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Books
- Meintjes, L. Dust of the Zulu: Ngoma Aesthetics after Apartheid. Duke University Press Books, August, 2017. 360 pages pp. [abs]
- Meintjes, L. Dust of the Zulu. Duke University Press, July, 2017. [doi] [abs]
- L. Meintjes. Dust of the Zulu: Ngoma Song, Dance and Masculinity in the Post Apartheid Struggle. in progress.
- Meintjes, L. Sound of Africa!: Making Music Zulu in a South African Studio. Duke University Press, January, 2003.
Published Articles
- Meintjes, L. "Louise Meintjes Ululation." REMAPPING SOUND STUDIES ( 2019.): 61-76.
- Meintjes, L. "Hi-fi sociality, Lo-fi sound: Affect and precarity in an independent South African recording studio." State and Culture in Postcolonial Africa: Enchantings (January, 2017.): 207-223.
- Meintjes, L. "The Recording Studio as Fetish." The Sound Studies Reader. Edited
by Sterne, J. ( 2012.).
- Meintjes, L; Meintjes, L; Ochoa, AM; Porcello, T; Samuels, DW. "Ethnomusicology." Oxford Bibliographies in Anthropology. Edited
by Jackson, J. ( 2012.).
- Meintjes, L. "The Recording Studio as Fetish." ( 2012.).
- Samuels, DW; Meintjes, L; Ochoa, AM; Porcello, T. "Soundscapes: Toward a sounded anthropology." Annual Review of Anthropology vol. 39 no. 1 (October, 2010.): 329-345. [Gateway.cgi], [doi] [abs]
- Porcello, T; Meintjes, L; Ochoa, AM; Samuels, DW. "The reorganization of the sensory world." Annual Review of Anthropology vol. 39 no. 1 (October, 2010.): 51-66. [Gateway.cgi], [doi] [abs]
- Samuels, D; L. Meintjes, A Ochoa, T Porcello. "Soundscapes: Toward a Sounded Anthropology." Annual Review of Anthropology vol. 39 no. 329-345 ( 2010.).
- Porcello, Thomas, Louise Meintjes, Ana Maria Ochoa, and David Samuels. "The Reorganization of the Sensory World." Annual Review of Anthropology vol. 39 ( 2010.): 51-66.
- Meintjes, L. "The Politics of the Recording Studio: A Case Study from South Africa." The Cambridge Companion to Recorded Music. Edited
by Cook, N; Clarke, E; Leech-Wilkinson, D; Rink, J. ( 2009.).
- Meintjes, L. "The World of South African Music: A Reader edited by C. Lucia (Newcastle, Cambridge Scholars Press, 2005)." Journal of Southern African Studies vol. 34 no. 1 ( 2008.): 234-236.
- Meintjes, L. "Representing African Music: Postcolonial Notes, Queries, Positions by Kofi Agawu (Routledge, 2003)." Journal of the American Musicological Society vol. 59 no. 3 ( 2007.): 769-777.
- Meintjes, L. "Dispare al Sargento, Derrumbe la Montaña: La Producción de la Masculinidad por medio del canto y baile Zulú "Ngoma" en la Suráfrica Post-Apartheid." Trans: Revista Transcultural de Música/Transcultural Music Review vol. 10 ( 2006.). (translated by Cruz, S; Ochoa Gautier, AM)
- Meintjes, L. "O sentimento da política: produzindo ‘zuluidade’ em um estúdio de gravação sul-africano. [The Feeling of Politics: Producing Zuluness in a South African Studio.]." Debates vol. 8 ( 2005.): 78-92. (Translated by Cláudia Souza Nunes Azevedo.)
- Meintjes, L. ""Reaching Overseas: South African Sound Engineers, Technology and Tradition"." Wired for Sound: Engineering and Technologies in Sonic Cultures. Edited
by Greene, P; Porcello, T. ( 2004.): 23-48.
- Meintjes, L. "Shoot the Sergeant, Shatter the Mountain: The production of masculinity in Zulu Ngoma Song and Dance in post Apartheid South Africa." Ethnomusicology Forum vol. 13 no. 2 ( 2004.): 173-201. (Also appears as ”Maten al soldado: música y negociación de conflicto en Sudáfrica” translated by Ana Maria Ochoa Gautier in Revista Transcultural de Música/Transcultural Music Review 10 (2006).)
- Meintjes, L. ""Heritage and Politics: An Ethnomusicological Perspective on Nation Building and Construction of the Past"." (May, 2003.). (Unpublished position paper prepared for the
Wenner-Gren Foundation for Anthropological
Research)
- Meintjes, L. "Entries on DownTown Studios and EMI(South Africa)." Encyclopedia of Popular Music of the World, Volume One: Media, Culture and the Industry. Edited
by Shepherd, ; Laing,. ( 2002.).
- Meintjes, L. ""Hugh Masekela", and "Abdullah Ibrahim"." The New Groves Dictionary of Music and Musicians ( 2001.).
- MEINTJES, L. "In the Time of Cannibals: The Word Music of South Africa's Basotho Migrants. DAVID B. COPLAN." American Ethnologist vol. 23 no. 3 (August, 1996.): 648-648. [Gateway.cgi], [doi]
- Meintjes, L. "Marabi Nights: Early South African Jazz and Vaudeville by C. Ballantine (Ravan Press, 1993)." Popular Music vol. 15 no. 2 ( 1996.): 245-247.
- Meintjes, L. ""John Lindemann" and "West Nkosi"." The Rough Guide to World Music. Edited
by Broughton, EEA. 1st edition ( 1994.).
- Meintjes, L. "African Stars: Studies in Black South African Performance by V. Erlmann (U Chicago Press, 1991)." Popular Music vol. 11 no. 3 (October, 1992.): 378-380.
- Meintjes, L. ""Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning"." Ethnomusicology vol. 34 no. 1 (Winter, 1990.): 37-73. (Reprinted in Popular Music: Critical
Concepts in Media and Cultural Studies,
Simon Frith (ed), London: Routledge,
(2004). Translated for reprint in Korean Journal of Musicology (forthcoming).)
Other
- L. Meintjes. ""Oswenka: Zulu swankers' dress competition"." (March, 2004.). (a collaborative sound-sight exhibition with
TJ Lemon (photography), John Bower
(soundscape compilation), and Louise
Meintjes (field recording and collaboration
co-ordinator). Exhibited at the John Hope
Franklin Center for International and Interdisciplinary
Studies, Duke University)
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