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Research Interests for Thomas Pfau

Research Interests: 19th Century Literature; Romanticism

Thomas Pfau is the Alice Mary Baldwin Professor of English, with secondary appointments in Germanic Languages & Literatures and in the Duke Divinity School. A native of Germany, Prof. Pfau began his academic career in 1980 as a student of History and Literature at the University of Constance. In 1982, he came to the U.S. where, at UC-Irvine, he joined the Graduate Program in Comparative Literature and Theory. In 1985, he continued his studies in the Comparative Literature Program at SUNY-Buffalo where he received his Ph.D. in 1989 with a dissertation on self-consciousness in Romantic poetry and theory (Wordsworth, Shelley, et al.). Since then, his interests have gradually broadened to include topics in eighteenth- and nineteenth-century literature, philosophy, and intellectual history. Besides translating and editing two volumes of theoretical writings by Hölderlin and Schelling, he also edited three essay collections on English Romanticism, as well as special issues of South Atlantic Quarterly (1996) English Romantic Review ( 2010, 2011), and Modernist Cultures (2005). To date, he is the author of three monographs: Wordsworth's Profession (Stanford UP, 1997) Romantic Moods: Paranoia, Trauma, and Melancholy, 1794-1840 (Johns Hopkins UP, 2005) and Minding the Modern: Human Agency, Intellectual Traditions, and Responsible Knowledge (Notre Dame UP, 2013). He has published some thirty-five essays in numerous essay collections and scholarly journals on a wide range of writers, including Rousseau, A. Smith, Kant, Wordsworth, Wollstonecraft, Coleridge, Shelley, Goethe, Beethoven, Eichendorff, Schleiermacher, Thomas Mann, Walter Benjamin and other writers and philosophers.

Classicism, Romanticism, Socialization
Areas of Interest:

British & German Literature
Nineteenth-Century Music
Continental Philosophy and 19th C. Intellectual History

Recent Publications
  1. Pfau, T, Kantian Aesthetics as "Soft" Iconoclasm, Logos a Journal of Catholic Thought and Culture, vol. 24 no. 3 (2021), pp. 69-88
  2. Pfau, T, Absolute Gegebenheit: Image as aesthetic Urphanomen in Husserl and Rilke, in Phenomenology to the Letter: Husserl and Literature (November, 2020), pp. 227-260, ISBN 9783110648386 [doi[abs]
  3. Pfau, T, “Superabundant being”: Disambiguating Rilke and Heidegger, Modern Theology, vol. 35 no. 1 (January, 2019), pp. 23-42, WILEY [doi[abs]
  4. Pfau, T, “Seeing and being seen coincide” freedom as contemplation in Nicholas of Cusa and G. M. Hopkins, Logos a Journal of Catholic Thought and Culture, vol. 22 no. 4 (January, 2019), pp. 20-41, Project Muse [doi]
  5. Pfau, T, Expanding Romanticism's Spatiotemporal, Disciplinary, and Conceptual Boundaries, Keats Shelley Journal, vol. 68 (2019), pp. 160-162

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