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Publications of Beth Holmgren    :chronological  alphabetical  combined  bibtex listing:

Books and Monographs

  1. Goscilo, H; Holmgren, B, Polish Cinema Today A Bold New Era in Film (August, 2021), pp. 382 pages, Rowman & Littlefield  [abs].
  2. Hashamova, Y; Holmgren, B; Lipovetsky, M, Transgressive women in modern Russian and east European cultures: From the bad to the blasphemous (January, 2016), pp. 1-216, Routledge [doi]  [abs].
  3. with Chatterjee, C; Holmgren, B, Americans Experience Russia: Encountering the Enigma, 1917 to the Present (January, 2013), pp. 1-232, Routledge [doi]  [abs].
  4. Chatterjee, C; Holmgren, B, Introduction (January, 2013), pp. 1-11 [doi]  [abs].
  5. Holmgren, B, Starring Madame Modjeska: On Tour in Poland and America (November, 2011), pp. 432 pages, Indiana University Press  [abs].
  6. B. Holmgren, STARRING MADAME MODJESKA: ON TOUR IN POLAND AND AMERICA (October 20, 2011), Indiana University Press [product_info.php]  [abs].
  7. Goscilo, H; Holmgren, B, Poles Apart: Women in Modern Polish Culture, edited by Goscilo, Helena, ; Holmgren, Beth, (2005), pp. 167 pages, Slavica Pub .
  8. The Russian Memoir, edited by Holmgren, Beth, (November, 2003), pp. 256 pages, Northwestern University Press  [abs].
  9. Вербицкая, А; Holmgren, B, Keys to Happiness A Novel (1999), pp. 300 pages, Indiana University Press  [abs].
  10. Holmgren, B, Rewriting Capitalism (December, 1998), pp. 260 pages, University of Pittsburgh Pre  [abs].
  11. Goscilo, H; Holmgren, B, Russia--women--culture (1996), pp. 386 pages, Indiana University Press  [abs].
  12. Holmgren, B, Women's Works in Stalin's Time (January, 1993), pp. 225 pages, Indiana University Press  [abs].

Edited Volumes

  1. B. Holmgren, H. Goscilo, eds., POLES APART: WOMEN IN MODERN POLISH CULTURE, Indiana Slavic Studies, edited by Helena Goscilo, Beth Holmgren (November, 2006), pp. 171 pages, Slavica Publishers (This volume includes my co-authored introduction and my authored article, "Public Women, Parochial Stage: The Actress in Late Nineteenth-Century Poland.".) .
  2. B. Holmgren, THE RUSSIAN MEMOIR: HISTORY AND LITERATURE, edited by Beth Holmgren (November, 2003), Northwestern University Press (This edited volume includes my introduction (ix-xxxix) and an essay I co-authored with Jehanne Gheith, "Art and Prostokvasha: Avdot'ia Panaeva's Work" (128-44).) .

Papers Published

  1. Holmgren, B, Rethinking the Biography of the Actor and Entertainer: Introduction, Pamiętnik Teatralny, vol. 71 no. 3 (October, 2022), pp. 11-13, Instytut Sztuki Polskiej Akademii Nauk [doi]  [abs].
  2. Holmgren, B, Rethinking the Biography of the Actor and Entertainer, Pamietnik Teatralny, vol. 71 no. 3 (January, 2022), pp. 11-13, Instytut Sztuki Polskiej Akademii Nauk [doi]  [abs].
  3. Holmgren, B, Ganbare! Workshops on Dying, LITERARY JOURNALISM STUDIES, vol. 14 no. 1 (2022), pp. 146-149 .
  4. Holmgren, B, The Mire and The Mire ’97. Dir. Jan Holoubek. South Africa: Showmax; Poland: Studio Filmowe Kadr, 2018, 2021. Dist: Netflix. 50 minutes. Color., Slavic Review, vol. 80 no. 4 (2021), pp. 902-903, Cambridge University Press (CUP) [doi] .
  5. Holmgren, B, Poland 1945: War and Peace, LITERARY JOURNALISM STUDIES, vol. 13 no. 1-2 (2021), pp. 202-204 .
  6. Holmgren, B; Sadowska, M, The Art of Loving: The Story of Michalina Wislocka, SLAVIC REVIEW, vol. 79 no. 1 (January, 2020), pp. 183-184, CAMBRIDGE UNIV PRESS .
  7. Holmgren, B, The Jews in the Band: The Anders Army's Special Troupes, Polin: Studies in Polish Jewry, vol. 32 (January, 2020), pp. 177-191 .
  8. Holmgren, B, Cabaret Nation: The Jewish Foundations of Kabaret Literacki, 1920-1929., in Poland and Hungary Jewish Realities Compared, edited by Guesnet, F; Lupovitch, H; Polonsky, A (February, 2019), pp. 273-288, Polin: Studies in Polish Jewry  [abs].
  9. Holmgren, B, Holocaust history and jewish heritage preservation: Scholars and stewards working in pis-ruled Poland, Shofar, vol. 37 no. 1 (January, 2019), pp. 96-107, Project Muse [doi]  [abs].
  10. Holmgren, B, The Cabaret Song: Its Multi-Ethnic Pedigree and Transnational Adventures, 1919-1968, in Being Poland A New History of Polish Literature and Culture since 1918, edited by Trojanowska, T; Nizynska, J; Czaplinski, P (October, 2018), University of Toronto Press  [abs].
  11. Holmgren, B, Tending Andersland: The Calling of Feliks Konarski and Nina Olenska, in Diaspora polska w Ameryce Polnocnej, edited by Raczynski, R; Morawska, K (2018), pp. 513-528, Muzeum Emigracji w Gdyni .
  12. Holmgren, B, From the legs up: The rise and retreat of the chorus girl in interwar Poland, in Transgressive Women in Modern Russian and East European Cultures: From the Bad to the Blasphemous (January, 2016), pp. 13-29 [doi] .
  13. Holmgren, B, Collecting the Show on the Road: Spotlight on Anna Mieszkowska and the Polish Cabaret Archive, The Polish Review, vol. 59 no. 4 (December, 2014), pp. 3-20, University of Illinois Press [doi]  [abs].
  14. Holmgren, B, "Cabaret Identity: How Best to Play a Jew or Pass as a Gentile in Wartime Poland", Journal of Jewish Identities, vol. July 2014 no. Issue 7, number 2 (July, 2014), pp. 15-33, https://www.press.jhu.edu/journals/journal_of_jewish_identities/guidelines.html .
  15. Holmgren, B, Cabaret Identity: How Best to Play a Jew or Pass as a Gentile in Wartime Poland, Journal of Jewish Identities, vol. 7 no. 2 (July, 2014), pp. 15-33, Project MUSE [doi] .
  16. Holmgren, B, "Nadezhda Mandelstam", in YIVO ENCYCLOPEDIA OF JEWS IN EASTERN EUROPE, edited by Hundert, GD (February, 2014), Yale UP .
  17. Holmgren, B, Helena Modjeska on the American Stage, edited by Litak, A; Kurylczyk, B (February, 2014), pp. 2-3, The Helena Modrzejewska Theatre in Krakow, Poland .
  18. Holmgren, B, Russia on their mind: How hollywood pictured the Soviet front, in Americans Experience Russia: Encountering the Enigma, 1917 to the Present (December, 2013), pp. 105-123 [doi] .
  19. Holmgren, B, The Lives of Secret Others, East European Film Bulletin (August, 2013) (http://eefb.org/essays/.)  [author's comments].
  20. with Blobaum, R; Holmgren, B; Wampuszyc, E, Warsaw 2013, East European Politics and Societies, vol. 27 no. 2 (May, 2013), pp. 185-186, SAGE Publications [doi] .
  21. Holmgren, B, Acting Out: Qui pro Quo in the Context of Interwar Warsaw, East European Politics and Societies, vol. 27 no. 2 (May, 2013), pp. 205-223, SAGE Publications [Gateway.cgi], [doi]  [abs].
  22. Holmgren, B, Toward an Understanding of Gendered Agency in Contemporary Russia, Signs: Journal of Women in Culture and Society, vol. 38 no. 3 (Spring, 2013), pp. 535-542, University of Chicago Press [doi] .
  23. Holmgren, B, Russia on Their Mind: How Hollywood Pictured the Soviet Front, in Americans Experience Russia: Encountering the Enigma, 1917 to the Present (January, 2013), pp. 105-123 [doi]  [abs].
  24. Goldovskaya, M; Chatterjee, C; Holmgren, B, An Interview with Marina Goldovskaya, a “Russian American” Filmmaker, in Americans Experience Russia: Encountering the Enigma, 1917 to the Present (January, 2013), pp. 199-204 [doi]  [abs].
  25. B. Holmgren, "Helena Modjeska on the American Stage", Special publication (Newspaper of scholarly "reviews" and photo album), edited by Anna Litak, Bianka Kurylczyk, THE QUEEN OF DRAMA (Fall, 2010), pp. 2-3, The Helena Modrzejewska Theatre in Krakow, Poland .
  26. Holmgren, B, The art of playing patriot: The polish stardom of Helena Modjeska, Theatre Journal, vol. 62 no. 3 (October, 2010), pp. 349-371 [Gateway.cgi]  [abs].
  27. Holmgren, B, The Polish Actress Unbound: Tales of Modrzejewska/Modjeska, in The Other in Polish Theater and Drama, edited by Johnston, B; Cioffi, K (2010), pp. 57-77, Slavica Publishers .
  28. Holmgren, B, War, Women, and Song: The Case of Hanka Ordonowna, Aspasia: The International Yearbook of Central, Eastern, and Southeastern European Women’s and Gender History, vol. 2 (Summer, 2010), pp. 139-54 .
  29. Holmgren, B, Taking Stock, Screening History: Twenty Years of Women’s Studies at AAASS, NewsNet of the American Association for the Advancement of Slavic Studies, vol. 49 no. 1 (January, 2009), pp. 1-4 .
  30. Holmgren, B, Edouard de Reszke, in POLISH-AMERICAN HISTORY AND CULTURE: AN ENCYCLOPEDIA, edited by Pula, J (2009) .
  31. Holmgren, B, Jean de Reszke, in POLISH-AMERICAN HISTORY AND CULTURE: AN ENCYCLOPEDIA, edited by Pula, J (2009) .
  32. Holmgren, B, Ne-natural’naia shkola:Semeistvo Tal'nikovykh Panaevoi, in Trava: Punkty, edited by Ushakin, S; Trofimova, E (Fall, 2009), pp. 45-72, Novoe Literaturnoe Obozrenie (Original article published in Russian..) .
  33. Holmgren, B, "Od Booth-a do Modrzejewskiej: Wyrafinowany Szekspir na scenie amerykanskiej" ("From Booth to Modjeska: Refining Shakespeare for the American Stage"), PAMIETNIK TEATRALNY (THEATRE JOURNAL), vol. LVIII no. 3-4 (Summer, 2009), pp. 27-57  [author's comments].
  34. B. Holmgren, "Nadezhda Mandelstam", in YIVO ENCYCLOPEDIA OF JEWS IN EASTERN EUROPE, edited by Gershon D. Hundert (Spring, 2008), Yale UP .
  35. Holmgren, B, Nadezhda Mandel’shtam, in Dictionary of Literary Biography: Russian Prose Writers After World War II, edited by Rydel, C, vol. 302 (2008), pp. 164-71, Thomson Gale .
  36. Holmgren, B, Evgeniia Ginzburg, in Yivo Encyclopedia of Jews in Eastern Europe, edited by Hundert, GD (Spring, 2008), Yale UP .
  37. Holmgren, B, Settlling for the Real Hollywood: Russians in Studio-Era American Film, in American Artists From the Russian Empire, edited by Petrova, Y (Fall, 2008), pp. 97-115, The State Russian Museum & The Foundation for International Arts and Education .
  38. Holmgren, B, Aristocrats and Working Girls: Towards a History of Russian Emigre Women in the United States", in MAPPING THE FEMININE: RUSSIAN WOMEN AND CULTURAL DIFFERENCE, edited by Hoogenboom, H; Nepomnyashchy, C; Reyfman, I (Winter, 2008), pp. 231-47. .
  39. Holmgren, B, Fiction and the Acting Life: The Memoir of Helena Modjeska, in Real Stories, Imagined Realities: Fictionality and Non-fictionality in Literary Constructs and Historical Contexts, Tampere Studies in Language, Translation and Culture, Series A, edited by Lehtimaki, M; Leisti, S; Rytkonen, M (Summer, 2007), pp. 343-57., Tampere University Press  [abs].
  40. Holmgren, B, Review of Knut Andreas Grimstad & Ursula Phillips, ed. GENDER AND SEXUALITY IN ETHICAL CONTEXT: TEN ESSAYS ON POLISH PROSE, SLAVIC REVIEW, vol. 66 no. 2 (Summer, 2007), pp. 323-24 .
  41. Holmgren, B, "The Blue Angel" and Blackface: Redeeming Entertainment in Aleksandrov's "Circus", Russian Review, vol. 66 no. 1 (2007), pp. 5-22 [20620475], [doi] .
  42. Holmgren, B, Public women, parochial stage: The actress in late nineteenth-century Poland, in Poles Apart: Women in Modern Polish Culture (January, 2006), pp. 11-35  [abs].
  43. Holmgren, B, Five short articles – "Nadezhda Mandelstam," "Liudmila Petrushevskaia," "GUM," "Lidiia Ruslanova," "Red Army Chorus", in THE ENCYCLOPEDIA OF CONTEMPORARY RUSSIAN CULTURE, edited by Evans-Romaine, K; Goscilo, H; Smorodinskaya, T (Fall, 2006), Routledge UP .
  44. B. Holmgren, "Nadezhda Mandel'shtam", in DICTIONARY OF LITERARY BIOGRAPHY: RUSSIAN PROSE WRITERS AFTER WORLD WAR II, edited by Christine Rydel, vol. 302 (Spring, 2005), pp. 164-71, Thomson Gale .
  45. Holmgren, B, Imitation of Life: A Russian Guest in the Polish Regimental Family, in Polish Encounters/Russian Identity, edited by Ransel, D; Shallcross, B (Spring, 2005), pp. 37-49, Indiana University Press .
  46. Holmgren, B, W domu u Sienkiewicza, in Polonistyka Po Amerykansku: Badania Nad Literature Polska W Ameryce Polnocnej (1990-2005), edited by Filipowicz, H; Karcz, A; Trojanowska, T (Summer, 2005), pp. 301-15, Instytut Badan Literackich PAN .
  47. Holmgren, B, Cossack Cowboys, Mad Russians: The Émigré Actor in Studio-Era Hollywood, Russian Review, vol. 64 no. 2 (2005), pp. 236-258, WILEY [doi] .
  48. Gheith, J; Holmgren, B, Art and prostokvasha: Avdot'ia panaeva's work (December, 2003), pp. 128-144 .
  49. Holmgren, B, Introduction, Russian Memoir: History and Literature, vol. 8 no. SUPPL. 5 (December, 2003), pp. S4-S4, Elsevier BV [doi] .
  50. B. Holmgren, "The Polish Actress Unbound: Tales of Modrzejewska/Modjeska", in THE OTHER IN POLISH THEATRE AND DRAMA, Indiana Slavic Series, edited by Bill Johnston, Kathleen Cioffi (Summer, 2003), pp. 57-77, Slavica Publishers .
  51. Holmgren, B, Emigre-zation: American Picture Books and Russian Artists, in KAZAAM! SPLAT! PLOOF! The American Impact on European Culture Since 1945, edited by Ramet, S; Crnkovic, G (Spring, 2003), pp. 219-33, Rowman and Littlefield .
  52. Holmgren, B, America, America: Scouting the Routes of Translation, in Living in Translation: Polish Writers in America, edited by Stephan, H (Spring, 2003), pp. 29-43, Rodopi Press .
  53. Holmgren, B, At Home with Sienkiewicz, in Framing the Polish Home: Postwar Cultural Constructions of Hearth, Nation, and Self, edited by Shallcross, B (Fall, 2002), pp. 219-36, Ohio University Press .
  54. Holmgren, B, Ameryka, Ameryka, czyli jak zyc w przekladzie, in Zycie W Przekladzie, edited by Stephan, H (Fall, 2002), pp. 17-33, Wydawnictwo Literackie, Krakow, Poland .
  55. Holmgren, B, The Importance of Being Unhappy, or Why She Died, in Imitations of Life: Two Centuries of Melodrama in Russia, edited by McReynolds, L; Neuberger, J (Fall, 2002), pp. 79-98, Duke University Press .
  56. Holmgren, B, Writing the Female Body Politic (1945-1985), in The Cambridge History of Russian Women's Literature, edited by Barker, A; Gheith, J (Fall, 2002), pp. 225-42, Cambridge University Press .
  57. Holmgren, B, Virility and Gentility: How Sienkiewicz and Modjeska Redeemed America, Polish Review, vol. XLVI no. 3 (2001), pp. 283-296 .
  58. Holmgren, B, Patronized Saints: The Cult of the Artist in Poland's Illustrated Weekly, East European Politics and Societies, vol. 10 no. 3 (1996), pp. 416-438, SAGE Publications [doi] .
  59. Holmgren, B, Those Unsettling Slavs, Or There's No Place Like Home, Literary Studies East and West, vol. 11 (1996), pp. 98-110 .
  60. Holmgren, B, The Heart of the Matter? Nationalizing the Russian and Polish Romance, Teksty drugie (texts 2), vol. 3/4 (1995), pp. 68-86 .
  61. Holmgren, B, Bug Inspectors and Beauty Queens: The Problems of Translating Feminism into Russian, Genders, vol. 22 (1995), pp. 15-31 .
  62. Holmgren, B, Why Russian Girls Loved Charskaia, Russian Review, vol. 54 no. 1 (1995), pp. 91-106, JSTOR [130776], [doi] .
  63. Holmgren, B, The Transfiguring of Context in the Work of Abram Terts, Slavic Review, vol. 50 no. 4 (1991), pp. 965-977, Cambridge University Press (CUP) [2500476], [doi]  [abs].
  64. Holmgren, B, Rozmowy z Gombrowiczem.(Gombrowicz’s A Kind of Testament), Pamiętnik Literacki (The Literary Journal), vol. 1 (1990), pp. 75-106 .
  65. Holmgren, B, Witold Gombrowicz within the Wieszcz Tradition, The Slavic and East European Journal, vol. 33 no. 4 (1989), pp. 556-570, JSTOR [308286], [doi] .

Book Reviews

  1. Holmgren, B, "A Whole World of Mythology". Women's Review of Books 36:1 (February, 2019): 12-13.  [abs]
  2. Holmgren, B, "Their Own Wars: A Review of Svetlana Alexievich's THE UNWOMANLY FACE OF WAR: AN ORAL HISTORY OF WOMEN IN WORLD WAR II". Women's Review of Booksbbbbbb 54:6 (December, 2017): 11-13.
  3. Holmgren, B, "The Cult of Forbidden Thoughts: The Big Green Tent by Liudmila Ulitskaya, translated by Polly Gannon". Women's Review of Books 33:4 (July, 2016): 12-13.

Papers Accepted

  1. B. Holmgren, "Lopek and Company: The Warsaw Careers of Kazimierz Krukowski", POLIN: Studies in Polish Jewry (2014) .
  2. B. Holmgren, Russia on Their Mind: How Hollywood Depicted the Soviet Front, in AMERICANS EXPERIENCE RUSSIA: ENCOUNTERING THE ENIGMA, 1917 TO THE PRESENT (forthcoming in 2013), pp. 24 pp in ms. .

Translations

  1. Holmgren, B, Jerzy Jurandot, edited by Sandru, C; Koropeckyj, R, Literary Encyclopedia (2017) .


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