Publications of Tsitsi E. Jaji    :chronological  alphabetical  combined  bibtex listing:

Books

1. Jaji, TE, Mother Tongues Poems (November, 2019), pp. 104 pages, Northwestern University Press, ISBN 9780810141360  [abs]
2. Jaji, TE, Beating the Graves (March, 2017), pp. 114 pages, U of Nebraska Press, ISBN 9780803299603  [abs]
3. Jaji, TE, Africa in Stereo: Modernism, Music, and Pan-African Solidarity (January, 2014), pp. 288 pages, Oxford University Press, ISBN 9780199936380  [abs]
4. Jaji, Africa in Stereo: Moderism, Music and Pan-African Solidarity (2014), ISBN 978-0199936373  [abs]
5. Jaji, T, "Carnaval" - Seven New Generation African Poets, edited by Dawes, K; Abani, C (2014), Slapering Hol Press

Essays/Articles/Chapters in Books

1. Jaji, T, A Tribute in Verse (Benediction and Translation), African Studies Review (November, 2025), pp. 1-5, Cambridge University Press (CUP) [doi]  [abs]
2. Jaji, T, Our Readers Write: mediating Africa Poetry's Audiences, Research in African Literatures (2020), Indiana University Press
3. Jaji, T, Trade of Tears: Removal's Resonance in the Black Atlantic, in The Acoustics of the Social on Page and Screen, edited by Aghoro, N (2020), Bloomsbury
4. Jaji, T, Zimbabwe in Verse: Anthologizing an Alternative Historiography, New Literary History, vol. 50 no. 4 (2019), pp. 609-639, Project MUSE [doi]
5. Jaji, T, Bingo Magazine in the Age of Pan-African Festivals, Nka Journal of Contemporary African Art, vol. 2018 no. 42-43 (November, 2018), pp. 110-123, Duke University Press [doi]
6. Murphy, D; Munro, M; Jaji, T, Introduction: The Performance of Pan-African Identities at Black and African Cultural Festivals, Interventions, vol. 20 no. 7 (October, 2018), pp. 947-951 [doi]  [abs]
7. Jaji, TE, Within Earshot of Africa—Meditations on The Sound of Culture, Small Axe: A Caribbean Journal of Criticism, vol. 22 no. 1 (March, 2018), pp. 159-171, Duke University Press [doi]
8. Jaji, T, On Pacing in dossier What is the Scale of the Literary Object, Modernism/Modernity, vol. 3 no. 4 (2018), Johns Hopkins University Press
9. Jaji, T, Pan-Africanism, in Keywords for African American Studies, edited by Edwards, E; Ferguson, R; Ogbar, J (2018), pp. 129-133, New York UP
10. Jaji, T, Genre in Africa, edited by Jaji, T; Saint, L, Cambridge Journal of Postcolonial Literary Inquiry, vol. 4 no. 2 (2017), pp. 151-158, Cambridge University Press (CUP)
11. Jaji, T, The Next Best Thing to Having Been There': Covering FESMAN and its Legacy in Black Popular Magazines, in In the First World Festival of Black and African Culture, Dakar 1966: conte4xts and legacies, edited by Murphy, D (2016), pp. 113-130, Liverpool UP
12. Jaji, T, Classic Black, in A New Vocabulary for Global Modernism, edited by Hayot, E; Walkowitz, R (2016), pp. 59-74, Columbia UP
13. Jaji, T, Kutamba Naye: In Serach of Anti-racist and Queer Solidarity, in Ties that Bind: Race and the Politics of Friendship in South Africa, edited by Soske, J; Walsh, S (2016), pp. 263-287, Witwatersrand UP
14. Cassava Westerns: Theorizing the Pleasures of Playing the Outlaw in Africa, in The Western in the Global South (April, 2015), Routledge, ISBN 9781317551072  [abs]
15. Jaji, T, The Name of the Farther, The Name of the Son, and the Name of the Homeric Spirit in Walcott's Omeros, La Torre-Revista General de la Universidad de Puerto Rico, vol. 10 no. 36-37 (2015), pp. 175-188
16. Cason, F; Jaji, T, Symbiopsychotaxiplasticity, Cultural Studies, vol. 28 no. 4 (July, 2014), pp. 574-593, Informa UK Limited [doi]
17. Jaji, T, Music and Modernism in Africa, in The Modernist World, edited by Lindgren, A; Ross, S (2014), pp. 197-205, Routledge
18. Jaji, T, Art Song Poetics: Performing Samuel Coleridge-Taylor’s Setting of Paul L. Dunbar’s “A Corn Song”, J19: The Journal of Nineteenth-Century Americanists, vol. 1 no. 1 (March, 2013), pp. 201-206, Project MUSE [doi]
19. Jaji, T, Can You Hear Africa Roar? StoryTime and the Digital Publishing Innovations of Ivor Hartmann and Emmanuel Sigauke, Journal of Commonwealth and Postcolonial Studies (2013), pp. 213-229, Georgia Southern University
20. Jaji, T, Bingo: Francophone African Women and the Rise of the Glossy Magazine, in Popular Culture in Africa: the Episteme of the Everyday, edited by Newell, S; Okome, O (2013), pp. 111-130, Routledge
21. Jaji, T, Re-collecting the Musical Politics of John and Nokutela Dube, Safundi, vol. 13 no. 3-4 (July, 2012), pp. 213-229, Informa UK Limited [doi]
22. n/a, Double issue on Music, edited by Jaji, T; Ching, B, Safundi: the journal of South African and American studies, vol. 13 no. 3-4 (2012), Taylor & Francis (Routledge)
23. Tsitsi Jaji, Sound Effects: Synaesthesia as Purposeful Distortion in Keorapetse Kgositsile's Poetry, Comparative Literature Studies, vol. 46 no. 2 (2009), pp. 287-310, Project MUSE [doi]
24. Jaji, T, Prying Death's Door Open: Mourning the Living-Dead in Maryse Condé's Moi, Tituba Soriére...Noire de Salem, in In Come Weep With Me: loss and mourning in the writings of Caribbean women writers, edited by Harte, J (2007), pp. 56-73, Cambridge Scholars Press
25. Jaji, T, Listening in on Jazz, in The Fiction of Toni Morrison: Teaching and Writing on Race, Identity, and Culture, edited by Carlacio, J (2007), pp. 137-144, NCTE Press
26. Jaji, T, Strategic Deliriums and Hysterical Histories: Reasoning with the Violent in Edouard Glissant's "Case du commandeur", Mode, vol. 1 no. 1 (2005), pp. 111-125
27. Jaji, T; Gueye, M, Person, Place or Thing: The politics of Naming in Nafissatou Diallo;s Le fort maudit, Literary Griot: international journal of Black expressive culture studies, vol. 11 no. 1 (1999), pp. 33-47