Research Interests for Bryan Gilliam

Ph.D., Harvard University. Author of books and articles on late 19th-and early 20th-century German music. Specialties include Richard Strauss, Anton Bruckner, Kurt Weill, Erich Korngold German opera, fin-de-siècle Vienna, film music, German musical aesthetics.

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Books

Recent Publications

1. B. Gilliam, The Great War and Its Aftermath: Strauss's and Hofmannsthal's Third-Way Modernism, in Modernism and Opera, edited by Richard Begam and Matthew Wilson Smith (2016), pp. In production, Johns Hopkins University Press
2. Gilliam, B, Zoë Alexis Lang. The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity. Cambridge: Cambridge University Press, 2014. Pp. 248., Austrian History Yearbook, vol. 46 (April, 2015), pp. 434-436, Cambridge University Press (CUP), ISSN 0067-2378 [Gateway.cgi], [doi]
3. Gilliam, B, Rounding Wagner's mountain: Richard Strauss and modern German opera (Spring, 2014), pp. 1-340, Cambridge University Press, ISBN 9780521456593 [doi] [abs]
4. B. Gilliam, Essay on Der Rosenkavalier, Ariadne auf Naxos, and Die Frau ohne Schatten, in Richard Strauss Handbuch, edited by Walter Werbeck (2014), pp. pp. 183-213, Metzler
5. B. Gilliam, Richard Strauss und das Problem der Ehe (2014) (Leipzig Gewandhaus Conference on Richard Strauss.)