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Publications of Carlos Rojas    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Rojas, C, The naked gaze: Reflections on Chinese modernity (March, 2020), pp. 1-330, Harvard University Asia Center  [abs].
  2. Rojas, C, Preface: Imagining China (January, 2020), pp. xi-xv .
  3. Rojas, C, Introduction: My Language is not my own: Translation, displacement, and contemporary Chinese literature (January, 2020), pp. 1-14 [doi]  [abs].
  4. Rojas, C; Sung, MH, Reading China against the grain: Imagining communities (January, 2020), pp. 1-237 [doi]  [abs].
  5. Rojas, C, A Unity of Fragments: Fruit Chan and Hong Kong Cinema (2017), Hong Kong University Press .
  6. Ng, KC, Slow Boat to China and Other Stories, edited by Rojas, C (March, 2016), pp. 304 pages, Columbia University Press (translated by Rojas, C.)  [abs].
  7. Rojas, C; Litzinger, RA, Ghost Protocol: Development and Displacement in Global China, edited by Rojas, C; Litzinger, R (2016), pp. 268 pages, Duke Univesity Press  [abs].
  8. Jia, P, The Lantern Bearer by Jia Pingwa (2016), CN Times Books, Inc. (translated by Rojas, C.) .
  9. Ng, KC, Slow Boat to China and Other Stories by Ng Kim Chew, edited by Rojas, C (2016), Columbia University Press (translated by Rojas, C.) .
  10. Yan, L, Explosion Chronicles by Yan Lianke (2016), Grove/Atlantic Press (translated by Rojas, C.) .
  11. The Oxford Handbook of Modern Chinese Literatures, edited by Rojas, C; Bachner, A (2016), pp. 952 pages, Oxford University Press  [abs].
  12. Carlos Rojas, Homesickness: Culture, Contagion, and National Reform in Modern China (2015), Harvard University Press .
  13. Rojas, C, Luoguan: Zhongguo xiandaixing de fansi 裸觀： 中國現代性的反思 (2015), Rye Field  [abs].
  14. Rojas, C, Homesickness: Culture, Contagion, and National Transformation in Modern China (2015), Harvard University Press .
  15. Yan, L, The Four Books by Yan Lianke (2015), Grove/Atlantic (translated by Rojas, C.) .
  16. Yan, L, Marrow (2015), Penguin Books China (translated by Rojas, C.) .
  17. Yan, LK, Marrow (2015), Penguin Random House (translated by Rojas, C.) .
  18. The Oxford Handbook of Chinese Cinemas, edited by Rojas, C; Cheng-yin Chow, E (2013), Oxford University Press .
  19. Carlos Rojas and Eileen Chow, Oxford Handbook of Chinese Cinemas, edited by Rojas, C; Chow, E (2013), Oxford University Press .
  20. Yan, L, Lenin’s Kisses by Yan Lianke (2012), Grove/Atlantic Press (translated by Rojas, C.) .
  21. Rojas, C, The Great Wall: A Cultural History (2010), Harvard University Press .
  22. Carlos Rojas and Eileen Cheng-yin Chow, Rethinking Chinese Popular Culture: Cannibalizations of the Canon, edited by Rojas, C; Cheng-yin Chow, E (2009), Routledge .
  23. Yu, H, Brothers: A Novel by Yu Hua (2009), Pantheon (translated by Rojas, C; Cheng-yin Chow, E.) .
  24. Rojas, C; Chow, ECY, Rethinking chinese popular culture: Cannibalizations of the canon (December, 2008), pp. 1-288 [doi]  [abs].
  25. Rojas, C, Introduction: The disease of canonicity, in Rethinking Chinese Popular Culture: Cannibalizations of the Canon, Carlos Rojas and Eileen Cheng-yin Chow, eds. (December, 2008), pp. 1-12, Routledge .
  26. David Der-wei Wang and Carlos Rojas, Writing Taiwan: A New Literary History, edited by Der-wei Wang, D; Rojas, C (2007), Duke University Press .
  27. Writing Taiwan: A New Literary History (2007), Duke University Press .

Papers Published

  1. Rojas, C, Queer intersectionality: QUEERING animality: Identity and alterity in Chiu Miao-Chin's fiction, in Queer Literature in the Sinosphere (October, 2024), pp. 187-202 .
  2. Rojas, C, Introduction, Journal of Chinese Film Studies, vol. 4 no. 2 (August, 2024), pp. 197-208 [doi] .
  3. Rojas, C, YAN LIANKE’S HETEROTOPIC IMAGINARIES, in A World History of Chinese Literature (January, 2023), pp. 264-273 [doi]  [abs].
  4. Rojas, C, Untamed: Wilderness and Domestication in Zhang Guixing’s Elephant Herd, Chinese Literature and Thought Today, vol. 54 no. 1-2 (January, 2023), pp. 27-37 [doi]  [abs].
  5. Chang, KH; Rojas, C, Elephant Herd (An Excerpt), Chinese Literature and Thought Today, vol. 54 no. 1-2 (January, 2023), pp. 38-43 [doi]  [abs].
  6. Rojas, C, Heart and body: Queer crossings in Go Princess Go, Journal of Chinese Cinemas, vol. 17 no. 1 (January, 2023), pp. 95-107 [doi]  [abs].
  7. Rojas, C, Yingjin Zhang: Worlds of Literature, Chinese Literature and Thought Today, vol. 54 no. 3-4 (January, 2023), pp. 33-35 [doi]  [abs].
  8. Rojas, C, Future Imperfect: Using the Future to Critique the Present, China Perspectives, vol. 2023 no. 135 (January, 2023), pp. 19-27 [doi]  [abs].
  9. Rojas, C, Chen Xue, Missing Fathers, and Queer Alternatives, in Sinophone and Taiwan Studies (2023), pp. 111-123, Springer Nature Singapore [doi] .
  10. Rojas, C, The great Buddha+ (2017): Tracing the limits of the visible, in Thirty-two New Takes on Taiwan Cinema (December, 2022), pp. 426-348 .
  11. Rojas, C, Becoming Semi-wild: Colonial Legacies and Interspecies Intimacies in Zhang Guixing’s Rainforest Novels, Prism, vol. 19 no. 2 (September, 2022), pp. 438-453 [doi]  [abs].
  12. Rojas, C, Introduction: Worlds Built of Sand, Prism, vol. 19 no. 2 (September, 2022), pp. 265-282 [doi]  [abs].
  13. Rojas, C, Iwo Amelung (ed.), Discourses of Weakness in Modern China: Historical Diagnoses of the ‘Sick Man of East Asia’, Social History of Medicine, vol. 35 no. 1 (March, 2022), pp. 337-338, Oxford University Press (OUP) [doi] .
  14. Rojas, C, Introduction: Ground and Background, Prism, vol. 19 no. 1 (March, 2022), pp. 157-166 [doi] .
  15. Rojas, C, Worlding Taiwan: Taiwanese Literature’s Contingent Constructions, in Taiwanese Literature as World Literature (January, 2022), pp. 35-50 [doi] .
  16. Lin, S; Hong, L; Goedde, E; Rojas, C; Ying, H, China in One Village: A Conversation on Literature and Translation in a Changing World, Chinese Literature and Thought Today, vol. 53 no. 1-2 (January, 2022), pp. 107-116, Informa UK Limited [doi]  [abs].
  17. Rojas, C, Discourses of Disease: Representations of Cancer and Viral Infection in Contemporary China, Chinese Literature and Thought Today, vol. 53 no. 3-4 (January, 2022), pp. 53-59, Informa UK Limited [doi]  [abs].
  18. Rojas, C, Touching Father: Sight, Sound, Touch, and Intermedial Intimacies, in Sensing China: Modern Transformations of Sensory Culture (January, 2022), pp. 230-249 [doi]  [abs].
  19. Rojas, C, THE OLD WOMAN WITH THE KNIFE, NEW YORK TIMES BOOK REVIEW, vol. 127 (2022), pp. 22-22 .
  20. Rojas, C, PYRE, NEW YORK TIMES BOOK REVIEW, vol. 127 (2022), pp. 22-22 .
  21. Rojas, C, STRANGERS I KNOW, NEW YORK TIMES BOOK REVIEW, vol. 127 (2022), pp. 22-22 .
  22. Rojas, C, DIALECTICAL UTOPIANISM, in SINOPHONE UTOPIAS (2022), pp. 205-223 .
  23. Rojas, C, WRITING SOUTH Narratives of Homeland and Diaspora in Southeast Asia, in NEW WORLD ORDERINGS (2022), pp. 204-221 .
  24. Rojas, C; Rofel, L, Contact, Communication, Imagination, and Strategies of Worldmaking INTRODUCTION, in NEW WORLD ORDERINGS (2022), pp. 1-+ .
  25. Rojas, C, At Home in the World: Wandering Earth, Environmentalism, and Reimagined Homelands, Journal of Chinese Film Studies, vol. 1 no. 2 (November, 2021), pp. 223-236 [doi]  [abs].
  26. Rojas, C, Contagion and Dissemination An Immunological Reading of Chang Kuei-hsing's Elephant Herd, Sun Yat-sen Journal of Humanities, vol. 51 no. 51 (July, 2021), pp. 111-127  [abs].
  27. Rojas, C, Introduction: Between the universal and the particular, Prism, vol. 18 no. 1 (March, 2021), pp. 235-243 [doi] .
  28. Rojas, C, A Surplus of Fish: Language, Literature, and Cultural Ecologies in Ng Kim Chew’s Fiction, International Journal of Taiwan Studies, vol. 4 no. 1 (January, 2021), pp. 121-141 [doi]  [abs].
  29. Rojas, C, Wandering the Garden, Waking from a Dream, Chinese Literature Today, vol. 10 no. 1 (January, 2021), pp. 25-33 [doi]  [abs].
  30. Rojas, C, 2014 Nomination Statement, Chinese Literature Today, vol. 10 no. 1 (January, 2021), pp. 7-8 [doi] .
  31. Rojas, C, Turning the Tables: Derrida, China, and the Asia Turn, Diacritics, vol. 49 no. 1 (January, 2021), pp. 88-105 [doi] .
  32. Rojas, C, OVERSEAS CHINESE NEWSPAPERS, in LITERARY INFORMATION IN CHINA (2021), pp. 561-568 .
  33. Rojas, C, Contagion and Dissemination An Immunological Reading of Chang Kuei-hsing's Elephant Herd, SUN YAT-SEN JOURNAL OF HUMANITIES no. 51 (2021), pp. 99-114 .
  34. Rojas, C, “A new species” gender, sexuality, and taxonomic logics in sinophone communities, Prism, vol. 17 no. 2 (October, 2020), pp. 277-297 [doi]  [abs].
  35. Rojas, C, Intermediality-"A weird concept": Queer intermediality in Dung Kai-cheung's fiction, in Keywords in Queer Sinophone Studies (April, 2020), pp. 175-189 .
  36. Rojas, C, Xiaolu guo’s i am China: On copulas and copulation, in Reading China against the Grain: Imagining Communities (January, 2020), pp. 214-231 [doi]  [abs].
  37. Rojas, C, Cai Guo-Qiang, Diacritics, vol. 47 no. 9 (January, 2020), pp. 130-135 [doi] .
  38. Rojas, C, The Coin of Gender in Pinhua baojian, in Dynastic Crisis and Cultural Innovation: From the Late Ming to the Late Qing and Beyond (January, 2020), pp. 297-324 .
  39. Rojas, C, Black and White Swans: Pandemics, Prognostications, and Preparedness, in The Coronavirus: Human, Social and Political Implications (January, 2020), pp. 61-68 [doi]  [abs].
  40. Rojas, C, Before and after The Midnight After Occupy Central's Specters of Utopia and Dystopia, in UTOPIA AND UTOPIANISM IN THE CONTEMPORARY CHINESE CONTEXT (2020), pp. 183-195 .
  41. Rojas, C, Method as method, Prism, vol. 16 no. 2 (October, 2019), pp. 211-220 [doi] .
  42. Rojas, C, Translation as method, Prism, vol. 16 no. 2 (October, 2019), pp. 221-235 [doi]  [abs].
  43. Rojas, C, Of lice and men a parasitic reading of Jia Pingwa’s the lantern bearer, Prism, vol. 16 no. 1 (March, 2019), pp. 19-32 [doi]  [abs].
  44. Rojas, C, Book review: Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body Ari Larissa Heinrich, China Information, vol. 33 no. 1 (March, 2019), pp. 111-113, SAGE Publications [doi] .
  45. Rojas, C, THE "TURN" TURN, DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM, vol. 47 no. 4 (2019), pp. 4-11 [doi] .
  46. Rojas, C, Contradiction, in AFTERLIVES OF CHINESE COMMUNISM: POLITICAL CONCEPTS FROM MAO TO XI (2019), pp. 43-+ .
  47. Rojas, C, “A World Republic of Southern [Sinophone] Letters”, Modern Chinese Literature and Culture, vol. 30 no. 1 (March, 2018), pp. 42-62, FOREIGN LANGUAGE PUBL .
  48. Rojas, C, The Impotence Epidemic: Men's Medicine and Sexual Desire in Contemporary China. By Everett Yuehong Zhang . Durham, N.C.: Duke University Press, 2015. 304 pp. ISBN: 9780822358565 (paper, also available in cloth)., The Journal of Asian Studies, vol. 76 no. 2 (May, 2017), pp. 513-515, Duke University Press [doi] .
  49. Rojas, C, Language, ethnicity, and the politics of literary taxonomy: Ng Kim Chew and Mahua literature, PMLA, vol. 131 no. 5 (October, 2016), pp. 1316-1327, Modern Language Association (MLA) [doi]  [abs].
  50. Rojas, C, Dream of the Red Chamber Internet Fan Fiction and Literary Canonicity, Theoretical Studies in Literature and Art, vol. 36 no. 3 (May, 2016), pp. 190-200  [abs].
  51. Rojas, C, The Stranger and the Chinese Moral Imagination by Haiyan Lee, Harvard Journal of Asiatic Studies, vol. 76 no. 1-2 (2016), pp. 253-260, Project MUSE [doi] .
  52. Rojas, C, How to do Things with Words: Don Quijote, in China's Literary Cosmopolitans: Qian Zhongshu, Yang Jiang, and the World of Modern Letters, edited by Race, C (2015), Brill .
  53. Rojas, C, Queer Utopias in Wong kar-wai's Happy Together, in Companion to Wong Kar-Wai, edited by Nochimson, M (2015), Wiley-Blackwell .
  54. Rojas, C, The Persistence of Form: Nation, Literary Movement, and the Fiction of Ng Kim Chew, in A Companion to Modern Chinese Literature, edited by Zhang, Y (2015), Wiley-Blackwell .
  55. Rojas, C, Speaking from the Margins: Yan Lianke, in The Columbia Companion of Modern Chinese Literature, edited by Denton, K (2015), Columbia University Press .
  56. Rojas, C, Time out of Joint: Commemoration and Commodification of Socialism in Yan Lianke's Lenin's Kisses, in Red Legacies in China: Aferlives of the Revolution in Contemporary Chinese Culture and Society, edited by Li, J; Zhang, E (2015), Harvard University Asia Center .
  57. Rojas, C, Introduction: Specters of Marx, Shades of Mao, and the Ghosts of Global Capital, in Ghost Protocol: Development and Displacement in Global China, edited by Rojas, C; Litzinger, E (2015), Duke Univesity Press .
  58. Rojas, C, I am Great Leap Liu!: Circuits of Labor, Information, and Identity in Contemporary China, in Ghost Protocol: Development and Displacement in Global China (2015), Duke Univesity Press .
  59. Rojas, C, Footsteps on the Beach: SARS, Viral Knowledge, and Rethinking Political Community, in 20th ICLA Congress Proceedings (2015), ICLA .
  60. Rojas, C, Ng Kim Chew, in The Routledge Encyclopedia of Modernism, edited by Ross, S (2014), Routledge .
  61. Rojas, C, Mu Shiying, in The Routledge Encyclopedia of Modernism, edited by Ross, S (2014) .
  62. Rojas, C, Return of the Vagabond: Cui Jian and China’s Democracy Movement, in Sounds of Resistance: The Role of Music in Multicultural Activism: Volume 1: Activism in the United States: Volume 2: International Activism, vol. 2 (January, 2013), pp. V2-311-V2-328 .
  63. Rojas, C, Review of Jing Tsu, Sound and Script in Chinese Diaspora, American Historical Review (2013), Oxford University Press (OUP) .
  64. Rojas, C, Review of Laikwan Pang, Creativity and its Discontents: China's Creative Industries and Property Rights Offensives, Journal of Asian Studies (2013), Cambridge University Press (CUP) .
  65. Rojas, C, Creativity and Its Discontents: China's Creative Industries and Property Rights Offenses., JOURNAL OF ASIAN STUDIES, vol. 72 no. 2 (2013), pp. 455-457 [doi] .
  66. Rojas, C, Sound and Script in Chinese Diaspora., AMERICAN HISTORICAL REVIEW, vol. 118 no. 3 (2013), pp. 831-832 [doi] .
  67. Rojas, C, China's Literary Nobel Complex is Defused, The New Republic (October, 2012) .
  68. Rojas, C, Writing the Body, in TRANSGENDER CHINA (2012), pp. 199-223 .
  69. Rojas, C, Review of Shuang Shen, Cosmopolitian Publics: Anglophone Print Culture in Semi-Colonial Shanghai, CLEAR (Chinese Literature, Essays, Articles, Reviews), vol. 33 (2011) .
  70. Rojas, C, Introduction: "The Germ of Life", MODERN CHINESE LITERATURE AND CULTURE, vol. 23 no. 1 (2011), pp. 1-16 .
  71. Rojas, C, Of Canons and Cannibalism: A Psycho-Immunological Reading of "Diary of a Madman", MODERN CHINESE LITERATURE AND CULTURE, vol. 23 no. 1 (Spring, 2011), pp. 47-76 .
  72. Rojas, C, Discourses of Disease, edited by Rojas, C, Modern Chinese Literature and Culture no. 23.1 (Spring, 2011)  [abs].
  73. Rojas, C, Alai and the linguistic politics of internal Diaspora, in Chinese Overseas, Chinese Overseas, vol. 3 (January, 2010), pp. 115-132, Brill Press [doi] .
  74. Rojas, C, ALAI AND THE LINGUISTIC POLITICS OF INTERNAL DIASPORA, in Chinese Overseas, vol. 3 (January, 2010), pp. 115-132 [doi] .
  75. Rojas, C, Obama's Majestic Shot at the Great Wal of China, The Herald-Sun (November, 2009), pp. A7 .
  76. Rojas, C, Our Embrace of Vampires Reflects the Needs of an Age, The Herald-Sun (November, 2009) .
  77. Rojas, C, Postsocialism and Cultural Politics: China in the Last Decade of the Twentieth Century, JOURNAL OF ASIAN STUDIES, vol. 68 no. 3 (2009), pp. 961-963 [doi] .
  78. Rojas, C, Authorial afterlives and apocrypha in 1990s Chinese fiction, in Rethinking Chinese Popular Culture: Cannibalizations of the Canon (December, 2008), pp. 262-282, Routledge .
  79. Rojas, C, Chinese modernity and global biopolitics: Studies in literature and visual culture, CHINA JOURNAL, vol. 60 (2008), pp. 208-211 [doi] .
  80. Rojas, C, The Politics of Secondary Virginity, Litteraturmagasinet Standart, vol. 1 (2007), pp. 34-35 (translated by Ladegaard, J.) .
  81. Rojas, C, Wumingshi, in Dictionary of Literary Biography, edited by Moran, T (2007), Bruccoli Clary Layman, Inc. .
  82. Rojas, C, Flies' eyes, mural remnants, and Jia Pingwa's perverse nostalgia, Positions, vol. 14 no. 3 (January, 2006) [doi] .
  83. Rojas, C, Li Yongping, in Encyclopedia of Contemporary Chinese Culture, edited by Davis, E (2005), pp. 460, Routledge .
  84. Rojas, C, Gao Xingjian, in Great World Writers: Twentieth Century, edited by O'Niel, P, vol. 2 (2004), pp. 225-244, Marshall Cavendish .
  85. Rojas, C, Chou Shu-jen, in Great World Writers: Twentieth Century, edited by O'Niel, P, vol. 3 (2004), pp. 377-388, Marshall Cavendish .
  86. Rojas, C, Review of Xiaobing Tang, The Chinese Modern, Journal of Asian Studies, vol. 62 no. 1 (2003), pp. 260-261 .
  87. Rojas, C, Review of Liu Kang, Aesthetics and Marxism, CLEAR (Chinese Literature Essays and Review), vol. 23 (2001), pp. 164-167 .

Translations

  1. Yan Lianke (Carlos Rojas, trans.), The Four Books (2015), Grove/Atlantic .
  2. Yan Lianke (Carlos Rojas, trans.), Lenin's Kisses (2012), Grove/Atlantic Press .
  3. Yu Hua (Eileen Cheng-yin Chow and Carlos Rojas, trans.), Brothers: A Novel (2009), Pantheon (Translation short-listed for the 2008 Man Asian Literary Prize.) .
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