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Publications of Gennifer Weisenfeld    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Weisenfeld, GS, The Fine Art of Persuasion: Corporate Advertising Design, Nation, and Empire in Modern Japan, in (in preparation) (2025), Duke University Press (in preparation.) [doi]  [abs]
  2. Weisenfeld, G, The Complete Commercial Artist: Making Modern Design in Japan, 1928-1930 (January, 2024), Letterform Archive Books, ISBN 9781736863343  [abs]
  3. Weisenfeld, GS, Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan (2023), University of Chicago Press  [abs]
  4. Weisenfeld, G, Imaging Disaster Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 (November, 2012), pp. 414 pages, Univ of California Press, ISBN 9780520271951 [book.php]  [abs]
  5. Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Levine, G; Watsky, A; Weisenfeld, G (2012), Princeton University Press
  6. Weisenfeld, GS, Mavo: Japanese Artists and the Avant-Garde, 1905-1931 (2002), Berkeley, University of California Press, ISBN 0520223381 [book.php]  [abs]

Articles Published

  1. Weisenfeld, GS, On Imaging Disaster: Tokyo and the Visual Culture of Japan's Great Earthquake of 1923 (February, 2015), The Asia-Pacific Journal
  2. Weisenfeld, GS, Industrial Poisoning Minamata, 1972, in Getting the Picture: The Visual Culture of the News, edited by Hill, J; Schwartz, VR (2015), pp. 94-96, Bloomsbury Academic
  3. Weisenfeld, GS, Die Verbildlichung der Katastrophe in Japan, in Von Atlantis bis heute: Mensch, Natur, Katastrophe (2014), pp. 155-161, Reiss-Engelhorn-Museen  [abs]
  4. Weisenfeld, GS, Gas Mask Parade: Japan’s Anxious Modernism, vol. 21 no. 1 (2014), pp. 179-199, Johns Hopkins University Press
  5. Weisenfeld, GS, Laughing in the Face of Calamity: Visual Satire after the Great Kantô Earthquake, in Disaster as Image: Iconographies and Media Strategies across Europe and Asia (2014), pp. 125-134, Schnell und Steiner
  6. Weisenfeld, GS, Western-Style Painting in Japan: Mimesis, Individualism, and Japanese Nationhood, in Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms, edited by Brien, EO; Nicodemus, E; Chiu, M (2013), pp. 165-180, Wiley-Blackwell  [abs]
  7. Weisenfeld, GS, Shiseido Chic: The Cosmopolitan Aesthetics of Japanese Cosmetics, in Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Levine, G; Watsky, A; Weisenfeld, G (2012), pp. 159-179, Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press
  8. Weisenfeld, GS, Japanese Typographic Design and the Art of Letterforms, in Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Silbergeld, Jerome, ; Ching, Dora C. Y., ; Smith, Judith G., ; Murck, Alfreda, (2011), pp. 827-848, Department of Art and Archaeology, Princeton University in association with Princeton University Press [repository]
  9. Weisenfeld, GS, The Expanding Arts of the Interwar Period, in Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, edited by Rimer, JT (2011), pp. 66-98, University of Hawaii Press
  10. Weisenfeld, GS, Publicity and Propaganda in 1930s Japan: Modernism as Method, Design Issues, vol. 25 no. 4 (Fall, 2009), pp. 13-28, MIT Press [repository]
  11. Weisenfeld, GS, Selling Shiseido: Cosmetics Advertising & Design in Early 20th-Century Japan (2008), MIT Visualizing Cultures (Visualizing Cultures Website, Massachusetts Institute of Technology.) [html]  [abs]
  12. Weisenfeld, GS, Reinscribing Tradition in a Transnational Art World, in Asian art history in the twenty-first century, edited by Desai, VN (2007), pp. 181-198, Yale University Press, Williamstown, MA, ISBN 9780300125535 [repository]  [abs]
  13. Weisenfeld, GS, Publicité et Propagande Dans le Japon des Années 1930: Le Modernisme Comme Méthode, in La société Japonaise devant la montée du militarisme: Culture populaire et contrôle social dans les années 1930, edited by Tschudin, J-J; Hamon, C (2007), pp. 47-70, Editions Philippe Picquier  [abs]
  14. Saigai to Shikaku: Kantō Daishinsai no Shikaku Hyōshō o Megutte” (Disaster and Vision: On the Visual Representations of the Great Kantō Earthquake), in Kioku to Rekishi: Nihon ni okeru Kako no Shikakuka o megutte (Memory and History: Visualising the Past in Japan), edited by Yasunori, T (2007), pp. 42-53, Waseda Daigaku Aizu Yaiichi Kinen Hakubutsukan
  15. Women and Words: Two Language Artists in Contemporary Japan, in Persistence/Transformation: Text as Image in the Art of Xu Bing, edited by Silbergeld, J; Ching, DCY (2006), pp. 59-85, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press
  16. Weisenfeld, GS, ‘From Baby’s First Bath’: Kao Soap and Modern Japanese Commercial Design, The Art Bulletin, vol. LXXXVI no. 3 (September, 2004), pp. 573-598 [repository]
  17. Weisenfeld, GS, Tada Hokuu no Kōkoku Bigaku to Josei no Shōchōsei (Tada Hokuu’s Advertising Aesthetics and the Symbolic Value of Women), in Manazashi no Yukue: Tada Hokuu to Sono Shigoto-ten (2003), Utsunomiya Museum of Art, Japan
  18. Weisenfeld, GS, Nihon ni okeru Shōgyō Dezainshi to Sono Kenkyū (Art History and the Study of Japanese Commercial Design), Bijutsu Forum, vol. 21 (November, 2001), pp. 123-130
  19. Weisenfeld, GS, Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues, in Visual Cultures of Japanese Imperialism, edited by Weisenfeld, G, Positions: east asia cultures critique, vol. 8 no. 3 (Winter, 2000), pp. 747-793, Duke University Press, ISSN 1527-8271
  20. Weisenfeld, GS, Japanese Modernism and Consumerism: Forging the New Artistic Field of Shōgyō Bijutsu, in Being Modern in Japan, edited by Tipton, E; Clark, J (2000), pp. 75-98, Sydney, Australian Humanities Research Foundation
  21. Weisenfeld, GS, Guest Editor's Introduction: Visual Cultures of Japanese Imperialism, positions: east asia cultures critique, vol. 8 no. 3 (2000), pp. 591-603, Duke University Press
  22. Weisenfeld, GS, Designing After Disaster: Barrack Decoration and the Great Kanto Earthquake, Japanese Studies, vol. 18 no. 3 (1998), pp. 229-246 [repository]
  23. Weisenfeld, GS, Imaging Calamity: Artists in the Capital after the Great Kantô Earthquake, in MOBO MOGA/ Modern Boy, Modern Girl: Japanese Modern Art 1910-1935, edited by Tipton, E; Clark, J; Tipton, EK; Clark, J (1998), pp. 75-98, Art Gallery of New South Wales, Sydney, ISBN 0824823605
  24. Weisenfeld, GS, Mavo’s ‘Conscious Constructivism’: Art, Individualism, and Daily Life in Interwar Japan, Art Journal, vol. 55 no. 3 (Fall, 1996), pp. 64-73 [repository]

Book Reviews

  1. Weisenfeld, GS, Hokusai’s Great Wave: Biography of a Global Icon (January, 2017), caa.reviews  [abs]
  2. Weisenfeld, GS, Maximum Embodiment: Yōga, The Western Painting of Japan, 1912-1955 by Bert Winther-Tamaki, Journal of Japanese Studies, vol. 40 no. 1 (Winter, 2014), pp. 187-190, ISSN 1549-4721
  3. Weisenfeld, GS, Nihonga, Transcending the Past: Japanese-Style Painting 1868-1968 by By Ellen Conant, Steven Owyoung, and J. Thomas Rimer, Journal of Asian Studies, vol. 56 no. 4 (November, 1998), pp. 1094-1096

Edited Volumes

  1. Visual Cultures of Japanese Imperialism, Positions, vol. 8 no. 3 (Winter, 2000), Duke University Press
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