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Publications of R. Darren Gobert    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Gobert, RD. The Theatre of Caryl Churchill.  Bloomsbury Publishing, (September, 2014): 328 pages.  [abs]
  2. Gobert, RD. The Mind-Body Stage Passion and Interaction in the Cartesian Theater.  Stanford University Press, (August, 2013): 264 pages.  [abs]

Plays/Screenplays

  1. Gobert, RD. Love and Information by Caryl Churchill, or sexuality and gender in non-binary times. (December, 2022): 179-192. [doi]  [abs]
  2. Gobert, RD. Adaptations.  edited by Kornhaber, D; Loehlin, J Cambridge University Press, (June, 2021): 214-221.  [abs]
  3. Gobert, RD. The Immaterial Matters.  edited by Haslam, J; Faflak, J University of Toronto Press, (2013): 250-267.
  4. Gobert, RD. Arcadia and the Ghosts of Past Performance.  edited by Campos, L; Vatain, J Presses universitaires de Rennes, (2011): 147-59.
  5. Gobert, RD. Dramatic Catharsis, Freudian Hysteria, and the "Private Theatre" of Anna O.  edited by Pribram, D; Harding, J Routledge, (2009): 321-335.
  6. Gobert, RD. On Performance and Selfhood in Caryl Churchill.  edited by Aston, E; Diamond, E Cambridge UP, (2009): 105-124.
  7. Gobert, RD. Historicizing Emotion: The Case of Freudian "Hysteria" and Aristotelian "Purgation".  edited by Smith, M; Davidson, J; Cameron, L; Bondi, L Routledge, (2009): 57-76.

Papers/Articles/Chapters in Books

  1. Gobert, RD. "Performance and Modernity: Enacting Change on the Globalizing Stage By Julia A. Walker. Cambridge: Cambridge University Press, 2021; pp. xiii + 299, 20 illustrations. $99.99 cloth, $99.99 e-book.." Theatre Survey 64:2 (May, 2023): 231-233. [doi]
  2. Gobert, RD. "The Seven Streams of the River Ota: National Theatre, London, UK." PAJ: A Journal of Performance and Art 43:3 (September, 2021): 35-39. [doi]
  3. Gobert, RD. "Review of Mount Oympus, directed by Jan Fabre.." Theatre Journal 71:3 (September, 2019): 369-373. [doi]
  4. Gobert, RD; Mackay, E; Owens, C; Watt, I; Wolff, T. "Drama Drama: The State of Drama Studies in the Profession." The Harold Pinter Review 2:1 (2018): 1-15.
  5. Gobert, RD. "Editor's Note." Modern Drama 60:4 (2017): iii-vi.
  6. Gobert, RD. "Editor's Note." Modern Drama 60:3 (2017): iii-v.
  7. Gobert, RD. "The Field of Modern Drama, or Arcadia." Modern Drama 58:3 (September, 2015): 285-301. [doi]
  8. Gobert, RD. "Behaviorism, Catharsis, and the History of Emotion." Journal of Dramatic Theory and Criticism 26:2 (March, 2012): 109-125. [doi]
  9. Gobert, RD. "CARTESIAN SUBJECTIVITY ON THE NEOCLASSICAL STAGE; OR, MOLIÈRE ACTS CORNEILLE FOR LOUIS XIV." Theatre Survey 49:1 (May, 2008): 65-89. [doi]  [abs]
  10. Gobert, RD. "Finding a Physical Language: Directing for the Nineties Generation." New Theatre Quarterly 24:2 (May, 2008): 141-157. [doi]  [abs]
  11. Gobert, RD. "Cognitive Catharsis in The Caucasian Chalk Circle." Modern Drama 49:1 (March, 2006): 12-40. [doi]
  12. Gobert, RD. "The Antitheatrical Paradox in Michel Marc Bouchard’s Les Feluettes, ou La Répétition d’un drame romantique." Canadian Literature == 188 (2006): 47-61.

Book Reviews

  1. Gobert, RD, "Review of Acting, Spectating and the Unconscious by Maria Turri". Theatre Research International 43:2 (2018): 228-229.
  2. Gobert, RD, "Review of The First Frame: Theatre Space in Enlightenment France by Pannill Camp". Theatre Journal 67:4 (2015): 761-762.
  3. Gobert, RD, "Review of The Persistence of Allegory: Drama and Neoclassicism from Shakespeare to Wagner by Jane K. Brown". Modern Philology 107:3 (2010): E45-E48.


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