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Publications of Nancy Armstrong    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Armstrong, N; Tennenhouse, L. Novels in the Time of Democratic Writing. Haney Foundation, December, 2017. 280 pages pp.  [abs]
  2. Armstrong, N; Tennenhouse, L. The Ideology of Conduct: (Routledge Revivals) Essays in Literature and the History of Sexuality. Edited by Tennenhouse, L; Armstrong, N. Routledge, 2014. 254 pages pp.  [abs]
  3.  The Violence of Representation (Routledge Revivals): Literature and the History of Violence. Edited by Armstrong, N; Tennenhouse, L. December, 2013. 264 pages pp.  [abs]
  4.  Theories of the Novel Now, I, II, III. Edited by Armstrong, N.42.2, 42.3, 43.1  2011.  [abs]
  5. with Warren Montag. The Future of the Human. Edited by Armstrong, N; Montag, W.2-3  2009.
  6.  The Oxford Encyclopedia of British Literature. Edited by Kastan, DS; Armstrong, N. Oxford University Press, 2006. 2656 pages pp.  [abs]
  7. Armstrong, N. How Novels Think: The Limits of Individualism 1719-1900. Columbia University Press, 2005.
  8. Armstrong, N. Fiction in the Age of Photography: The Legacy of British Realism. Harvard University Press, 1999.  [abs]
  9. with Armstrong, N; Tennenhouse, L. The Imaginary Puritan: Literature, Intellectual Labor, and the Origins of Personal Life. University of California Press, 1992.
  10. N Armstrong. Deseo y ficción doméstica: Una Historia Política De La Novela. Universitat de València, January, 1991. 301 pages pp. (translated by Armstrong, N)  [abs]
  11. Armstrong, N. Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press, 1987.
  12. with Leonard Tennenhouse. The Ideology of Conduct: Essays on Literature and the History of Sexuality. Edited by Armstrong, N; Tennenhouse, L. Methuen Publishing, 1987. 243 pages pp.  [author's comments]
  13. Armstrong, N. Literature as Women’s History, I and II. Edited by Armstrong, N.4  1986.
  14. N Armstrong. The Rhetoric of Violence. Edited by Armstrong, N; Tennenhouse, L.54 Rutledge, 1985.

Edited

  1.  Theories of the Novel Now, I, II, III. Novel: A Forum on Fiction 42.2, 42.3, 43.1  (2009). (A three-volume set of 80 conference papers selected from the conference of that name held at Brown in fall of 2007.)

Essays/Articles/Chapters in Books

  1. Armstrong, N. "Some Endangered Feeling." Daedalus 150.1MIT Press, (January, 2021): 40-61. [doi]  [abs]
  2. Armstrong, N. "Fagin's Last Words." Mediations The Marxist Literary Group, (2021): 11 pages.
  3. Armstrong, N. "Why the Bildungsroman no longer works." Textual Practice 34.12Informa UK Limited, (December, 2020): 2091-2111. [doi]
  4. Armstrong, N. "Realism and Anachronism." Novel 53.2Duke University Press, (August, 2020): 137-142. [doi]
  5. Armstrong, N. "Why Looking Backward Is Necessary to Looking Forward." Victorian Literature and Culture 47.1Cambridge University Press (CUP), (March, 2019): 123-135. [doi]  [abs]
  6. Armstrong, N. "Afterword: Waiting for Foucault." Modern Language Quarterly 80.1 (January, 2019): 37-49. [doi]
  7. Armstrong, N. "Looking Backward: the Victorian Origins of the Neoliberal Household." Victorian Literature and Culture Cambridge University Press (CUP), (2019): 123-123.
  8. Armstrong, N. "The Contemporary Disposition of the Novel." Continental Thought and Theory 2.1 (2019): 3-27.
  9. Armstrong, N. "Waiting for Foucault." MLQ Special Issue , Desire and Domestic Fict (2019)
  10. Armstrong, N. "“What Use Is Althusser?”." Cultural Critique 103.1Project MUSE, (2019): 13-18. [doi]
  11. Armstrong, N. "The Migrant Novel: on becoming what we are not.." Polygraph 27.  2019. 67-67.
  12. Marx, J; Armstrong, N. "Introduction: How do novels think about neoliberalism?." Novel 51.2Duke University Press, (August, 2018): 157-165. [doi]
  13. Armstrong, N; Marx, J. "How do Novels Think About Neo-liberalism?." Novel: A Forum on Fiction 52.2Duke University Press, (2018): 157-168.
  14. Armstrong, N. "Disavowal and Domestic Fiction: The Problem of Social Reproduction." differences: A Journal of Feminist Cultural Studies 29.1Duke University Press, (2018): 1-32. [doi]  [abs]
  15. Armstrong, N; Montag, W. "Are novels literature?." Novel 50.3Duke University Press, (November, 2017): 338-350. [doi]
  16. Armstrong, N; Montag, W. "The figure in the carpet." PMLA 132.3Modern Language Association (MLA), (May, 2017): 613-619. [doi]
  17. Armstrong, N; Tennenhouse, L. "Balibar and the Citizen Subject." Just Like a Woman: Balibar on the Politics of Reproduction. Ed. Montag, W; Elsayed, H. Edinburgh University Press, 2017. 284-308.
  18. Armstrong, N. "One or Several Jane Eyres." Victorian Review: an interdisciplinary journal of victorian studies  (2017)
  19. Armstrong, N. "Do wasps just want to have fun?: Darwin and the question of variation." Differences 27.3Duke University Press, (December, 2016): 1-19. [doi]
  20. Armstrong, N. "The Sensation Novel." SAQ: The South Atlantic Quarterly 113Duke University Press, (February, 2016): 379-548.
  21. Armstrong, N. "Introduction: Property and Heterotopia"." Novel: A Forum on Fiction 49.1Duke University Press, (2016): 1-8. [repository], [doi]
  22. Armstrong, N; Tennenhouse, L. "Recalling Cora: Family Resemblances in the Last of the Mohicans.." American Literary History 28.2Oxford University Press (OUP): Policy F, (2016): 1-23. [doi]
  23. Armstrong, N; Tennenhouse, L. "How to Imagine Community Without Property." de Homenagem a Maria Irene Ramalho Santos: American Literature In a Comparative Context.. Impressa da Universidade de Comimbra, 2016. 27 pages.
  24. Armstrong, N. "The Affective Turn in Contemporary Fiction." Contemporary Literature 55.3University of Wisconsin Press, (2015): 441-465. [doi]
  25. Armstrong, N; Tennenhouse, L. "Novels before Nations: How Early US Novels Imagined Community." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 42.4Johns Hopkins University Press, (2015): 353-367. [doi]
  26. Armstrong, N. "A Gothic History of the British Novel." New Directions in the History of the Novel. Ed. Parrinder, P. Palgrave Macmillan, 2014. 103-120. [doi]
  27. "Hawthorne and the Paradox of Self-Sovereignty." Novel: A Forum on Fiction 47.1 (2014)
  28. "The Double Face of Variation in Darwin's Garden." Systems of Life. Ed. Warren Montag and Richard Barney. Fordham UP, spring 2915. 32 ms. pages.
  29. "The Affective Turn in Contemporary Literature." Contemporary Literature  (forthcoming 2015): 36 ms. pages.
  30. with Leonard Tennenhouse. "The Network Novel." A Companion to the English Novel. Ed. Stephen Arata, J. Paul Hunter, Jennifer Wicke. Wiley-Blackwell, forthcoming 2015. 30 ms. pages.
  31. Tennenhouse; Armstrong, N. "The Network Novel and How It Unsettled the Domestic Fiction." Ed. Arata, S; Wicke, J; Hunter, J. Blackwell’s,
  32. Armstrong, N. "When Sympathy Fails: The Affective Turn in Contemporary Fiction." SPELL: The Journal of the Swiss Professors of English Literature and Language  (Spring, 2014): 27-49.
  33. Armstrong, N. "Hawthorne on the Paradox of Popular Sovereignty." Novel: A Forum on Fiction Ed. Ruttenberg, N. 47.1Duke University Press, (2014): 24-42. [doi]
  34. "1871L Charles Darwin's DESCENT OF MAN, AND NATURAL SELECTION IN RELATION TO SEX." BRANCH: Britain, Representation, and Nineteenth-Century History Ed. Dino Felluga.  (February 8, 2013): 20 pp.. [available here]
  35. Armstrong, N. "On Charles Darwin’s The Descent of Man, 24 February 1871." BRANCH: Britain, Representation, and Nineteenth-Century History. Ed. Felluga, D.  2013. 20 pp.-20 pp.. [available here]
  36. "The Other Side of Modern Individualism: Locke and Defoe. ed. Zubin Meer,." Individualism: The Cultural Logic of Modernity. Ed. Zubin Meer. Lexington Books, 2012. 15 ms. pages.
  37. Armstrong, N. "The Victorian Archive and its Secret." NINETEENTH-CENTURY CONTEXTS-AN INTERDISCIPLINARY JOURNAL 34.5Informa UK Limited, (2012): 529-547. [Gateway.cgi], [doi]
  38. Armstrong, N. "Gender Must Be Defended." SOUTH ATLANTIC QUARTERLY 111.3 (2012): 529-547. [Gateway.cgi], [doi]
  39. Armstrong, N. "The Other Side of Modern Individualism: Locke and Defoe." Individualism: The Cultural Logic of Modernity. Ed. Meer, Z. Lexington Books, 2011. 111-120.
  40. Armstrong, N. "The Sensation Novel." The Oxford History of the Novel in English Volume 3: The Nineteenth-Century Novel 1820-1880. Ed. Kucich, J; Taylor, JB. The Oxford History of the British Novel3Oxford University Press, 2011. 137-153.
  41. Armstrong, N. "The Future in and of the Novel: A Position Paper." NOVEL-A FORUM ON FICTION 44.1Duke University Press, (2011): 8-10. [Gateway.cgi], [doi]
  42. "Futures in and of the Novel." Novel: A Forum on Fiction 44.1 (2010)
  43. Armstrong, N. "Afterword." Modernist Star Maps. Ed. Goldman, J; Jaffe, A. Ashgate, 2010. 237-244.
  44. Armstrong, N. "When Sexuality Meets Gender in the Victorian Novel." The Cambridge Companion to the Victorian Novel. Ed. David, D. Cambridge University Press, 2010. 97-124.
  45. Armstrong, N; Montag, W. "The future of the human: An introduction." Differences Ed. W Montag and N Armstrong. 20.2-3Duke University Press, (December, 2009): 1-8. [doi]
  46. Armstrong, N. "Editor's introduction: The way we read now." Novel 42.2Duke University Press, (June, 2009): 167-174. [doi]
  47. Armstrong, N. "A Companion to Jane Austen." A Companion to Jane Austen. Ed. Johnson, CL; Tuite, C. Wiley, 2009. 237-247. [doi]
  48. Armstrong, N. "When gender meets sexuality in the Victorian novel." The Cambridge Companion to the Victorian Novel. Cambridge University Press, 2009. 170-192. [doi]  [abs]
  49. "1798: The Captivity Narrative." A New Literary History of America. Ed. Werner Sollors and Greil Marcus. Harvard UP, 2009. 12 ms. pages.
  50. with Warren Montag. "Editors' Introduction: The Future of the Human." differences 20.2-3 (2009): 1-8.
  51. Armstrong, N. "1798: Mary Rowlandson and the Alien and Sedition Acts." A New Literary History of America. Ed. Marcus, G; Sollers, W. Harvard University Press, 2009. 
  52. Armstrong, N; Tennenhouse, L. "Sovereignty and the Form of Formlessness." Differences: A Journal of Feminist Cultural Studies 20.2-3Duke University Press, (2009): 148-178. [doi]
  53. Armstrong, N; Montag, W. "The Future of the Human: An Introduction." differences. 2 2009. 1-8.
  54. "Modernist Iconophobia and What It Did to Gender." Modernism/Modernity 5 (2008): 47-75.
  55. With Leonard Tennenhouse. "Postructuralism and the Question of History." Narrative1. 1.1 (2008): 45-58. 2008. 45-58.
  56. Armstrong, N; Tennenhouse, L. "The Problem of Population and the Form of the American Novel." American Literary History 20.4Oxford University Press (OUP), (2008): 667-685. [Gateway.cgi], [doi]
  57. Armstrong, N. "Professing Disciplinarity: A Position Paper." Victorian Review 33.1 (2007): 11-14.
  58. Armstrong, N. "The Fiction of Bourgeois Morality and the Paradox of Individualism." The Novel, Volume 2: Forms and Themes. Ed. Moretti, F. 2Princeton University Press, 2007. 349-388.
  59. Armstrong, N. "Realism After Photography: “The fantastical form of a relation among things”." Adventures in Realism. Ed. Beaumont, M. Blackwell’s, 2007. 87-102.
  60. Armstrong, N; Tennenhouse, L. "A Mind for Passion: Locke and Hutcheson on Desire." Politics and the Passions, 1500-1850. Ed. Coli, D; Kahn, V; Saccamano, N. Princeton University Press, 2006. 131-150.
  61. Armstrong, N. "Realism." The Oxford Encyclopedia of British Literature. Ed. al, DKE. Oxford University Press, 2006. 15 pages.
  62. Armstrong, N. "How Novels Think." St. John’s University Humanities Review 4.2 (2006): 14 ms-14 ms. [htm]
  63. Armstrong, N. "Image and Empire." Visual Culture and Critical Theory: Empire, Asia, and the Question of the Subject. Ed. Liu, JCH. ITaiwan, 2006. 39-52.
  64. Armstrong, N. "Feminism, Fiction, and the Utopian Promise of Dracula." differences: A Journal of Feminist Cultural Studies 16.1Duke University Press, (2005): 1-23. [doi]
  65. Armstrong, N. "Why a Good Man is Hard to Find in Victorian Fiction." Identity and Cultural Translation. Ed. Macedo, AG; Pereira, M. Ashgate Press, 2005. 84-102.
  66. Armstrong, N. "Introduction: Victorian Children’s Literature as Political Foreplay." A Study of Victorian Children’s Literature. Edwin Mellen Press, 2004. xi-xvii.
  67. Armstrong, N. "What Feminism Did to Novel Studies." The Cambridge Companion to Feminist Theory. Ed. Rooney, E. Cambridge University Press, 2003. 99-118.
  68. Armstrong, N. "Captivity and Cultural Capital in the English Novel." Revolutionary Histories: Transatlantic Cultural Nationalism,1775–1815.  2002. 104-21.
  69. Armstrong, N. "Captivity and Cultural Capital in the Atlantic World." Revolutionary Histories: Transatlantic Cultural Nationalism. Ed. Verhoeven, WM. Palgrave, 2002. 104-121.
  70. Armstrong, N. "What is Real in Realism?." Chung Wai Literary Monthly. 30, 12 2002. 54-73.
  71. Armstrong, N. "The Fiction of Bourgeois Morality and the Paradox of Individualism." Il Romanzo, Vol. i: La Cultura del Romanzo. Einaudi, 2001. 271-306.
  72. Armstrong, N. "Who's Afraid of the Cultural Turn?." differences: A Journal of Feminist Cultural Studies 12.1 (2001): 17-49. [doi]
  73. Armstrong, N. "Monarchy in the Age of Mechanical Reproduction." Nineteenth-Century Contexts 22.4Informa UK Limited, (2001): 495-536. [doi]
  74. Armstrong, N. "Writing Women and the Making of the Modern Middle Class." Cultural Correspondences: Essays on Epistolary Writing. Ed. Gilroy, A; Verhoeven, W. University of Virginia Press, 2001. 29-50.
  75. Armstrong, N. "The Politics of Domesticating Culture." The Theory of the Novel. Ed. McKeon, M. Johns Hopkins University Press, 2000. 467-475.
  76. Armstrong, N. "The Conduct of Literature, the Literature of Conduct, the Politics of Desire." Literature from 1400-1800. Gale Research, 2000. 
  77. Armstrong, N. "Introduction to ’Desire and Domestic Fiction’." The Theory of the Novel. Ed. McKeon, M. The Jonns Hopkins University Press, 2000. 
  78. Armstrong, N. "Postscript: Contemporary Culturalism: How Victorian is It?:." Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century. Ed. Kucich, J; Sadoff, D. 311-26University of Minnesota Press, 2000. 311-326.
  79. Armstrong, N. "Reclassifying Clarissa: Fiction and the Making of the Modern Middle Class." The Clarissa Project, Volume 9, The Critical Commentary–New Commentaries. Ed. Copeland, E; Flynn, CH. AMS Press, 1999. 
  80. Armstrong, N. "Gender and the Victorian Novel." The Cambridge Companion to the Victorian Novel. Ed. David, D. Cambridge University Press, 1999. 97-124.
  81. "Who's Afraid of the Cultural Turn." differences 12 (1998): 17-55.
  82. Armstrong, N. "Fiction in the Age of Photography." Narrative 7 (1998): 37-55.
  83. Armstrong, N. "Modernism's Iconophobia and What it Did to Gender." Modernism/Modernity 5.2Johns Hopkins University Press, (1998): 47-75. [doi]
  84. Armstrong, N. "The Self Contained: Emma." Critical Essays on Jane Austen. Ed. White, LM. G.K. Hall, 1998. 149-159. Rpt of Desire and Domestic Fiction. pp 149-59
  85. Armstrong, N. "Captivity and Cultural Capital in the English Novel." NOVEL (special issue in honor of Mark Spilka) 31 (1998): 373-398.
  86. Armstrong, N. "Daughters." Oxford Companion to Women’s Writing in the United States. Ed. Davidson, CN; Wagner-Martin, L. Oxford University Press, 1997. 15 ms-15 ms.
  87. Armstrong, N. "Chinese Women in a Comparative Perspective: A Response." Writing Women in Late Imperial China. Ed. Widmer, E; Chang, K-IS. Stanford University Press, 1997. 397-422.
  88. Armstrong, N. "City Things: Photography and the Urbanization Process." Human, All Too Human: Essays from the English Institute. Ed. Fuss, D. Routledge, 1996. 93-130.
  89. Armstrong, N. "Why Daughters Die: The Racial Logic of American Sentimentalism." Yale Journal of Criticism 7.2 (1994): 1-24.  A revised version Rpt in Ed. Rosemary Marangoly George, BURNING DOWN THE HOUSE: RECYCLING THE DOMESTIC (WESTVIEW, 1997).
  90. Armstrong, N. "Fatal Abstraction: The Death and Sinister Afterlife of the American Family." Body Politics. Ed. Ryan, M. Westview Press, 1994. 18-31.
  91. Armstrong, N. "A Brief Genealogy of Theme." Harvard English Studies 18 (1993): 38-45.
  92. Armstrong, N; Tennenhouse, L. "Poststructuralism and the Question of History." Narrative 1 (1993): 45-58.
  93. Armstrong, N. "Semiotics and Family History." American Journal of Semiotics 10.1-2 (1993): 134-154.
  94. Armstrong, N; Tennenhouse, L. "A Novel Nation; or, How to Rethink Modern England as an Emergent Culture." Modern Language Quarterly 54.3Duke University Press, (1993): 327-344. [doi]
  95. Armstrong, N; Tennenhouse, L. "The American Origins of the English Novel." American Literary History 4.3Oxford University Press (OUP), (January, 1992): 386-410. [doi]
  96. Armstrong, N. "Emily’s Ghost: The Cultural Politics of Victorian Fiction, Folklore." Novel: A Forum on Fiction 25.3 (1992): 245-267.
  97. Armstrong, N. "The Rise of the Domestic Woman." Feminisms: An Anthology of Literature Theory and Criticism. Ed. Warhol, R; Herndl, DP. Rutgers University Press, 1991. 59-95. rpt of Desire and Domestic Fiction, pp. 59-95
  98. Armstrong, N. "Imperialist Nostalgia and Wuthering Heights." Wuthering Heights: A Case Study in Comtemporary Criticism. Ed. Peterson, L. St. Martin’s Press, 1991. 428-449.
  99. Armstrong, N. "The Pornographic Effect: A Response." American Journal of Semiotics 7.1-2 (1990): 27-44.
  100. Armstrong, N; Tennenhouse, L. "The Interior Difference: A Brief Genealogy of Dreams." Journal for Eighteenth-Century Studies 23.4 (1990): 458-478.
  101. Armstrong, N. "The Occidental Alice." differences: A Journal of Feminist Cultural Studies 2.2 (1990): 3-40.  Rpt Ed. Robert Con Davis and Ronald Schleifer, CONTEMPORARY LITERARY CRITICISM AND CULTURAL STUDIES (LONGMAN,1998), PP,536-64.
  102. Armstrong, N. "The Nineteenth-Century Austen: A Turn in the History of Fear." Genre 23 (1990): 227-246.
  103. Armstrong, N. "Occidentalismo: una cuestion para el feminismo internacional." Feminismo Y Teoria Del Discourso. Ed. Colaizzi, G. Catedra, 1990. 29-44.
  104. Armstrong, N. "Some Call It Fiction: The Politics of Domesticity." The "Other" Prospective in Gender and Culture. Ed. MacCannell, JF. Columbia University Press, 1990. 59-84.
  105. With Leonard Tennenhouse. "Gender and teh Work of Words." Cultural Critique 13 (1989): 229-78.
  106. Armstrong, N; Tennenhouse, L. "Gender and the Work of Words." Cultural Critique 13 (1989): 229-279.
  107. Armstrong, N. "O Critico e a Meretriz da Cultura: A Teoria América Pósmoderna." Revista Critica De Ciencias Socais 24 (1988): 107-138.
  108. Armstrong, N. "The Gender Bind: Women and the Disciplines." Genders 3 (1988): 1-23.
  109. Armstrong, N. "Semiotics and Ideology." The Semiotic Web. Ed. Sebeok, TA; Umeker-Sebeok, J. Walter de Gruyter, 1988. 309-321.
  110. Armstrong, N. "The Rise of the Domestic Woman." The Ideology of Conduct: Essays on LIterature and the History of Sexuality. Ed. Armstrong, N; Tennenhouse, L. Routledge, 1987. 
  111. Armstrong, N. "History in the House of Culture: Social Disorder and Domestic Fiction in Early Victorian England." Poetics Today 7.4 (1986): 647-671.
  112. Armstrong, N. "Introduction." Semiotica 54.1-2WALTER DE GRUYTER GMBH, (January, 1985): 1-10. [doi]
  113. Armstrong, N. "A Language of One’s Own: Communication Modeling Systems in Woolf’s Mrs. Dalloway." Language and Style 16 (1983): 343-360.
  114. Armstrong, N. "Emily Brontë In and Out of Her Time." Genre 15 (1982): 243-264.
  115. Armstrong, N. "The Rise of Feminine Authority in the Novel." Novel: A Forum on Fiction 15.2 (1982): 127-455.
  116. Armstrong, N. "Domesticating the foreign Devil: structuralism in English letters a decade later." Semiotica 42 (1982): 243-275.
  117. Armstrong, N. "Inside Greimas’s Square: The Game of Semiotic Constraints in Jane Austen’s Fiction." The Sign in Music and Literature. Ed. Steiner, W. University of Texas Press, 1979. 
  118. Armstrong, N. "Character, Closure, and Impressionist Fiction." Criticism 19.4 (1977): 317-337.

Short Stories

  1. Armstrong, N. "Is practical democracy a contradiction in terms?." 19.C (March, 2018).

Book Reviews

  1. Armstrong, N. Domestic Individualism: Imagining Self in Nineteenth-Century America by Gillian Brown.  Signs 18.2 (October, 2015): 433-438.
  2. Armstrong, N. The Inter-national Invention of the Novel, Margaret Cohen and Carolyn Dever.  Translation and Literature 12 (October, 2015): 299-303.
  3. Armstrong, N. The Pivot of the World: Photography and Its Nation by Blake Stimson.  Modernism/Modernity 14.2 (October, 2015): 382-384.
  4. Armstrong, N. Adoption and the Construction of Kinship in Late Imperial China, by Ann Waltner.  Signs 18.2 (1993): 433-438.
  5. Armstrong, N. Other Women: The Writing of Race, Class, and Gender 1832-1898, by Anita Levy.  Signs 18.2 (1993): 433-438.
  6. Armstrong, N. Mother Midnight: Birth, Sex, and Fate in Eighteenth Century Fiction (Defoe, Richardson, and Sterne) by Robert A. Erickson.  Eighteenth-Century Studies 22.2 (1989): 264-268.
  7. Armstrong, N. The Modernist Madonna: Semiotics of the Maternal Metaphor by Jane Van Buren.  Signs 18.2 (1989): 433-438.
  8. Armstrong, N. Victorian Women's Freedom: Marriage, Freedom, and the Individual.  Victorian Studies 30.2 (1987): 292-284.
  9. Armstrong, N. Repression in Victorian Fiction: Charlotte Bronte, George Eliot, and Charles Dickens by John Kucich.  Nineteenth-Century Literature 44.4 (1987): 556-560.
  10. Armstrong, N. Charlotte Bronte and Sexuality, by John Maynard.  Victorian Studies 29.3 (1986): 483-485.
  11. Armstrong, N. Sexuality and Victorian Literature.  Victorian Studies 29.3 (1984): 483-485.
  12. Armstrong, N. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen by Poovey.  MLN 99 (1984): 1251-1257.
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