Puryear, edited by Elderfield, J
(2007),
pp. 99-110, Museum of Modern Art, New York
- Powell, RJ, "The Aaron Douglas Effect",
in Aaron Douglas: African American Modernist
(2007),
pp. 53-73, Yale University Press, New Haven, CT
- Powell, RJ; Powell, RJ; Puryear, M, "A Conversation with Martin Puryear",
in Martin Puryear
(2007),
pp. 99-110, Museum of Modern Art, New York
- Powell, RJ, "Changing, Conjuring Reality",
in Conjuring Bearden
(2006),
pp. 19-31, Nasher Museum of Art at Duke University
- Powell, RJ, "On James A. Porter’s and (our) Modern Negro Art",
in A Proud Continuum: Eight Decades of Art at Howard University
(2005),
pp. 25-28, Howard University Gallery of Art
- Powell, RJ, "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque",
in Back to Black: Art, Cinema and the Racial Imaginary
(2005),
pp. 9-27, Whitechapel Art Gallery
- Powell, RJ, "On James A. Porter’s and (our) Modern Negro Art",
in A Proud Continuum: Eight Decades of Art at Howard University
(2005),
pp. 25-28, Howard University Gallery of Art
- Powell, RJ, Linguists, Poets, and ‘Others’ on African American Art,
American Art, vol. 17
(Spring, 2003),
pp. 16-19
- Powell, RJ, Appreciation. Jacob Lawrence: Keep on Movin’,
American Art, vol. 15 no. 1
(Spring, 2001),
pp. 90-93, ISSN 1073-9300 [3109375], [doi]
- Powell, RJ, Sartor Africanus,
in Dandies: Fashion and Finesse in Art and Culture, edited by Fillin-Yeh, S
(2001),
pp. 217-242, New York: New York University Press
- Powell, RJ, To Be Real,
in The Barkley L. Hendricks Experience
(2001),
pp. 13-15, New London, Connecticut: Lyman Allyn
- Sartor Africanus,
in Dandies: Fashion and Finesse in Art and Culture
(2001),
pp. 217-242, New York: New York University Press
- To Be Real,
in The Barkley L. Hendricks Experience
(2001),
pp. 13-15, New London, Connecticut: Lyman Allyn
- Powell, RJ, Lamentations from the ‘Hood,
in Kerry James Marshall/Mementos
(2000),
pp. 31-47, Chicago: The Renaissance Society at the University of Chicago
- Powell, RJ, Conjuring Canes and Bible Quilts: Through the Prism of Nineteenth Century African American Spirituality,
in African Americans and the Bible: Sacred Texts and Social Textures, edited by Wimbush, VL
(2000),
pp. 342-354, New York: Continuum
- Powell, RJ, Harmonizer of Chaos,
in Over the Line: The Art and Life of Jacob Lawrence, edited by Nesbett, P; DuBois, M
(2000),
pp. 147-163, Seattle: University of Washington Press
- Harmonizer of Chaos,
in Over the Line: The Art and Life of Jacob Lawrence
(2000),
pp. 147-163, Seattle: University of Washington Press
- Conjuring Canes and Bible Quilts: Through the Prism of Nineteenth Century African American Spirituality,
in African Americans and the Bible: Sacred Texts and Social Textures
(2000),
pp. 342-354, New York: Continuum
- Powell, RJ, The Blues Aesthetic: Black Culture and Modernism,
in African American Literary Criticism, 1773 to 2000, edited by Ervin, HA
(1999), New York: Twayne Publishers, 289-302
- The Blues Aesthetic: Black Culture and Modernism,
in African American Literary Criticism, 1773 to 2000
(1999), New York: Twayne Publishers, 289-302
- Powell, RJ, On Alain Locke and James Porter,
Hatch-Billops Collection, Inc./Artist and Influence, vol. 11
(1998),
pp. 1-8
- Powell, RJ, Cinqué: Antislavery Portraiture and Patronage in Jacksonian America,
American Art, vol. 11 no. 3
(1997),
pp. 49-73, University of Chicago Press, ISSN 1073-9300 [3109281], [doi]
- Powell, RJ, Art of the Harlem Renaissance,
Art Bulletin, vol. 77
(September, 1995),
pp. 132-137
- Powell, RJ, The Subject in/of Art History,
The Art Bulletin, vol. 77 no. 3
(September, 1995),
pp. 515 [doi]
- POWELL, RJ, ART, HISTORY, AND VISION,
ART BULLETIN, vol. 77 no. 3
(1995),
pp. 379-382, ISSN 0004-3079 [Gateway.cgi]
- POWELL, RJ, IMAGES AND IDENTITIES + EDITORIAL - A BRIEF, INTRODUCTORY NOTE,
INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART, vol. 11 no. 3
(1994),
pp. 6-6, ISSN 1045-0920 [Gateway.cgi]
- Powell, RJ, The Art of Raymond Saunders: Colored,
New Observations, vol. 97
(1993),
pp. 10-15
- Powell, RJ, What Becomes a Legend Most? Reflections on Romare Bearden,
Transition, vol. 55
(1992),
pp. 62-72
- Powell, RJ, 'In My Family of Primitiveness and Tradition:' William H. Johnson's 'Jesus and the Three Marys',
American Art, vol. 5 no. 4
(1991),
pp. 21-33, University of Chicago Press, ISSN 1073-9300 [3109068], [doi]
- Powell, RJ, Margo Humphrey: Interview,
Hatch-Billops Collection, Inc./Artist and Influence, vol. 5
(1987),
pp. 56-65
- Powell, RJ, William H. Johnson's Minde Kerteminde,
Black American Literature Forum, vol. 20 no. 4
(1986),
pp. 393-403, JSTOR, ISSN 0148-6179 [2904438], [doi]
- Powell, RJ, On Exhibit: Black Artists of the Nineteenth Century,
The Chicago Reader
(August, 1985),
pp. 10-11
- Powell, RJ, African Art at the Field Museum,
African Arts, vol. 18 no. 2
(1985),
pp. 24-101, JSTOR, ISSN 0001-9933 [3336186], [doi]
- Powell, RJ, Black Folk in America, 1930-1980,
Field Museum of Natural History Bulletin
(1984),
pp. 11-18
- Powell, RJ, Current Expressions in Afro-American Printmaking,
PrintNews, vol. 3
(April, 1981)
- Powell, RJ, The Afro-American Printmaking Tradition,
PrintNews, vol. 3
(February, 1981),
pp. 3-7
- Powell, RJ, 9/9,
The New Art Examiner, vol. 7
(June, 1980),
pp. 10-11
- Powell, RJ, Houston Conwill,
Neworld
(February, 1979)
- Powell, RJ, Talking to James Lesesne Wells,
Print Review, vol. 9
(1979),
pp. 65-75
Exhibition Catalogs
- To Conserve a Legacy: American Art from Historically Black Colleges and Universities: The Digital Exhibition
(2000), Cambridge: MIT Press (Script and recorded narration of the virtual exhibition tour.) [com]
- Rhapsodies in Black: Music and Words from the Harlem Renaissance
(2000) (Essay and consultant for a CD box set, Rhino Records R2 79874.)
Books in Progress
- Powell, RJ, African and Afro-American Art: Call and Response
(1984), Field Museum
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