|
Books
- Rojas, C. Preface: Imagining China. January, 2020: xi-xv.
- Rojas, C. Introduction: My Language is not my own: Translation, displacement, and contemporary Chinese literature. January, 2020: 1-14. [doi] [abs]
- Rojas, C; Sung, MH. Reading China against the grain: Imagining communities. January, 2020: 1-237. [doi] [abs]
- Rojas, C. A Unity of Fragments: Fruit Chan and Hong Kong Cinema. Hong Kong University Press,
2017.
- Ng, KC. Slow Boat to China and Other Stories. edited by Rojas, C Columbia University Press,
March, 2016: 304 pages. (translated by Rojas, C) [abs]
- Rojas, C; Litzinger, RA. Ghost Protocol: Development and Displacement in Global China. edited by Rojas, C; Litzinger, R Duke Univesity Press,
2016: 268 pages. [abs]
- The Oxford Handbook of Modern Chinese Literatures. edited by Rojas, C; Bachner, A Oxford University Press,
2016: 952 pages. [abs]
- Jia, P. The Lantern Bearer by Jia Pingwa. CN Times Books, Inc.,
2016. (translated by Rojas, C)
- Ng, KC. Slow Boat to China and Other Stories by Ng Kim Chew. edited by Rojas, C Columbia University Press,
2016. (translated by Rojas, C)
- Yan, L. Explosion Chronicles by Yan Lianke. Grove/Atlantic Press,
2016. (translated by Rojas, C)
- Carlos Rojas. Homesickness: Culture, Contagion, and National Reform in Modern China. Harvard University Press,
2015.
- Rojas, C. Luoguan: Zhongguo xiandaixing de fansi 裸觀: 中國現代性的反思. Rye Field,
2015. [abs]
- Rojas, C. Homesickness: Culture, Contagion, and National Transformation in Modern China. Harvard University Press,
2015.
- Yan, L. The Four Books by Yan Lianke. Grove/Atlantic,
2015. (translated by Rojas, C)
- Yan, L. Marrow. Penguin Books China,
2015. (translated by Rojas, C)
- Yan, LK. Marrow. Penguin Random House,
2015. (translated by Rojas, C)
- The Oxford Handbook of Chinese Cinemas. edited by Rojas, C; Cheng-yin Chow, E Oxford University Press,
2013.
- Carlos Rojas and Eileen Chow. Oxford Handbook of Chinese Cinemas. edited by Rojas, C; Chow, E Oxford University Press,
2013.
- Yan, L. Lenin’s Kisses by Yan Lianke. Grove/Atlantic Press,
2012. (translated by Rojas, C)
- Rojas, C. The Great Wall: A Cultural History. Harvard University Press,
2010.
- Carlos Rojas and Eileen Cheng-yin Chow. Rethinking Chinese Popular Culture: Cannibalizations of the Canon. edited by Rojas, C; Cheng-yin Chow, E Routledge,
2009.
- Yu, H. Brothers: A Novel by Yu Hua. Pantheon,
2009. (translated by Rojas, C; Cheng-yin Chow, E)
- Rojas, C; Chow, ECY. Rethinking chinese popular culture: Cannibalizations of the canon. December, 2008: 1-288. [doi] [abs]
- Rojas, C. Introduction: The disease of canonicity. Routledge,
December, 2008: 1-12.
- Rojas, C. The Naked Gaze: Reflections on Chinese Modernity. Harvard University Asia Center,
2008.
- David Der-wei Wang and Carlos Rojas. Writing Taiwan: A New Literary History. edited by Der-wei Wang, D; Rojas, C Duke University Press,
2007.
- Writing Taiwan: A New Literary History. Duke University Press,
2007.
Papers Published
- Rojas, C. "YAN LIANKE’S HETEROTOPIC IMAGINARIES." A World History of Chinese Literature (January,
2023): 264-273. [doi] [abs]
- Rojas, C. "Untamed: Wilderness and Domestication in Zhang Guixing’s Elephant Herd." Chinese Literature and Thought Today 54:1-2 (January,
2023): 27-37. [doi] [abs]
- Chang, KH; Rojas, C. "Elephant Herd (An Excerpt)." Chinese Literature and Thought Today 54:1-2 (January,
2023): 38-43. [doi] [abs]
- Rojas, C. "Heart and body: Queer crossings in Go Princess Go." Journal of Chinese Cinemas 17:1 (January,
2023): 95-107. [doi] [abs]
- Rojas, C. "Yingjin Zhang: Worlds of Literature." Chinese Literature and Thought Today 54:3-4 (January,
2023): 33-35. [doi] [abs]
- Rojas, C. "Chen Xue, Missing Fathers, and Queer Alternatives." Sinophone and Taiwan Studies (2023): 111-123. [doi]
- Rojas, C. "Future Imperfect: Using the Future to Critique the Present." CHINA PERSPECTIVES :135 (2023): 19-27.
- Rojas, C. "The great Buddha+ (2017): Tracing the limits of the visible." Thirty-two New Takes on Taiwan Cinema (December,
2022): 426-348.
- Rojas, C. "Becoming Semi-wild: Colonial Legacies and Interspecies Intimacies in Zhang Guixing’s Rainforest Novels." Prism 19:2 (September,
2022): 438-453. [doi] [abs]
- Rojas, C. "Introduction: Worlds Built of Sand." Prism 19:2 (September,
2022): 265-282. [doi] [abs]
- Rojas, C. "Iwo Amelung (ed.), Discourses of Weakness in Modern China: Historical Diagnoses of the ‘Sick Man of East Asia’." Social History of Medicine 35:1 (March,
2022): 337-338. [doi]
- Rojas, C. "Introduction: Ground and Background." Prism 19:1 (March,
2022): 157-166. [doi]
- Lin, S; Hong, L; Goedde, E; Rojas, C; Ying, H. "China in One Village: A Conversation on Literature and Translation in a Changing World." Chinese Literature and Thought Today 53:1-2 (January,
2022): 107-116. [doi] [abs]
- Rojas, C. "Discourses of Disease: Representations of Cancer and Viral Infection in Contemporary China." Chinese Literature and Thought Today 53:3-4 (January,
2022): 53-59. [doi] [abs]
- Rojas, C. "Touching Father: Sight, Sound, Touch, and Intermedial Intimacies." Sensing China: Modern Transformations of Sensory Culture (January,
2022): 230-249. [doi] [abs]
- Rojas, C. "THE OLD WOMAN WITH THE KNIFE." NEW YORK TIMES BOOK REVIEW 127 (2022): 22-22.
- Rojas, C. "PYRE." NEW YORK TIMES BOOK REVIEW 127 (2022): 22-22.
- Rojas, C. "STRANGERS I KNOW." NEW YORK TIMES BOOK REVIEW 127 (2022): 22-22.
- Rojas, C. "DIALECTICAL UTOPIANISM." SINOPHONE UTOPIAS (2022): 205-223.
- Rojas, C; Rofel, L. "Contact, Communication, Imagination, and Strategies of Worldmaking INTRODUCTION." NEW WORLD ORDERINGS (2022): 1-+.
- Rojas, C. "WRITING SOUTH Narratives of Homeland and Diaspora in Southeast Asia." NEW WORLD ORDERINGS (2022): 204-221.
- Rojas, C. "At Home in the World: Wandering Earth, Environmentalism, and Reimagined Homelands." Journal of Chinese Film Studies 1:2 (November,
2021): 223-236. [doi] [abs]
- Rojas, C. "Contagion and Dissemination An Immunological Reading of Chang Kuei-hsing's Elephant Herd." Sun Yat-sen Journal of Humanities 51:51 (July,
2021): 111-127. [abs]
- Rojas, C. "Introduction: Between the universal and the particular." Prism 18:1 (March,
2021): 235-243. [doi]
- Rojas, C. "Turning the Tables: Derrida, China, and the Asia Turn." Diacritics 49:1 (January,
2021): 88-105. [doi]
- Rojas, C. "A Surplus of Fish: Language, Literature, and Cultural Ecologies in Ng Kim Chew’s Fiction." International Journal of Taiwan Studies 4:1 (January,
2021): 121-141. [doi] [abs]
- Rojas, C. "Wandering the Garden, Waking from a Dream." Chinese Literature Today 10:1 (January,
2021): 25-33. [doi] [abs]
- Rojas, C. "2014 Nomination Statement." Chinese Literature Today 10:1 (January,
2021): 7-8. [doi]
- Rojas, C. "OVERSEAS CHINESE NEWSPAPERS." LITERARY INFORMATION IN CHINA (2021): 561-568.
- Rojas, C. "Contagion and Dissemination An Immunological Reading of Chang Kuei-hsing's Elephant Herd." SUN YAT-SEN JOURNAL OF HUMANITIES :51 (2021): 99-114.
- Rojas, C. "“A new species” gender, sexuality, and taxonomic logics in sinophone communities." Prism 17:2 (October,
2020): 277-297. [doi] [abs]
- Rojas, C. "Intermediality-"A weird concept": Queer intermediality in Dung Kai-cheung's fiction." Keywords in Queer Sinophone Studies (April,
2020): 175-189.
- Rojas, C. "Xiaolu guo’s i am China: On copulas and copulation." Reading China against the Grain: Imagining Communities (January,
2020): 214-231. [doi] [abs]
- Rojas, C. "Cai Guo-Qiang." Diacritics 47:9 (January,
2020): 130-135. [doi]
- Rojas, C. "Black and White Swans: Pandemics, Prognostications, and Preparedness." The Coronavirus: Human, Social and Political Implications (January,
2020): 61-68. [doi] [abs]
- Rojas, C. "Before and after The Midnight After Occupy Central's Specters of Utopia and Dystopia." UTOPIA AND UTOPIANISM IN THE CONTEMPORARY CHINESE CONTEXT (2020): 183-195.
- Rojas, C. "Method as method." Prism 16:2 (October,
2019): 211-220. [doi]
- Rojas, C. "Translation as method." Prism 16:2 (October,
2019): 221-235. [doi] [abs]
- Rojas, C. "Of lice and men a parasitic reading of Jia Pingwa’s the lantern bearer." Prism 16:1 (March,
2019): 19-32. [doi] [abs]
- Rojas, C. "Book review: Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body Ari Larissa Heinrich." China Information 33:1 (March,
2019): 111-113. [doi]
- Rojas, C. "THE "TURN" TURN." DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM 47:4 (2019): 4-11. [doi]
- Rojas, C. "Contradiction." AFTERLIVES OF CHINESE COMMUNISM: POLITICAL CONCEPTS FROM MAO TO XI (2019): 43-+.
- Rojas, C. "“A World Republic of Southern [Sinophone] Letters”." Modern Chinese Literature and Culture 30:1 (March,
2018): 42-62.
- Rojas, C. "The Impotence Epidemic: Men's Medicine and Sexual Desire in Contemporary China. By Everett Yuehong Zhang . Durham, N.C.: Duke University Press, 2015. 304 pp. ISBN: 9780822358565 (paper, also available in cloth).." The Journal of Asian Studies 76:2 (May,
2017): 513-515. [doi]
- Rojas, C. "Language, ethnicity, and the politics of literary taxonomy: Ng Kim Chew and Mahua literature." PMLA 131:5 (October,
2016): 1316-1327. [doi] [abs]
- Rojas, C. "Dream of the Red Chamber Internet Fan Fiction and Literary Canonicity." Theoretical Studies in Literature and Art 36:3 (May,
2016): 190-200. [abs]
- Rojas, C. "The Stranger and the Chinese Moral Imagination by Haiyan Lee." Harvard Journal of Asiatic Studies 76:1-2 (2016): 253-260. [doi]
- Rojas, C. "How to do Things with Words: Don Quijote." China's Literary Cosmopolitans: Qian Zhongshu, Yang Jiang, and the World of Modern Letters (2015).
- Rojas, C. "Queer Utopias in Wong kar-wai's Happy Together." Companion to Wong Kar-Wai (2015).
- Rojas, C. "The Persistence of Form: Nation, Literary Movement, and the Fiction of Ng Kim Chew." A Companion to Modern Chinese Literature (2015).
- Rojas, C. "Speaking from the Margins: Yan Lianke." The Columbia Companion of Modern Chinese Literature (2015).
- Rojas, C. "Time out of Joint: Commemoration and Commodification of Socialism in Yan Lianke's Lenin's Kisses." Red Legacies in China: Aferlives of the Revolution in Contemporary Chinese Culture and Society (2015).
- Rojas, C. "Introduction: Specters of Marx, Shades of Mao, and the Ghosts of Global Capital." Ghost Protocol: Development and Displacement in Global China (2015).
- Rojas, C. "I am Great Leap Liu!: Circuits of Labor, Information, and Identity in Contemporary China." Ghost Protocol: Development and Displacement in Global China (2015).
- Rojas, C. "Footsteps on the Beach: SARS, Viral Knowledge, and Rethinking Political Community." 20th ICLA Congress Proceedings (2015).
- Rojas, C. "Ng Kim Chew." The Routledge Encyclopedia of Modernism (2014).
- Rojas, C. "Mu Shiying." The Routledge Encyclopedia of Modernism (2014).
- Rojas, C. "Review of Jing Tsu, Sound and Script in Chinese Diaspora." American Historical Review (2013).
- Rojas, C. "Review of Laikwan Pang, Creativity and its Discontents: China's Creative Industries and Property Rights Offensives." Journal of Asian Studies (2013).
- Rojas, C. "Creativity and Its Discontents: China's Creative Industries and Property Rights Offenses.." JOURNAL OF ASIAN STUDIES 72:2 (2013): 455-457. [doi]
- Rojas, C. "Sound and Script in Chinese Diaspora.." AMERICAN HISTORICAL REVIEW 118:3 (2013): 831-832. [doi]
- Rojas, C. "China's Literary Nobel Complex is Defused." The New Republic (October,
2012).
- Rojas, C. "Writing the Body." TRANSGENDER CHINA (2012): 199-223.
- Rojas, C. "Review of Shuang Shen, Cosmopolitian Publics: Anglophone Print Culture in Semi-Colonial Shanghai." CLEAR (Chinese Literature, Essays, Articles, Reviews) 33 (2011).
- Rojas, C. "Introduction: "The Germ of Life"." MODERN CHINESE LITERATURE AND CULTURE 23:1 (2011): 1-16.
- Rojas, C. "Of Canons and Cannibalism: A Psycho-Immunological Reading of "Diary of a Madman"." MODERN CHINESE LITERATURE AND CULTURE 23:1 (Spring,
2011): 47-76.
- Rojas, C. "Discourses of Disease." Modern Chinese Literature and Culture :23.1 (Spring,
2011). [abs]
- Rojas, C. "Alai and the linguistic politics of internal Diaspora." Chinese OverseasChinese Overseas 3 (January,
2010): 115-132. [doi]
- Rojas, C. "ALAI AND THE LINGUISTIC POLITICS OF INTERNAL DIASPORA." Chinese Overseas 3 (January,
2010): 115-132. [doi]
- Rojas, C. "Obama's Majestic Shot at the Great Wal of China." The Herald-Sun (November,
2009): A7.
- Rojas, C. "Our Embrace of Vampires Reflects the Needs of an Age." The Herald-Sun (November,
2009).
- Rojas, C. "Postsocialism and Cultural Politics: China in the Last Decade of the Twentieth Century." JOURNAL OF ASIAN STUDIES 68:3 (2009): 961-963. [doi]
- Rojas, C. "Authorial afterlives and apocrypha in 1990s Chinese fiction." Rethinking Chinese Popular Culture: Cannibalizations of the Canon (December,
2008): 262-282.
- Rojas, C. "Chinese modernity and global biopolitics: Studies in literature and visual culture." CHINA JOURNAL 60 (2008): 208-211. [doi]
- Rojas, C. "The Politics of Secondary Virginity." translated by Ladegaard, J
Litteraturmagasinet Standart 1 (2007): 34-35.
- Rojas, C. "Wumingshi." Dictionary of Literary Biography (2007).
- Rojas, C. "Li Yongping." Encyclopedia of Contemporary Chinese Culture (2005): 460.
- Rojas, C. "Gao Xingjian." Great World Writers: Twentieth Century 2 (2004): 225-244.
- Rojas, C. "Chou Shu-jen." Great World Writers: Twentieth Century 3 (2004): 377-388.
- Rojas, C. "Review of Xiaobing Tang, The Chinese Modern." Journal of Asian Studies 62:1 (2003): 260-261.
- Rojas, C. "Review of Liu Kang, Aesthetics and Marxism." CLEAR (Chinese Literature Essays and Review) 23 (2001): 164-167.
Translations
|