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Bryan Gilliam
Title: |
Professor Emeritus and Bass Fellow |
Office Location: |
067 Mary Duke Biddle, Durham, NC 27708 |
Office Phone: |
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Email Address: |
bgilliam@duke.edu |
Education
- Ph.D. Harvard University, 1984
- M.A. Harvard University, 1978
- B.A. University of Cincinnati, 1975
Research Interests
Ph.D., Harvard University. Author of books and articles
on late 19th-and early 20th-century German music.
Specialties include Richard Strauss, Anton Bruckner, Kurt Weill, Erich Korngold
German opera, fin-de-siècle Vienna, film music, German musical aesthetics. Awards, Honors, and Distinctions
- Dean's letter for teaching excellence, Unknown, January, 2013
- Invited to give Keynote Address at Oxford University, June, 2007
- Alexander Lecture Award, Stanford University , January 2006
- Stanford University Alexander Lecture, January, 2006
- ACLS Fellows (ACLS/SSRC/NEH International and Area Studies Fellowships and ACLS/New York Public Library Fellowships), American Council of Learned Societies, 0 2006
- American Council of Learned Societies Research Fellowship, 2006-2007
- Bass Society of Fellows Award, September 2005
- Frances Hill Fox Professorship in Humanities, September 2005
- Kurt Weill Foundation Research Grant, 1992
- Goethe Institut (Atlanta) Foundation Grant, March, 1990
- Mary Duke Biddle Foundation Grant, September, 1990
- Josiah Charles Trent Foundation Grant, February, 1990
- National Endowment for the Humanities Conference Grant, September 1989
- International Research Exchange (IREX) Travel Grant, 1989
- Duke University Research Council Travel Grant, 1988
- Duke University Research Council Grant, July 1987
- Andrew W. Mellon Assistant Professor of Music, 1987-1988
- Colby College Humanites Research Award, December 1983
- Wesley Wyman Research Award, 1982
- Deutsche Akademische Austauschdienst Research Grant, January 1981
- Wesley Wyman Research Award, May 1980
- Harvard GSAS Scholarship, 1976 - 1981
Recent Professional Work: (More...)
Books - Gilliam, B. Rounding Wagner's mountain: Richard Strauss and modern German opera. Cambridge University Press, Spring, 2014 (1-340 pp.). [doi] [abs]
Articles - B. Gilliam. "The Great War and Its Aftermath: Strauss's and Hofmannsthal's Third-Way Modernism." Modernism and Opera (2016): In production.
- B. Gilliam. "Essay on Der Rosenkavalier, Ariadne auf Naxos, and Die Frau ohne Schatten." Richard Strauss Handbuch (2014): pp. 183-213.
Papers - Gilliam, B. Zoë Alexis Lang. The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity. Cambridge: Cambridge University Press, 2014. Pp. 248.. Cambridge University Press (CUP), April, 2015 (434-436 pp.). [Gateway.cgi], [doi]
- B. Gilliam. Richard Strauss und das Problem der Ehe. 2014 . (Leipzig Gewandhaus Conference on Richard Strauss)
Curriculum Vitae |