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Books
- D'Alessandro, M. Staged Readings Contesting Class in Popular American Theater and Literature, 1835-75. (2022): 300 pages. [abs]
Papers/Articles/Chapters in Books
- D’Alessandro, M. "Dickens and Shakespeare and Longfellow, Oh My!: Staging the Fan Canon at the Nineteenth-Century Authors’ Carnivals." American Literary History 35:2 (May,
2023): 715-743. [doi] [abs]
- D'Alessandro, M. "At-Home Humbugs: Freaks and Fakes in the Nineteenth-Century Parlor Museum." Theatre Survey 63:1 (January,
2022): 3-33. [doi] [abs]
- d'Alessandro, M. ""If Actresses Ever Are Themselves": Living Pictures, Dying Women, and British Class Pretensions in Alcott's Behind a Mask." ESQ: A Journal of Nineteenth-Century American Literature and Culture 68:4 (2022): 423-461. [doi]
- D'Alessandro, M. "“Storms! Shipwrecks! Massacres!: Playbill Puffery and Other Visual Collisions in Nineteenth-Century America.”." American Art 33:3 (2019): 94-113.
- D'Alessandro, MF. ""George Lippard's 'Theatre of Hell': Apocalyptic Melodrama and Working-Class Spectatorship in the Quaker City."." The Journal of Nineteenth-Century Americanists 5:2 (2017).
- D'Alessandro, M. "The Drunkard's Directions: Mapping Urban Space in the Antebellum Temperance Drama." The New England Quarterly 87:2 (June,
2014): 252-291. [doi] [abs]
- D’Alessandro, M. "The Mouth Trap: Orality and the Rabelaisian Grotesque in Norris’s McTeague." Studies in American Naturalism 9:1 (June,
2014): 1-25. [doi]
- D'Alessandro, MF. "Childless 'Fathers,' Native Sons: Performing the Indian in Faulkner's Go Down, Moses." Mississippi Quarterly 67:3 (2014): 375-375.
- D'Alessandro, MF. "Shifting Perceptions, Precarious Perspectives in Two of O'Neill's Early Sea Plays." The Eugene O'Neill Review 27 (2007): 21-21.
Short Stories
- D'Alessandro, M, Stumbling Into Utopia,
Duke Magazine no. Special 2019
(August, 2019) .
Book Reviews
- D'Alessandro, M, "“Creole Drama (by Juliane Braun) and Provocative Eloquence (by Laura Mielke)”". American Literature 92:3 (September,
2020): 589-591.
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