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Publications of Esther L. Gabara    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Lasch, BP; Aravamudan, EBS; Jennifer Gonzalez, AM; Mignolo, W; Sigal, P, Black Mirror/Espejo Negro (2010), Nasher Museum of Art and the Franklin Humanities Institute, distributed by Duke University Press
  2. Gabara, E, Errant Modernism: The Ethos of Photography in Mexico and Brazil, A John Hope Franklin Center Book (November, 2008), Duke University Press [ref=sr_1_1]

Book in Progress

  1. Gabara, EL, “El laberinto de la hermandad: Me-Xicano Photography and Protest.”, LA RAZA (January, 2017), Autry National Center/ Chicano Studies Research Center
  2. Gabara, EL, “Missing Body Art: Absent Identity in the Work of Tatiana Parcero.”, Revolution and Ritual: The Photographs of Sara Catrejón, Graciela Iturbide, and Tatiana Parcero. (January, 2017)
  3. Gabara, EL, “Crossing the Border: Whether Real or Imagined.”, What It Means to Be American (May, 2015), Smithsonian Institute/ Zócalo Public Square [#esther-gabara]
  4. Gabara, EL, Non-Literary Fiction: Invention and Interventions in Contemporary Latin American Art (2012)
  5. Gabara, EL, Arte y colonialidad: Arte latinoamericano en España (2012)
  6. Gabara, EL, Orit Raff: Inside Drawing (February, 2000), pp. n.p.-n.p., Pamphlet, Julie Saul Gallery, New York, and Galerie Paula Boettcher, Berlin

Articles in a Collection

  1. Gabara, EL, Photography, Avant-Garde and Modernity, in A Companion to Modern and Contemporary Latin American & Latino Art, Blackwell Companions to Art History Series, edited by Anreus, A; Greeley, R; Sullivan, M (2015)
  2. Gabara, EL, Landscape: Errant Modernism and Aesthetics in Brazil, in Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms, edited by Brien, EO; Nicodemus, E; Chiu, M; Benjamin Genocchio, MKC; Tejada, R (2012), pp. 353-361, WILEY-BLACKWELL
  3. Gabara, EL, Orientalism Unmoored, in Orit Raff: Shangri-La (January, 2011), pp. n.p.-n.p., Tel Aviv, Israel: A’ Point Books/ Noga Callery of Contemporary Art  [author's comments]
  4. Gabara, EL, Perspectives on Scale: From the Atomic to the Universal, in Art and Globalization, edited by Elkins, J; Kim, AS; Valiavicharska, Z (2010), pp. 200-204, Penn State Press [html]
  5. Gabara, EL, Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil, in The Ethics of Latin American Literary Criticism: Reading Otherwise, edited by Zivin, EG (2007), pp. 63-104, Palgrave Macmillan [ref=sr_1_1]
  6. Gabara, EL, Recycled Photographs: Moving Still Images of Mexico City, 1950/2000, in Double Exposure: Photography and Literature in Latin America, edited by Schwartz, M; Tierney-Tello, MB (2006), pp. 139-172, Albuquerque: University of New Mexico Press [ref=sr_1_1]
  7. Gabara, EL, ’Nunca olhei tão olhado em minha vida e está sublime’: O (auto)retrato e a fotografia na obra de Mário de Andrade, in A Historiografia Literária e as Técnicas de Escrita. Do Manuscrito ao Hipertexto, edited by Süssekind, F; Dias, T (2004), pp. 169-190, Vieira e Lent/ Edições Casa de Rui Barbosa

Translation in a Journal

  1. Colectivo Situaciones, Buenos Aires, Argentina, “Disquiet in the impasse: Coming from the Latin American Situation,”, http://micropolitics.wordpress.com/ (Winter, 2010) (forthcoming.)

Reviews of Published Books

  1. Gabara, EL, “Crossing the Border: Whether Real or Imagined.”, What It Means to Be American (April, 2016), Smithsonian Institute/ Zócalo Public Square [#esther-gabara]
  2. Gabara, E, Fictions of emancipation: Collaborations with and against the law, English Language Notes, vol. 51 no. 1 (Summer, 2013), pp. 173-181 [repository]  [abs]
  3. Gabara, EL, El triángulo museológico de las Bermudas: El Prado, el Museo de América y el Museo Nacional de Antropología, Revista SUR/versión. Investigación y creación de América Latina y el Caribe, vol. 2 no. 2 (2013)
  4. Gabara, E, El triángulo museológico de las Bermudas: El Prado, el Museo de América y el Museo Nacional de Antropología, edited by Badia, JLMYT, El D_Efecto Barroco: Políticas De La Imagen Hispana (June, 2012) [available here]
  5. Noble, A, Review of Errant Modernism, A Contracorriente, vol. 8 (2012), pp. 442-447 [pdf]
  6. Oldfield, P, Review of Errant Modernism, Bulletin of Latin American Research, vol. 31 no. 3 (2012), pp. 409-410
  7. Edwards, E, Relocating Photographies, Histories and Modernisms, Art History, vol. 34 no. 1 (January, 2011), pp. 211-213 [pdf]
  8. Segre, E, Review of Errant Modernism, etc., History of Photography, vol. 35 no. 1 (2011), pp. 85-88
  9. Delgado, Z; Patricia, M, Review of Errant Modernism, E.I.A.L., vol. 22 no. 1 (2011), pp. 179-181
  10. Preciado, CD, Review of Errant Modernism, Arizona Journal of Hispanic Cultural Studies, vol. 15 (2011), pp. 216-217
  11. Gallo, R, Review of Errant Modernism, Modernism/Modernity, vol. 18 no. 1 (2011), pp. 201-203
  12. Rawson, K, Review of Errant Modernism, Aztlán. A Journal of Chicano Studies, vol. 36 no. 1 (2011), pp. 223-228
  13. Prado, S; Ignacio, M, Estrategias para mirar la nación. El giro visual de los estudios culturales mexicanos en lengua inglesa, Mexican Studies/ Estudios Mexicanos, vol. 27 no. 2 (2011), pp. 449–469-449–469
  14. Herlinghaus, H, Review of Errant Modernism, MLN, vol. 26 no. 2 (2011), pp. 418-420
  15. Folgarait, L, Seeing Mexico Photographed: The Work of Horne, Casasola, Modotti, and Álvarez Bravo, Caa.reviews (online), College Arts Association (Winter, 2011) [repository]
  16. Noble, Andrea, Review of Errant Modernism, A Contracorriente, vol. 8 no. 1 (Fall, 2010), pp. 442-447 [pdf]
  17. Flaherty, G, Review of Errant Modernism and National Camera, caa on-line reviews (August, 2010) [1500]
  18. Krippner, J, Errant Moderism: The Ethos of Photography in Mexico and Brazil, The Americas, vol. 66 no. 3 (January, 2010), pp. 416-418 [html]
  19. Foster, DW, Errant Modernism: The Ethos of Photography in Mexico and Brazil, Luso-Brazilian Review, vol. 47 no. 1 (2010), pp. 227-229 [html]
  20. Galvez, A, Review of Errant Modernism, E-misférica, vol. 7 no. 1 (2010) [galvez]
  21. Castro, ME; Paul, , Review of Errant Modernism, The Bulletin of Hispanic Studies, vol. 87 no. 7 (2010), pp. 894-895
  22. Gallo, R, Mexican Photography: From the Daguerrotype to Digital Images, Hispanic Review, vol. 39 no. 1 (Winter, 2010), pp. 135-141
  23. Gabara, E, Gestures, Practices, and Projects: [Latin] American Re-visions of Visual Culture and Performance Studies, E-misférica, vol. 7 no. 1 (2010) [e-misferica-71]
  24. Gabara, EL, Fighting It Out: Being Naco in the Global Lucha Libre, Mexico Issue, Journal of Decorative and Propaganda Arts., vol. 26 (2010), pp. 277-300, The Wolfsonian-Florida International University [html]
  25. Carranza, LE, Errant Modernism: The Ethos of Photography in Mexico and Brazil, Choice, vol. 47 no. 1 (September, 2009)
  26. O Toole, G, The Errors of the Avant-Garde, The Latin American Review of Books (July, 2009) [available here]
  27. Fraser, B, Review of Errant Modernism, Chasqui, vol. 38 no. 2 (2009), pp. 185-187 [retrieve.do]
  28. Gabara, EL, Cannon and camera - Photography and colonialism in the Américas, English Language Notes, vol. 44 no. 2 (Winter, 2006), pp. 45-64 [pdfviewer]
  29. Gabara, E, Facing Brazil: The problem of portraiture and a modernist sublime, New Centennial Review, vol. 4 no. 2 (January, 2004), pp. 33-76, Johns Hopkins University Press (Special issue entitled “Phosphorescent Memory: Visual Culture in the Americas”.) [html], [doi]
  30. Gabara, EL, Review of Fragments of a Golden Age: The Politics of Culture in Mexico since 1940. Eds. Gilbert Joseph, Anne Rubenstein, and Eric Zolov, Nepantla: Views from South, vol. 4 no. 1 (2003), pp. 201-207
  31. Gabara, EL, Review of Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Eds. Erik Camayd-Freixas and José Eduardo González, Latin American Literary Review, vol. 61 (Summer, 2003), pp. 113-115
  32. Gabara, EL, Engendering Nation: Las bellas artes públicas and the Mexican Photo-essay, 1920-1940, in Yearbook of Comparative and General Literature, vol. 49 (Fall, 2001), pp. 139-154
  33. Gabara, EL, La ciudad loca: An Epistemological Plan, Journal of Latin American Cultural Studies, vol. 9 no. 2 (2000), pp. 119-35
  34. Gabara, E; Conlon, J, Moving the Avant-Garde, Stanford Humanities Review, vol. 7 no. 1 (June, 1999), pp. vii-xii
  35. Santiago, S, Two Strangers in Mexico, Stanford Humanities Review, vol. 7 no. 1 (June, 1999), pp. vii-xii (Trans. with Joy Conlon.)
  36. Conlon, J, Two Strangers in Mexico, by Silviano Santiago, Stanford Humanities Review, vol. 7 no. 1 (1999), pp. 79-87

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